Many a stock question upon which amateur debating societies have

exercised their talents would admit of no debate at all, if once the

question were made definite. For the ground for debate lies in the

difference in interpretation of the question and not in the facts

themselves. For example: If a cannon ball were to be fired off by some

mechanical device a million miles from where there was any ear to

hear, would there be any sound? The lack of definiteness here which

permits difference of opinion lies in the word "sound." If we add

after the word "sound" the phrase, "in the sense of a conscious

auditory sensation," the answer would obviously be, No, since there

can be no auditory sensation without an ear to hear it. If, on the

other hand, instead of the above phrase we add, "in the sense of

wave-vibrations in the air," the answer will obviously be, Yes, since

the wave-vibrations in the air do not depend on the presence of an

ear to be affected by them.

Likewise, in the question, If a man starts to walk around a squirrel

which is clinging to the limb of a tree, and if, as the man circles

the tree, the squirrel also circles the tree so that he constantly

faces the man, when the man has gone completely around the tree, has

he gone around the squirrel? Here the indefiniteness lies in the

meaning of to "go around." With this indefiniteness remedied, there is

no longer any possibility of difference of opinion.

Indefiniteness may come from the use of certain words that from their

very nature are indefinite in meaning. Such are the verbs _be_, _do_,

_have_, _become_, _happen_, and the prepositions _of_ and _about_.

Examples of indefiniteness growing out of such colorless words are

found in the following questions, which are types of many asked in our

schools daily:--

What does water _do_ when heated? (Expands, evaporates,

boils.)

What _happens_ when it lightnings? (Thunder, discharge of

electricity, flash.)

What must immigrants coming into this country _have_?

(Money, freedom from disease, character.)

What did Arnold _become_? (A traitor, a British general, an

outcast, a repentant man.)

What _is_ the cow? (A mammal, a quadruped, a producer of

milk, butter, and beef; an herbivorous animal.)

What _about_ the Monroe Doctrine? (A dozen different

things.)

What _of_ the animals in the temperate zone?

Questions may be so general as to be indefinite. The teacher asks,

"Where is Chicago?" The class may answer, "In Illinois on Lake

Michigan; in North America; in Cook County." The teacher should know

just what answer he desires, and then ask, "In what State; on what

continent; on what lake; or in what county?"

Other illustrations of vagueness coming from the use of words of too

general a meaning are found in such questions as, What _kind_ of man

was George Washington?

_When_ does a person need food?

_How_ does tobacco grow?

_What_ do birds like?

All indefinite questions deserve and usually receive an indefinite

answer, and hence lead to and encourage guessing. If the answers to

such questions as the above are not indefinite, they must be purely

memoriter, merely reproducing the words of the text without

comprehension of any real meaning.

Indefinite questioning usually comes from a lack of clear thinking on

the part of the questioner. The teacher himself does not know

precisely what he means to ask, and hence cannot be definite. It is

safe to say that the teacher's questions covering a subject will never

be any more clear or definite than the subject itself is in his mind.

Indeed it is hard for one to be wholly definite in questioning even

when he is a perfect master of his subject. Certainly, then, eternal

vigilance will be the price of clearness and definiteness on the part

of the young teacher who is as yet striving for mastery of what he is

teaching.

7. _Secondary principles of good questioning_

Besides the foregoing fundamental principles underlying the art of

questioning, there are a few secondary principles, some of which are

of hardly less importance:--

1. Questions should be asked naturally, and in a conversational tone,

and not explosively _demanded_ of pupils.

2. Usually the question should be addressed to the entire class and,

after all have had a moment to think, some one then designated to

answer. The reason for this is obvious. If the one who is to answer is

designated before the question is asked, the incentive to the rest of

the class to think the answer is greatly lessened.

3. No regular order should be followed in calling on pupils. If such

an order is established, the lazy and uninterested ones have a

tendency to remain inactive until called upon. By the hit-and-miss

method of calling no one knows at what moment he may be the next one,

hence there is a strong incentive to attend to the lesson. It is also

desirable to call on a pupil occasionally the second time very soon

after he has previously been called upon. This prevents him from

thinking that as soon as he has recited once he can then safely relax

his attention.

