CHAPTER XIV.

MOUNTING ENTIRE SMALL FUR ANIMALS.

In Chapters VI and VIII directions are given for skinning and preparing

this class of animals for mounting, so with the skin properly cleaned

and poisoned before us the next thing is to cut the wires for a

supporting frame. These are six in number usually, body wire, tail wire

and one for each leg. The body wire is about one-half longer than from

nose to base of tail; tail wire the length of the tail bone and half the

body, and each leg wire twice the length of the leg.

I have spoken of using a muskrat for an initial attempt as it is of a

convenient size to handle and the length of its fur will hide small

defects in the anatomy. Most books of instruction select a squirrel for

the beginner's victim. It is true it is not as difficult as a hairless

Mexican terrier but it is apt to discourage the learner. An opossum will

do very well or any long haired animal of about that size.

We will first reconstruct a hind leg and if it is a fresh specimen being

mounted without a bath in the pickle we can have the opposite leg in the

flesh to guide, as to proper proportions. The wire is passed through the

cut in the bottom of the foot and along the back of the leg bones where

it is secured in about three places by tying with small cord. The end is

left projecting three inches beyond the end of the upper leg bone.

[Illustration: HIND AND FRONT LEG OF MUSKRAT WRAPPED READY TO CLAY AND

RETURN TO SKIN.]

The muscles and flesh are replaced by winding on tow with stout thread

until the approximate size is reached, when the surface is given a thin

coating of clay and the leg is drawn back into its skin. The fore legs

are in the same manner built to the joint with the shoulder blade.

After sharpening the tail wire to a point it is wound with fine tow and

thread and coated with clay until it duplicates the bone and flesh

removed. This is slipped into the tail sheath with the unwound end

projecting into the body and the slit along the lower side of tail sewed

up.

After making a ring about the diameter of a .22 shell on one end of the

body wire place it on your sketch where the hip joint was marked,

letting the wire run lengthwise of the body. Another ring similar is

made at the shoulder. These form the points of attachment for the legs.

[Illustration: WIRING FOR SMALL ANIMALS, FRONT LEG WIRES TWISTED TO BACK

WIRE.]

The skull, cleaned of flesh and poisoned, should have the muscles

replaced with tow and the whole coated with clay. Force a piece of cork

into the opening at the back of the skull. Sharpen the end of body wire

and force it through the cork and out one of the nostrils. The skull is

pushed back along the wire until it reaches the proper distance from the

shoulder ring, when all but an inch or so of the projecting wire is cut

off.

Insert the skull through the body opening and work it up the neck into

its place in the head skin, letting the end of wire go through the

nostril of skin also. This will hold the nose in place. Adjust the eyes

and ears also.

Now pass the ends of leg wire through the rings from their opposite

sides. The tail wire is passed through the rear ring and twisted around

the body wire a few times. The ends of leg wires projecting through the

ring cross, so twist them together a turn or two with pliers, next bring

them down and under the body wire, twisting them together, first one

side of it and then the other. This treatment will fasten the legs and

tail also firmly to the body wire.

Thus we have the skin with head, tail and legs filled out and the

supporting wires fastened together. The remainder of filling, usually

chopped tow, is placed with fingers, forceps, and stuffers. First a good

layer next the skin all around, then part this and fill in the center a

little at a time, first at one end, then the other. Put a good cushion

at the hips and shoulders between the wires and the skin and also at the

back. Fill out the neck well but do not stretch it unduly.

Begin sewing up at both ends of the opening cut, drawing a few stitches

up and tying the thread while you fill a little more. Model the animal

into shape from time to time by pressure with your hands and when filled

out and sewed up tie the threads together.

Our animal is now lying on its back with head, tail and limbs extended;

bend them into some natural position and set it on its feet. It may be

well to force a little chopped tow and clay into the bottoms of the feet

and draw the cuts in them together with a few stitches around the leg

wire projecting from them.

A temporary stand of a piece of board supported on cleats at each end is

prepared and a number of holes bored for the leg wires. A little

experimenting will find the proper place for these when the surplus ends

of wire are bent along the bottom of the board and fastened with

staples. Complete the head and face modeling now, filling out the cheeks

and lips and pinning them in place. Work the skin around the eyes and

ears into proper place and fasten with pins.

Fill eye sockets with sufficient clay and set the eyes, drawing the lids

down where they belong.

Any deficiencies at the back of the head can be filled through the ears.

In the case of a muskrat the ears are so insignificant that they only

need a little clay and tow forced into them to hold them in place. More

prominent ears as those of fox, 'coon, or wild cat must be filled with a

pasteboard form, cut the proper size and shape, coated with liquid glue

and inserted from the inside before returning the skull to the skin. The

ears of all animals should be pocketed when skinned, that is turned

inside out to their tips to admit preservatives and later some filling

material which will retain their shape when dry.

Do not skin out and throw away the ear cartilage but leave it adhering

to the skin of the inner side of the ear. Without it this skin is very

frail and brittle and thorough pickling will prevent shrinkage and

distortion of the ear.

Before leaving the head push it slightly towards the body on the wire

and cut same close to end of nose. Pull head back to place, the wire

disappears up the nose about 1/4 inch, then you can shape the nostrils

and fill so they will not shrivel up in drying and look as though their

owner had been a mouth breather.

[Illustration: OPOSSUM MOUNTED IN WALKING POSITION.]

If the general pose and appearance seem correct finish up by placing the

feet and toes correctly. Nothing gives a mounted animal a more trampish,

disreputable appearance than slouchy, run over feet with toes that don't

seem to be on the job. Lastly comb the fur out and fluff it up before

setting away to dry.

Animals up to the coyote in size are usually mounted by similar methods

to the preceding. Sometimes a piece of board is substituted for the body

wire, especially in the larger specimens, the wires to which are too

heavy to clinch readily. The skull is on a separate neck wire and all

wires are fastened to the back board by passing through holes and then

stapling.

Of course it is possible to mount small specimens by the same methods

most large ones are, by drawing the skin over a hard filling, in fact a

statuette, which must be made to fit the skin. This method in the case

of small animals requires so much time that it is impossible in ordinary

commercial work.

Strive to put your mounted animals in easy natural poses unless you are

making a grotesque, in which case go the length.

Clean the eyes and teeth with a brush when dry, and beat the fur to make

it stand out. Fasten securely on whatever form of mounting you have

decided on, countersinking the wires on the under side. Accessories, as

a piece of food in the mouth or paws, are added now if they have been

prepared for.

[Illustration: CAT SITTING AND WATCHING]

A slip with record of the specimen written on it and pasted to the under

side of stand will usually be appreciated. If the mouth is wanted open

it should be braced in that position, the lips, etc., held in place by

clay. When it is dry this can be dug out with awls and modelling tools

and the tongue, gums, and inside the mouth modelled in mache or some

plaster composition. The tongue may be modelled in connection with the

lower part of the mouth or made separately and fastened in place with a

brad and some glue.

Colored wax, pink for the inside and black for the lips, applied hot

with a little brush in several coats finish the open mouth. A little

black wax will join the eyelids to the glass eyes if they have shrunk

away and the inside of the nostrils should be coated with a little pink.

Bare skin on the end of the nose should be varnished.

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