THE RESTORATIVE POWER OF MUSIC.

My house, though in the eyes of the rate-collector fully occupied, has

now for several weeks stood with an unmistakably vacant stare. My cook

alone, with a young lady friend for company, dwells there. What our

great ballad-writers call the patter of tiny feet is stilled. The

seaside has demanded its toll, and I have for a time accompanied the

evacuating host.

The other day, for a brief space, I returned home--a home which at the

first glance seemed to be as I had left it. But as I approached I was

confronted with a change. The gate, which in normal times used to swing

shakily on its hinges and keep on chattering against its post (in the

vain effort to shut) whenever the wind was in its teeth, now leaned

against an adjacent bush in listless inaction. One of its hinges had

been broken. I learned the details of the tragedy from the gardener.

It was one of them I-talians, I gathered. Seeing, with the

nice instinct of their race, that my house must be the abode of

music-lovers--detecting this from various subtle signs invisible to

me--they had drored their horgan through the gateway and up the grand

carriage sweep which, leading to the handsome portico entrance, is one

of the outstanding features of all that well-situated and desirable

double-fronted brick and carved stone residential property which

recently I was wise enough to acquire for a mere song. Well, these

I-talians had drored their instrument up the drive and played to the

front door for ton minutes. The cook and her friend, I learned

afterwards, heard them and, being satisfied to enjoy the entertainment

without payment, had remained out of sight. For ten minutes they played,

the man turning the handle, his wife smiling and bowing to the windows.

Then, in the fine frenzy known to all great artists who are

unrecognised, they drored it down again to the gate. The fine frenzy was

proved by the fury with which the woman flung wide the portal that the

horgan might be drored out. She flung it back too far, and the hinge, a

soulless thing of cast-iron, snapped.

The gardener--no musician--who had happened to see them arrive, and,

anticipating trouble, had been watching unperceived, hurried to the

scene of the catastrophe.

"I knowed they was a-goin' to do it," he said, "the 'inge bein' in a bad

way already. It's lucky there was a policeman 'andy. I said you'd 'ave

the law of 'em."

"But I don't want the law of them," I protested.

"Well, they're going to pay for a new 'inge any'ow."

"Rather hard luck on them, isn't it? I can't make them do that."

"Don't you worry your 'ead, Sir," said the gardener. "It don't come out

of their pocket. All these I-talians is run by one man. Millionaire, so

they tells me. Any'ow, it's settled now."

"Well, perhaps it'll teach them to be more careful."

"I 'ope not, Sir," said the gardener. "'Ave another one or two of 'em in

'ere, and we'll get the gate so as it won't bang."

* * * * *

Punch, or the London Charivari, Volume 147, August 12, 1914 · 第 28 / 43 题