The ancient arms of the Grosvenors, settled in the famous Scrope and

Grosvenor trial in the fourteenth century, were claimed to be _azure_,

a bend, _or_; but these were declared to belong to Scrope. Sir Richard

Grosvenor then, after the trial, assumed the arms _azure_, a garb,

_or_, as showing his descent from the ancient Earls of Chester. On

or after the creation of the marquisate of Westminster the arms of

that city were granted as an augmentation, and ordered to be borne

quarterly with those of Grosvenor. The arms now are—quarterly, first

and fourth, _azure_, a portcullis with chains pendent, _or_; on a chief

of the last, in pale, the arms of King Edward the Confessor, between

two united roses of York and Lancaster (being the arms of the city of

Westminster); second and third, _azure_, a garb, _or_, for Grosvenor.

Crest—a talbot statant, _or_. Supporters—two talbots reguardant,

_or_, collared, _azure_. Motto—“Virtus non stemma.”

The glorious grounds of Cliefden have been pleasantly discoursed upon

by many writers, but by none more graphically or technically than in

a brief notice in the _Garden_, which to some extent we cannot do

better than quote. Cliefden, “the birthplace of spring gardening,” he

says, “well maintains the high character it has so long and deservedly

received for the beauty of its early flowers, its banks full of wild

hyacinths, primroses, and forget-me-nots; its closely shaven lawns

so overspread with wild thyme that every footstep brushes up its

fragrance; and, above all, its flower-beds brimful of spring beauty,

which in turn give place to summer bedding plants. Looking from the

terrace on the lawn, a huge sunken panel with flower-beds proportionate

in size on either side of it, the floral display when we saw it was

magnificent.

[Illustration: _The Summer House._]

Brilliant pink, supplied by a large circle of _Silene pendula

compacta_, set in emerald green, was conspicuous in the distance;

nearer were lavender and blue, furnished by _Nepeta cærulea_ and

forget-me-nots; buff, by _Limnanthes Douglasi_; golden yellow, by

_Lasthenia Californica_; and crimson, by the old China rose of that

colour and rhododendrons. Other colours, too, were equally striking,

and these only a secondary display, that earlier and brighter being

made by early tulips. The plan is, when the tulips are planted, to

cover the surface of the beds with annuals, sown in July and August,

and transplanted when the bulbs are put in. These commence flowering

when the tulips are over, and remain in beauty until the bedding plants

are planted out. Vasefuls of Tom Thumb pelargoniums stand on the

grass near the walk at the base of the terrace wall, close to which

is a ribbon border bright with pansies, for which Cliefden is justly

celebrated; and right and left are gardens of early flowers, arranged

on the one hand in the form of a huge shell, and on the other in beds

on the grass that have been bright all the season with spring flowers

in great beauty. But, brilliant as the floral display on the dressed

ground undoubtedly has been, and soon will be again, it cannot arrest

attention long. The eye is naturally carried beyond it to the wood-clad

hills and dales, the rich meadows, and the river Thames, at this season

alive with water-parties from Maidenhead and pleasure-boats of every

description. These form the foreground, as it were, to a landscape

unmatched for picturesque beauty, its distant boundary being the Surrey

hills on the one hand, and the Chilterns, in Buckinghamshire, on the

other.

“Vistas, too, have been cut here and there through the trees, so as

to bring into view the water or some more distant object of interest.

By reclaiming pieces of land here and there from the river, a wide

and agreeable promenade has been formed along its bank, overhung at

intervals by stately trees, consisting of beech, ash, and elm, with

here and there a tulip-tree and scarlet chestnut. This is reached

from the plateau above, on which the mansion stands, by means of

winding walks and flights of rustic steps, through what may be

termed a gigantic wild garden, consisting of ancient yews, whose

hold on mother earth is but small, their roots—weather-beaten and

weird-looking—being half out of the ground, and tangled brushwood,

fantastically overrun in places with honeysuckle and traveller’s

joy. Here, too, even on the chalk, are masses of ferns, and nearer

the river-side a very fine Judas-tree, clumps of pampas grass,

mulberry-coloured hazels, and other flowering and fine-leaved subjects,

while in spring every open space is a garden of wild flowers.

