II

However, the spectacle of Brighton on a fine Saturday afternoon in

October had its effect on Edward Coe--the effect which it has on

everybody. Little by little it inspired him with the joy of life, and

straightened his back, and put a sparkle into his eyes. And he was

filled with the consciousness of the fact that it is a fine thing to be

well-dressed and to have loose gold in your pocket, and to eat, drink,

and smoke well; and to be among crowds of people who are well-dressed

and have loose gold in their pockets, and eat and drink and smoke well;

and to know that a magnificent woman will be waiting for you at a

certain place at a certain hour, and that upon catching sight of you

her dark orbs will take on an enchanting expression reserved for you

alone, and that she is utterly yours. In a word, he looked on the bright

side of things again. It could not ultimately matter a bilberry whether

his marriage was public or private.

He lit a cigarette gaily. He could not guess that untoward destiny was

waiting for him close by the newspaper kiosque.

A little girl was leaning against the palisade there, and gazing

somewhat restlessly about her. A quite little girl, aged, perhaps,

eleven, dressed in blue serge, with a short frock and long legs, and a

sailor hat (H.M.S. _Formidable_), and long hair down her back, and a

mild, twinkling, trustful glance. Somewhat untidy, but nevertheless the

image of grace.

She saw him first. Otherwise he might have fled. But he was right upon

her before he saw her. Indeed, he heard her before he saw her.

"Good afternoon, Mr Coe."

"Mimi!"

The Vaillacs were in Brighton! He had chosen practically the other end

of the world for his honeymoon, and lo! by some awful clumsiness of fate

the Vaillacs were at the same end! The very people from whom he wished

to conceal his honeymoon until it was over would know all about it at

the very start! Relations between the two Olives would be still more

strained and difficult! In brief, from optimism he swung violently back

to darkest pessimism. What could be worse than to be caught red-handed

in a surreptitious honeymoon?

She noticed his confusion, and he knew that she noticed it. She was a

little girl. But she was also a little woman, a little Frenchwoman, who

spoke English perfectly--and yet with a difference! They had flirted

together, she and Mr Coe. She had a new mother now, but for years she

had been without a mother, and she would receive callers at her

father's house (if he happened to be out) with a delicious imitation of

a practised hostess.

He raised his hat and shook hands and tried to play the game.

"What are you doing here, Mimi?" he asked.

"What are _you_ doing here?" she parried, laughing. And then, perceiving

his increased trouble, and that she was failing in tact, she went on

rapidly, with a screwing up of the childish shoulders and something

between a laugh and a grin: "It's my back. It seems it's not strong. And

so we've taken an ever so jolly little house for the autumn, because of

the air, you know. Didn't you know?"

No, he did not know. That was the worst of strained relations. You were

not informed of events in advance.

"Where?" he asked.

"Oh!" she said, pointing. "That way. On the road to Rottingdean. Near

the big girls' school. We came in on that lovely electric railway--along

the beach. Have you been on it, Mr Coe?"

Terrible! Rottingdean was precisely the scene of his honeymoon. The

hazard of fate was truly appalling. He and his wife might have walked

one day straight into the arms of her sister! He went hot and cold.

"And where are the others?" he asked nervously.

"Mamma"--she coloured as she used this word, so strange on her

lips--"mamma's at home. Father may come to-night. And Ada has brought us

here so that Jean can have his hair cut. He didn't want to come without

me."

"Ada?"

"Ada's a new servant. She's just gone in there again to see how long the

barber will be." Mimi indicated a barber's shop opposite. "And I'm

waiting here," she added.

"Mimi," he said, in a confidential tone, "can you keep a secret?"

The Matador of the Five Towns and Other Stories · 第 22 / 105 题