THE HALL OF AUDIENCE

"This, gentlemen and respected sirs," said the blatant specimen of new

India whom my friend Robbins had insisted on having as a guide to a

ruined Rajput town, "is Hall of Common Audience, in more colloquial

phrase, Court of Justice, built two, ought, six before Christ B.C. by

Great Asoka, mighty monarch of then united Hindustan, full of Manu

wisdoms, and sacred Veda occultations--"

Then I gave in. "For God's sake, Robbins," I said, "take away that

fool or I shall kill him. A man who be-plasters even the Deity with

university degrees is intolerable here."

Robbins gave me that look of condoling forbearance which had nearly

driven me mad for a week and beguiled the _babee_ away promptly, as if

I had been a fractious child. I was, however, only a jilted man. A

badly jilted man, whose jilting was of the kind which becomes almost

comic from sheer excess of tragedy. To be brief, I had gone down on

ten days' leave to Bombay to meet and marry the girl to whom I had

been engaged for two years. Robbins, who was coming out in the same

ship with her, was to have been best man. We had certainly been in

love with each other when we last met; at least, if I was not, I have

never been in love at all. If she was not, then I have never seen a

girl in love. I wish to be absolutely fair in the matter, so I will

confess that, as I went to meet her, I knew myself to be less

emotional than I had been two years before. I had even vague qualms as

to whether this sort of thing was quite wise. I was, to put it curtly,

in the mental condition in which every man about to marry a _fiancee_

whom he has not seen for two years must be. Presumably her mental

condition was similar. But whereas I had to spend the three weeks

preceding the irrevocable step in a jungle station where any novelty

must necessarily be attractive, she spent it in an environment which

gave her endless opportunities of seeing other men, and comparing them

with me, and her ideal. The result being that she found she was in

love with some one else. Being frank and honourable she told me the

truth, with a kind of blank dismay. She did not offer to fulfil her

engagement. How could she? when from the beginning to the end, from

her first confession that I was her ideal, to her last letter, then in

my breast pocket, the whole fabric of our future lives had been built

by us on our belief in the permanence of this selfsame love of ours.

We could only look in each other's eyes and wonder what was the matter

with the foundations of our round world.

Robbins said I behaved splendidly. In truth I was too much stunned at

first to realise what it actually meant, and then a certain contempt

for them both, especially for the man who came and offered me a shot

at him, made me magnanimous. I merely offered in my turn to be best

man at the wedding, and was only deterred from doing so by the feeling

that it was theatrical, and by Robbins suggesting that I had better

have some ice on the back of my head. He meant well, did Robbins, and

insisted on accompanying me on what was to have been my wedding tour;

for I had my ten days' leave, and I was in no hurry to go back to the

gossiping little station where the bungalow I had furnished for her

lay waiting a mistress.

Yes! Robbins meant well, and by sheer counter-irritation kept me

going. There was a honeymoon off the same ship which came up country

with us stage by stage, and the efforts Robbins made to prevent me

from seeing its bliss were pathetically comic. The bride and

bridegroom wore neat, new, brown-leather shoes, and she had a new

brown-leather handbag, just like one which I had carried for my

_fiancee_ before she explained the situation. As I sate opposite them

I wondered savagely if my face had worn the idiotic smirk of sheer

content visible on the man's, and I tucked my own new brown shoes

under the seat. They looked so forlorn beside Robbins' big boots. For

all that, I combated all condemnation of the delinquents for the first

three days. The only honourable theory of marriage being that based

upon a mutual and romantic love, it would be unjust because of a

single mistake, to blame any one for acting in accordance with a

belief which had made Englishmen and Englishwomen what, thank God,

they were. In fact I was badly, brutally moral, until, coming out into

the hotel verandah during one of our rests by the way, I happened on

the bride and bridegroom looking at the moon.

Then the primeval desire to murder rose up, seized me, and held me.

Why hadn't I taken the scoundrel's offer and killed him? I was a good

shot; and Robbins, as an army doctor, an excellent second. Then I

could have married the bride-widow, or spurned her, as I preferred.