“Let us now return to the entrance front of the mansion. This has been

strikingly improved, by removing the old kitchen garden, and laying

its site down in grass as level as a bowling-green, cut off from its

surroundings right and left by newly built walls, and in front by a

thick yew hedge, still kept in vigour by means of good root treatment.

These, with the mansion, enclose a spacious quadrangle, on the side

of which farthest from the windows are large vases; these in early

spring are gay with tulips, and later in the season with annuals, the

most effective of which is _Silene pendula compacta_ in masses of rosy

blossoms. On the walls, which are covered with climbing and other wall

plants, are rare roses, and honeysuckles in profusion. In another part

is a rose hedge, consisting of Fellenberg, a kind not very full when

open, but excellent in the bud state for table decoration.

“Shut out from view of the mansion by these walls are the glasshouses,

a conservatory being on the one side, and the forcing-houses on the

other—all new, and arranged with consummate skill and forethought,

as regards saving of labour: the whole, with the exception of the

conservatory, are built in parallel lines right and left of a central

pathway, under which are the hot-water pipes, a glass-covered corridor

running round the whole, and binding them, as it were, together. Close

to them are the offices and young men’s rooms, the latter built in a

style and furnished with appliances such as are to be found in but few

gardens. Grapes, peaches, and other tender fruits are grown here in

perfection, and among other things we noticed a houseful of tree, or

perpetual, carnations in flower, a brilliant sight—the blooms being

abundant, large, and fragrant. The extension system of vine-growing

is that which is most in favour here. In one vinery—an old one,

sixty feet long—one vine has been allowed to fill the house; it is

in excellent condition, and is carrying some two hundred bunches of

promising fruit. Near here, too, is a glass corridor, the roof of which

is covered with an aged fuchsia of the corallina kind; several other

varieties have been grafted on it, all of which are literally masses

of flower, and most effective, owing to the contrast produced by their

different colours. Ivies, grown in zinc boxes and trained on trellises

for indoor screens, are here out of doors in the shade. These fit

into ornamental trays, and when taken indoors have a pelargonium or

nasturtium, or some other flowering plant plunged in the box in front

of them.

“The conservatory is fifty-six yards in length and twelve yards in

width, and span-roofed, the spans being placed at right angles with the

wall against which it is built. It is in two divisions, but so arranged

that both can be thrown into one, which, when lighted up at night

(which it is on certain occasions) has a fine effect. It is as gay as

a house of the kind can well be—arum lilies, as they are called, being

especially good and conspicuous. Among the more arborescent vegetation

which it contains are oranges, carrying heavy crops of ripe fruit,

and a vigorous specimen of _Abutilon Boule de Neige_, loaded with

drooping white bell-shaped flowers, which, when inverted in bouquets

with the stamens removed, have a charming effect. Against the back wall

is _Lantana mutabilis_, quite a mass of variously coloured flowers,

exhibiting, in fact, a luxuriance of blossom wholly unattainable by

plants in pots.

“With the noble entrance to Cliefden most people are familiar. It

consists of a straight avenue of dimensions commensurate with the

palatial residence to which it leads. This remains as it always has

been; but the approach in connection with it has of late been greatly

altered and improved. On the one side we have natural wood intermixed

with flowering shrubs and trees; and on the other, here and there

glades of grass pleasantly undulated, and furnished with clumps of

rhododendrons and azaleas—some near, some distant, but all effectively

planted, and more or less over-canopied with lofty trees, chiefly

beeches, whose stems rise for an unusual height clear of branches.

A large stagnant pond, by which the road passes, has been drained,

filled up, and converted into a grassy lawn, one side of which hugs

the approach for a considerable distance, while the other loses itself

in the wood on the other side of the valley. Vistas, too, have been

judiciously cut through the trees where the planting and views are most

beautiful, thus rendering this portion of the grounds by no means the

least interesting feature of Cliefden.

