III

Secondly, let us consider what use we can make of even one

selected classic. I refer you back to the work of an old

schoolmaster, quoted in my first lecture:

I believe, if the truth were known, men would be astonished at

the small amount of learning with which a high degree of

culture is compatible. In a moment of enthusiasm I ventured

once to tell my 'English set' that if they could really master

the ninth book of "Paradise Lost," so as to rise to the height

of its great argument and incorporate all its beauties in

themselves, they would at one blow, by virtue of that alone,

become highly cultivated men.... More and more various learning

might raise them to the same height by different paths, but

could hardly raise them higher.

I beg your attention for the exact words: 'to rise to the height

of its great argument and _incorporate all its beauties in

themselves._' There you have it--'to incorporate.' Do you

remember that saying of Wordsworth's, casually dropped in

conversation, but preserved for us by Hazlitt?--'It is in the

highest degree unphilosophic to call language or diction the

dress of our thoughts.... It is the _incarnation_ of our

thoughts.' Even so, I maintain to you, the first business of a

learner in literature is to get complete hold of some undeniable

masterpiece and incorporate it, incarnate it. And, I repeat,

there are a few great works for you to choose from: works

approved for you by ancient and catholic judgment.

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