CHAPTER V.

_A CANADIAN HOME._

THE house occupied by Jacques Le Ber in Ville Marie stood at the

corner of St. Paul and St. Joseph streets. The front windows commanded a

view of the St. Lawrence, while those at the back overlooked undulating

meadows and woodlands, crowned by Mount Royal, on whose summit, amidst

the thick foliage, gleamed the tall cross which in fulfilment of his vow

Maisonneuve had himself borne up the steep mountain track. The house was

a substantial building, long and low, with high peaked roof and

overhanging eaves. The rooms were large, with low ceilings and immense

chimneys taking up half one side of the wall. The furnishings bore

evidence of wealth and comfort, displayed in old chairs and tabourets,

their covers worked in satin stitch, the buffet and tables of

cherry-wood all in plain solid bourgeois style. On either side of the

street door were placed wooden benches, where the family and visitors

gathered for recreation in the summer evenings. In a wing or annex

adjoining was the shop, the foundation of the successful trader’s

wealth, in which were stored quantities of beaver-skins awaiting

shipment to France, as well as various commodities required by the

settlers, and such provisions as were considered necessary in fitting

out the voyageurs for their long expeditions to the West and for

purposes of trade with the Indian tribes. At the back of the house the

garden bloomed with fragrant, old-fashioned flowers; there, too,

carefully cultivated pear and plum trees revived a memory of Old France.

Though Le Ber’s own family consisted of but a daughter and three sons,

the household was a large one. His home was a capacious abode, extending

a kindly welcome to all who might care to seek its shelter. And it was

always full to overflowing; friends, relatives, guests, servants and

retainers thronged the roomy chambers. As at the settlement, its

occupants were divided into two clearly defined parties who were always

at daggers drawn—the worldly and the devout. In its earliest days Ville

Marie had been regulated like a religious community. The mental

atmosphere was saturated with hare-brained enthusiasm; it was an age of

miracles—the very existence of the little colony was a marvel. But the

severity of the ecclesiastical rule and the unrelenting vigilance of the

Jesuits were resented by many of the more worldly spirits. In the midst

of pressing dangers and heroic struggles there was a natural reaction in

favor of the frivolous gaiety so characteristic of the volatile French

temperament. The presence of a number of officers from France, too,

whose piety was less conspicuous than their love of pleasure, served to

keep this spirit of resistance alive.

The wealthy burgher’s home had, owing to his daughter’s renunciation of

the world and its pleasures, acquired a peculiar sanctity in the eyes of

his co-religionists. She, the richest heiress of New France, had in the

bloom of her youth taken a vow of perpetual seclusion, poverty and

chastity, in order to devote herself to a life of contemplation. The

god-child of Chomody de Maisonneuve and Marguerite Bourgeois, brought up

in an atmosphere of visions and miracles, the halo of saintship

glittered before her young eyes like a diamond crown, and she

entertained a firm determination to scale the steepest heights of virtue

and self-sacrifice. Looking down with spiritual pride upon the common

herd of Christians, busied with the ordinary duties of life, she

eschewed the visible and present, aspiring only to live for the heaven

beyond. Lost in the vagaries of an absorbing mysticism, Jeanne Le Ber

was unrelenting in the practice of humiliation and self-abnegation.

Wonderful stories of her superior sanctity were whispered abroad. She

wore a horse-hair skirt and belt, allowed herself scarcely any sleep,

and confined her diet to the coarsest and meanest of food. She held no

communication with those nearest to her by ties of blood. Two years

after her retirement from the world her mother was attacked by fatal

illness, and though the sound of the poor woman’s groans penetrated to

her daughter’s chamber, the would-be saint denied herself the privilege

of attending her parent’s death-bed. Though Jeanne Le Ber’s face was

never seen except by the one person who waited upon her, nor her voice

ever heard by those most closely connected with her, yet from the

secluded chamber which for several years she had never quitted, that

voiceless presence exercised a potent ascendency.

