LXIX

IT happened on one feast-day that I went to the palace after dinner, and

when I reached the clockroom, I saw the door of the wardrobe standing

open. As I drew nigh it, the Duke called me, and after a friendly

greeting said: “You are welcome! Look at that box which has been sent me

by my lord Stefano of Palestrina. [1] Open it, and let us see what it

contains.” When I had opened the box, I cried to the Duke: “My lord,

this is a statue in Greek marble, and it is a miracle of beauty. I must

say that I have never seen a boy’s figure so excellently wrought and in

so fine a style among all the antiques I have inspected. If your

Excellency permits, I should like to restore it--head and arms and feet.

I will add an eagle, in order that we may christen the lad Ganymede. It

is certainly not my business to patch up statues, that being the trade

of botchers, who do it in all conscience villainously ill; yet the art

displayed by this great master of antiquity cries out to me to help

him.” The Duke was highly delighted to find the statue so beautiful, and

put me a multitude of questions, saying: “Tell me, Benvenuto, minutely,

in what consists the skill of this old master, which so excites your

admiration.” I then attempted, as well as I was able, to explain the

beauty of workmanship, the consummate science, and the rare manner

displayed by the fragment. I spoke long upon these topics, and with the

greater pleasure because I saw that his Excellency was deeply interested.

Note 1. Stefano Colonna, of the princely house of Palestrina. He was a

general of considerable repute in the Spanish, French, and Florentine

services successively.

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