The studio was in the fifth story of a large block not far from the

Porta del Popolo, and looked out upon a large portion of the city, the

view embracing the Pincio and St. Peter’s, Monte Mario, and the

Quirinal. The entrance on the street was dismal and prison-like. A long,

dark corridor led back to a small court at the bottom of a great pit

formed by the walls of the crowded houses, and the stones of the

pavement were flooded with the drippings from the buckets of all the

neighborhood, as they slid up and down the wire guys leading into the

antique well in one corner, and rattled and splashed until they were

drawn up by an unseen hand far above in the maze of windows and

balconies--an ingenious and simple way of drawing water, quite common in

Rome. From this sunless court-yard a broad, musty staircase twisted and

turned capriciously up past narrow, gloomy passages to the upper floors

of the house. At the fourth story began a narrow wooden staircase,

always perfumed with the odors of the adjacent kitchens; and it grew

narrower and steeper and more crooked until it met a little dark door at

the very top, bearing the name of Tyck. The suite of rooms which Tyck

occupied made up one of those mushroom-like wooden stories that are

lightly stuck on the top of substantial stone or brick buildings. They

add to the beauty of the silhouette, but detract from the dignity of the

architectural effect, and look like the cabin of a wrecked ship flung

upon the rocks. From the outside, quaint little windows, pretty hanging

gardens, or an airy _loggia_ make the place look cheerful and cosy.

Within, one feels quite away from the world; far up beyond neighbors and

enclosing walls, tossed on a sea of roofs, and with a broad sweep of the

horizon on every side. Such a perch is as attractive as it is difficult

to reach, and offers to the artist the advantages of light, quiet, and

perfect freedom. Tyck’s rooms were three in number. A narrow corridor

led past the door of the store-room to the studio--a large, square room

with a great window on the north side and smaller ones with shutters on

the east and west. From the studio a door opened into the chamber, in

turn connected with the store-room. Thus there was a public and a

private entrance to the studio.

The Christmas breakfast had more than ordinary significance: it was to

be the occasion of the presentation of Tyck’s household to his artist

friends. This, perhaps, needs explanation. At the time of our departure

from Antwerp, Tyck was engaged to be married to a young lady, the

daughter of a Flemish merchant, and there was every prospect of a

wedding within a year. After he had been absent two or three months her

letters ceased to come, and Tyck learned from a friend that the thrifty

father of the girl had found a match more desirable from a mercenary

point of view, and had obliged his daughter to break engagement number

one in order to enter into a new relation. Tyck, after some months of

despondency, at last made an alliance with a Jewish girl of the working

class, and it was at the Christmas breakfast that Lisa was to be

presented for the first time to the rest of the circle. When I entered

the studio there were already a good many fellows present. The apartment

was a picture in itself; and a long dining-table placed diagonally

across the room, bearing piles of crockery and a great _pièce montée_ of

evergreen and oranges, and surrounded by a unique and motley assemblage

of chairs, did not detract from the picturesqueness of the interior.

As studios go, this would not, perhaps, have been considered luxurious

or of extraordinary interest, but it had a character of its own. Two

sides of the room were hung with odd bits of old tapestry and stray

squares of stamped leather, matched together to make an irregular

patchwork harmonious in tone and beautifully rich in color. In the

corner were bows and arrows, spears, and other weapons, brought from

Java, a branch or two of palm, and great reeds from the Campagna with

twisted and shrivelled leaves, yellow and covered with dust. Studies of

heads and small sketches were tucked away between the bits of tapestry

and leather, and thus every inch of these walls was covered. On another

wall was a book-shelf with a confused pile of pamphlets and

paper-covered books, and under this hung a number of silk and satin

dresses, various bits of rich drapery, a coat or two, and a Turkish fez.

