Wherever American homes are assembled we may have, all winter, for the

asking--if we will but ask ourselves instead of the lawn-mower man--an

effect of home, of comfort, cheer and grace, of summer and autumn

reminiscences and of spring's anticipations, immeasurably better than

any ordinary eye or fancy can extort from the rectangular and

stiffened-out nakedness of unplanted boundaries; immeasurably better

than the month-by-month daily death-stare of shroud-like snow around

houses standing barefooted on the frozen ground. It may be by hearty

choice that we abide where we must forego outdoor roses in Christmas

week and broad-leaved evergreens blooming at New Year's, Twelfth-night

or Carnival. Well and good! But we can have even in mid-January, and

ought to allow ourselves, the lawn-garden's surviving form and tranced

life rather than the shrubless lawn's unmarked grave flattened beneath

the void of the snow. We ought to retain the sleeping beauty of the

ordered garden's unlost configuration, with the warm house for its

bosom, with all its remoter contours--alleys, bays, bushy networks

and sky-line--keeping a winter share of their feminine grace and

softness. We ought to retain the "frozen music" of its myriad gray, red

and yellow stems and twigs and lingering blue and scarlet berries

stirring, though leaflessly, for the kiss of spring. And we ought to

retain the invincible green of cedars, junipers and box, cypress,

laurel, hemlock spruce and cloaking ivy, darkling amid and above these,

receiving from and giving to them a cheer which neither could have in

their frostbound Eden without mutual contrast.

[Illustration: "The sleeping beauty of the garden's unlost configuration

... keeping a winter's share of its feminine grace and softness."

This picture was taken in the first flush of spring. The trees in

blossom are the wild Japanese cherry.]

Eden! If I so recklessly ignore latitude as to borrow the name of the

first gardener's garden for such a shivering garden as this it is

because I see this one in a dream of hope--a diffident, interrogating

hope--really to behold, some day, this dream-garden of Northern winters

as I have never with actual open eyes found one kept by any merely

well-to-do American citizen. If I describe it I must preface with all

the disclaimers of a self-conscious amateur whose most venturesome

argument goes no farther than "Why not?" yet whom the evergreen gardens

of New Orleans revisited in January impel to protest against every

needless submission to the tyrannies of frost and of a gardening art--or

non-art, a submission which only in the outdoor embellishment of the

home takes winter supinely, abjectly.

This garden of a hope's dream covers but three ordinary town lots. Often

it shrinks to but one without asking for any notable change of plan.

Following all the lines, the hard, law lines, that divide it from its

neighbors and the street, there runs, waist-high on its street front,

shoulder-high on its side bounds, a close evergreen hedge of hemlock

spruce. In its young way this hedge has been handsome from infancy;

though still but a few years old it gives, the twelvemonth round, a note

both virile and refined in color, texture and form, and if the art that

planted it and the care that keeps it do not decay neither need the

hedge for a century to come. Against the intensest cold this side of

Labrador it is perfectly hardy, is trimmed with a sloping top to shed

snows whose weight might mutilate it, and can be kept in repair from

generation to generation, like the house's plumbing or roof, or like

some green-uniformed pet regiment with ranks yet full after the last of

its first members has perished.

Furthermore, along the inner side of this green hedge (sometimes close

against it, sometimes with a turfed alley between), as well as all round

about the house, extend borders of deciduous shrubs, with such

meandering boundaries next the broad white lawn as the present writer,

for this time, has probably extolled enough. These bare, gray shrub

masses are not wholly bare or gray and have other and most pleasingly

visible advantages over unplanted, pallid vacancy, others besides the

mere lace-work of their twigs and the occasional tenderness of a last

summer's bird's nest. Here and there, breaking the cold monotone, a bush

of moose maple shows the white-streaked green of its bare stems and

sprays, or cornus or willow gives a soft glow of red, purple or yellow.

Only here and there, insists my dream, lest when winter at length gives

way to the "rosy time of the year" their large and rustic gentleness

mar the nuptial revels of summer's returned aristocracy. Because,

moreover, there is a far stronger effect of life, home and cheer from

the broad-leaved evergreens which, in duly limited numbers, assemble

with and behind these, and from the lither sorts of conifers that spire

out of the network and haze of living things in winter sleep. The

plantings at the garden's and dwelling's front being properly, of

course, lower than those farther back, I see among them, in this dream,

the evergreen box and several kinds of evergreen ferns. I see two or

three species of evergreen barberries, not to speak of Thunberg's

leafless one warm red with its all-winter berries, the winter garden's

rubric. I see two varieties of euonymus; various low junipers; two sorts

of laurel; two of andromeda, and the high-clambering evergreen ivy.