There was really, I told myself, no logical foothold between this and

being best man. If marriage was an affair of love, these two were

right, and the part designed for me by Providence obviously that of

second fiddle. If not, they were wrong, and I had a right to claim

redress. To shilly-shally, feeling at once hurt and magnanimous, was

absurd. I had lain awake, afterwards, debating half in jest, half in

earnest, whether I should send Robbins back to the wedding with my

cartel, or go myself with a set of silver salt-cellars in a velvet

case. But underneath my jest and earnest lay a keen yet vague desire

to understand, to find some solid spot on which to rest. I had still

been debating the question, when, to please Robbins, who liked me to

have no time for thought, we had driven out next morning to these

ruins. The country through which we drove had been the ordinary

Rajputana country; flat--or nearly so--dry, rocky. Then we had come to

a spiky, spiny, roach-back hillock, over which the dead town sprawled,

half buried in its own dust, half lost in the sunshine.

I had been watching Robbins' big boots all the way, so I was in a bad

temper. Apart from other causes, however, I had some excuse for

threatening to kill the guide. For the Hall of Audience to which we

had just climbed was, briefly, one of those places which make some

of us nineteenth-century folk remember the warning given long ago to

an eager reformer to take the shoes from off his feet, since the

ground whereon he stood had already been made holy by other hands than

his. Yet it was plain almost to bareness. Devoid utterly of any of

that ornamentation telling of human hopes and fears, likings,

dislikings, and ideals, which men all over the world strive wistfully,

hopelessly, to make permanent by carving them in stone. But it was a

miracle of light and shade, with its triple ranks of square stone

columns--rose-coloured in the sunshine about their feet, blood red in

the gloom of arches about their heads--standing like sentinels round a

Holy of Holies which was roofed only by the open sky, and floored

level to the marble pavement surrounding the still pool, with clear,

cool water. And through the outer arches, on all sides, showed that

indefinite glare, and dust, and haze, faintly yellow, faintly

purple--that burden and heat of the Eastern day in which millions are

born, and toil, and die--which seems to swallow up the real India and

hide so much of it from Western eyes.

I had just got so far in my appreciation of the indefinable charm of

the place, when Robbins returned to stand beside me and look down on

the brimming water.

"Curious!" he said, "at the top of a hill like this. I wonder what's

the reason of it?"

"Those of uncultivated mind, sirs," replied New India, promptly, "hold

it by reason of Grace-of-God. We who through merciful master's aid

have acquired hydraulics prefer system of secret syphons; though the

latter belief is optional."

"If that man remains here," I remarked aside to Robbins, "I refuse to

be held responsible for my actions. Take him away and see the rest of

the ruins. I am going to stop here--this is enough for me."

They went off together, the guide babbling of modern equity. The last

words I heard were a quotation: "Boots not to say, O Justice! what

asperities have not been committed in Thy name!"

Perhaps. No doubt dreadful things had been done even in this Hall of

Audience, though it lay very still now; very silent in the sunshine.

I sate down on the base of a sentinel column and looked at the sky,

mirrored at my feet, wondering what other things the water had seen.

So by degrees the question seemed to clamour at me. What had been done

there? What was it? What gave the place its charm for me? For it had a

charm, an infinite charm.

I gave an impatient shrug of my shoulders at the sound of footsteps.

Robbins need not surely watch me as if he feared I might commit

suicide; though the water certainly looked inviting. But it was not

Robbins. It was an old man with a shaven head, and a very clean

saffron-coloured cloth, coming through the pillared ranks with a brass

_poojah_ basket like a big cruet-stand in his hand. My mind misgave me

instantly. He was far too clean for a real ascetic, and there was a

bogus air about him as of one expecting tourists and their alms. In

addition he came straight towards me, and squatting down by the edge,

within reach absolutely of my contaminating shadow, began to mutter

prayers.

I rose disgusted; but my first movement showed me I was at any rate

partly mistaken, for he turned his head, startled at the sound. Then I

saw he could not have known I was there, for he was blind. I saw also

that the basket which he had set down contained nothing but the

star-like flowers of the wild jasmine.

"Whom are you going to worship?" I asked instantly, for I was a

connoisseur in ceremonies, having spent years of study over the

ancient cults of India.

He stood up instantly and salaamed, recognising the accent of the

master. "No one, _Huzoor_," he replied. "I am only going to make

Mother Atma her crown."

"Atma!" I echoed. "Who was she?"

A half-puzzled, half-cunning look came to his face. "It is a long

story, _Huzoor_; but if the Cherisher of the Poor will give his slave

a rupee--"

Returning to my first impression of him, I was about to move away,

when he added plaintively: "I tell it better than the _baboo_,

_Huzoor_, but now-a-days he comes with the _sahibs_. So my stomach is

often empty. May God silence his tongue!"

