When the topical method is being employed it will nearly always need

to be supplemented by questions and answers. Very rarely will a pupil

recite upon any important topic with such accuracy and completeness

that nothing more needs to be said concerning it. Hence, after the

pupil has completed his topical discussion, the teacher can round out

the subject, impress the more important points, or correct wrong

impressions, by a few questions to be answered either by the pupil who

has had the discussion or by the remainder of the class.

The topical method gives the teacher the best opportunity to teach the

pupils how to study. It is safe to say that most pupils consider that

they "have their lesson" when they understand it, or think they can

remember it. But if the child is to be taught expression, as well as

given knowledge, it is evident that this is not enough. Not only

should a pupil be sure that he understands his lesson and can remember

it, but also he should think how best to express it in the recitation.

The teacher can help the class in this when assigning the topics by

showing the pupils how to pick out the main points of the topics, and

arrange them in order for discussion. This is, of course, really

training in analysis--a power that all pupils need to cultivate.

_b. The question of standards in topical recitations._--The success of

the topical method will depend much on the teacher's standards of

thoroughness applied to its use. Children, particularly of the lower

grades, have not yet developed much grasp of mind, and consequently

are not able to judge when they have sufficiently covered a topic

given them for recitation. They are likely to think that if they stand

up and say _something_ about the topic, this is sufficient.

It is at this point that the teacher needs to exercise great care. The

child must not be discouraged by harsh criticism, but neither must an

incomplete recitation be accepted as a complete one. The teacher must

judge carefully how full a discussion should be expected from a child

of the given age, taking into account the treatment of the topic in

the pupil's textbook. Then by questions, further discussion by other

pupils, kindly criticisms, and helpful suggestions, the standard

should be placed as high as the class can attain. Nor is it to be

forgotten that the standard is to be a constantly advancing one.

6. _The lecture, or supplemental method_

The lecture method is rather too formal a name for the method in which

the teacher talks to the class instead of asking them to recite. He

may either take the entire period in a lecture, or talk, or he may

only supplement now and then the answers or topical recitations of the

pupils. This method is almost exclusively used in many universities

and colleges, but is not suited for extensive use in more elementary

schools.

_a. How the lecture method is to be used._--While the lecture method

should be employed sparingly in the elementary school, yet it is most

valuable to supplement other methods. First, in introducing a class to

a new subject or section of work, it is frequently desirable that the

teacher should take a part or the whole of a recitation period to

explain the nature of the work or to interest the pupils in it. For

example: In taking up the discovery of America, the teacher can create

interest by telling the class of the wonderful events going on in

Europe during the fifteenth century, of the life of Columbus as a boy,

of the ships then in use, comparing them with our present steamships,

etc. Similarly for almost every new section taken up in any study.

The lecture method is also useful in supplementing the recitations of

the pupils. The teacher's knowledge must be much broader than the

textbook; and a little explanation added, an incident told, or an

application of the lesson made will often do much to broaden the

pupil's knowledge of the subject, and will at the same time lend

interest to the recitation, besides increasing respect for the

teacher's education. There is nothing more deadening to the recitation

than a mechanical plodding through the questions and answers of a

textbook without any explanation or amplification, and often without

much comprehension on the part of the class. The teacher who has

nothing of his own to add is incapable of _teaching_ in the true sense

of the word. At best he can only _test_ as to the preparation from the

textbook.

_b. Dangers from the lecture method._--While we justly condemn the

teacher who has nothing of his own to add to the recitation, we must

not forget that there is a danger on the other side. Ask any

assemblage of teachers how many think that, in general, their own

teachers used to talk too much in the recitation, thereby monopolizing

the time, and two thirds will blame their former teachers for

over-using the lecture method. Most people, when they are sure of an

audience, like to talk, and probably teachers are no exception to the

rule.

The teacher who is full of information and enthusiasm for the

recitation is led by this very fact into temptation. Some point in the

lesson suggests an interesting story or illustration, or some

additional bit of information, and the teacher starts to tell it to

the class. He becomes himself so interested in it that the lesson is

forgotten and the class period ended long before the story is

completed. This may do occasionally; but, once it becomes a habit, it

is fatal to good teaching. The recitation as prepared by the class

should be the chief interest of the class period. The teacher must

learn to supplement without monopolizing.

7. _The written recitation_

The written recitation can hardly be called a method, since it can be

itself applied to any or all of the methods of reciting. Like all

other methods, the written recitation has its strong points of

excellence and also its dangers.

