"I'm not saying it's a good life. It's a dog's life. It is so. And when

you're at sea you say: 'Wasn't I the fool to ever leave dry land; and if

I get back and get a job,' says you, 'you'll never see me leave it

again. It's a wee farm for me,' you'll say. And then somehow you'll find

yourself back aboard ship. And you'll be off the Horn, up aloft,

fighting a sail like you'd fight a man for your life, or you'll be in

the horse latitudes, as they call them, and no breeze stirring, and not

a damned thing to do but holystone decks, the like of an old pauper that

does be scrubbing a poorhouse floor. And you say: 'Sure I'd rather be a

tinker traveling the roads, with his ass and cart and dog and woman, nor

a galley-slave to this bastard of a mate that has no more feeling for a

poor sailorman nor a hound has for a rabbit. It's a dog's life,' you

say, 'and when we make port I'm finished.'

"But you make port and you stay awhile, and you find that the woman

you've been thinking of as Queen of Sheba is no more nor a common drab.

And the publican you thought of as the grand generous fellow has no more

use for you and your bit silver gone. It's a queer thing, but they on

land think of nothing but money. And one day you think, and the woman

beside you is pastier nor dough, and the man of the public house is no

more nor a cheap trickster, and you're listening to the conversation of

the timid urban people, and the house you're in is filthier nor a pig's

sty. And you say: 'Is this me that minds the golden women of the

islands, and they with red flowers in their hair? Is this me that fought

side by side with good shipmates in Callao? Am I listening to the

chatter of these mild people, me that's heard grand stories in the

forecastle of how this man was marooned in the Bahamas, and that man was

married to a Maori queen, by God? Me, the hero that dowsed skysails, and

they cracking like guns. Is this lousy room a place for me that's used

to a ship as clean as a cat from stem to stern?' And you stand up

bravely, and you look the man of the public house square in the shifty

eyes, and you say: 'Listen, bastard! Do you ken e'er a master wants a

sailing man? A sailor as knows his trade, crafty in trouble, and a

wildcat in danger, and as peaceful as a hare in the long grass?' And

you're off again on the old trade and the old road, where the next port

is the best port, and the morrow is a braver day.... So it's so long,

decent wee fellow! I'm off on it again. It's a dog's life, that's what

it is, the life of a sailing man. But you couldn't change. I suppose

it's the salt in the blood."

"You're off, honest man?"

"Aye, I'm off, wee fellow. And thank you kindly for what you told me,

and for telling me especially the old woman looked so peaceful and her

with the pennies on her eyes."

"But aren't you going up to see the house?"

"I don't think I will, wee lad. I've had a picture in my mind for forty

years of the big house was in it, and the coolth of the well. And maybe

it isn't so at all. I'd rather not know the difference. I'll keep my

picture."

"But the house is yours," wee Shane urged him. "You're not going to

leave it as it is. Aren't you going to sell it and take the money?"

"Och, to hell with that! I've no time," said the sailing man, and he

limped painfully back down the road.

§ 8

His Uncle Robin had gone off to discuss with some Belfast crony the

strange things he used to discuss, like the origin of the Round Tower of

Ireland or the cryptic dialect of the Gaelic masons or whether the Scots

came to Scotland from Ireland or to Ireland from Scotland, all very

important for a member of the Royal Irish Academy. And his mother had

gone off shopping to buy linen for the house at Cushendhu, poplin for

dresses, delft from Holland for the kitchen and glass from Waterford for

the sideboard in the dining-room. And because he was to go to the

boarding-school that night and thereafter would be harsh discipline,

and because his Uncle Robin had known he was on the point of crying, he

had been allowed to wander around Belfast by himself for a few hours

with a silver shilling in his pocket. And wee Shane had made for the

quays....