This influence had operated most powerfully upon her brother Pierre, a

youth of mystical tendencies. Sensitive, full of refinement, quick and

impatient as a thoroughbred, he had been one of Charon’s early

associates—the only one who remained faithful to the end. Possessing

keen artistic perceptions, he yet lacked power of execution. Few in the

colony had either leisure or inclination for the cultivation of the fine

arts, and Pierre Le Ber’s paintings were received by his contemporaries

with an admiration untinged by criticism. His early training had

predisposed him to aceticism, but his natural temperament, against which

he battled with ceaseless resistance, inclined him to a sensuous delight

in beauty, harmony, and brightness. His religion was that of the

affections and sentiments; his imagination, warmed by the ardor of his

faith, shaped the ideal forms of his worship into visible realities. He

displayed a curious ingenuity in inventing torments for himself, wearing

a belt covered with sharp points, whipping himself with a scourge of

small cords until his shoulders were one great wound, playing at beggar,

eating mouldy food, and performing the most repulsive and disagreeable

offices in hospitals. More than once the rich merchant’s eldest son had

been seen staggering through St. Paul Street with a lame beggar, whom he

was bearing through the mud, seated on his back. As Jacques Le Ber de

Senneville, the second son, was a man of the world of fashion and of

courts, and Jean Le Ber du Chesne a man of action and energy, so Pierre

was a dreamer of dreams, a beholder of visions.

The relations between Le Ber and the Marquise de Monesthrol had at one

time furnished gossip to the small community at Ville Marie, which,

during the long winter months cut off from the world, had little but

scandal to serve as a diversion. On his return from a voyage to France

the merchant was accompanied by the Marquise (a perfect type of the

_grande dame_ of the period), a child two years old, and a young

attendant. Even to his closest friends Le Ber had never offered further

explanation than to say that in his youth he had been under obligations

to Madame de Monesthrol’s family, and that on his return to France,

finding her widowed and in trouble, he had been proud to offer her a

home for herself and her orphan niece in the New World. The lady on her

part always warmly acknowledged her indebtedness to the Canadian

merchant. People coming out from France brought rumors of great

pecuniary trouble which had fallen upon Madame’s branch of the family,

and of a terrible tragedy which had deprived her of her husband; but the

most rampant curiosity sank abashed before the lady’s dignified grace,

while the maid Nanon’s sharp tongue and ready wit were capable of

repulsing all intrusive questions. Though Diane persisted in calling Le

Ber her uncle, and in claiming his sons as cousins, it was plain that no

tie of blood existed between them. The line of demarcation between

patrician and plebeian was very clearly defined in those days; no one

could doubt the claim of the de Monesthrols to noble birth—indeed the

family was one of the most noble and powerful of the kingdom of

France—while Le Ber boasted of no pretension higher than the

respectable _bourgeoisie_.

Nor was the obligation altogether on one side. It was whispered that

even in her fallen fortunes the Marquise retained considerable influence

at Court, that the appointment of Le Ber’s second son as one of the

Dauphin’s pages, and later his commission in the Marines, had been due

to her influence, and that the patent of nobility upon which the trader

had set his heart would yet be obtained by the same favor. While anxious

to obtain a high place for himself and his children in the heavenly

kingdom, Le Ber’s affections had by no means become alienated from the

affairs of this world. It was conjectured by those who knew him best

that a sincere reverence for rank was one of his prominent traits. As

his daughter’s aspirations after saintliness conferred upon him an

especial distinction with the ecclesiastical authorities, so the

Marquise’s sojourn beneath his roof bestowed upon his home a stamp of

fashion and exclusiveness to which he otherwise would have had no

pretension. A patent of nobility had, some time before, been conferred

upon his brother-in-law, Charles le Moyne, and it was bitter to the

ambitious man that his own sons should be debarred from wearing the

sword with which his nephews swaggered so gallantly.

Though born and bred in the focus of a most gorgeous civilization,

reared like a princess amidst obsequious troops of vassals and

retainers, having enjoyed a life of wit and splendor amidst a brilliant

and dazzling society, and then suddenly, in her downfall, banished away

to the ends of the earth, surrounded by perils and privations, Madame de

Monesthrol wasted no time in vain regrets. Like many another of her

class, she displayed a marvellous power of accommodating herself to

circumstances and extracting pleasure and profit from them. In her

former life she had loved, rejoiced and suffered with her whole heart;

now there was nothing for it but to make acquaintance with the practical

and inexorable. She coolly counted chances and weighed consequences, and

then, fully and freely, accepted the situation and its conditions. A

submissive spirit might be patient, a strong will could supply

resolution; here existed an elastic mind, a willingness to seek comfort,

a power of turning readily from evil to good, and of finding enjoyment

in many simple occupations which carried her away from the memory of her

sorrows.