_a. The use of the written recitation._--The written recitation is

especially useful in cases where all of the class should recite upon

all of the lesson. It is easy to see that by having each of a class of

ten answer ten questions, a far larger amount of answering is done in

the aggregate than if only one could answer at a time, as in oral

recitation.

There are certain kinds of knowledge that are seldom used except in

writing. For example, we are never called upon to spell or to use

letter forms, business forms, punctuation marks, etc., except in

writing. It is safe to say that matter of such kinds should usually be

taught by having it written.

The written recitation also leads to accuracy and precision of thought

and expression. We all formulate more carefully what we write than

what we speak.

The written recitation also gives an opportunity for training in

verbal expression. Every person needs to be able to express himself

easily and forcibly in writing. But this requires much practice, and

there is no better practice than in formulating in writing the

thoughts of the daily lessons.

_b. Dangers in the use of the written method._--Valuable as the

written method is, there are certain cautions to be observed in its

use.

This method does not ordinarily possess the interest and spontaneity

of the oral recitation. There is no opportunity for the teacher to

supplement with points brought in. Misconceptions are not cleared up

in the minds of the pupils, at least during that recitation period,

unless the written papers are read at once. Usually time does not

permit this. Many children do not like to write, and hence find the

lesson tiresome, especially if continued for a whole class period.

The amount of writing required of children may be too great. Few

pupils can write long at a time without eye-strain, muscle cramp, and

bad bodily positions. Where this is the case, over-fatigue results if

the amount of written work required is large. It is not unusual to

find schools in which children are required to spend almost half of

their school hours in some form of written work. This is a serious

mistake both educationally and from the standpoint of health.

There is also still another side of the matter to consider. One of the

great advantages of written work is that the pupil may have his errors

shown him, so that he may reflect upon them and correct them. But not

infrequently, where the amount of written work is too large, the

errors are not carefully corrected by the teacher, and not corrected

at all by the pupil. This is why many pupils will keep on making the

same error time after time on their papers. The correction has not

sufficiently impressed them.

All written work, with perhaps rare exceptions, should be carefully

gone over by the teacher, and all serious or oft-repeated errors

corrected by the pupils who make them. Not infrequently may children

be seen to glance over a paper upon which the teacher has put precious

time and some red ink in making corrections, and then crumple the

paper and throw it into the waste basket. Sometimes this is done in

sheer carelessness, and sometimes in petulance because of the many

corrections. This is all a loss of time and opportunity. The teacher

should have tact enough to show the pupils that corrections are made

on their papers for their benefit, and not as a punishment. And then

the pupils should take the trouble to correct the errors, that they

may not occur again. Better a thousand times correct carefully an old

paper than write a new one containing the same errors.

III

THE ART OF QUESTIONING

1. _The importance of good questioning_

Skill in the art of questioning lies at the basis of all good

teaching. When we were children it looked so easy for the teacher to

sit and ask the questions which we were expected to answer. When we

become teachers we find that it is much harder to ask the questions

than to answer them. For to question well, one must not only know the

subject thoroughly, but must also constantly interpret the mind of the

pupil to discover what question next to ask, and whether he is

mastering what we are teaching him.

Good questioning stimulates thought, leads to inquiry, and results in

understanding and mastery. Poor questioning leaves the mental powers

unawakened, cripples thought, and results in inefficiency and lack of

mastery.

2. _Need of fundamental principles_

Good questioning is dependent upon the teacher's having a firm command

of a few essential principles which apply to all questioning used in

teaching. The teacher's constant self-criticism in the light of these

will greatly improve his control of discussion in the class room.

3. _The principle of freedom from textbooks_

The questions of the recitation must of course deal with the matter of

the textbook and be directly suggested by it. Yet there are two

dangers to be avoided in this connection: (1) Questions should not

follow the language of the text, and (2) the teacher should not be

dependent on the textbook to suggest the question itself or to

determine the correctness of the answer.

The teacher who has not the lesson well prepared, or who is mentally

lazy, has a constant temptation to ask questions in the words of the

book. This is much easier than to know the subject and the textbook

both well enough to formulate original, appropriate questions. An

illustration of what is meant is found in the following account of a

recitation conducted from "Montgomery's American History," the lesson

being on the landing of the Pilgrims (pp. 77, 78):--

Q. On a morning late in November, what did the Pilgrims do?

A. They sighted Cape Cod.

Q. Two days later, where did the Mayflower come to anchor?

A. In Provincetown Harbor.

Q. While the Mayflower remained at anchor, what did Captain

Standish and a boatload of men do?

