SCENE SIXTH.--THE SECOND GENERATION.

````The son may wear the father's crown,

````When the gray old father's dead;

````May wear his shoe, and wear his gown,

````But he can never wear his head.=

|How few realize that we are so swiftly passing away, and giving our

places on earth, to new men and women.

Tramp, tramp, tramp, and on we go, from the cradle to the grave, without

stopping to reflect, that an old man is passing away every hour, and a

new one taking his place.

Like drops of rain, descending upon the mountains, and hurrying down to

form the great river, running them off to the ocean, and then returning

in the clouds. The change is almost imperceptible.

New men come upon the stage of life as it were unobserved, and old ones

pass away in like manner, and thus the great river of life flows on.

Were the change sudden, and all at once, it would shock the philosophy

of the human race. A few men live to witness the rise and fall of two

generations. Long years have intervened and the characters portrayed in

the preceding part of our story, have all passed away.

Some of their descendants come upon the stage to fight the great battle

of life.

Young Simon will first claim our attention; he is the only son of S. S.

Simon by a second wife, his mother is dead, and Young Simon is heir to a

large estate.

The decade from eighteen hundred and forty to eighteen hundred and

fifty, is, perhaps, the most interesting decade in the history of the

settlement and progress of the Western States.

In that era, the great motive power of our modern civilization, the iron

horse and the magnetic telegraph were put into successful operation,

across the broad and beautiful Western States.

The history of the West and Southwest in the first half of the

nineteenth century, is replete with romance, or with truth stranger than

fiction. The sudden rise of a moneyed aristocracy in the West, furnishes

a theme for the pen of a historian of no mean ability.

This American aristocracy, diverse from the aristocracy of the old

world, who stimulated by family pride, preserved the history of a long

line of ancestors, born to distinction, and holding the tenure of office

by inheritance, could trace the heroic deeds of their fathers back to

the dark ages, while some of our American aristocrats are unable to give

a true history of their grandfather.

In the first half of the nineteenth century the cultivation of the cotton

plant in the Southern States assumed gigantic proportions. The Northern

States bartered their slaves for money, and the forest of the great

Mississippi river fell by the ax of the colored man; salvation from the

_demons of want_ was preached by the nigger and the mule.

Young Simon was a cotton planter, inheriting from his father four

plantations of one thousand acres, and more than six hundred slaves.

Young Simon knew very little of the history of his family, and the

more he learned of it, the less he wanted to know. His father in his

lifetime, had learned the history of Roxie Daymon alias Roxie Fairfield,

up to the time she left Louisville, and had good reason to believe

that Roxie Daymon, or her descendants, also Suza Fairfield, or her

descendants still survived. But as we have said, S. S. Simon stood in

the half-way-house, between the honest man and the rogue. He reflected

upon the subject mathematically, as he said mentally, “Twenty thousand

dollars and twenty years interest--why! it would break me up; I wish to

die a _rich man_.”

And onward he strove, seasoned to hardship in early life, he slept but

little, the morning bell upon his plantations sounded its iron notes up

and down the Mississippi long before daylight every morning, that the

slaves might be ready to resume their work as soon as they could see.

Simon's anxiety to die a _rich man_ had so worked upon his feelings for

twenty years, that he was a hard master and a keen financier.

The time to die never entered his brain; for it was all absorbed

with the _die rich_ question. Unexpectedly to him, death's white face

appeared when least expected, from hard work, and exposure, S. S. Simon

was taken down with the _swamp fever_; down--down--down for a few days

and then the _crisis_, the last night of his suffering was terrible, the

attending physician and his only son stood by his bedside. All night he

was delirious, everything he saw was in the shape of Roxie Daymon,

every movement made about the bed, the dying man would cry, “_Take Roxie

Daymon away._”

Young Simon was entirely ignorant of his father's history--and the name

_Roxie Daymon_ made a lasting impression on his brain. Young Simon grew

up without being inured to any hardships, and his health was not good,

for he soon followed his father; during his short life he had everything

that heart could desire, except a family name and good health, the lack

of which made him almost as poor as the meanest of his slaves.

Young Simon received some comfort in his last days from his cousin

Cæsar. Cæsar Simon was the son of the brother of S. S. Simon who died in

early life, leaving three children in West Tennessee. Cousin Cæsar was

raised by two penniless sisters, whom he always called “big-sis” and

“little-sis.” “Big-sis” was so called from being the eldest, and had the

care of cousin Cæsar's childhood. Cousin Cæsar manifested an imaginary

turn of mind in early childhood. He was, one day, sitting on his little

stool, by the side of the tub in which “big-sis” was washing, (for she

was a washer-woman,) gazing intently upon the surface of the water.

“What in the world are you looking at C-a-e-s-a-r?” said the woman,

straightening up in astonishment.

“Looking at them bubbles on the suds,” said the boy, gravely.

“And what of the bubbles?” continued the woman.

“I expected to see one of them burst into a l-o-a-f of b-r-e-a-d,” said

the child honestly.