The four of them had sat in a cold, precise room that morning, his Uncle

Robin, his mother, wee Shane, and the principal, a fat, gray-eyed,

insincere Southerner, with a belly like a Chinese god's, dewlaps like a

hunting hound's, cold, stubby, and very clean hands, and a gown that

gave him a grotesque dignity. And he had eyed wee Shane unctuously. And

wee Shane did not like fat, unctuous men. He liked them lean and active,

as glensmen are.

And the principal had spoken in stilted French to his mother, who had

responded in French that cracked like a whip. And the principal had

licked the ground before Uncle Robin. It was "Yes, Dr. Campbell!" And,

"No, Dr. Campbell!" where the meanest glensman would have said "Aye,

maybe you're right, Robin More," or, "Na, na, you're out there, Robin

Campbell."

"The old hypocrite!" It was the only word wee Shane could describe the

master by, a favorite word of his Uncle Alan's.

And in the corridors he had met some of the scholars, white-faced

fellows; and the masters--they had mean eyes, like the eyes of badgers.

"I dinna want to go!" He blurted out on the quays of Belfast.

"Where dinna you want to go, wee laddie?" A black, curly-headed man with

gray eyes and a laugh like a girl's stopped short. He had blue clothes

and brass buttons and stepped lightly as a cat.

"I dinna want to go to school."

"Sure, all wee caddies go to school."

"I ken that. But I don't want to go to school with a bunch of whey-faced

gets, and masters lean and mean as rats, and a principal puffed out like

a setting hen."

"Oh, for God's sake! is that the way you feel about it? Laddie, you

don't talk like a townsman. Where are you from?"

"I'm from the Glens of Antrim. From Cushendhu."

"I'm a Raghery man myself. _Tha an Gaidhlig agad?_

"_Tha, go direach!_"

"So you've got the Gaidhlig too? Who are your people, wee laddie?"

"I'm a Campbell of Cushendhu."

"For God's sake! you're no' a relation of Alan Campbell's, wha sailed

with Sir John Franklin for the pole?"

"I'm his nephew."

"I've sailed under your Uncle Alan. He's the heart o' corn. And so

they're going to make a scholar out of you, like your Uncle Robin. Oh,

well, oh, well. Would you like to come around with me and see the

ships?"

"I'd like fine to see the ships."

"You'll see all manner of ships here. Square-riggers, fore-and-afters,

hermaphrodites. You'll see Indiamen and packets from Boston. You'll see

ships that do be going to Germany, and some for the Mediterranean ports.

You'll see a whaler that's put in for repairs. You'll see fighting

ships. You'll see fishers of the Dogger Banks, and boats that go to

Newfoundland, where the cod do feed. All manner of sloops and schooners,

barkantines and brigs, but the bonniest of them all lies off

Carrickfergus."

"And who's she, Raghery man?"

"The _Antrim Maid_ is her nomination."

"And do you sail her?"

"I sail in her, laddie. Sail and sail in her. Mine from truck to keelson

she is, and I'm master of her. Father and mother and brother to her, and

husband, too. I'm proud of her." The Rathliner laughed. "You may

notice."

"And why for shouldn't you be? She must be the grand boat surely, man

who sailed with my Uncle Alan."

§ 9

"Raghery man, you who've sailed the high seas and the low seas, did you

ever put into an island that has great coolth to it and great sunshine,

a town quiet as a mouse, a strip of sand like silver, the waves turning

with a curl and chime?"

"Where did you hear tell of that island, wee laddie? Was it in the books

you do be reading at school?"

"I saw it, and it dancing in the sun. From Slievenambanderg I saw it,

and it over the waters of Moyle."

The Rathliner sat on a mooring bitt on the quay and filled his pipe.

"I ken that island," he said. "I ken it well."

"And what name is on it, Raghery man?"

"The name that's on it is Fiddlers' Green."

"Were you ever there, Raghery man?" There was a sinking in wee Shane's

heart.

