During this year madame de Sévigné again, as she said, for the last

time, to wind up all accounts, visited Britany. Her letters become more

agreeable than ever; her affection for her daughter even increasing: her

advice about her grandchildren[74]; her annoyance with regard to her

son; is the interior portion of the story to which we are admitted. The

news of the court is mentioned, and the progress of madame de

Maintenon's favour, so puzzling to the courtiers; and, lastly, the

picture of the provincial court of the duke and duchess de Chaulnes, who

had the government of Britany. She describes their guards, their suite

of provincial nobles, with their wives and daughters; and a little

discontent creeps out, as it sometimes does, with regard to the court,

that she had never risen above a private station. "I have seen you in

Provence," she writes to her daughter, "surrounded by as many ladies,

and M. de Grignan followed by as many men, of quality, and receive, at

Lambesc, with as much dignity, as M. de Chaulnes can here. I reflected

that you held your court there; I come to pay mine here: thus has

Providence ordered." She enjoyed, however, the dinners, suppers, and

festivals of the duke, who made much of her; and her anecdotes are full

of vivacity. Her eyes never rest: they see all: sometimes a grace,

sometimes a folly; now a _bon mot_, now a stupidity, salutes her eyes or

ears: it is all transmitted to her daughter; and we, at this distance of

time and place, enjoy the accounts, which, being true to human nature,

often seem as fresh and _à propos_ as if they had occurred yesterday.

And then she quits all, and writes, "I am at length in the quiet of my

woods, and in that state of abstinence and silence for which I longed."

And she plunges into the depths of jansenism, and discusses the knotty

subject of the grace of God.[75]

On her return to the capital, she was made perfectly happy by the

arrival of her daughter, in better health than she had been for a long

time, and who remained in Paris for several years. Her son, also, whose

youthful follies had cost her many a pang, made an advantageous

marriage.

[Sidenote: 1684.

Ætat.

58.]

She writes to the count de Bussy, "After much trouble, I at last marry

my poor boy. One must never despair of good luck. I feared that my son

could no longer hope for a good match, after so many storms and wrecks,

without employment or opening for fortune; and, while I was engaged in

these sorrowful thoughts, Providence brought about a marriage, so

advantageous that I could not have desired a better when my son's hopes

were highest. It is thus that we walk blindly, taking for bad that which

is good, and for good that which is bad, and always in utter ignorance."

M. de Sévigné married Jeanne-Marguerite de Brehaut de Mauron, an

amiable and virtuous woman, whose gentleness, and common sense, and turn

for piety, joined to a caressing and playful disposition, suited

admirably both mother and son. In the autumn of this year she visited

the new married pair at the Rochers. It was a sad blow to her to quit

Paris, where her daughter was residing. Motives of economy, or, rather,

the juster motive of paying her debts, enforced this exile, which was

hard to bear. We read her letters for the variety of amusement and

instruction we find in them; and, as we read, we are struck by the

change of tone that creeps over them. From the period of this long visit

of eight years, which madame de Grignan paid to Paris, we find the most

perfect and unreserved friendship subsisting between mother and

daughter. Their ages agree better: the one, now forty, understands the

other, who is sixty, better than the young woman of twenty did her of

forty. Other interests, also, had risen for madame de Grignan in her

children. Her anxiety for her son's advancement was fully shared by

madame de Sévigné. A more sober, perhaps a less amusing, but certainly

a far more interesting (if we may make this distinction), tone pervades

the later letters. Her daughter, before, was the affection that weaned

her from the world; now it mingled with higher and better thoughts. The

Rochers were more peaceful than ever. Her son had not good health: his

wife was cheerful only at intervals: she was delicate; she never went

out: by nine in the evening her strength was exhausted, and she retired,

leaving madame de Sévigné to her letters. She was gentle and kind

withal; attentive, without putting herself forward; so that her

mother-in-law never felt that there was another mistress in the house,

though all her comforts were attended to sedulously.

We pause too long over these minutia. We turn over madame de Sévigné's

pages: an expression, a detail strikes us; we are impelled to put it

down; but the memoir grows too long, and we must curtail. She returned

to Paris in August, 1685, and enjoyed for three years more the society

of her daughter.

[Sidenote: 1687.

Ætat.

61.]