4. Inattentive or mischievous pupils should be the mark for frequent

questions. If it comes to be known that any inattention is sure to

bring questions to the pupil at fault, the battle for attention is

half won. There is a strong tendency on the part of the teacher to ask

for the answer to a question from those whose eyes show that they are

attentive and ready with an answer. While this readiness and attention

should be rewarded by giving an opportunity to answer, it must not

lead the teacher to neglect those who may need the question more than

the more ready ones. The questions should be impartially distributed

among the bright and the dull pupils.

5. It is highly important that questions shall be asked so that they

demand thought in answering, and usually so that the answer must be

given in a full statement. Seldom should a question be asked in such

form that a simple Yes or No will answer it. This does not require

sufficient thought on the part of the pupil, it permits guess-work,

and fails to cultivate ability in expression. Answers that may be

given in a word or two, or by Yes or No, may be accepted in rapid

drill or review work, and also in the inductive questioning used in

developing a new subject, but should be used very sparingly in other

places in the recitation.

6. The "pumping" question should not be used. In this type of

question, the teacher formulates the answer and leaves only the key

word for the pupil to supply. The teacher sometimes goes so far as to

suggest the necessary word by pronouncing the first syllable or two of

it. A dialogue like the following was heard in one school:--

Q. "Columbus was an ----?"

A. "Explorer."

Q. "No, he was an It----?"

A. "Oh, an Italian."

Such an attempt at teaching would be amusing, were it not so serious

for the child.

8. _The treatment of answers_

The teacher's treatment of the answers given is of hardly less

importance than the formulation of the questions themselves. It is to

be remembered that the recitation is an interchange of thought and

expression between teacher and class. To this end, the response must

be mutual. Not alone when the question is being asked is the teacher

to be animated and interested, but likewise while the answer is being

given. It is neither good pedagogy nor good manners for a teacher to

sit unresponsive and inattentive when a pupil is reciting. Not that

the teacher needs always to comment on an answer, or say that it is

correct; it is rather a matter of manner, of attention and interest to

the answer. We find it embarrassing either in a recitation or out of

it to talk to a person who seems not to be listening.

Right at this point, however, there lurks an insidious danger. It

comes easily and naturally to one to give some sign of assent or

disapproval as to the correctness of the answer while it is being

spoken. The slightest inclination of the head, the dropping of the

eyelids, or a certain expression of the face, comes to be read by the

pupil as a signboard to guide him in his statements. This is, of

course, all wrong. The teacher should give absolutely no sign while

the answer is going on. Thus to help the child leads him to depend on

the teacher instead of relying on his own knowledge. It leads to

guessing, and so skillful does this sometimes become that a bright but

unprepared pupil is able to steer through a recitation guided by the

unsuspecting teacher.

Answers should not be repeated by the teacher. This is a very common

fault, and a habit that is usually acquired before the teacher is

aware of it. The tendency to repeat answers probably arises at first

from a mental unreadiness on the part of the teacher. He has not his

next question quite ready, and so bridges over the interval by saying

over the answer just given by the pupil. It is a method of gaining

time, but really finally results in great loss of time in the

recitation. By actual count, many teachers have been found to repeat

as many as 75% of the answers given in the recitation. Besides the

great waste of time, the repetition of answers is a source of

distraction and annoyance to pupils. No one enjoys having his words

said over after him constantly. Of course answers may sometimes need

to be repeated to emphasize some important point. But when repetition

has become a habit, no emphasis is gained by the repetition.

Finally, answers should be required in good English, clear and

definite, like the questions. Pupils who say, "An improper fraction is

'where' the numerator is greater than the denominator"; "A compound

sentence is 'when' it has two or more independent clauses," should be

led to restate their answers in clear and correct language.

