MY DEAR MR. PUNCH,

[Illustration]

I THINK, however pleased you may look in your stall while listening to

the charming music of Mr. CELLIER in _The Sultan of Mocha_, you will

agree with me that that gifted gentleman has been most unfortunate in

the selection of his _librettos_. _Dorothy_ was certainly feeble, but

the revived opera at the Strand is feebler still. I admit that the work

is well staged, equally as to scenery, dresses, and _mise-en-scene_, but

the plot and the dialogue are unworthy of serious criticism. When the

curtain rose upon a capital "set" of the Thames near Greenwich Hospital,

when there were a lively chorus and a pretty dance, I imagined I was

"in" for what other occupants of the stalls would have called "a real

good thing." But the characters had only to talk to cause a sense of

depression to envelope me, that nearly moved me to tears. Ponderous

allusions to such recent "topics" as Lord CHARLES BERESFORD'S signal

from the Royal Yacht at the Naval Review, the ENDACOTT matter and

Turkish impecuniosity now and again attracted my attention, and I felt

that I would give worlds to slumber as does the hero in the Third Act

who appropriately sings himself to sleep. But Mr. CELLIER'S music made a

success of _Dorothy_, and it is not impossible that "the movement may be

continued" in the _Sultan of Mocha_. Of those who take part in the

performance I may single out Mr. CHARLES DANBY as fairly amusing. I do

not remember to have seen him before, and it is to be trusted that the

applause of a London audience will not cause him to favour a policy of

exaggeration. So far he is good--not too good (as Mr. BROUGH was wont to

amusingly observe), but just good enough. The voice of Miss VIOLET

CAMERON is as strong as ever, but at times I traced a _tremolo_ that

might wisely be abandoned. Mr. C. H. KENNEY has good intentions, and no

doubt some day will be seen and heard to greater advantage. I was not

surprised to learn from the playbill that as the _Sultan_ Mr. ERNEST

BIRCH was making "his first appearance." Of the remainder of the cast,

Mr. BRACY sang well and acted fairly as "a heart of oak," and the

sailors, villagers, and slaves were sufficiently comely to satisfy the

requirements of a Strand audience met together to enjoy an _opera

bouffe_.

A new _lever de rideau_ added to the programme of the Globe has called

attention to the merry moments of _The Doctor_. From the first this

piece went wonderfully well--now it goes better than ever. The house is

nightly full of patients, who seem willingly to give themselves over to

what I may call "the laughter cure and joke treatment."

_Dandy Dick_ has moved from the Court to King William Street, Strand.

Mr. CLAYTON, capital as the Dean, and Mrs. JOHN WOOD inimitable,

exquisite, everything-superlative as the lady horse-owner. Mr. BISHOP

now plays Mr. ARTHUR CECIL'S part in a manner that reduces our regret at

the absence of his predecessor to a minimum.

A wonderful piece called _Racing_, by the "Great MACDERMOTT," is being

performed at Islington. It is composed of a mixture of Comedy and

Tragedy. Both ingredients are equally funny.

Removing my _gibus_, and laying down my programmes and opera-glasses, I

again sign myself

ONE WHO HAS GONE TO PIECES.

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Punch, or the London Charivari, Vol. 93., October 1, 1887 · 第 13 / 18 题