"I was never there, laddie, never there. Oftentimes I thought I'd

raised it, but it was never there, wee laddie, never there. There's men

as says they've been there, but I could hardly believe them, though

there's queer things past belief on the sea. There's a sea called

Sargasso, and if I told you half the things about it, you'd think me

daft. And there's the ghost of ships at sea, and that's past thinking.

And there's the great serpent, that I've seen with my own eyes....

"Aye, Fiddlers' Green! Where is it, and how do you get there? The

sailormen would give all their years to know."

"Why for do they call it Fiddlers' Green?"

"It's Fiddlers' Green, laddie, because it's the place you come to at the

cool of the day, when the bats are out, and the cummers put by their

spinning. And there's nou't there but sport and music. A lawn like a

golf green, drink that is not ugly, women would wander with you on to

the heather when the moon's rising, and never a thought in their mind of

the money in your pocket, but their eyes melting at you, and they

thinking you're the champion hero of the world.... And all the fiddlers

fiddling the finest of dance music: hornpipes like 'The Birds among the

Trees' and 'The Green Fields of America'; reels like 'The Swallow-tail

Coat' and 'The Wind that Shakes the Barley'; slip-jigs would make a

cripple agile as a hare.... And you go asleep with no mate to wake you

in a blow, but the sound of an old piper crooning to you as a cummer

croons. And the birds will wake you with their douce singing.... Aye,

Fiddlers' Green...."

And they were silent for a minute in the soft Ulster sunshine.

"Would you have any use for a lad like myself aboard your ship, Raghery

man?"

"Och, sure, what would you do with the sea, wee fellow?"

"I ken it well already, Raghery man. And I'm no clumsy in a boat. I can

sail a sloop with any man. On a reach or full and by, I'll keep her

there. With the breeze biting her weather bow, I'll hold her snout into

it. Or with the wind behind me, I'll ride her like you'd canter a

horse."

"I might take you to learn you seamanship and navigation, but you'd be

no use as a sailor, wee laddie, and it's not for a Campbell to be a

cabin-boy."

"Take me to learn the trade, then. Take me now."

"I'd like fine, wee fellow, but I couldn't do it. You might be cut out

for a scholar for all you think you're not. Or it might be a soldier

you're meant for. I couldn't interfere with your life. It's an unco

responsibility, interfering with a destiny, a terrible thing."

"Will you talk to my Uncle Robin? Will you?"

"Och, now, how could I talk to your Uncle Robin, him that's written

books, and is counted one of the seven learned men of Ireland? Sure, I

wouldn't understand what he'd be saying, and he'd have no ear for a

common sailing man. If it was your Uncle Alan, now--"

"There's not a person in the world but has the ear of my Uncle Robin.

And there's none easier to talk to, not even the apple woman at the

corner of the quay. Will you come with me and talk to him?"

"I couldn't, laddie. Your Uncle Alan, now--"

"I'll do the talking, then; but will you come?"

"Och, wee fellow, it would be foolish."

"You wouldn't have me think hard of a man of Raghery?"

"No, I wouldn't have any one think hard of the folk of Raghery, so I

suppose I'll have to come. I don't know what your Uncle Robin will say

to me for putting notions in your head. It's awful foolish. But I'll

come."

§ 10

"So there'd never be the making of a scholar in me, Uncle Robin. A ship

on the sea or a new strange person would be always more to me nor a

book. I can read and write and figure; what more do I want? And, och,

sir, the school would be a prison to me, the scholars droning and ink on

their fingers, and the hard-faced masters at the desk. I'd be woe for

the outside, for the sunshine and the water and the bellying winds--"

His Uncle Robin tapped the window-pane of the club and thought hard. The

Rathlin sailor stood by, puzzled.

"But, childeen asthore, sure you don't know now what you want. Your

career, laddie! Think a bit! The church, for instance--"

"Och, Uncle Robin, is it me in the church that must say my prayers by my

lee lone, so loath am I to let the people see what's in me? I'd be the

queer minister, dumb as a fish--"

"You once had a notion for the army, laddie."