Beginning with these in front, infrequent there but multiplying toward

the place's rear, are bush and tree forms of evergreen holly, native

rhododendrons, the many sorts of foreign cedars and our native ones

white and red, their skyward lines modified as the square or pointed

architecture of the house may call for contrasts in pointed or

broad-topped arborescence. If, at times, I dream behind all this a

grove, with now and then one of its broad, steepling or columnar trees

pushed forward upon the lawn, it is only there that I see anything so

stalwart as a pine or so rigid as a spruce.

Such is the vision, and if I never see it with open eyes and in real

sunlight, even as a dream it is--like certain other things of less

dignity--grateful, comforting. I warrant there are mistakes in it, but

you will find mistakes wherever you find achievement, and there is no

law against them--in well-meant dreams. Observe, if you please, this

vision lays no drawback on the garden's summer beauty and affluence.

Twelve months of the year it enhances its dignity and elegance. Both the

numerical proportions of evergreens to other greens, and the scheme of

their distribution, are quite as correct and effective for contrast and

background to the transient foliage and countless flowers of July as

amid the bare ramage of January. Summer and winter alike, the gravest

items among them all, the conifers, retain their values even in those

New Orleans gardens. When we remember that in New England and on all its

isotherm it is winter all that half of the year when most of us are at

home, why should we not seek to realize this snow-garden dream? Even a

partial or faulty achievement of it will surely look lovelier than the

naked house left out on its naked white lawn like an unclaimed trunk on

a way-station platform. I would not, for anything, offend the reader's

dignity, but I must think that this midwinter garden may be made at

least as much lovelier than no garden as Alice's Cheshire cat was

lovelier--with or without its grin--than the grin without the cat.

[Illustration: "It is only there that I see anything so stalwart as a

pine or so rigid as a spruce."

The blossoming trees in this picture are a Chinese crab blooming ten

days later than the Japanese wild cherry (see illustration facing

p. 186), which is now in full leaf at their back.]

Shall we summarize? Our gist is this: that those gardens of New Orleans

are as they are, not by mere advantage of climate but for several other

reasons. Their bounds of ownership and privacy are enclosed in hedges,

tight or loose, or in vine-clad fences or walls. The lawn is regarded as

a ruling feature of the home's visage, but not as its whole

countenance--one flat feature never yet made a lovely face. This lawn

feature is beautified and magnified by keeping it open from shrub border

to shrub border, saving it, above all things, from the gaudy barbarism

of pattern-bedding; and by giving it swing and sweep of graceful

contours. And lastly, all ground lines of the house are clothed with

shrubberies whose deciduous growths are companioned with broad-leafed

evergreens and varied conifers, in whatever proportions will secure the

best midwinter effects without such abatement to those of summer as

would diminish the total of the whole year's joy.

These are things that can be done anywhere in our land, and wherever

done with due regard to soil as well as to climate will give us gardens

worthy to be named with those of New Orleans, if not, in some aspects

and at particular times of the year, excelling them. As long as mistakes

are made in the architecture of houses they will be made in the

architecture of gardening, and New Orleans herself, by a little more

care for the fundamentals of art, of all art, could easily surpass her

present floral charm. Yet in her gardens there is one further point

calling for approval and imitation: the _very_ high trimming of the

stems of lofty trees. Here many a reader will feel a start of

resentment; but in the name of the exceptional beauty one may there see

resulting from the practice let us allow the idea a moment's

entertainment, put argument aside and consider a concrete instance whose

description shall be our closing word.

