Chapter XVIII

Eventide

When the shadows lengthen and the landscape becomes indistinct, the

common life of men seems to touch the life of Nature most closely and

sympathetically. The work of the day is accomplished; the sense of

things to be done loses its painful tension; the mind, freed from the

cares which engrossed it, opens unconsciously to the sights and sounds

of the quiet hour. The fields are given over to silence and the

gathering darkness; the roads cease to be thoroughfares of toil; and

over all things the peace of night settles like an unspoken

benediction. To the most preoccupied there comes a consciousness that

the world has changed, and that, while the old framework remains

intact, a strange and transforming beauty has touched and spiritualised

it. At eventide one feels the soul of Nature as at no other hour. Her

labours have ceased, her birds are silent; she, too, rests, and in

ceasing to do for us she gives us herself. One by one the silvery

points of light break out of the darkness overhead, and the faithful

stars look down on the little earth they have watched over these

countless years. The very names they bear recall the vanished races

who waited for their appearing and counted them friends. Now that the

lamps are lighted and the work of the day is done, is it strange that

the venerable mother, whose lullabies have soothed so many generations

into sleep, should herself appeal to us in some intimate and personal

way?

With the fading out of shore and sea and forest line something deeper

and more spiritual rises in the soul as the mists rise on the lowlands

and over the surface of the waters. We surrender ourselves to it

silently, reverently, and a change no less subtle and penetrating is

wrought in us. Our personal ambitions, the sharply defined aims of our

working hours, the very limitations of our individuality, are gone; we

lose ourselves in the larger life of which we are part. After the fret

of the day we surrender ourselves to universal life as the bather, worn

and spent, gives himself to the sea. There is no loss of personal

force, but for an hour the individual activity is blended with the

universal movement and the peace and quiet of infinity calm and restore

the soul. Meditation comes with eventide as naturally as action with

the morning; our soul opens to the soul of Nature, and we discover anew

that we are one. In the noblest passage in Latin poetry Lucretius

invokes the universal spirit of Nature, and identifies it with the

creative force which impels the stars and summons the flowers to strew

themselves in the path of the sun. There is nothing so refreshing, so

reinvigorating, as fresh contact with the fountain whence all visible

life flows, as a renewed sense of oneness with the mighty appearance of

things in which we live. Now that all outlines are softened, all

distinctive features are lost. Nature loses its materialism, and

becomes to our thought the vast, silent, unbroken flow of force which

the later science has substituted for an earlier and cruder conception.

And this invisible stream leads us back, as our thoughts unconsciously

follow it, to One whose thought it is and whose mind shares with our

mind something of the unsearchable mystery of its purpose and nature.

Some one has said that a man is great rather by reason of his

unconscious thought than by reason of his deliberate and self-directed

thinking. Released from meditation on definite and special themes, the

thought of a great man instinctively returns to the mystery of life.

No poet creates a Hamlet unless he has brooded long and almost

unconsciously on the deeper things that make up the inner life; such a

figure, forever externalising the profounder and more obscure phases of

being, is born of secret and habitual contact with the deepest

experiences and the most fundamental problems. The mind of a

Shakespeare must often, forsaking the busy world of actuality, meditate

in the twilight which seems to release the soul of things seen, and,

veiling the actual, reveal the realities of existence.

Revery becomes of the highest importance when it substitutes for

definite thinking that deep and silent meditation in which alone the

soul comes to know itself and pierces the wonderful movement of things

about it to its source and principle. One of Amiel's magical phrases

is that in which he describes revery as the Sunday of the soul. Toil

over, care banished, the world forgotten, one communes with that which

is eternal. In the long course of centuries the forests are as

short-lived as the flowers; all visible forms are but momentary

expressions of the creative force. In the work of the greatest mind

all spoken and written thoughts are but partial and passing utterances

of a life of whose volume and movement they afford only

half-comprehended hints. After a Shakespeare has written thirty

immortal plays he must still feel that what was deepest in him is

unuttered. There is that below all expression of life which remains

forever unspoken and unspeakable; it is ours, but we cannot share it

with others; we drop our plummets into its depths in vain. It is

deeper than our thought, and it is only at rare moments, when we

surrender ourselves to ourselves, that the sense of what it contains

and means fills us with a sudden and overpowering consciousness of

immortality. Out of this deeper life all great thoughts rise into

consciousness, losing much by imprisonment in any form of speech, but

still bringing with them indubitable evidence of their more than royal

birth. From time to time, like the elder race of prophets, they enter

into our speech and renew the fading sense of the divinity of life, and

so, through individual souls, the deeper truths are retold from

generation to generation.

As one meditates in this evening hour, the darkness has gathered over

the world and folded it out of sight. The few faint stars have become

a shining host, and the immeasurable heavens have substituted for the

near and familiar beauty of the earth their own sublime and awful

commingling of unsearchable darkness and unquenchable light. So in

every human life the near and the familiar is overarched by infinity

and eternity.

Under the Trees and Elsewhere · 第 18 / 22 章