A. They went out to explore.

Q. On the shore of Plymouth harbor what is there lying?

A. A granite bowlder.

It is seen that each of these questions follows the words of the text,

and that the answer but completes the sentence of which the question

is a part. Questions of this kind only suggest to the memory the

statement of the text, and do not cause the pupil to use his own

thought in realizing the actual event. Hence they arouse little

interest and leave little impression. They train the verbal memory,

but leave imagination, thought, and understanding untouched. How much

better such questions as these:--

When did the Pilgrims first sight land?

What land did they see?

What was its appearance?

Have you ever seen a stretch of shore like this one?

Why did not the Pilgrims land at this point?

Where did they finally anchor?

What measures did they take to see whether this was a

suitable place to land?

Why is the name "Plymouth Rock" so famous in American

history?

These questions cover just the same ground as the ones above, but they

suggest living pictures and actual events rather than the language of

the textbook.

The unprepared or lazy teacher is also in danger of relying on the

textbook for his questions even when he does not formulate them in the

language of the printed page. Not infrequently teachers conduct the

whole of a recitation with the text open before them, hardly taking

their eyes from the book, and seeming to have no inspiration or

questions not immediately gleaned from the page before them. In

extreme cases of unpreparedness they may even have to test the

correctness of the answers given by the class by reference to the

text. Of course this is all the highest degree of inefficiency. It

should not be called teaching at all, for no one can teach another

that which he does not himself possess as a part of his own mental

equipment. Nothing can be more deadening to a class than to see a

teacher, whom they look upon as their intellectual leader, floundering

in such a vain attempt to teach something that he does not himself

know.

The eyes and the mind of the teacher must both be free in the

recitation--the eyes to look interest and encouragement into the eyes

of the class, the mind to marshal the points of the lesson and watch

the effects of their presentation on the minds of the pupils. A

recitation at its best consists of an animated and interesting

conversation between teacher and class. And no conversation can be

live and interesting when one of its participants has mind and eyes

riveted to a book; for conversation involves an interchange of

expression, of spirit, and of personality as well as of words.

It is not meant that a teacher must never have a textbook open before

him during a recitation. Often it is not only desirable, but necessary

that he should do so; but only for suggestion and reference, and never

to supply questions and test answers.

It is certainly much better to have the textbook before one than to

teach the lesson after a disconnected and haphazard fashion from lack

of familiarity with its points. An excellent substitute for the text,

however, is an outline, or plan of the lesson embodying the main

points, illustrations, and applications to be made. Such an outline

will save the teacher from wandering too far afield in the

discussions, will insure unity in the lesson, and make certain that

important points shall not be overlooked.

A desirable rule for the teacher to set for himself would be so to

prepare for the recitation by mastery of the subject, and by lesson

plan or outline, _that he does not need to have the textbook open

before him when the pupils do not also have their books open_. The

teacher who will heroically meet this standard will soon find growing

in himself a feeling of mastery of his subjects and of joy in his

teaching.

4. _The principle of unity or continuity in questions_

Questions should be so planned that they develop or bring out the

unity of the lesson. It is possible for questions to be so haphazard

and disconnected that the pupil receives the impression of a series of

unrelated facts, rather than a unified and related subject. In good

questioning, one question naturally grows out of another, so that the

series develops step by step the truth contained in the lesson, and

brings it to the mind of the child as a complete whole.

This means that the teacher must know the whole subject so thoroughly

that the right questions come to him easily and naturally, and in the

right order to bring out the successive steps of the lesson in their

logical relations.

The difference between a related series of questions and an unrelated

is shown in two lists which follow. Both deal with the same

subject-matter, a physiology lesson on respiration. The questions of

the first list are not themselves faulty, but there is no continuity

among them; one does not grow out of another so as to "develop" the

subject in the minds of the class.

What change takes place in the air while in the lungs?

What change takes place in the blood while in the lungs?

How many cubic inches of air will the lungs contain?

How much of this cannot be expelled by breathing out?

How many times do we naturally breathe in a minute?

What are some of the effects of breathing impure air?

How is the oxygen carried by the blood?

What is animal heat?

What is the temperature of the body?

These questions were all answered fairly well by the class, but the

answers contained only so many bits of isolated information, and the

pupils did not understand the subject after they had recited upon it.

Another teacher asked the following questions:

Why must the body have air to breathe?

Of what use is oxygen in the body?

Where does this oxidization, or burning up of worn-out

cells, take place?

But how is the oxygen carried to every part of the body and

brought into contact with the tissues?

Where do the corpuscles of the blood get their loads of

oxygen?

What gas do they give up in exchange for the oxygen?

Where do they get the carbon dioxide?

How does air entering the lungs differ from air leaving

them?

What corresponding change takes place in the blood while it

is in the lungs?