IV

CONDITIONS NECESSARY TO A GOOD RECITATION

We have now discussed the aim of the recitation, its methods, and the

principles governing the art of questioning. But no matter how well

defined the aim for the recitation, no matter how excellent its

method, no matter how skilled the teacher may be in the art of

questioning, these things alone cannot make a good recitation. Certain

other fundamental conditions must obtain if the recitation is to be a

success. Let us now discuss the more important of these conditions.

1. _Freedom from distractions_

Distractions of any nature result in a double waste. First, a waste of

power through preventing concentration and continuity of thought. Try

as hard as one may, he cannot secure the best results from his mental

effort, if his stream of thought is being broken in upon. The loss by

this process is comparable to that involved in running a train of

cars, stopping it every ten rods instead of every ten or every one

hundred miles. But this form of waste is not all. There is also a

serious waste of interest and enthusiasm resulting from interrupted

recitations. Every teacher has at times felt the sudden drop in

attention and interest on the part of the class after some

interruption which took the minds of the class off the subject. Try as

hard as the teacher may, it is impossible to go back to the same level

of efficiency after such a break. The following show some of the chief

sources of distractions:--

_a. Distractions by the teacher._--Strange as it may seem, many

teachers are to be criticised on this point. Any striking feature or

peculiarity of manner, dress, or carriage which attracts the attention

of the class is a distraction. A loud or ill-modulated voice, tones

too low or indistinct to be heard well, the habit of walking up and

down the aisles or back and forth before the class, assuming awkward

positions standing or sitting before the class--these are all

personal factors which the teacher needs to keep constantly under

surveillance.

The teacher may also distract the class by answering questions asked

by the pupils at their seats, or by rebuking misdemeanors seen among

those not in the recitation. Most of such interruptions are wholly

unnecessary, and could be avoided by a little foresight and

management. The lesson should be so clearly assigned that the pupils

can have no excuse to ask later about the assignment, and then there

should be a penalty for forgetting it. The drinks of water should be

had and the errands attended to between classes. The pencils should be

supplied and sharpened before the session begins. The mischievous

culprits should be taught that it is a serious offense to interrupt a

recitation. The teacher who permits these distractions by the school

has not yet learned the secret of good management, and could hardly

advertise his inefficiency in this regard any more effectively than by

permitting such interruptions to continue.

It is also possible for the teacher to distract the person reciting

by interrupting when there is a slight pause to think of the next

point, or a hesitation before pronouncing a word. Teachers sometimes

even interrupt a pupil who is reciting and themselves offer

explanations, make remarks, or continue the discussion, leaving the

child standing and not knowing whether he is excused or not. Of course

this is bad manners on the part of the teacher, and it is even worse

pedagogy. It is not encouraging to the pupil to feel that he may be

interrupted at any moment, and few can think clearly or recite well

when expecting such interruptions. The pupil should not expect to be

allowed to think out a lesson or a point when he is reciting, which he

should have thought out before coming to class. On the other hand, the

teacher must remember that the child's mind is working on what to him

is new and difficult matter, and hence cannot move as rapidly as the

teacher's.

_b. Distractions by the class._--Inattention, restlessness, and

mischief are great sources of distraction from the class themselves.

All these things have a tendency to be contagious, and in any case

always break in upon the train of thought of the recitation. Because

of this the teacher _must_ win the inattentive and restless, and

_must_ check the restless, if he would save his recitation.

Not infrequently, in the more elementary classes, a certain kind of

distraction is fostered and encouraged by the teacher with the aim of

securing the attention of the whole class to the one who is reciting.

This form of distraction consists in having the whole class watch the

one who is reciting, and, if they observe an error in the recitation,

at once raise their hands, when the one reciting must stop. This is a

mistake from almost every standpoint, and has very little to redeem

it. It may result in closer attention on the part of the class; but

the motive which prompts the attention is bad. It leads to elation and

rejoicing over the mistakes and failures of another, and it centres

attention on the mistakes rather than on the facts to be brought out.