The desire pleased me. It matched my own. And as I paused, I noticed

that the old man, who had squatted down again, had begun to thread the

jasmine flowers on some link which was invisible from where I stood.

"What are you using to thread the flowers?" I asked curiously.

"A woman's hair, _Huzoor_. It is always the hair of a woman who has

died, but whose child has lived, that is used for Mai Atma's crown.

Shall I tell the story, _Huzoor?_"

"Was she beautiful?" I asked irrelevantly, why I know not.

"I do not know, _Huzoor_," he replied. "Am I not blind?"

The answer struck me as irrelevant also, but I went on idly, feeling,

in truth, but small interest in what I was convinced must be some

hackneyed tale I had heard a hundred times before, since I was given

to the hearing of tales.

"Is it about this place?" I asked.

He shook his head again. "I do not know, _Huzoor_. It is about Mai

Atma. Shall I tell the story?"

"You seem to know very little about the story, I must say. How do you

know it is about Atma?"

He smiled broadly. "It is about Mai Atma, sure enough. The _Huzoor_

will see that if he lets me tell the tale."

I clinked a rupee down among the jasmine flowers and bid him fire

away, and be quick about it.

He began instantly, plunging without any preface into a curiously

rhythmed chant, the very first line of which gave pathetic answer to

my irrelevant question, and at the same time showed the cause of the

old man's ignorance. It ran thus:--

"O world which she has left, forget not she was fair."

Vain appeal when made in the oldest known form of Arya-Pali--the

dialect in which the edicts of Asoka are carved--and of which not one

man in ten million, even in India, knows the very existence. I

happened to be one of the few, and though at the time I could

naturally only gather the general outline of the chant, I subsequently

took it down word for word from the old man's lips. Some passages

still remain obscure; there are yawning gaps in the narrative, but

taking it all in all, it is a singularly clear bit of tradition,

preserved, as it were, by the complete ignorance of those who passed

the words from lip to lip. Roughly translated, it runs thus:--

"O world she left, forget not she was fair; so very fair. Her small

kind face so kind. Straight to the eyes it looked, then smiled or

frowned. About her slender throat were gold-blue stones. Gold at her

wrists; the gold hem of her gown slid like a snake along the marble

floor, coiled like a snake upon the water's edge.

"By night she asked the stars, by day the sun, what they would have

her do.

"I was her servant sitting at her door,

Watching her small feet kiss the marble floor;

Reading the water mirror's heaven-learnt lore.

"O world she left, remember she was Queen!

"For Atma ruled a queen ere she was born, her widowed mother wasting

nine long months to give her life ere following the King.

"O Atma mata! strike thy servant blind,

He and his sons for ever, lest they find

Thy face within the crown their fingers bind.

"Hark! how her voice comes echoing through the Hall, 'Who hath a claim

to-day 'gainst me or mine?' (There was a dainty jewel at her breast,

kept time in sparkles to her lightest word.)

"'Who hath a claim'--her small, kind face so wise!

"O Atma mata! strike thy servant blind,

He and his sons for ever!"

* * * * *

"See! how her soft feet kiss the marble floor! Atma, the girl-queen,

dancing to herself, close to the pool; the jasmine in her hair falling

to fit the rhythm of her feet, and scent their warm life with the

scent of death, or sail away upon the water's breast like mirrored

stars. Oh, bind from them a crown; a crown for Atma mata, who is

kind--for Atma, who hath struck her servant blind."

* * * * *

"Hark! how her voice comes whispering in my ear: 'I see naught but my

own face in the deep. No other face but this--my face alone. And there

are always stars about my head, or else the sun. Read me the riddle

quick.' (There was a tremor in her perfumed hair which matched the

tremor of her perfumed breath.) 'Atma is queen,' I said; 'the stars,

the sun, weave crowns as I do. Wear them. Oh! my queen.'

"O Atma mata! rightly am I blind,

Blind was I then in heart and soul and mind.

"Hark! how her voice comes echoing through the Hall. (The cold blue

stones about her slender waist clipped all her purple robe to long

straight folds.) 'Go tell your masters, Atma needs no King. She is the

Queen, her son shall be the King, and not the son to Kings of other

lands. So if they seek for beauty, seek not mine--it is not mine to

give--it is my son's! My son the gods will send me ere I die.'