The remaining wall, and the two narrow panels on either side of the

great window, were completely covered with studies of torsos, drawings

from the nude, academy heads, sketches of animals and landscapes,

together with a shelf of trinkets, a skeleton, and a plaster death-mask

of a friend hung with a withered laurel-wreath. Quaint old chairs, bits

of gilded stage furniture, racks of portfolios, a small table or two

covered with the odds and ends of draperies, papers, sketches, the

accumulation of months, filled the corners and spread confusion into the

middle of the room. Three or four easels huddled together under the

light, holding stray panels and canvases and half-finished pictures, a

lay-figure--that stiff and angular caricature of the human form--and a

chair or two loaded with brushes, color-box, and palettes, witnessed

that tools were laid aside to give room for the table that filled every

inch of vacant space. In one corner was an air-tight stove, and this was

piled up with dishes and surrounded by great tin boxes, whence an

appetizing steam issued forth, giving a hint of the good things awaiting

us. The bottles were beginning to form a noble array on the table, and

as often as a new guest appeared, a servant with a _porte-manger_ and a

couple of bottles would contribute to the army of black necks and add to

the breastwork of loaded dishes that flanked the stove. Tyck was in his

element, welcoming heartily and with boyish enthusiasm every arrival,

and leading the shout of joy at the sight of a fat bundle or a heavy

weight of full bottles. By eleven o’clock every one was on hand, and

there was an embarrassment of riches in the eating and drinking line.

Before sitting down at the table--there were eighteen of us--we made a

rule that each one should in turn act as waiter and serve with his own

hand the dishes he had brought, the intention being to divide the

accumulated stock of dishes into a great many different courses. French

was chosen as the language of the day.

While we were discussing the question of language, Lisa came in and was

presented to us all in turn, impressing us very favorably. She was

slight, but not thin, with dark hair, large brown eyes, and a

transparent pink-and-white complexion--a fine type of a Jewess. She took

the place of honor at Tyck’s right hand, and we sat down in a very jolly

mood.

The _menu_ of that breakfast would craze a French cook, and the

arrangement of the courses was a work of great difficulty, involving

much general discussion. The _trattorie_ of Rome had been ransacked for

curious and characteristic national dishes; every combination of goodies

that ingenious minds could suggest was brought, and plain substantials

by no means failed. In the _hors d'œuvre_, we had excellent fresh

caviare, the contribution of a Russian; Bologna sausage and nibbles of

radish; and, to finish, _pâté de foie gras_. Soup _à la jardinière_ was

announced, and was almost a failure at the start-off, because one very

important aid to the enjoyment of soup, the spoons, had been forgotten

by the contributor. A long discussion as to the practicability of

leaving the soup to the end of the meal, meanwhile ordering spoons to be

brought, terminated in the employment of extra glasses in place of

spoons and soup-plates. Then all varieties of fish followed in a rapid

succession of small courses. Tiny minnows fried in delicious olive-oil;

crabs and crawfish cooked in various ways; Italian oysters, small, thin,

and coppery in flavor; canned salmon from the Columbia River; _baccalà_

and herrings from the North Sea; broad, gristly flaps from the body of

the devil-fish, the warty feelers purple and suggestive of the stain of

sepia and of Victor Hugo--all these, and an abundance of each, were

passed around. An immense joint of roast beef, with potatoes,

contributed by an Englishman; a leg of mutton, by a Scotchman; a roast

pig, from a Hungarian; the potted meat of Australia, and the tasteless

_manzo_ of Italy, formed the solid course. Next we devoured a whole

flock of juicy larks with crisp skins, pigeons in pairs, ducks from the

delta of the Tiber, a turkey brought by an American, pheasants from a

Milanese, squash stuffed with meat and spices, and a globe of _polenta_

from a Venetian. At this point in the feast there were cries of quarter,

but none was given. An English plum-pudding of the unhealthiest species,

with flaming sauce; a pie or two strangely warped and burned in places,

from the ignorance of the Italian cook or the bad oven; pots of jelly

and marmalade, fruit mustard, stewed pears, and roasted chestnuts,

_ekmekataïf_ and _havláh_ from a Greek, a profusion of fruits of all

kinds, were offered, and at last coffee was served to put in a

paragraph. The delicate wines of Frascati and Marino, the light and dark

Falernian, a bottle of Tokay, one of Vöslau, thick red wine of Corfu,

and flasks of the ordinary Roman mixture--a little more than water, a

little less than wine--Capri _rosso_ and _bianco_, Bordeaux and

Burgundy, good English ale and porter, Vienna beer, American whiskey,

and Dutch gin, Alkermes, Chartreuse, and Greek mastic, made, all told, a

wine-list for a king, and presented a rank of arguments to convert a

prohibitionist. This was no orgy that I am describing, simply a jolly

breakfast for eighteen Bohemians of all nationalities--a complex,

irregular affair, but for that reason all the more delightful.