Attention should be trained so that it will not have to depend on this

kind of motive, and the memory should be trained to note and hold a

correction until the one reciting has finished. Further, it is a most

serious distraction to the one who is reciting to be expecting that a

forest of hands may at any moment be wildly waving about his ears,

gleefully announcing that he has made an error. Condemnation of this

method of securing attention can hardly be too severe.

_c. Distractions by the school._--In any busy school there is bound to

be more or less of hum and confusion. In many schools, however, there

is much more than is warranted. It is true that children get tired of

sitting still for an entire session, and that they find relief in

going for a drink, or going to the dictionary, or on some other errand

about the room. In some schools, one or more pupils may be found

walking about the room at almost any time of the day, and not

infrequently several are on errands at the same time. This, as

previously noted, is usually a fault in management on the part of the

teacher. The larger part of these interruptions can just as well be

saved by a little foresight and firmness.

Some teachers even leave the class which they are hearing to answer

questions or give help to pupils in the school who have not been

trained to wait for their requests until the class is dismissed.

Usually, only a very small percentage of these questions should have

been asked at all, or would have been with the proper management of

the school. And all the necessary questions and requests should almost

without exception be held for the interval between recitations. The

school should be taught that nothing short of the direst necessity

will warrant asking a question or making a request during a

recitation.

Likewise in the case of misdemeanors. The class which is reciting

should not be interrupted for minor misdemeanors which occur during

the recitation. This does not mean that the misdemeanor is to go by

unnoticed. On the contrary, the settlement for it may be all the more

severe for having to wait until the class is dismissed.

_d. Physical distractions._--Distractions from the physical

environment may be of several kinds.

Not infrequently, especially in the older schoolhouses, the seats are

so placed with reference to windows that the light strikes the eyes of

the pupils, instead of the pages of the books; or it may be that a

stray sunbeam strikes athwart the class and dazzles the eyes. It need

hardly be suggested that no such distraction as this should go

unremedied.

In the rural schools the recitation seats are often near the stove,

where the temperature becomes unbearably hot when the stove must be

generously fired to heat the remainder of the room. Not infrequently

the ventilation is bad, and the room is filled with foul air, from

which the major part of the oxygen has been exhausted. No matter how

good the intentions of the class or how zealous the teacher, such

conditions will kill the recitation.

Whatever may be the cause of physical discomfort or unrest should be

remedied. One's body should be so comfortable and healthy that it does

not attract attention to itself, except when needing food or other

care, and it is the duty of the school to do all possible to bring

this condition about.

2. _Interest and enthusiasm_

Interest is the foundation of all mental activity. Its very nature is

to lead to thought and action. Grown ardent, interest becomes

enthusiasm, "without which," says Emerson, "nothing great was ever

accomplished." On the other hand, the absence of interest leaves the

pupil lifeless and inert mentally, his work a bore and achievement

impossible. Interest is, therefore, a first consideration in the

recitation.

Interest is contagious. No one ever saw an interested and enthusiastic

teacher with a dull and lifeless class. Nor can interest and

enthusiasm on the part of a class continue in the presence of a

mechanical and lifeless teacher. The teacher is the model, and he sets

the standard and pace for his class. Unconsciously the pupils come,

under the influence of the teacher's personality, to reflect his type

of mind and attitude toward the work of the school. The teacher's

interest and vivacity in the recitation depend on many factors, some

of which are largely under his own control.

_a. The teacher's command of the subject-matter of the recitation._--A

teacher whose grasp of the lesson is doubtful, who does not feel sure

that he is a master of all its points, who fears that questions may be

asked that he cannot answer or points raised that he cannot explain,

can hardly possess an attitude of true interest toward the recitation.

His mind is too full of worry and strain and embarrassment. He lacks

the sense of ease and freedom which comes from a feeling of mastery.

Command of the subject-matter of the recitation depends, _first_ on

the teacher's general mastery of the branch, and, _second_, on being

freshly prepared upon it. It behooves every young teacher, therefore,

to strive for mastery as he teaches.

