XXIX

TWO days after this conversation, M. Mattio del Nazaro took the occasion

of some feast-day to invite me and my workpeople to an entertainment in

a garden. [1] He was an Italian in the King’s service, and practised the

same art as we did with remarkable ability. I got myself in readiness,

and told Pagolo that he might go abroad too and amuse himself with us;

the annoyances arising from that lawsuit being, as I judged, now settled

down. The young man replied in these words: “Upon my word, it would be a

great mistake to leave the house so unprotected. Only look how much of

gold, silver, and jewels you have here. Living as we do in a city of

thieves, we ought to be upon our guard by day and night. I will spend

the time in religious exercises, while I keep watch over the premises.

Go then with mind at rest to take your pleasure and divert your spirits.

Some other day another man will take my place as guardian here.”

Thinking that I could go of with a quiet mind, I took Pagolo, Ascanio,

and Chioccia to the garden, where we spent a large portion of the day

agreeably. Toward the middle of the afternoon, however, when it began to

draw toward sundown, a suspicion came into my head, and I recollected

the words which that traitor had spoken with his feigned simplicity. So

I mounted my horse, and with two servants to attend me, returned to the

castle, where I all but caught Pagolo and that little wretch Caterina

'in flagrante.' No sooner had I reached the place, than that French

bawd, her mother, screamed out: “Pagolo! Caterina! here is the master!”

When I saw the pair advancing, overcome with fright, their clothes in

disorder, not knowing what they said, nor, like people in a trance,

where they were going, it was only too easy to guess what they had been

about. The sight drowned reason in rage, and I drew my sword, resolved

to kill them both. The man took to his heels; the girl flung herself

upon her knees, and shrieked to Heaven for mercy. In my first fury I

wanted to strike at the male; but before I had the time to catch him up,

second thoughts arose which made me think it would be best for me to

drive them both away together. I had so many acts of violence upon my

hands, that if I killed him I could hardly hope to save my life. I said

then to Pagolo: “Had I seen with my own eyes, scoundrel, what your

behaviour and appearance force me to believe, I should have run you with

this sword here ten times through the guts. Get out of my sight; and if

you say a Paternoster, let it be San Giuliano’s.” [2] Then I drove the

whole lot forth, mother and daughter, lamming into them with fist and

foot. They made their minds up to have the law of me, and consulted a

Norman advocate, who advised them to declare that I had used the girl

after the Italian fashion; what this meant I need hardly explain. [3]

The man argued: “At the very least, when this Italian hears what you are

after, he will pay down several hundred ducats, knowing how great the

danger is, and how heavily that offence is punished in France.” Upon

this they were agreed. The accusation was brought against me, and I

received a summons from the court.

Note 1. Matteo del Nassaro, a native of Verona, was employed in France

as engraver, die-caster, and musician.

Note 2. See Boccaccio, 'Decam.,' Gior. ii. Nov. ii.

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