When we were well along in the bill of fare, a little incident occurred

which put me out of the mood for further enjoyment of the breakfast, and

for the rest of the day my position was that of silent spectator,

watching the amusements with an expression not calculated to encourage

sport. To begin with, I was unusually sensitive to nervous shocks, from

the fact that my first impression of Rome had been intensely

disagreeable. I found myself in a strangely exciting atmosphere, and

subject to unpleasant influences. The first night passed in Rome was

crowded with visions, and I cannot recall a period of twenty-four hours

during my residence in that city that has not its unpleasant souvenir

of strange hallucinations, wonderful dreams, or some shock to my nerves.

The meeting with Tyck was doubtless the occasion of my visions and

restlessness on the night before the Bohemian breakfast. The events of

the previous winter in Antwerp came freshly to my mind; I lived over

again that dark season of horrors, and the atmosphere of Rome nourished

the growth of similar strange fancies. There was, however, in my train

of thoughts on Christmas Eve no foreboding that I can recall, no

prophetic fear of a continuance of the strange relations with that black

poodle which had already taken away the best half of our circle. It

needed little, nevertheless, to put me in a state of mind very similar

to that which tortured me for months in Antwerp.

But to return to the breakfast. While we were at the table a hired

singer and guitar-player, a young girl of sixteen or seventeen years,

sang Italian popular songs and performed instrumental pieces. She had

nearly exhausted her list when she began to sing the weird, mournful

song of Naples, “Palomella,” at that time quite the rage, but since worn

threadbare, and its naïve angles and depressions polished down to the

meaningless monotony of a popular ditty. We heard a dog howl in the

sleeping-room as the singer finished the ballad, and Lisa rose to open

the door. My seat on Tyck’s left brought me quite near the door, and I

turned on my chair to watch the entrance of the animal. A black poodle,

as near as I could judge the exact counterpart of the Flemish dog,

quietly walked into the room, evidently perfectly at home. My first calm

reflection was that it was an hallucination, a mental reproduction of

one of the grim pictures of the past winter; I could not believe my own

vision, and it was some time before I came to realize the fact that my

senses were not deceived. I was about to ask Tyck if he had noticed in

the dog any curious resemblance to our self-appointed companion in

Antwerp, when he turned, and, as I thought then, with a lingering touch

of the old superstitious fear in his voice, said: “You’ve noticed the

dog; he belongs to Lisa. When he first came here, a month ago, I was

horrified to find in him the image of our Flemish friend. Lisa laughed

me out of my fears, saying that the animal had been in the family for

six months or more, and at last I began to look upon him as a harmless

pup, and to wonder only at the strange coincidence.” But I could not

turn the affair into a joke or forget for a moment past events, now

recalled so vividly to my mind. This was the third time that a black

poodle had taken a liking to one of us, and two out of the three

attachments had already proved fatal to the human partner. It was not by

any means clear that the same dog played these different renderings of

one part, but to all appearance it was the identical poodle. If in two

cases this friendship of the dog for his self-chosen master had proved

fatal, it was but a natural inference that the third attachment would

terminate in a similar manner. But Tyck was in better health than ever

before, notwithstanding the companionship of the dog. Was not this a

proof of the folly of my superstition? I asked myself. Reasons were not

wanting to disprove the soundness of my logic. It was undoubtedly true

that stranger and more wonderful coincidences had happened, and nothing

had come of them, and it was undeniable that the imagination might

distort facts to such a degree that coincidences would be suspected

where none existed. If it were only a coincidence, fears were childish.

And the dog manifested no particular friendship for Tyck; he belonged to

Lisa, and seemed to take no special notice of any one else.

The _déjeuner_ went on without further interruption, and the guitar girl

drummed away until the table was cleared. We were not at a loss for

entertainments after the feast was ended. Tyck’s costumes were drawn

upon, and a Flemish musician sang a costume duet with a Walloon

sculptor, one being laced up in a blue satin ball-dress, and the other

staggering under the weight of a janissary’s uniform. Later on there

was a dancing _concours_, in which the Indian war-dance, the English

jig, the negro walk-around, the tarantella, the Flemish _reuske_, and

the Hungarian _csárdás_ each had its nimble-footed performers. The scene

was worth putting upon canvas. The confusion of quaint and rare

trinkets, the abundance of color-bits, and the picturesque groups of

figures in all the costumes that could be improvised for the dance or

the song--a museum of _bric-à-brac_ and a carnival of characters--all

this made a _tableau vivant_ of great richness and interest.