During this period she lost her uncle, the abbé de Coulanges. "You know

that I was under infinite obligations to him," she, writes to count de

Bussy: "I owed him the agreeableness and repose of my life; and you owed

to him the gladness that I brought to your society: without him we had

never laughed together. You owe to him my gaiety, my good humour, my

vivacity; the gift I had of understanding you; the ability of

comprehending what you had said, and of guessing what you were going to

say. In a word, the good abbé, by drawing me from the gulf in which M.

de Sévigné had left me, rendered me what I was, what you knew me, and

worthy of your esteem and friendship. I draw the curtain before the

wrong you did me: it was great, but must be forgotten; and I must tell

you that I have felt deeply the loss of this dear source of the peace of

my whole life. He lived with honour, and died as a Christian. God give

us the same grace! It was at the end of August that I wept him bitterly.

I should never have left him, had he lived as long as myself."

[Sidenote: 1688.

Ætat.

62.]

The subsequent separation of mother and daughter renewed the

correspondence. This division lasted only a year and a half, when madame

de Sévigné repaired to Grignan, which she did not quit again. The

letters written during these few months are very numerous and long. The

growing charms and talents of Pauline de Grignan; the _début_ of the

young marquis de Grignan, who began his career at sixteen in the siege

of Philipsburg; and the deep interest felt by both, is the first subject.

The arrival of James II. in France, and the court news, which had the

novelty of the English royal family being established at St. Germain,

fills many of the letters. The account of the acting of Esther[76],

which enlivened the royal pleasures; and her naïve delight at having

been spoken to by the king is one of her most agreeable passages. Added

to this pleasure was that of M. de Grignan receiving the order of the

saint esprit. Soon after she repaired to Britany, where her time was

spent partly at Rennes, with the duchess de Chaulnes, partly at the

Rochers. Her absence from Paris was felt bitterly by her friends: her

motive, the payment of her debts, was, however, appreciated and

applauded; and she was at once mortified and gratified by the offer of a

loan of money to facilitate her return. Madame de la Fayette wrote to

make her the proposition; but the money was to come from her kind friend

the duchess de Chaulnes. The proposal was made with some _brusquerie_:

"You must not, my dear, at any price whatever, pass the winter in

Britany. You are old; the Rochers are thickly wooded; catarrhs and colds

will destroy you; you will get weary; your mind will become sad and lose

its tone: this is certain; and all the business in the world is nothing

in comparison. Do not speak of money nor of debts, I am to put an end to

all that;" and then follows a proposition for her to take up her abode

at the Hôtel de Chaulnes, and of the loan of a thousand crowns. "No

arguments," the letter continues, "no words, no useless correspondence.

You must come. I will not even read what you may write. In a word, you

consent, or renounce the affection of your dearest friends. We do not

choose that a friend shall grow old and die through her own fault." This

tone of command gave pleasure to madame de Sévigné, though she at once

refused to lay herself under the obligation. But there was a sting in

the letter which she passed over; madame de Grignan discovered it, and

her mother allowed that she felt it; and writes, "You were, then, struck

by madame de la Fayette's expression, mingled with so much kindness.

Although I never allow myself to forget this truth, I confess I was

quite surprised, for as yet I feel no decay to remind me: however, I

often reflect and calculate, and find the conditions on which we enjoy

life very hard. It seems to me that I was dragged, in spite of myself,

to the fatal term when one must suffer old age. I see it,--am there. I

should, at least, like to go no further in the road of decrepitude,

pain, loss of memory, and disfigurement, which are at hand to injure me.

I hear a voice that says, even against your will you must go on; or, if

you refuse, you must die; which is another necessity from which nature

shrinks. Such is the fate of those who go a little too far. But a return

to the will of God, and the universal law by which we are condemned,

brings one to reason, and renders one patient."

As madame de Sévigné was resolved to give up her Parisian life, for

the admirable motive of paying her debts before she died, she felt that

the only compensation she could receive was residing at Grignan. Madame

de la Fayette, on hearing of her intention of going thither, writes,

"Your friends are content that you should go to Provence, since you will

not return to Paris. The climate is better; you will have society, even

when madame de Grignan is away; there is a good mansion, plenty of

inhabitants; in short, it is being alive to live there; and I applaud

your son for consenting to lose you, for your own sake."

[Sidenote: 1690.

Ætat.

64.]