“Of the kitchen garden we have said nothing; nor of the miles of green

drives, in summer shady and pleasant, with which the woods abound;

nor of the indoor fruit-growing, which is excellent; but enough has

been said to show that Cliefden, since it has become the property of

the Duke of Westminster, has been greatly improved, both as regards

its buildings and its gardens, and is now one of the most charming of

seats.”

WARNHAM COURT.

WE have chosen Warnham Court to form one of our present series, not

because it is, strictly speaking, a “_Stately_ Home,” nor because

its history is a stirring one, or the family to whom it belongs can

boast of high antiquity in descent, or of nobility in extraction;

but simply because it is a good and pleasing and fine example of a

modern Elizabethan home, the characteristic features of which have

been made suitable for the tastes and requirements of the present day.

Its beauties are manifold, but they are purely of that quiet domestic

character that is utterly opposed to ostentation and show, and that

give it an air of comfort possessed by but few of its more pretentious

neighbours.

Sussex is a county of “many mansions,” and they are as varied in their

style and their architectural character as they are in the periods in

which they have been erected; but few can, out of the whole, compare

with Warnham Court in pleasantness of situation, in beauty of external

surroundings, or in comfort of internal arrangements. It is a house

fitted for hospitality, and for the enjoyment of the guests its owner

delights to have around him.

Warnham Court lies near the village of Warnham, which is about three

miles from Horsham, and it has a station on the Horsham line of the

London, Brighton, and South Coast Railway. The village—and a pretty

Sussex village it is—consists mainly of one long street, running north

and south, and it has many pleasant residences in its neighbourhood.

The Church, dedicated to St. Margaret, is of Norman foundation, but was

enlarged and altered in 1848. It consists of “a nave, with north and

south aisles, with three chancels, the north of these latter portions

being divided from the south aisle by a fine Gothic oak screen. It

has a square embattled tower, with clock and six bells. The interior

contains several monuments” to the Carills and others.

[Illustration: _Distant View from the Lake._]

The Court was built in the Elizabethan style, in place of an older

house, in the beginning of this century, by Henry Tredcroft, Esq.,

of Horsham—a fine old Sussex squire—and, at his death, was sold

to Sir Thomas Pelley, Bart., who made it his residence. The whole

estate passed, by purchase, from the executors of Sir Henry Pelley,

in 1866, to its present owner, Charles T. Lucas, Esq., the head

of the well-known firm of Lucas Brothers, the eminent builders

and contractors. By Mr. Lucas the house has been remodelled and

considerably enlarged, its Elizabethan character being, however,

carefully preserved in every detail. He has also built new stabling,

lodges, gardener’s house, terraces, garden appliances, &c., at a very

large outlay, which, however, has been most judiciously expended.

Mr. Lucas, who is the eldest son of the late James Lucas, Esq., was

born in 1820, and in 1840 was married to Miss Tiffin, by whom he

has, with other issue, a son, Charles James Lucas, born in 1853,

and educated at Harrow. Mr. Lucas is Lord of the Manor of Warnham,

a governor of Christ’s Hospital, and a magistrate for the county of

Surrey. He is brother to his partner, Thomas Lucas, Esq., of Eastwicke

Park, Surrey, who was born in 1822, and in 1852 married Mary Amelia,

daughter of Robert Chamberlain, Esq., of Cotton Hall, Norfolk, by whom,

with other issue, he has a son, Arthur Charles Lucas, born in 1853, and

educated at Harrow: he is a J.P. and D.L. for Suffolk, and a magistrate

for Middlesex and Westminster. Both are gentlemen highly esteemed and

honoured, and few are more thoroughly entitled to the lofty positions

to which, by honourable industry, great ability, and high character,

they have attained.

The arms of the family of Lucas are—party per bend, _gules_ and

_argent_, a bend, dovetailed, between six annulets, all counterchanged;

a crescent for difference. Crest—a demi-griffin, wings expanded,

_gules_, semée of annulets, _argent_. Motto—“Spes et fides.”