"So I had, sir, and fine I'd like the uniforms and the swords and the

horses, but I wouldn't have the heart to kill a man, and me never

seeing him before. If a man did me a wrong, I'd kill him quick as I'd

wash my hands, but never seeing him before, I could na, I just could

na--"

"It's a clean thing, the sea," the Raghery man ventured.

"He's so very young," objected Uncle Robin.

"There's nothing but that or the books for me, Uncle Robin. A sailor or

a scholar--and I don't think I'd make out well with the books."

"The books aren't all they're cracked up to be, wee Shane. I've written

books myself, and who reads them but a wheen of graybeards, and they

drowsing by the fire? Knowledge, laddie, I have that.... And it isn't

even wisdom. Knowledge is like dry twigs you collect with care to make a

bit fire you can warm your shins at, and wisdom is the gift of God

that's like the blossom on the gorse. I've searched books and taken out

the marrow of dead men's brains, and after all, even all my knowledge

may be wrong.... Your father's name will be remembered as long as the

Gaidhlig lasts, for songs that came to him as easily as a woman's kiss.

And your Uncle Alan's footprints are near the pole. And Mungo is

remembered forever because he died with a laugh. Not that I'm saying

anything against them, wee Shane; better men will never be seen. But

Daniel Donelly's name is remembered because he beat Cooper in a fight,

and songs were made about it. And I'll be remembered only when some old

librarian dusts a forgotten book. And I was supposed to be the wise pup

o' the litter, with my books and my study. And all I have now is a

troubled mind in my latter days. Aye, the books!..."

"Shall I go to sea, sir?"

"Is it up to me? And how about your mother, laddie?"

"Oh, there's little warmth within her for me, sir. She's a bitter woman.

She does na like my father's breed."

"Are you your father's breed through, wee caddie? Are you Campbell all?

Here, gi' us a look at your face. Aye, the eyes, the nose, the proud

throw to the head of you. I'm afeared there's little of your mother in

you, laddie; afeared there's none at all."

"I'm no' ashamed o' my kind, sir."

"And you're set on going to sea?"

"I'd like it fine, sir."

"And if it does na turn out the way you thought it would, you're not

going to cry or turn sour?"

"I thought you knew me better nor that, Uncle Robin."

"I do." The big man laid his hand on the boy's shoulder and smiled at

the shipmaster. "Take him, Raghery man!"

§ 11

Though all was wonder to wee Shane, there was so much of it that it

flicked through his head like a dream: the hazy September afternoon; the

long, lean vessel like a greyhound; the sails white as a swan's wing;

the cordage that rattled like wood; the bare-footed, bearded sailors;

the town of Carrickfergus in the offing; the _lap-lap-lap_ of water; the

silent man at the wheel; the sudden transition of the friendly Raghery

man into a firm, authoritative figure, quick as a cat, rapping out

commands like a sergeant-major.

The town of Carrickfergus began to slip by as if drawn by horses. The

mate ran up the ladder of the poop.

"Topsails, McCafferty!" the Raghery man ordered.

"Topsails, sir."

A minute later there came the mate's voice from amidships:

"Sheet home the topsails--and put your backs into it!"

Patter of feet. An accordion began to whine like a tinker. Creak and

strain. Faster lapping of water. A song raised in chorus:

As I came a-tacking down Paradise Street--

Yo-ho! Blow the man down!

As I came a-tacking down Paradise Street--

Give us some time till we blow the man down!

A trim little bumboat I chanced for to meet!

Blow, bullies, blow the man down!

A trim little bumboat I chanced for to meet!

Give us some time till we blow the man down!

She was round in the counter and bluff in the bows!

Yo-ho! Blow the man down!

She was round in the counter and bluff in the bows!

Give us some time till we blow the man down.

Blow the man down!

Blow, bullies! Blow the man down!