On the 3d of October, therefore, she set off; and friendship, as she

says, rendering so long a journey easy, she arrived on the 24th; when

madame de Grignan received her with open arms, and with such joy,

affection, and gratitude, "that," she says, "I found I had not come soon

enough nor far enough." From this time the correspondence with her

daughter entirely ceases. The letters that remain to her other friends

scarcely fill up the gap. She visited Paris once again with her

daughter; but her time was chiefly spent at Grignan.

[Sidenote: 1694.

Ætat.

68.]

She witnessed the establishment of her grandchildren. The marriage of

the young marquis de Grignan was, of course, a deeply interesting

subject; nor was she less pleased when Pauline, whom she had served so

well in her advice to her mother, married, at the close of the following

year, the marquis de Simiane.

[Sidenote: 1695.

Ætat.

69.]

Early in the spring of 1696 madame de Grignan was attacked by a

dangerous and lingering illness. Her mother attended on her with

tenderness and zeal; but she felt her strength fail her. She wrote to

her friends, that, if her daughter did not soon recover, she must sink

under her fatigues,--words proved too fatally true.

[Sidenote: 1696.

Ætat.

70.]

After a sudden and short illness, she died, in April of the same year,

at the age of seventy. The blow of her death was severely felt by her

friends,--a gap was made in their lives, never to be filled up.

In describing her character, her malicious cousin, count de Bussy,

darkens many traits, which, in their natural colouring, only rendered

her the more agreeable. He blames her for being carried away by a love

of the agreeable rather than the solid; but he allows, at the same time,

that there was not a cleverer woman in France; that her manners were

vivacious and diverting, though she was a little too sprightly for a

woman of quality. Madame de la Fayette addressed a portrait to her, as

was the fashion of those times. Madame de Sévigné was three-and-thirty

when it was written. It is, of course, laudatory: it speaks of the

charms of her society, when all constraint was banished from the

conversation; and says that the brilliancy of her wit imparted so bright

a tinge to her cheek, and sparkle to her eye, that, while others pleased

the ears, she dazzled the eyes of her listeners; so that she surpassed,

for the moment, the most perfect beauty. The portrait speaks of the

affectionate emotions of her heart, and of her love of all that was

pleasing and agreeable. "Joy is the natural atmosphere of your soul," it

says; "and annoyance is more displeasing to you than to any other." It

mentions her obliging disposition, and the grace with which she obliged;

her admirable conduct, her frankness, her sweetness.

Of course fault has been found with her. In the first place, Voltaire

says, after praising her letters, "It is a pity that she was absolutely

devoid of taste; that she did not do Racine justice; and that she puts

Mascaron's funeral oration on Turenne on a par with the _chef-d'œuvre_

of Fléchier." We need not say much concerning the first of these

accusations. It may be thought that madame de Sévigné showed good

taste in her criticisms on Racine. The truth was that, accustomed to

Corneille in her youth, she adhered to his party, and was faithful to

tastes associated with her happiest days. Of the second, we must mention

that she heard Mascaron's oration delivered: and the effect of delivery

is often to dazzle, and to inspire a false judgment. She wrote to her

daughter on the spur of the moment; and her opinion had no pretensions

to a criticism meant for posterity. Afterwards, when she read

Fléchier's oration at leisure, she did not hesitate to prefer it. She

is a little inclined to a false and flowery style in her choice of

books; but her letters exonerate her from the charge of too vehement an

admiration for such, or they would not he, as they are, models for

grace, ease, and nature.

Another accusation brought against her is, that she was a little

malicious in her mode of speaking of persons. It is strange how people

can find dark spots in the sun: for, as that luminary is indeed

conspicuous for its universal light, and not for its partial darkness,

so madame de Sévigné's letters are remarkable for their absence of

ill-nature; and, when we reflect with what unreserve and pouring out of

the heart they were written, we admire the more the gentle and kindly

tone that pervades the whole. "There is a person here," she writes to

her daughter, of her uncle, the abbé de Coulanges, "who is so afraid of

misdirecting his letters after they are written, that he folds them and

puts the addresses before he writes them." The spirit of hyper-criticism

alone could discover ill-nature in the quick sense for the ludicrous

that the mention of this most innocuous piece of caution displays. In a

few of her letters we find her record with pleasure some ill-natured

treatment of a certain lady; but this lady had calumniated madame de

Grignan, and so drawn on herself the mother's heaviest displeasure.