The mansion is approached from the principal Lodge Entrance by a drive

through the park, which is finely timbered with forest trees of large

growth. These are chiefly oaks, of which there are some remarkably

fine and gigantic examples. Under these roam innumerable herds of red

and fallow deer, which add much to the beauty of the park scenery.

The Lodge, with its overhanging roofs, its mullioned windows, its

geometrical chimney-shafts, and its advanced porch, is one of the most

picturesque and pleasant in the county.

The mansion itself is situated on an eminence, and commands extensive

views of the surrounding country. On the east side is the Carriage

Entrance, which is a spacious gravelled court-yard, enclosed next the

park by a stone balustrade. On the south side is the South or Grand

Terrace, a fine promenade walk some six hundred feet in length by

twenty feet in width, adorned with statuary, and overhung and shaded by

magnificent trees. This terrace is supported, at an elevation from the

park of about ten feet, by a massive stone wall and elegantly designed

balustrade. In the recesses are fine examples of sculpture, and the

balustrade itself supports a number of elegant vases, terminals, and

other ornaments, placed at regular distances. The park from this point

slopes gently away till it ends in a fine ornamental Lake. Looking

to the eastward, down a lovely glade in the park, another and more

magnificent piece of water, covering an area of over thirty acres, is

seen in the distance.

[Illustration: _The South or Grand Terrace._]

On the right, while passing along to the west end of this terrace,

stands the Conservatory. It is filled with the choicest exotic palms,

tree ferns, and flowering plants; and in the centre, on a massive

marble base, stands a magnificent sculptured group of figures in white

marble. The floor is geometrical in pattern, and the appointments, the

vases, the flower-stands, &c., are all characterized by good taste in

their arrangement.

[Illustration: _The Garden Front._]

The surrounding grounds are beautifully undulating and diversified,

and comprise the Flower Garden, Croquet Lawn, and American Garden. The

latter is situated in a natural dip of the grounds, and is completely

encircled and sheltered by a dense mass of oaks and other forest trees,

at the foot of which is a broad belt of common laurel, rhododendron,

&c. Then follows a winding walk, encircling about an acre of grass

lawn, on which are planted masses of azalea, rhododendron, kalmea,

andromeda, specimen coniferæ, &c., the whole producing a strikingly

pleasing effect. Arrived at the end of this terrace, the visitor

descends, by means of a broad flight of steps, to another terrace walk

nearly a quarter of a mile in length, and flanked for most of that

distance on each side with masses of rhododendrons alternated with

some fine specimens of _Cedrus deodara_ and the Chinese juniper. Again

descending by another flight of steps to the left, access is gained to

the Rose Garden. This “garden of roses,” which is of perfect Eastern

loveliness, takes the form of a half-circle, the whole of which is

filled with the choicest roses, the outer line being backed by a broad

belt of flowering rhododendrons. Some idea may be formed of the size

and importance of this Rose Garden from the fact that it contains

upwards of a thousand standard roses, and nearly as many dwarf roses,

and these comprise examples of every colour, shade, and variety that

are worth cultivating. The effect, when these are fully in flower, is

enchanting in the extreme.

[Illustration: _The Mansion and Conservatory, from the Grounds._]

In close proximity to this, but shut out by a high wall covered with

_Magnolia grandiflora_, are the Forcing and Plant Houses: these occupy

three sides of a square. Passing through the upper side, which is a

range of span-roofed houses, we find it embraces a Show House (kept

gay with flowers the year round), Fernery, Plant, Stove, and Camellia

House, in which latter is a plant of the old double white camellia

twenty feet across, and rather more than that in height, besides many

other fine specimens of those choicest and most beautiful of flowers.

Leaving this house, the visitor passes through about two hundred feet

in length of Vineries and Peach Houses, filled with their luscious

treasures in different stages of growth. Thus the third side of the

square is gained. This is another range of span Plant Houses, the

centre division being a Rose House, planted chiefly with tea-scented

roses. In the centre of this square, and running parallel with the two

end ranges, is a large late Peach House, 65 feet long by 24 feet wide:

this spans the walk which connects this square with the lower terrace.

