One of the facts which we Americans have a difficulty in making clear to
a rather inattentive world outside is that, while we have apparently a
literature of our own, we have no literary centre. We have so much
literature that from time to time it seems even to us we must have a
literary centre. We say to ourselves, with a good deal of logic, Where
there is so much smoke there must be some fire, or at least a fireplace.
But it is just here that, misled by tradition, and even by history, we
deceive ourselves. Really, we have no fireplace for such fire as we have
kindled; or, if any one is disposed to deny this, then I say, we have a
dozen fireplaces; which is quite as bad, so far as the notion of a
literary centre is concerned, if it is not worse.
I once proved this fact to my own satisfaction in some papers which I
wrote several years ago; but it appears, from a question which has lately
come to me from England, that I did not carry conviction quite so far as
that island; and I still have my work all before me, if I understand the
London friend who wishes “a comparative view of the centres of literary
production” among us; “how and why they change; how they stand at
present; and what is the relation, for instance, of Boston to other such
centres.”