The last fault brought against her is her being dazzled by

greatness:--her saying to her cousin, Bussy, after Louis XIV. had danced

with her, "We must allow that he is a great king," which, as a

frondeuse, she was at that time bound to deny: but he _was_ a great

king, and posterity may therefore forgive her. She made no sacrifices to

greatness, and was guilty of no truckling. She allows she should have

liked a court life. She traces her exclusion from it to her alliance

with the fronde, her friendship for Fouquet, and her jansenist opinions;

but she never repines; and this is the more praiseworthy, with regard to

her jansenism, since she only adhered to it from entertaining the

opinions which received that name, not from party spirit; and had not,

therefore, the support and sympathy of the party. She revered the

virtues of their leaders; but there was nothing either bigotted or

controversial in her admiration or piety.

The only reproach that madame de Sévigné at all deserves is her

approval of the revocation of the edict of Nantes, the stain and

disgrace of Louis XIV.'s reign, which banished from his country his best

and most industrious subjects. We blame Philip III. for extirpating the

Moriscos from Spain; but they, at least, were of a different race, and a

gulf of separation subsisted between them and the Spaniards. The

huguenots were the undoubted and native subjects of the kingdom: the

times, also, were more enlightened and refined; and our contempt is the

more raised when we find Louis the dupe of two ministers. Le Tellier and

Louvois, who were influenced by their hatred of Colbert, one of the

greatest and most enlightened ministers of France. We cannot but believe

that the French revolution had worn a different aspect had the huguenots

remained in France, and, as a consequence, the population had been held

in less ignorance and barbarism. We cannot believe that madame de

Sévigné really approved the atrocities that ensued. As a good

jansenist, she was bound to detest forced conversions. Much of her

praise, no doubt, was foisted in from fear that her letters might be

opened at the post and read by officials; and it may be remembered, that

M. de Grignan had evinced a suspicion that her jansenism had impeded the

advancement of his family, as it certainly had of her own. She was at a

distance, too, from the scene of action: still she says too much; and

cannot be excused, except on the plea that she knew not what she

did.[77]

The question has been asked, "In what does madame de Sévigné's merit

consist? Did she show herself above her age?" La Harpe says, in his

panegyric, "Even those who love this extraordinary woman do not

sufficiently estimate the superiority of her understanding. I find in

her every species of talent: argumentative or frivolous, witty or

sublime, she adopts every tone with wonderful facility." To the

question, however, of whether she was superior to her age, we answer, at

once, no; but she was equal to the best and highest portion of it. We

pass in review before us the greatest men of that day--the most profound

thinkers, the most virtuous,--Pascal, Rochefoucauld, Racine, Boileau.

Her opinions and sentiments were as liberal and enlightened as theirs;

and that is surely sufficient praise for a woman absolutely without

pretensions; and who, while she bares the innermost depths of her mind

to her daughter, had no thought of dressing and educating that mind for

posterity.

The race of madame de Sévigné is extinct. Her son continued childless.

The marquis de Grignan died also without offspring. He died young, of

the small-pox; and his broken-hearted mother soon followed him to the

tomb. Pauline, marquise de Simiane, left children, who became allied to

the family of Créqui; but that, also, is now extinct.

[Footnote 61: Roger de Rabutin, comte de Bussy, was one of those

unfortunate men who, from some malconformity in the structure of their

minds, inherit infamy from the use they make of their talents. His youth

was spent in gambling, dissipation, duels, and all the disorders of a

disorderly period. He was in the army during his early years, and became

attached to the great Condé. He served under him when that prince

blockaded Paris, and was one of the faction of young men of quality who

attempted to govern the court on its return, and who received the name

of _Petits-Maîtres_ from the witty Parisians, a name afterwards

preserved to designate young coxcombs of fashion in almost all

countries. When Condé was arrested, he made war against the king in

Berri. When liberated, he abandoned him. Insolent and presumptuous, he

made an enemy of this great man as well as of Turenne. Bussy attacked

the latter in a dull epigram. Turenne's reply was far more witty: he

wrote to the king, that "Bussy was the best officer, for songs, that he

had in his troop." In like manner, he at first paid his court to

Fouquet, and afterwards caballed against him. He had frequently been

imprisoned in the Bastille. In 1569 he was exiled. He amused himself

during his banishment by writing his "Amours des Gaules," a scandalous

history of the time, whose wit cannot redeem the infamy attached to his

becoming the betrayer and chronicler of the faults and misfortunes of

his friends. Allowed to return to court, he entered into a cabal for the

ruin of the duchesse de la Vallière--his own was the consequence.