Across the street in which, that January, we sojourned (we were two),

there was a piece of ground of an ordinary town square's length and

somewhat less breadth. It had been a private garden. Its owner had given

it to the city. Along its broad side, which our windows looked out upon,

stood perfectly straight and upright across the sky to the south of them

a row of magnolias (grandiflora) at least sixty feet high, with their

boles, as smooth as the beach, trimmed bare for two-thirds of their

stature. The really decorative marks of the trimming had been so many

years, so many decades, healed as to show that no harm had come of it or

would come. The soaring, dark-green, glittering foliage stood out

against the almost perpetually blue and white sky. Beyond them, a few

yards within the place but not in a straight line, rose even higher a

number of old cedars similarly treated and offering a pleasing contrast

to the magnolias by the feathery texture of their dense sprays and the

very different cast of their lack-lustre green. Overtopping all, on the

farther line of the grounds, southern line, several pecan-trees of

nearly a hundred feet in height, leafless, with a multitude of

broad-spreading boughs all high in air by natural habit, gave an effect

strongly like that of winter elms, though much enlivened by the near

company of the evergreen masses of cedar and magnolia. These made the

upper-air half of the garden, the other half being assembled below. For

the lofty trim of the wintergreen-trees--the beauty of which may have

been learned from the palms--allowed and invited another planting

beneath them. Magnolias, when permitted to branch low, are, to

undergrowth, among the most inhospitable of trees, but in this garden,

where the sunlight and the breezes passed abundantly under such

high-lifted arms and among such clean, bare stems, a congregation of

shrubs, undershrubs and plants of every stature and breadth, arose,

flourished and flowered without stint. Yonder the wind-split,

fathom-long leaves of the banana, brightening the background, arched

upward, drooped again and faintly oscillated to the air's caress. Here

bloomed and smelled the delicate magnolia fuscata, and here, redder with

flowers than green with shining leaves, shone the camellia. Here spread

the dark oleander, the pittosporum and the Chinese privet; and here were

the camphor-tree and the slender sweet olive--we have named them all

before and our steps should not take us over the same ground twice in

one circuit; that would be bad gardening. But there they were, under

those ordinarily so intolerant trees, prospering and singing praises

with them, some in full blossom and perfume, some waiting their turn,

like parts of a choir. In the midst of all, where a broad path eddied

quite round an irregular open space, and that tender quaintness of decay

appeared which is the unfailing New Orleans touch, the space was filled

with roses. This spot was lovely enough by day and not less so for being

a haunt of toddling babes and their nurses; but at night--! Regularly at

evening there comes into the New Orleans air, from Heaven knows whither,

not a mist, not a fog nor a dampness, but a soft, transparent, poetical

dimness that in no wise shortens the range of vision--a counterpart of

that condition which so many thousands of favored travellers in other

longitudes know as the "Atlantic haze." One night--oh, oftener than

that, but let us say one for the value of understatement--returning to

our quarters some time before midnight, we stepped out upon the balcony

to gaze across into that garden. The sky was clear, the neighborhood

silent. A wind stirred, but the shrubberies stood motionless. The moon,

nearly full, swung directly before us, pouring its gracious light

through the tenuous cross-hatchings of the pecans, nestling it in the

dense tops of the cedars and magnolias and sprinkling it to the ground

among the lower growths and between their green-black shadows. When in a

certain impotence of rapture we cast about in our minds for an adequate

comparison--where description in words seemed impossible--the only

parallel we could find was the art of Corot and such masters from the

lands where the wonderful pictorial value of trees trimmed high has been

known for centuries and is still cherished. For without those trees so

disciplined the ravishing picture of that garden would have been

impossible.

Of course our Northern gardens cannot smile like that in winter. But

they need not perish, as tens of thousands of lawn-mower, pattern-bed,

so-called gardens do. They should but hibernate, as snugly as the bear,

the squirrel, the bee; and who that ever in full health of mind and body

saw spring come back to a Northern garden of blossoming trees, shrubs

and undershrubs has not rejoiced in a year of four clear-cut seasons? Or

who that ever saw mating birds, greening swards, starting violets and

all the early flowers loved of Shakespeare, Milton, Shelley, Bryant and

Tennyson, has not felt that the resurrection of landscape and garden

owes at least half its glory to the long trance of winter, and wished

that dwellers in Creole lands might see New England's First of June? For

what says the brave old song-couplet of New England's mothers? That--

"Spring would be but wintry weather

If we had nothing else but spring."

Every year, even in Massachusetts--even in Michigan--spring, summer, and

autumn are sure to come overladen with their gifts and make us a good,

long, merry visit. All the other enlightened and well-to-do nations of

the world entertain them with the gardening art and its joys and so make

fairer, richer and stronger than can be made indoors alone the

individual soul, the family, the social, the civic, the national life.

In this small matter we Americans are at the wrong end of the

procession. What shall we do about it?

The Amateur Garden · 第 8 / 8 段