PART TWO

THE WAKE AT ARDEE

§ 1

The feeling that was uppermost in him as he sat outside the thatched

cottage in the moonlight, while the wake was within, was not grief at

his wife's death; not a shattered mind that his life, so carefully laid

out not twelve months before, was disoriented; not any self-pity; not

any grievance against God, such as little men might have: but a strange

dumb wonder. There she lay within, in her habit of a Dominican lay

sister, her hands waxy, her face waxy, her eyelids closed. And six

guttering candles were about her, and women droned their prayers with a

droning as of bees. There she lay with her hands clasped on a wooden

crucifix. And no more would the robins wake her, and they fussing in the

great hawthorn-tree over the coming of dawn. No longer would she rake

the ash from the peat and blow the red of it to a little blaze. No

longer would she beat his dog out of the house with the handle of the

broom. No longer would she forgather with the neighbors over a pot of

tea for a pleasant vindictive chat. No longer would she look out to sea

for him with her half-loving, half-inimical eyes. No longer in her

sharpish voice would she recite her rosary and go to bed.

And to-morrow they would bury her--there would be rain to-morrow: the

wind was sou'east,--they would lower her, gently as though she were

alive, into a rectangular slot in the ground, mutter alien prayers in an

alien tongue with business of white magic, pat the mound over as a child

pats his castle of sand on the sea-shore, and leave her there in the

rain.

A month from now they would say a mass for her, a year from now another,

but to-morrow, to-day, yesterday even, she was finished with all of

life: with the fussy, excited robins of dawn; with the old dog that

wanted to drowse by the fire; with the young husband who was either too

much or too little of a man for her; with the clicking beads she would

tell in her sharpish voice; with each thing; with everything.

And here was the wonder of it, the strange dumb wonder, that the

snapping of her life meant less in reality to him than the snapping of a

stay aboard ship. The day after to-morrow he would mount the deck of

Patrick Russell's boat, and after a few crisp orders would set out on

the eternal sea, as though she were still alive in her cottage, as

though indeed she had never even lived, and northward he would go past

the purple Mull of Cantyre; past the Clyde, where the Ayrshire sloops

danced like bobbins on the water; past the isles, where overhead drove

the wedges of the wild swans, trumpeting as on a battle-field; past the

Hebrides, where strange arctic birds whined like hurt dogs; northward

still to where the northern lights sprang like dancers in the black

winter nights; eastward and southward to where the swell of the Dogger

Bank rose, where the fish grazed like kine. Over the great sea he would

go as though nothing had happened, not even the snapping of a stay--down

to the sea, where the crisp winds of dawn were, and the playful, stupid,

short-sighted porpoises; the treacherous sliding icebergs; and the gulls

that cried with the sea's immense melancholy; and the great plum-colored

whales....

§ 2

To his nostrils, sterilized as they were by the salt air of the sea, the

rich scents of Louth came in a rushing profusion. The wild roses of

June were like the high notes of a violin, and there was clover, and

mown hay. In the southeast the clouds were banking, but still the moon

rose high, and the cottage was clear as in daylight, clearer even in the

mind's eye--the whitewashed walls, the thatch like silver, the swallows'

nests beneath the eaves. The hard round sea-cobbles beneath his feet

were clear and individual, and to where he sat in the haggard came a

girl's song from down the road:

"Oh, Holland is a wondrous place and in it grows much green.

It's a wild inhabitation for my young love to be in.

There the sugar-cane grows plentiful, and leaves on every tree,

But the low, lowlands of Holland are between my love and me."

He listened with a cocked ear, and smiled as he thought how easy it

would be to stroll down the road to where the singing girl was, and

accost her pleasantly: "So he's in Holland, is he? That's the queer and

foolish place for him to be, and I here!" There would be banter, quick

and smart as a whip, a scuffle, a clumsily placed kiss, laughter,

another scuffle, and a kiss that found its mark somehow, then a saunter

together down the scented loaning while the June moon rode high and the

crickets sang.

O my God! here he was thinking about love, and his wife lay inside and

she dead!