Deprived of his employment, imprisoned in the Bastille, and afterwards

exiled, he drank deep of the cup of disappointment and mortification. He

continued his work in his retreat; but the exercise of malice and

calumny did not compensate for being driven from the arena on which he

delighted to figure. Sixteen years after, wards he was allowed to return

to court; but it had then lost its charms, especially as the king did

not regard him with an eye of favour, so he returned once again to his

country retreat. He died in 1693, aged seventy-one. Ill brought up and

uneducated, wit, sharpened by malice, was his chief talent. He wrote a

pure style, but his letters are stiff and dull; and his chief work is

remarkable for its license and malice rather than for talent.]

[Footnote 62: "J'admire comment j'eus le courage de vous y mettre (au

couvent); la pensée de vous voir souvent, et de vous en retirer me fit

résoudre à cette barbarie, qui étoit trouvée alors une bonne

conduite, et une chose nécessaire à votre éducation."--_Lettre à

Mad. de Grignan_, 6 _May_, 1676.]

[Footnote 63: Il faut que je vous conte ce que j'ai fait. Imaginez vous

que des dames m'ont proposé d'aller dans une maison qui regarde droit

dans l'arsenal pour voir revenir notre pauvre ami. J'étais masquée; je

l'ai vu venir d'assez loin. M. d'Artagnan étoit auprès de lui;

cinquante mousquetaires à trente à quarante pas dernière. Il

parroissoit assez rêveur. Pour moi, quand je l'ai apperçu, les jambes

m'ont tremblé, et le cœur m'a battu si fort, que je ne pouvois plus.

En s'approchant de nous pour entrer dans son trou M. d'Artagnan l'a

pousse, et lui a fait remarquer que nous étions là. Il nous a donc

saluées, et pris cette mine riante que vous lui connoissez. Je ne croie

pas qu'il m'a reconnue, mais je vous avoue que j'ai été étrangement

saisie quand je l'ai vu entrer dans cette petite porte. Si vous saviez

combien on est malheureux quand on a le cœur fait comme je l'ai, je

suis assurée que vous auriez pitié de moi; mais je pense que vous n'en

etes pas quitte à meilleur marché de la manière dont je vous

connois. J'ai été voir votre chère voisine, je vous plains autant de

ne l'avoir plus, que nous nous trouvons heureux de l'avoir. Nous avons

bien parlé de notre cher ami: elle a vu Sapho (mademoiselle de Scuderi)

qui lui a redonné du courage. Pour moi, j'irai demain le reprendre chez

elle car de temps en temps, je sens que j'ai besoin de réconfort: ce

n'est pas que, l'on ne dise mille choses qui doivent donner de

l'espérance; mais mon dieu, j'ai l'imagination si vive, que tout ce qui

est incertain me fait mourir."--_Lettre à M. de Pomponne_, 27

_Novembre_, 1664.]

[Footnote 64: On the 3d April, 1680, Madame de Sévigné writes to her

daughter, "My dear child, M. Fouquet is dead. I am grieved. Mademoiselle

de Scuderi is deeply afflicted. Thus ends a life which it cost so much to

preserve." Gourville, in his memoirs, speaks of his being liberated from

prison as a certain thing: "M. Fouquet, being some time after set at

liberty, heard how I had acted towards his wife, to whom I had lent more

than a hundred thousand livres, for her subsistence, for the suit, and

even to gain over some of the judges. After having written to thank me,"

&c. This seems to set the matter at rest. Voltaire says, in the "Siècle

de Louis XIV.," that the countess de Vaux (Fouquet's daughter-in-law)

confirmed the fact of his liberation: a portion of his family, however,

believed differently in after times. His return, if set free, was

secret, and did not take place long before his death.]

[Footnote 65: Voltaire, Siècle de Louis XIV. chap. XXV.]

[Footnote 66: In the verses made on this occasion the poet alludes also

to the beauty of her mother:--

"Vous travestir ainsi, c'est bien ingénu,

Amour, c'est comme si, pour n'être pas connu,

Avec une innocence extreme

Vous vous déguisez en vous-meme

Elle a vos traits, vos yeux, votre air engageant,

Et de même que vous, sourit en égorgéant;

Enfin qui fit l'un a fait l'autre,

Et jusque à sa mère, elle est comme la votre."]

Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2) · 第 21 / 33 段