"O Atma mata! strike thy servant blind,

He and his sons for ever, lest they find

Thy face within the crown their fingers bind.

"See! how her slim hand grasps the marble throne. See! how her firm

feet grip the marble step! Hark how her voice rings clear with angry

scorn. (There was a loose gold circlet on her wrist, slid to soft

resting as she raised her arm.) 'Oh! shame to brawl like dogs about a

bone! Cowards to kill because a woman's fair. Can they not take the

promise of a Queen? Go! bid your masters bind fair sons in peace. Atma

will choose a father for her King--she needs no lover.'

"O Atma mata! strike thy servant dead.

"'Hush!'--just a whisper on the water's edge, a faint glow from the

sacred censer's fire. 'What dost thou see, my friend, down in the

deep? There in the circle of the sacred flowers?' (The incense cloud

rose white upon the dark, and hid us from each other, hid all things

save water and our hands--her hands in mine clasped in the cold clear

pool.) 'Naught, oh my Queen! Naught but thy face--thy face--beside

mine own.' (Cold was the water, cold her little hand, cold was her

voice.) 'Nay! more than that,' she said, 'thou dost forget the stars

about my head.'

"O Atma mata! strike thy servant blind,

For being blind in heart and soul and mind.

"Hark! how her voice goes echoing through the Hall. 'Go, bid your

masters sheathe their swords at once, nor spill men's blood because a

woman's fair. For I have chosen. I will wed with none, but since God

sends the children to the world and asks no questions how they come or

why, I will take him as father to my King. The law allows adoption; be

it so. From out God's children I have bought a son to be your King and

mine. Lo! here he stands.' (Her arm about the sturdy, dimpled limbs

drew the child closer to the cold blue stones clipping her purple robe

to long, straight folds.) 'Some woman bore him--fair and strong and

bold--bore him by God's decree to be a son. That is enough for me who

am your Queen. Go, tell the brawlers, Atma hath her King.' (So

stooping, whispered softly to the boy, who straightway lisped to order

parrot-wise.) 'Who hath a claim to-day 'gainst me or mine? Who hath a

claim?' And as of old came answer: 'None, O King.'

"None said they all, and so I held my tongue.

O Atma mata! shall I ever find

Thy kind, wise face? Oh! wherefore am I blind?

"Hark! how her voice breaks in upon the child's. A claim at last.

"So they--these kings--have dared

To kill my people--nay! not mine--my son's!

Have they no shame--no pity for the poor?

"The gold hem round her robe's straight virgin folds coiled like a

snake asleep upon the floor, the sparkling jewel fastened on her

breast shone bright and steady as a distant star.

"There was no tremor in her perfumed hair, there was no quiver in her

perfumed breath; the cold blue stones about her throat and waist, the

loose gold circlet on her slender wrist, the jasmine-blossom chaplet

in her hair, looked as though carved in stone, so still she stood

before the dead man on the marble floor.

"His red blood crept in curves to find her feet and clasp them in a

claim for vengeance due, while those around cried 'Justice from the

King!'

"Until she smiled--her small, kind face so wise, and her clear voice

came echoing through the Hall. 'Vengeance is mine,' she said, 'and not

the King's. Send forth no army, spill no blood for me. Search not the

water-mirror for a sign. I know the answer of the sun and stars. So

send our heralds out, and bid these Kings come as Kings should, and

not as murderers to plead their cause before the King, my son. Come

with all state as to a wedding feast, come with all hope as

bridegrooms to the bride. My son shall choose my lover, so prepare all

things in order--music, feasting, flowers.' (Then turned to where I

stood, and said aside: 'Forget not thou to make a jasmine crown.')

"O Atma mata! wherefore was I blind?

Did I not know how wise thou wert, how kind,

How cold thy hand, how warm the heart behind?

"Fair, strong, and bold he stood, the little King; the noonday sun

above the child's bare head scarce cast a shadow on his small, bare

feet, standing so straight beside the water's edge, where, half afloat

upon the clear, still depths, a small round raft of jasmine-blossoms

lay ready to give the omen.

"Heaped so high, so piled with little scented stars, that I--her

servant with the crown she had bespoke--stood wondering what need

there was of all. And round about the mirror-pool in rank sat Atma's

lovers waiting the decree.