At the back of these houses are the Kitchen Gardens, which comprise

about four acres: these are well walled, and have a good wall to the

south. The soil being a retentive clay, fruit trees, as well as most

vegetables, thrive well. Here, also, are extensive ranges of pits used

for forcing early vegetables, pot vines, melons, cucumbers, and bedding

plants, of which latter about thirty thousand are grown and planted

annually. Here, too, are the Orchid House, containing many valuable

plants; Gardenia House; and range of Fig Houses. Covering the back wall

of the range of Vineries before alluded to, and facing the Kitchen

Gardens, are the Fruit Rooms, Mushroom House, Potting Sheds—also the

young men’s rooms: these are spacious, and contain every convenience

for their comfort. Too much credit cannot be given Mr. Lucas for the

manner in which he thus studies the comfort of his _employés_, both in

this and in other particulars.

The most striking feature in the Kitchen Gardens is the Head Gardener’s

Cottage. This is a picture of architectural beauty, and, from its

elevated position, commands a view of every part of the gardens, as

well as most extensive prospects of the surrounding country. Not only

has the external appearance of this model cottage been made matter

of study, but the interior, also, is replete with every domestic

convenience. It is one of the most charming of residences, and its

occupant, Mr. Lucas’s head gardener, is one of the most accomplished

in his profession. To his good taste and skill much of the beauty and

attractiveness of the place is due.

The north side of these gardens is bounded by a newly planted Orchard,

containing above a hundred fine standard trees of all the best

varieties of apples, pears, plums, &c. This is followed by about two

acres planted as a Pinetum, in which are many valuable and promising

young specimen coniferæ. This is continued down to the north carriage

drive, where it is bounded by a belt of evergreen shrubs, &c. It may

not be out of place here to add that the whole of these gardens owe

their existence, as well as their present state of high keeping, to

their present estimable owner, who has spared no expense in their

formation or subsequent management, and whose love of the beautiful,

whether in Nature or in Art, is unbounded.

The internal arrangements of the house—which, besides all the

customary reception and state apartments and the domestic offices,

contains an unusual number of bed-rooms—are all that can be desired,

both for elegance and for home comforts; and the furnishing and

appointments are such as eminently to entitle Warnham Court to be

ranked as a home of taste. Mr. Lucas is a liberal patron of Art, and

both here and at his town mansion the walls are hung with pictures of

matchless excellence and of great price. They are chiefly by modern,

and most of them by British, artists: a list of them would include

nearly all the best painters of the age.

The park is some three hundred and fifty acres in extent, the farm

occupies about six hundred acres more, and the pleasure-grounds add

another fifty acres to the total, so that Warnham Court is a fine and

noble property, and one unmatched in its district.

It would ill become us, in any notice of the parish of Warnham, to

omit the mention of one of its worthies—Percy Bysshe Shelley. This

ill-fated, but gifted, poet was born at Field Place, on Broad-bridge

Heath, Warnham, on the 4th of August, 1792. He was the grandson of

Sir Bysshe Shelley, Bart., of Castle Goring, who married twice, and

had, by his first wife, with other issue, a son and successor, Sir

Timothy Shelley, who married Elizabeth, daughter of Charles Pinfold,

Esq., of Etchingham, in Surrey: their eldest son was the poet. Percy

Bysshe Shelley received his first education from the Rev. Mr. Edwards,

vicar of Warnham, and was then sent to school at Brentford, with his

young cousin, Thomas Medwin. At thirteen Shelley was sent to Eton. At

eighteen, having previously written much poetry, he produced his “Queen

Mab;” and in 1810 he entered University College, Oxford. “At the age of

nineteen he published a pamphlet embodying the arguments of Voltaire

and the false philosophy of that school, which was speedily circulated

amongst those in authority.”

[Illustration: _View from the North-west._]

The Stately Homes of England · 第 51 / 58 段