ON A MOUNTAIN.

Milan is shining in sunset on those purple fields; and a score of cities

flash back the last red light, which shows each inequality and

undulation of Lombardy outspread four thousand feet beneath. Both

ranges, Alps and Apennines, are clear to view; and all the silvery lakes

are over-canopied and brought into one picture by flame-litten mists.

Monte Rosa lifts her crown of peaks above a belt of clouds into light of

living fire. The Mischabelhoerner and the Dom rest stationary angel-wings

upon the rampart, which at this moment is the wall of heaven. The

pyramid of distant Monte Viso burns like solid amethyst far, far away.

Mont Cervin beckons to his brother, the gigantic Finsteraarhorn, across

tracts of liquid ether. Bells are rising from the villages, now wrapped

in gloom, between me and the glimmering lake. A hush of evening silence

falls upon the ridges, cliffs, and forests of this billowy hill,

ascending into wave-like crests, and toppling with awful chasms over the

dark waters of Lugano. It is good to be alone here at this hour. Yet I

must rise and go--passing through meadows where white lilies sleep in

silvery drifts, and asphodel is pale with spires of faintest rose, and

narcissus dreams of his own beauty, loading the air with fragrance sweet

as some love-music of Mozart. These fields want only the white figure of

Persephone to make them poems; and in this twilight one might fancy that

the queen had left her throne by Pluto's side to mourn for her dead

youth among the flowers uplifted between earth and heaven. Nay, they are

poems now, these fields; with that unchanging background of history,

romance, and human life--the Lombard plain, against whose violet breadth

the blossoms bend their faint heads to the evening air. Downward we

hurry, on pathways where the beeches meet, by silent farms, by meadows

honey-scented, deep in dew. The columbine stands tall and still on those

green slopes of shadowy grass. The nightingale sings now, and now is

hushed again. Streams murmur through the darkness, where the growth of

trees, heavy with honeysuckle and wild rose, is thickest. Fireflies

begin to flit above the growing corn. At last the plain is reached, and

all the skies are tremulous with starlight. Alas, that we should vibrate

so obscurely to these harmonies of earth and heaven! The inner finer

sense of them seems somehow unattainable--that spiritual touch of soul

evoking soul from nature, which should transfigure our dull mood of self

into impersonal delight. Man needs to be a mytho-poet at some moments,

or, better still, to be a mystic steeped through half-unconsciousness in

the vast wonder of the world. Cold and untouched to poetry or piety by

scenes that ought to blend the spirit in ourselves with spirit in the

world without, we can but wonder how this phantom show of mystery and

beauty will pass away from us--how soon--and we be where, see what, use

all our sensibilities on aught or naught?

New Italian sketches · 第 103 / 107 题