Explain how the change is effected in each case.

Suppose we breathe air that contains too little oxygen, what

will be the effect on the corpuscles?

What will be the effect on oxidization in the tissues?

And what is the effect of poor oxidization on physical

vitality?

On mental vitality?

The class that answered these questions not only had the information

belonging to each separate question, but also understood the lesson as

a whole, because each question grew out of the ones that preceded it,

thus making the recitation a unified whole.

5. _The principle of clearness_

Questions must be made clear, so that their meaning may be understood.

This is not always an easy task, and the teacher frequently misses

being wholly clear. This is evidenced by the fact that often when a

pupil fails to answer a question asked in one way, he can answer it

easily when the wording is changed. This means that the difficulty for

the pupil existed in the question, and not in the answer.

Clearness in questioning involves three factors: (1) Freedom from

ambiguity or obscurity of wording; (2) adaptation to the age and

understanding of the pupil; (3) reasonable brevity.

_a. Freedom from ambiguity or obscurity of wording._--This is

fundamentally a matter of the use of good English. It requires such a

choice and arrangement of words and clauses that there can be no doubt

as to the meaning to be conveyed. Assuming a fair command of the

language and care in its use, the basis of clearness at this point is

thorough mastery of the subject-matter of the questions, so that the

teacher himself understands clearly just what he means to ask.

The following illustrations show some questions that are faulty from

the standpoint of obscurity of meaning:--

What caused Lincoln to issue the Emancipation Proclamation in 1863?

(Not clear whether question means why did he issue the Emancipation

Proclamation at all, or why did he issue it in 1863 instead of at some

other time.)

What are the effects of attention to a moving object? (Not clear

whether question means effects on the person attending or the effect

which the moving of an object has in making itself seen.)

Who chased whom down what valley?

Why has a cat fur and a duck feathers?

_b. Adaptation to the age and understanding of the child._--Questions

that are perfectly clear to an adult may be hazy or incomprehensible

to a child because he does not understand the terms used in the

question, or because it deals with matters beyond his grasp. The

teacher must keep within the vocabulary of the child in formulating

his questions. Where it is necessary or desirable to introduce new

words into questions, care must be taken that the child knows fully

the meaning of the new terms. A teacher asked a class in elementary

physiology, "What measures would you take to resuscitate a person

asphyxiated with carbon dioxide?" The class all looked blank. No one

seemed to know what to do. It chanced that the superintendent was

visiting the school, and he said to the teacher, "Let me try." Then he

asked the class, "What would you do for a person who had been

smothered by breathing coal gas?" The class brightened up, and every

hand was raised indicating readiness to answer the question.

Another teacher bewildered his class by asking, "Which phenomena of

the fratricidal strife in the American Republic were most

determinative of the ultimate fate of the nation?" No one knew. Had he

asked his question in plain terms, no doubt the class could have

answered it.

In an elementary history class, a teacher propounded this question:

"What American institutions have been founded on the principle of

social democracy?" Not only the terms of the question, but the thought

also is beyond the comprehension of children. Such questions are not

only useless as a means of testing, teaching, or drilling, but serve

to confuse and discourage the child, and cause him to lose interest in

school.

_c. Brevity._--No matter how well a question is worded, or how well it

is adapted to the age and capacity of the pupil, it may fail in

clearness because it is too long and disjointed, or because it deals

with too many points. Far better break a complicated question up into

several simple ones, concerning whose meaning there can be no doubt.

A teacher who had not yet mastered the art of questioning asked his

physiology class a question somewhat like this: "Do you consider it

advisable, taking into account the fact that none of the vital

processes go on as vigorously during sleep as during the waking hours

(you remember that the breathing and the pulse are less rapid and the

temperature of the body also lower), to eat just before retiring at

night, especially if one is very tired and exhausted--a condition

which still further lowers the vitality and hence decreases the powers

of digestion and assimilation, and would your answer be different if

it is understood that the food taken is to be light and easily

digested?"

It is needless to say that the class found themselves lost in the maze

of conditions and parenthetical expressions and did not attempt an

answer. The question contains material for a dozen different

questions, and probably the class could have answered them all had

they been properly asked.

6. _The principle of definiteness_

Questions should be definite, so that they can have but one meaning.

It is possible to ask a question so that its general meaning is clear

enough, but so that its _precise_ meaning is in doubt. Such questions

leave the pupil puzzled, and usually lead to indirectness or guessing

in the answer. Failure to make questions definite, so that they can

have but one meaning is responsible for much of the difference of

opinion on disputed questions.

The Recitation · 第 2 / 5 段