"Till suddenly the baby raised his hand. (There was a loose gold

circlet on his wrist, which smote him on the breast as it fell back,

making him wince, so all too large it was.) But the child bit his

lip and took no heed, knowing his kingly part right royally; so,

parrot-wise, he lisped the ordered words: 'My mother Atma hath no need

for love; since she hath mine. She hath no need, my lords, for you as

lovers, but she sends by me, as sister sends her brothers, that which

sure should heal the strife and make you brothers too.'

"So at the last he stooped, and with a push sent the flower-raft

afloat upon the pool, dipping and dancing on the waves it made, so

that the loose, white blossoms of the pile floated to drift like stars

upon the depths, leaving what lay beneath them clear and cold.

"O Atma mata! why was I not blind?

Thy face, thy face was there in flowers enshrined!

Thy cold dead face, with cold dead flowers entwined.

* * * * *

"O world she left! to bring it peace not war.

O world she left, forget not she was fair,

So very fair. The jasmine in her hair

And round her kind, wise face; about her throat

The cold blue stones, and for her queenly crown

The sunlight in the water--like the stars.

"O Atma mata! strike thy servant blind,

He and his sons for ever, lest they find

Thy face within the wreath their fingers bind."

* * * * *

The old man's song ceased, but he went on without a pause. "The

_Huzoor_ will hear that it is all about Atma. Her name is there

always."

He had finished stringing the flowers also, and now with a deft hand

set the fragile garland--strung like a daisy chain upon a dead woman's

hair and then tied to a circle--afloat upon the water, where it

drifted idly, each separate flower separate, and keeping its appointed

place.

A crown of scented stars!

I roused myself to answer. "Undoubtedly it is all about Atma; but you

have not told me why you weave the crown?"

"It is always woven, _Huzoor_," he replied. "Our family belongs to the

place, and as one son is always blind, he stays at home--since he

cannot earn money at other trades, _Huzoor_--and makes Mai Atma's

crown as his fathers did."

"One son is always blind?" I echoed curiously.

"Always, _Huzoor_. It is ever so. One is blind in each generation, so

he makes Mai Atma's crown."

_He and his sons for ever!_ a strange coincidence truly.

"Then no one has ever seen her face 'within the wreath their fingers

twine'?" I asked, quoting the words involuntarily and forgetting that

he could not understand them. He answered the first part of the

sentence.

"How could that be, _Huzoor_, seeing we are always blind?"

True. But if one was not blind? My thought was interrupted by Robbins'

voice from behind.

"Hope you haven't found it long, old chap; but the _baboo_ really

knows a lot about Asoka. Fine old beggar he must have been. And then

he has got a chant about some female called Atma who had a lot of

lovers, don't you know." Robbins pulled himself up hastily, and, to

cover his confusion, protested that it was just the sort of

unintelligible gibberish which interested me, and thereupon bade the

_baboo_ give me a specimen.

Before I could stop him, the brute had got well into the first line;

but even in my wrath I was relieved to find that it was indeed

absolutely unintelligible. New India evidently did not understand the

old. I came to this conclusion before I got my fingers, as gently as I

could, inside his rainbow-hued comforter and choked him off.

"I cannot help it, Robbins," I said as I tendered the _baboo_ five

rupees as hush-money. "If you knew all you would excuse me."

Robbins gave me one of his most sympathetic looks and said he quite

understood.

Did he? Did I? I asked myself that question over and over again, until

in the dead of the night I could ask it no longer. The desire for an

answer grew too strong.

It was still night when I stood once more beside the water's edge. The

moon had paled the red ranks of the sentinel pillars, the dust and

heat and burden of the day was gone. All things were clear and flooded

with cool, quiet, passionless light. And on the water lay the crown of

starry flowers. It had drifted close to the edge, at the extreme end

of the pool, beside a square projection in the marble floor, whence

you could look clear into the depths. No doubt the place of

divination. I went over to it moved by an irresistible impulse, and,

kneeling down, thrust my hand into the cool water.

Was it fancy, or did I feel a cold, soft hand in mine? Was it a

passing dizziness, or did a white, scented vapour close round me like

a cloud, hiding all things save the water framed in that crown of

jasmine?

_Atma! Mai Atma!!_

* * * * *

In the Guardianship of God · 第 24 / 34 题