But no matter how good the preliminary preparation, this cannot take

the place of the fresh daily review, which gives the mind a new

readiness and grasp on the subject. Let the teachers who feel that

their recitations are slow and dull, seek the cause first of all in

their own lack of preparation in one of the two lines mentioned.

_b. The teacher's attitude toward his work._--If the teacher looks

upon teaching as a mechanical process; if he looks on the recitation

as "hearing the class recite"; if he realizes nothing of the

opportunities and responsibilities connected with teaching children,

then he can command little interest and no enthusiasm. If, on the

other hand, teaching is to the teacher a joy; if he loves to watch the

minds of children unfold; if he rejoices in his opportunities and

responsibilities as a teacher, then he is sure to develop an interest

which will soon intensify with enthusiasm.

_c. The teacher's health._--All have experienced the mental depression

and lack of interest in things which comes from over-fatigue. The most

interesting occupation palls on us when we are fagged, or when our

vitality is low from derangement of health. A case of indigestion may

sweep us out of our usual cheery mood into a mood of discouragement

and pessimism. Frayed nerves and an ill-nourished or exhausted brain

are fatal to enthusiasm.

Teaching is found to be a very trying occupation on the general

health, and particularly on the nervous system. Many girls break down

or develop a chronic nervous trouble in a few years in the schoolroom.

The combined work and worry prove too much for their strength; and not

infrequently, also, the teacher who boards and carries a cold luncheon

to school fails to secure the right kind of food. This is especially

true in the rural schools. Farmers have enough to eat, but often the

food suitable for men engaged in heavy manual labor is wholly unsuited

for one who works with the brain and does not have a large amount of

out-door exercise.

Nor do teachers always secure enough pure air. The air of schoolrooms

is usually vitiated to such a degree that one on coming in from the

out-door air can detect a foul odor. But the air of a room ceases to

be fit to breathe long before an odor can be detected from its

impurities.

These are some of the chief factors which are proving so fatal to the

health of many of our teachers, and to interest and enthusiasm on the

part of the teacher in his work. Both for the sake of his health and

his work, every teacher should seek to control these three factors as

far as possible. Strain and worry and wear of nerves can be greatly

lessened by careful planning of work, by good organization and careful

management, and by exercise of the will to prohibit worry over matters

large or small when worry will not help solve them. The teacher can in

some degree determine what food he will eat, even if it means a change

of boarding-place. And surely every teacher can control the supply of

fresh air for the schoolroom and his bedroom, and this is perhaps the

most important of all.

_d. Experience._--The young teacher, without experience, may from

sheer embarrassment and lack of mastery fail to show the enthusiasm

which he feels, for embarrassment of any kind and enthusiasm do not

thrive well together. But if the teacher is really fundamentally

interested in his teaching, the enthusiasm will soon come. And better

a thousand times the young teacher who is earnestly fighting for

freedom and mastery in the recitation, than the old teacher who has

grown wearied of the routine and has made out of the recitation a

machine process.

3. _Well-mastered lessons_

Probably the worst of all drawbacks to good recitations is poorly

prepared lessons. One of the greatest criticisms to which our

educational system is open is that teachers try to teach and pupils

try to recite lessons which are badly or indifferently prepared by

both. There is nothing more stupefying to the mind, or more fatal to

interest in school work than the halting, stumbling, ineffective

recitations heard in many schools. Teachers who try to teach lessons

with which they are not thoroughly familiar are but blind leaders of

the blind, and both they and their pupils are sure to fall into the

ditch.

_a. Preparation by the teacher._--The teacher is the key to the

situation. If he himself lacks in preparation, he can neither lead nor

compel his pupils to the preparation of their lessons. He sets the

standard. A stream does not rise higher than its source.

The teacher's preparation has two different aspects: (1) The general

fundamental knowledge of the subject as a whole obtained by previous

study; and (2) the daily preparation by study, thought, or reading for

the recitation.

The Recitation · 第 3 / 5 段