MIMI

I

On a Saturday afternoon in late October Edward Coe, a satisfactory

average successful man of thirty-five, was walking slowly along the

King's Road, Brighton. A native and inhabitant of the Five Towns in the

Midlands, he had the brusque and energetic mien of the Midlands. It

could be seen that he was a stranger to the south; and, in fact, he was

now viewing for the first time the vast and glittering spectacle of the

southern pleasure city in the unique glory of her autumn season. A

spectacle to enliven any man by its mere splendour! And yet Edward Coe

was gloomy. One reason for his gloom was that he had just left a

bicycle, with a deflated back tyre, to be repaired at a shop in Preston

Street. Not perhaps an adequate reason for gloom!... Well, that depends.

He had been informed by the blue-clad repairer, after due inspection,

that the trouble was not a common puncture, but a malady of the valve

mysterious.

And the deflation was not the sole cause of his gloom. There was

another. He was on his honeymoon. Understand me--not a honeymoon of

romance, but a real honeymoon. Who that has ever been on a real

honeymoon can look back upon the adventure and faithfully say that it

was an unmixed ecstasy of joy? A honeymoon is in its nature and

consequences so solemn, so dangerous, and so pitted with startling

surprises, that the most irresponsible bridegroom, the most

light-hearted, the least in love, must have moments of grave anxiety.

And Edward Coe was far from irresponsible. Nor was he only a little in

love. Moreover, the circumstances of his marriage were peculiar, and he

had married a dark, brooding, passionate girl.

Mrs Coe was the younger of two sisters named Olive Wardle, well known in

the most desirable circles in the Five Towns. I mean those circles where

intellectual and artistic tastes are united with sound incomes and

excellent food delicately served. It will certainly be asked why two

sisters should be named Olive. The answer is that though Olive One and

Olive Two were treated as sisters, and even treated themselves as

sisters, they were not sisters. They were not even half-sisters. They

had first met at the age of nine. The father of Olive One, a widower,

had married the mother of Olive Two, a widow. Olive One was the elder by

a few months. Olive Two gradually allowed herself to be called Wardle

because it saved trouble. They got on with one another very well indeed,

especially after the death of both parents, when they became joint

mistresses, each with a separate income, of a nice house at Sneyd, the

fashionable residential village on the rim of the Five Towns. Like all

persons who live long together, they grew in many respects alike. Both

were dark, brooding and passionate, and to this deep similarity a

superficial similarity of habits and demeanour was added. Only, whereas

Olive One was rather more inclined to be the woman of the world, Olive

Two was rather more inclined to study and was particularly interested in

the theory of music.

They were sought after, naturally. And yet they had reached the age of

twenty-five before the world perceived that either of them was not

sought after in vain. The fact, obvious enough, that Pierre Emile

Vaillac had become an object of profound human interest to Olive

One--this fact excited the world, and the world would have been still

more excited had it been aware of another fact that was not at all

obvious: namely, that Pierre Emile Vaillac was the cause of a secret and

terrible breach between the two sisters. Vaillac, a widower with two

young children, Mimi and Jean, was a Frenchman, and a great authority on

the decoration of egg-shell china, who had settled in the Five Towns as

expert partner in one of the classic china firms at Longshaw. He was

undoubtedly a very attractive man.

Olive One, when the relations between herself and Vaillac were

developing into something unmistakable, had suddenly, and without

warning, accused Olive Two of poaching. It was a frightful accusation,

and a frightful scene followed it, one of those scenes that are seldom

forgiven and never forgotten. It altered their lives; but as they were

women of considerable common sense and of good breeding, each did her

best to behave afterwards as though nothing had happened.

Olive Two did not convince Olive One of her innocence, because she did

not bring forward the supreme proof of it. She was too proud--in her

brooding and her mystery--to do so. The supreme proof was that at this

time she herself was secretly engaged to be married to Edward Coe, who

had conquered her heart with unimaginable swiftness a few weeks before

she was about to sit for a musical examination at Manchester. "Let us

say nothing till after my exam," she had suggested to her betrothed.

"There will be an enormous fuss, and it will put me off, and I shall

fail, and I don't want to fail, and you don't want me to fail." He

agreed rapturously. Of course she did fail, nevertheless. But being

obstinate she said she would go in again, and they continued to make a

secret of the engagement. They found the secret delicious. Then followed

the devastating episode of Vaillac. Shortly afterwards Olive One and

Vaillac were married, and then Olive Two was alone in the nice house.

The examination was forgotten, and she hated the house. She wanted to be

married; Coe also. But nothing had been said. Difficult to announce her

engagement just then! The world would say that she had married out of

imitation, and her sister would think that she had married out of pique.

Besides, there would be the fuss, which Olive Two hated. Already the

fuss of her sister's marriage, and the effort at the wedding of

pretending that nothing had happened between them, had fatigued the

nerves of Olive Two.

Then Edward Coe had had the brilliant and seductive idea of marrying in

secret. To slip away, and then to return, saying, "We are married.

That's all!" ... Why not? No fuss! No ceremonial! The accomplished fact,

which simplifies everything!

It was, therefore, a secret honeymoon that Edward Coe was on;

delightful--but surreptitious, furtive! His mental condition may be best

described by stating that, though he was conscious of rectitude, he

somehow could not look a policeman in the face. After all, plain people

do not usually run off on secret honeymoons. Had he acted wisely?

Perhaps this question, presenting itself now and then, was the chief

cause of his improper gloom.

The Matador of the Five Towns and Other Stories · 第 21 / 105 题