About the middle of the afternoon the entertainment began to flag a

little, and the moment there was a lull in the sport some one proposed a

trip to Ponte Molle. The vote was immediately taken and carried, and we

marched out to the Piazza del Popolo and engaged an omnibus for the rest

of the day.

The straggling suburb outside the Porta del Popolo was lively with

pleasure-seeking Romans. The wine-shops were full of sad-eyed peasants

and weary, careworn laborers; all the mournful character of a Roman

merry-making was unusually prominent on this cheerless holiday, and the

cloaked natives chatted as solemnly as if they were mourners at a

funeral. Roman festivities are, in general, not calculated to divert the

participants to a dangerous extent. Wine-drinking is the chief

amusement; and even under the enlivening influences of his potations the

Roman rarely loses his habitual seriousness of manner, but bears himself

to the end of the orgy as if he expected every moment to be called upon

to answer for the sins of his ancestors. As we drove along the straight,

broad road that raw afternoon, we met numberless carts and omnibuses

filled with laborers returning from the wine-shops in the Campagna; the

sidewalks were crowded with people on their way to and from the

_trattorie_ near the Tiber; and scarcely a song was heard, rarely a

laugh sounded above the rattle of the wheels. The natives were making a

business of amusement, and formed a staid and sober procession, on an

occasion when in Germany or Belgium the frolics and noisy merriment of

the people would have known no bounds short of the limit of physical

endurance. We were probably regarded as escaped maniacs because we

persisted in breaking the voiceless confusion by our hearty Flemish

songs. We left the omnibus in the yard of a _trattoria_ at some distance

out in the Campagna, and strolled over the hills for an hour, watching

the dark, cold mountains and the broad, sad-tinted waste spread out

before us. The solemn beauty of the Campagna is always impressive; under

a gray sky it assumes a sombre and mournful aspect. To the north of the

city, the low, flat-topped hills combine in a peculiar way to form

silhouettes of great nobleness of character and simplicity of line. They

are the changeless forms that endure like the granite cliffs, monumental

in their grandeur. When moving shadows of the clouds form purple patches

across these hills, and the dull gray of the turf comes into occasional

relief in a spot of strong sunlight, the scene is one of unique and

matchless beauty--a heroic landscape, with wonderful vigor and dignity

of line and extraordinary delicacy of tone. That afternoon the dog,

which had accompanied Tyck on the excursion, furnished us our chief

amusement. We tossed sticks down the steep gravel banks, to watch his

lithe black form struggle through the brambles, seize the bit, and

return it to us. He, poor animal, had probably been shut up within the

walls of Rome longer than the rest of the party, and entered into the

outdoor frolics with even more zest than his human companions. Below the

_trattoria_ there was a narrow brook bridged by a rail, and we tried to

get the poodle to walk this narrow path, but with no success. Tyck at

last made the attempt, to encourage the dog, but on his way back he

slipped and wet his feet and ankles thoroughly. Most of us thought this

accident of not the least importance, but one or two of the old

residents advised a return to the wine-shop, hinting of a possible

serious illness in consequence of the wetting. At the _trattoria_ Tyck

dried himself at the large open fire in the kitchen, and we thought no

more of it. The old Porta del Popolo answered our chorus with a

welcoming echo as we drove in, shortly after dark, and mingled with the

shivering crowd hurrying to their homes. Our Christmas had at least been

a merry one to the most of us, but I could not forget the incident of

the dog; and as I walked through the streets to my cheerless room a

strange dread gradually took entire possession of me in spite of my

reason.