In her fantastic French desire to act the new role to perfection she

would fain have adapted herself more quickly than was possible to her

new surroundings. She saw no reason why, with all the ease of a woman of

the world and the loftiness of a great lady, she should not sell in the

shop or undertake a share of the superintendence of the domestic

affairs, as Le Ber’s wife had done. She was promptly called from these

delusions by Demoiselle[3] Le Ber’s bewildered consternation, Nanon’s

shrill clamor, and more than all by the shocked and genuine distress of

the trader himself.

“I am well aware, Madam la Marquise, that the home I have been able to

offer is entirely unworthy your dignity. Have I failed in showing my

appreciation of the honor your coming has conferred upon me that you

should treat me thus?” the host reproached his guest.

“Even a dog can die,” the lady replied with spirit. “I am not of puddle

blood—I, Adrienne Monesthrol—that I should perish at the first breath

of adversity. Still, my old and good friend, to whom I owe so

much”—Madame laid her white jewelled hand upon the merchant’s arm, and

when she softened there was something wonderfully winning in this

woman’s proud gentleness—“if it pleases you best that I should remain

seated like an image I must even yield, and give up all hope of being

useful.”

Then Le Ber kissed the gracious hand respectfully, for by him the French

lady was encircled with a halo of reverence.

Perceiving that her well-intentioned efforts had failed, Madame,

philosophically reviewing all the facts of the case, graciously

permitted herself to remain upon the pedestal where the loyalty of her

devoted friend had placed her.

In New France the appendages of an old-established civilization

flourished side by side with the rough usages of an almost unbroken

wilderness. Amidst the solid comforts of this bourgeois home, the

Marquise established a little court over which she reigned by sheer

majesty, ruling without effort or design, governing because it was her

nature so to do.

Madame’s bedroom, which was the great chamber of reception, was always

warm and heavily perfumed. In the upper part the bed was placed, raised

above the rest of the room by a few steps, and further divided from it

by a row of slight low pillars. The bed was an immense four-poster,

seven feet each way, with gauze and silk curtains, and a blue satin

counterpane embroidered with convolvulus and carnations. The space

beside the bed, called the _ruelle_, was furnished sumptuously with

pictures, statuettes, vases, gilded mirrors, fancy tables of buhl and

ormolu, chairs and stools of various kinds covered with satin and

destined to accommodate Madame’s guests with wise adaptation to the rank

and pretensions of each.

Before the window on a stand were pots of flowers, and in small tubs

bloomed orange trees, above which hung canaries in gilt cages. There

were strips of Persian carpets on the floor; mirrors gleamed in filigree

frames; a harpsichord stood in the corner. The chairs were of gilt ebony

with cushions in tambour. Opposite Madame’s chair hung the portrait of a

young man, in lace cravat and half armor, the _cordon bleu_ of the Order

of St. Louis worn conspicuously across his velvet coat. The face was

gay, reckless, handsome; and before the picture hung a veil of silken

gauze. Most people supposed this to be the portrait of the Marquise’s

husband; Diane knew that it was that of the Marquis’ younger brother,

her own father, the Chevalier Raoul Anatole de Monesthrol, who had been

killed while fighting with the King’s armies in Flanders. On the 12th of

May every year the Marquise spent the day in fasting and prayer. Though

the subject was never alluded to, nor explanations ever offered, the

young girl understood that this custom was in some way connected with

her father’s death.

A draped recess held an ivory crucifix and a Book of Hours. A trailing

ruby velvet curtain veiled the door. A quaint sensuous charm hung about

the apartment, which was enhanced by the stately figure of the lady

herself. Like others of her station, Madame, however heavy at heart, was

consummate mistress of her outward behavior. She sat with fan hanging on

one arm and jewelled snuff-box within reach, her mobile aristocratic

features displayed to advantage by her dress, a panniered robe of blue

and silver brocade. Madame’s common employment consisted in unpicking

gold lace, which Le Ber disposed of for her in the regular market as

bullion.

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[3] Only ladies of rank were styled Madame.

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