PETRARCH'S TOMB AT ARQUA.

The drive from Este along the skirts of the Euganean Hills to Arqua

takes one through a country which is tenderly beautiful, because of its

contrast between little peaked mountains and the plain. It is not a

grand landscape. It lacks all that makes the skirts of Alps and

Apennines sublime. Its charm is a certain mystery and repose--an

undefined sense of the neighboring Adriatic, a pervading consciousness

of Venice unseen but felt from far away. From the terraces of Arqua the

eye ranges across olive-trees, laurels, and pomegranates on the southern

slopes to the misty level land that melts into the sea, with churches

and tall campanili like gigantic galleys setting sail for fairyland over

"the foam of perilous seas forlorn." Let a blue-black shadow from a

thunder-cloud be cast upon this plain, and let one ray of sunlight

strike a solitary bell-tower: it burns with palest flame of rose against

the steely dark, and in its slender shaft and shell-like tint of pink

all Venice is foreseen.

The village church of Arqua stands upon one of these terraces, with a

full stream of clearest water flowing by. On the little square before

the church-door, where the peasants congregate at mass-time--open to the

skies with all their stars and storms, girdled by the hills, and within

hearing of the vocal stream--is Petrarch's sepulchre. Fit resting-place

for what remains to earth of such a poet's clay! It is as though

archangels, flying, had carried the marble chest and set it down here on

the hill-side, to be a sign and sanctuary for after-men. A simple

rectilinear coffin, of smooth Verona _mandorlato_, raised on four thick

columns, and closed by a heavy cippus-cover. Without emblems,

allegories, or lamenting genii, this tomb of the great poet, the great

awakener of Europe from mental lethargy, encircled by the hills beneath

the canopy of heaven, is impressive beyond the power of words. Bending

here, we feel that Petrarch's own winged thoughts and fancies, eternal

and aerial, "forms more real than living man, nurslings of immortality,"

have congregated to be the ever-ministering and irremovable attendants

on the shrine of one who, while he lived, was purest spirit in a veil of

flesh.

New Italian sketches · 第 102 / 107 题