For a day or two, that least amusing of all occupations, studio-hunting,

kept me busy from morning till night, and I saw none of the

breakfast-party. It was beginning to surprise me that Tyck did not make

his appearance, when I had a call from Lisa, bearing a message from him,

saying he was slightly unwell and wanted me to come and see him. I lost

no time in complying with his request. On my way to his room the same

old dread, stifled for a while in the busy search for rooms, came back

with all its force, and I already began to suffer the first agonies of

grief at the loss of my friend. For, although the message was hopeful

enough, it came at a time when it seemed the first sign of the

fulfilment of my forebodings, and from that moment I looked upon Tyck as

lost to us. Not pretending to myself that it was an excusable weakness

on my part to become the victim of what would generally be declared a

morbid state of the imagination; reasoning all the while that the

weather, the peculiar, tomb-like atmosphere of Rome, our previous

experience in Antwerp, and our long absence from the distractions and

worldliness of a civilized society would have caused this state of mind

in healthier organizations than my own; I still could not help thinking

of my friend as already in the clutch of death, and soon to be numbered

as the third lost from our little circle, while the fourth was still to

wait.

Tyck was in bed when I entered his chamber. There was a fresh glow deep

in his brown cheek, and his eyes seemed to me brighter than usual; still

there was no visible sign of a dangerous illness, and my reason laughed

at my fears. He complained of dizziness, headache, pains in the back,

and coughed at intervals. His manner showed that his mind was troubled,

and from Lisa I learned that he had not yet received the expected

remittance for the sale of his last pictures sent to London. The winter

was severe and fuel expensive; models were awaiting payment, and the

rent-day was drawing near. I gave Lisa all the money I had with me, and

charged her to keep me posted as to the wants of the household, if by

any bad fortune Tyck should be obliged to keep his room for any length

of time. She afterwards told me that later in the day several friends

called, suspected the state of affairs, and each contributed according

to his purse--always without the knowledge of the sufferer.

Every day after that, I passed a portion of the daylight in Tyck’s room.

His cough gradually grew more violent, and in a day or two he became

seriously ill with high fever. The doctor, a spare, wise-looking German,

of considerable reputation as a successful practitioner in fever cases,

was called that day and afterwards made more frequent visits than the

length of our purses would warrant. On the third or fourth day he

decided that the disease was typhoid fever, and commenced a severe and

to us inexperienced nurses a harsh treatment, dosing continually with

quinine and blistering the extremities. Before the end of a week Tyck

fell into long spells of delirium, and recognized his friends only at

intervals. His tongue was black, and protruded from his mouth, and

between his fits of coughing he could at last only whisper a few words

in Italian. We had been in the habit of conversing at discretion in

English, French, Flemish, or German; talking always on art questions in

French, telling stories in the picturesque Flemish patois, and reserving

the German and English languages for more solemn conversation. Tyck

would frequently attempt to use one of these languages when he wished to

speak with me during his illness, aware of my slight acquaintance with

Italian, and it was most painful to witness his struggles with an

English or French sentence. The words seemed too rasping for his tender

throat and blistered tongue; the easy enunciation of the Italian vowels

gave him no pain, and in a sigh he could whisper a whole sentence.

When at last Lisa was quite worn out with nursing, and there was need of

more skilful and experienced hands to administer the medicines and

perform the thousand duties of a sick-room, the doctor advised us to

make application at a convent for a sister to come and watch at night.

We did so, and on the evening of the same day a cheerful, home-like

little body, in the stiffest of winged bonnets, climbed the long stairs

and took immediate possession of the sick-room, putting things into

faultless order in a very few moments. Her first step was to banish the

dog to a neighboring studio, and I awaited her entrance into the

painting-room with some anxiety. The long table had been removed, but

otherwise the studio remained just the same as it was on the day of the

feast. A regiment of bottles was drawn up near the window; various

tell-tale dishes, broken glasses, and other _débris_ cluttered the

corner near where the stove stood, and I was sure that a lecture on the

sin of the debauchery which had brought my friend to a sick-bed awaited

me the moment the sister saw these proofs of our worldliness. She

trotted out into the studio at last, in the course of her busy

preparation for the night; and then, instead of bursting forth with a

reproof, she covered her face with her hands, turned about, and walked

out of the house. I, of course, followed her and begged for an

explanation. She hesitated long, but finally with some difficulty said

she could not stay in a room where such pictures decorated the walls,

and before she would consent to return she must be assured of their

removal or concealment. I hastened up, covered all the academy studies

with bits of newspaper; and the sister returned and went on with her

duties as if nothing had happened. So the expected lecture was never

delivered. In the sight of the greater enormity of academy studies, she

clearly thought it useless to lecture on the appetite.

A Capillary Crime, and Other Stories · 第 9 / 11 段