And a new light wonder sprang up and whirled within the big dumb wonder

that was on him: that here was he, a lad not yet twenty-two, with a dead

wife on his hands, while his shipmates were off with the laughter of

young women in their ears after the silent and tense watches of the sea.

His captain had gone home to Newry to where his wife awaited him, the

tall, graceful woman with the hair like black silk and the black eyes

and the black ear-rings and the slim, white, enigmatic hands. And the

first mate had gone to Rostrevor with a blond, giggling girl, and the

crew were at Sally Bishop's in Dundalk, draining the pints of frothy

porter and making crude material love to Sally Bishop's blowsy brown

girls, some chucking their silver out with a laugh--the laugh of men who

had fought hurricanes, and some bargaining shrewdly.... But here he was,

home, with his wife, and her dead. And if she hadn't been dead, she

would have been half loving, half inimical toward him, her arms and

bosom open, but a great stranger.... He couldn't understand. Well, she

was dead, and ... he didn't know....

A bent, fattish figure in a shawl came toward him through the haggard,

his wife's mother. There was the sweetish, acrid odor of whisky.

"Shane _avick_, are you there all alone, mourning for the pleasant,

beautiful one who's gone?"

"I was just sitting down."

"You wouldn't like a wee drop of consolation?"

"Whisky? No, thanks."

"Just the least taste?"

"No, thanks."

"And I after bringing it out to you in a naggin bottle. Just the wetting

of your lips, _agra_, would cheer you up, and you down to the ground."

"No!"

The old woman sat on the stone ditch beside him and began swaying

backward and forward, and the keening note came into her voice:

"Is it gone? Is it gone you are, Moyra _a sthore_? Sure, 't was the

kindly daughter you were to me, and me old and not worth my salt, a

broken _cailleach_ hobbling on a stick. Never did you refuse me the cup

o' tea so strong a mouse could walk on it. And the butcher's meat o'

Christmas, sure your old ma must have a taste, too. And many's the brown

egg you let me have, and they bringing a high price on the Wednesday

market. And the ha'porth o' snuff--sure you never came home without it,

and you at Dundalk fair. Kindly you were as the rains of April, and my

heart is ashes now you're gone...."

Shane paced off through the haggard. There was the _glug-glug_ of a

bottle, and again the sweetish, acrid odor of whisky. He turned back.

"Only to one were you kinder nor to myself and that was to the lad here,

whose heart is broken for you. Dumb with grief he is, now you're gone.

And all you did for him! You might have married a strong farmer would

have a dozen cows, horses would pull a cart or plow, hens by the dozen,

and flitches of bacon hanging in the kitchen. Or you might have married

a man had a shop and sat at your ease in the back room, like a lady

born. Or you might have married a gager and gone to Dublin and mixed

with the grand quality. And your mother would have a black silk dress,

and shoes with buttons on them. But you married this young fellow goes

to sea, so much was the great love on you for him. Love came to you like

a thunder-storm, and left you trembling like a leaf, and now you're

dead--ochanee! ochanee! ochanee o!"

Her voice changed from the shrill keen to a shrewd whine:

"You'll be leaving me something to remember her by, Shane Oge, and her a

fathom deep beneath me in the cold ground. And a trinket or two, or a

dress, maybe, or a bangle would keep my heart warm?"

"You can have them all."

"All is it? Ah, sure, it's the grand big heart is in you, lad o' the

North. And are they all to be mine, the silver brooch you bought her

from the Dutch city, and the ring with the pearl in it, and the dresses

of silk from France, and the shoes that have buckles? Are they for me,

hinny?"

"Yes, yes. Take them."

"And the wee furnishings of the house, the feather-bed is soft to lie

on, and the dresser with the delft, and the creepy stool beside the

fire, the noble chairs? You wouldn't be selling them to the stranger,

Shane Oge?"

"No, you can have those, too."

The Wind Bloweth · 第 2 / 17 段