SCENE

(A simply furnished room in a farmhouse. The door and the windows in the

background open on a landscape. In the middle of the room stands a

big dining-table, covered at one end by books, writing materials,

and antiquities; at the other end, by a microscope, insect cases, and

specimen jars full of alchohol.)

(On the left side hangs a bookshelf. Otherwise the furniture is that of

a well-to-do farmer.)

(MR. Y. enters in his shirt-sleeves, carrying a butterfly-net and a

botany-can. He goes straight up to the bookshelf and takes down a book,

which he begins to read on the spot.)

(The landscape outside and the room itself are steeped in sunlight. The

ringing of church bells indicates that the morning services are just

over. Now and then the cackling of hens is heard from the outside.)

(MR. X. enters, also in his shirt-sleeves.)

(MR. Y. starts violently, puts the book back on the shelf upside-down,

and pretends to be looking for another volume.)

MR. X. This heat is horrible. I guess we are going to have a

thunderstorm.

MR. Y. What makes you think so?

MR. X. The bells have a kind of dry ring to them, the flies are sticky,

and the hens cackle. I meant to go fishing, but I couldn't find any

worms. Don't you feel nervous?

MR. Y. [Cautiously] I?--A little.

MR. X. Well, for that matter, you always look as if you were expecting

thunderstorms.

MR. Y. [With a start] Do I?

MR. X. Now, you are going away tomorrow, of course, so it is not to be

wondered at that you are a little "journey-proud."--Anything new?--Oh,

there's the mail! [Picks up some letters from the table] My, I have

palpitation of the heart every time I open a letter! Nothing but debts,

debts, debts! Have you ever had any debts?

MR. Y. [After some reflection] N-no.

MR. X. Well, then you don't know what it means to receive a lot of

overdue bills. [Reads one of the letters] The rent unpaid--the landlord

acting nasty--my wife in despair. And here am I sitting waist-high in

gold! [He opens an iron-banded box that stands on the table; then both

sit down at the table, facing each other] Just look--here I have

six thousand crowns' worth of gold which I have dug up in the last

fortnight. This bracelet alone would bring me the three hundred and

fifty crowns I need. And with all of it I might make a fine career for

myself. Then I could get the illustrations made for my treatise at once;

I could get my work printed, and--I could travel! Why don't I do it, do

you suppose?

MR. Y. I suppose you are afraid to be found out.

MR. X. That, too, perhaps. But don't you think an intelligent fellow

like myself might fix matters so that he was never found out? I am alone

all the time--with nobody watching me--while I am digging out there in

the fields. It wouldn't be strange if I put something in my own pockets

now and then.

MR. Y. Yes, but the worst danger lies in disposing of the stuff.

MR. X. Pooh! I'd melt it down, of course--every bit of it--and then I'd

turn it into coins--with just as much gold in them as genuine ones, of

course---

MR. Y. Of course!

MR. X. Well, you can easily see why. For if I wanted to dabble in

counterfeits, then I need not go digging for gold first. [Pause] It is a

strange thing anyhow, that if anybody else did what I cannot make myself

do, then I'd be willing to acquit him--but I couldn't possibly acquit

myself. I might even make a brilliant speech in defence of the thief,

proving that this gold was res nullius, or nobody's, as it had been

deposited at a time when property rights did not yet exist; that even

under existing rights it could belong only to the first finder of it, as

the ground-owner has never included it in the valuation of his property;

and so on.

MR. Y. And probably it would be much easier for you to do this if

the--hm!--the thief had not been prompted by actual need, but by a

mania for collecting, for instance--or by scientific aspirations--by the

ambition to keep a discovery to himself. Don't you think so?

MR. X. You mean that I could not acquit him if actual need had been the

motive? Yes, for that's the only motive which the law will not accept in

extenuation. That motive makes a plain theft of it.

MR. Y. And this you couldn't excuse?

MR. X. Oh, excuse--no, I guess not, as the law wouldn't. On the other

hand, I must admit that it would be hard for me to charge a collector

with theft merely because he had appropriated some specimen not yet

represented in his own collection.

MR. Y. So that vanity or ambition might excuse what could not be excused

by need?

MR. X. And yet need ought to be the more telling excuse--the only

one, in fact? But I feel as I have said. And I can no more change this

feeling than I can change my own determination not to steal under any

circumstances whatever.

MR. Y. And I suppose you count it a great merit that you

cannot--hm!--steal?

MR. X. No, my disinclination to steal is just as irresistible as the

inclination to do so is irresistible with some people. So it cannot be

called a merit. I cannot do it, and the other one cannot refrain!--But

you understand, of course, that I am not without a desire to own this

gold. Why don't I take it then? Because I cannot! It's an inability--and

the lack of something cannot be called a merit. There!

[Closes the box with a slam. Stray clouds have cast their shadows on the

landscape and darkened the room now and then. Now it grows quite dark as

when a thunderstorm is approaching.]

MR. X. How close the air is! I guess the storm is coming all right.

[MR. Y. gets up and shuts the door and all the windows.]

MR. X. Are you afraid of thunder?

MR. Y. It's just as well to be careful.

(They resume their seats at the table.)

MR. X. You're a curious chap! Here you come dropping down like a bomb

a fortnight ago, introducing yourself as a Swedish-American who is

collecting flies for a small museum---

MR. Y. Oh, never mind me now!

MR. X. That's what you always say when I grow tired of talking about

myself and want to turn my attention to you. Perhaps that was the reason

why I took to you as I did--because you let me talk about myself? All at

once we seemed like old friends. There were no angles about you against

which I could bump myself, no pins that pricked. There was something

soft about your whole person, and you overflowed with that tact which

only well-educated people know how to show. You never made a noise when

you came home late at night or got up early in the morning. You were

patient in small things, and you gave in whenever a conflict seemed

threatening. In a word, you proved yourself the perfect companion! But

you were entirely too compliant not to set me wondering about you in the

long run--and you are too timid, too easily frightened. It seems almost

as if you were made up of two different personalities. Why, as I sit

here looking at your back in the mirror over there--it is as if I were

looking at somebody else.

(MR. Y. turns around and stares at the mirror.)

MR. X. No, you cannot get a glimpse of your own back, man!--In front you

appear like a fearless sort of fellow, one meeting his fate with bared

breast, but from behind--really, I don't want to be impolite, but--you

look as if you were carrying a burden, or as if you were crouching to

escape a raised stick. And when I look at that red cross your suspenders

make on your white shirt--well, it looks to me like some kind of emblem,

like a trade-mark on a packing-box--

Plays by August Strindberg: Creditors. Pariah. · 第 37 / 42 题