“Big-sis” took cousin Cæsar to the fire, went to the cupboard and cut

her last loaf of bread, and spread upon it the last mouthful of butter

she had in the world, and gave it cousin Cæsar.

And thus he received his first lesson of reward for imagination which,

perhaps, had something to do with his after life.

Cousin Cæsar detested work, but had a disposition to see the bottom of

everything. No turkey-hen or guinea fowl could make a nest that cousin

Cæsar could not find. He grew up mischievous, so much so that “big-sis”

would occasionally thrash him. He would then run off and live with

“little-sis” until “little-sis” would better the instruction, for she

would whip also. He would then run back to live with “big-sis.” In this

way cousin Cæsar grew to thirteen years of age--too big to whip. He

then went to live with old Smith, who had a farm on the Tennessee river,

containing a large tract of land, and who hired a large quantity

of steam wood cut every season. Rob Roy was one of old Smith's wood

cutters--a bachelor well advanced in years, he lived alone in a cabin

made of poles, on old Smith's land. His sleeping couch was made with

three poles, running parallel with the wall of the cabin, and filled

with straw. He never wore any stockings and seldom wore a coat, winter

or summer. The furniture in his cabin consisted of a three-legged stool,

and a pine goods box. His ax was a handsome tool, and the only thing he

always kept brightly polished. He was a good workman at his profession

of cutting wood. No one knew anything of his history. He was a man that

seldom talked; he was faithful to work through the week, but spent

the Sabbath day drinking whisky. He went to the village every Saturday

evening and purchased one gallon of whisky, which he carried in a stone

jug to his cabin, and drank it all himself by Monday morning, when he

would be ready to go to work again. Old Rob Roy's habits haunted the

mind of cousin Cæsar, and he resolved to play a trick Upon the old

wood cutter. Old Smith had some _hard cider_ to which cousin Cæsar had

access. One lonesome Sunday cousin Cæsar stole Roy's jug half full

of whisky, poured the whisky out, re-filled the jug with cider, and

cautiously slipped it back into Roy's cabin. On Monday morning Rob Roy

refused to work, and was very mad. Old Smith demanded to know the

cause of the trouble. “You can't fool a man with _cider_ who loves

good _whisky_,” said Roy indignantly. Old Smith traced the trick up and

discharged cousin Cæsar.

At twenty years of age we find Cousin Cæsar in Paducah, Kentucky,

calling himself Cole Conway, in company with one Steve Sharp--they were

partners--in the game, as they called it. In the back room of a saloon,

dimly lighted, one dark night, another party, more proficient in the

sleight of hand, had won the last dime in their possession. The time had

come to close up. The sun had crossed the meridian on the other side of

the globe. Cole Conway and Steve Sharp crawled into an old straw shed,

in the suburbs, of the village, and were soon soundly sleeping. The

sun had silvered the old straw shed when Sharp awakened, and saw Conway

sitting up, as white as death's old horse. “What on earth is the matter,

Conway?” said Sharp, inquiringly.

“I slumbered heavy in the latter end of night, and had a brilliant

dream, and awoke from it, to realize this old straw shed doth effect

me,” said Conway gravely. “The dream! the dream!” demanded Sharp. “I

dreamed that we were playing cards, and I was dealing out the deck; the

last card was mine, and it was very thick. Sharp, it looked like a

box, and with thumb and finger I pulled it open. In it there were

three fifty-dollar gold pieces, four four-dollar gold pieces, and ten

one-dollar gold pieces. I put the money in my pocket, and was listening

for you to claim half, as you purchased the cards. You said nothing more

than that 'them cards had been put up for men who sell prize cards.' I

took the money out again, when lo, and behold! one of the fifty-dollar

pieces had turned to a rule about eight inches long, hinged in the

middle. Looking at it closely I saw small letters engraved upon it,

which I was able to read--you know, Sharp, I learned to read by spelling

the names on steamboats--or that is the way I learned the letters of the

alphabet. The inscription directed me to a certain place, and there I

would find a steam carriage that could be run on any common road where

carriages are drawn by horses. We went, and found the carriage. It was

a beautiful carriage--with highly finished box--on four wheels, the box

was large enough for six persons to sit on the inside. The pilot sat

upon the top, steering with a wheel, the engineer, who was also fireman,

and the engine, sat on the aft axle, behind the passenger box. The whole

structure was very light, the boiler was of polished brass, and sat upon

end. The heat was engendered by a chemical combination of phosphorus

and tinder. The golden rule gave directions how to run the engine--by

my directions, Sharp, you was pilot and I was engineer, and we started

south, toward my old home. People came running out from houses and

fields to see us pass I saw something on the beautiful brass boiler that

looked like a slide door. I shoved it, and it slipped aside, revealing

the dial of a clock which told the time of day, also by a separate hand

and figures, told the speed at which the carriage was running. On the

right hand side of the dial I saw the figures 77. They were made of

India rubber, and hung upon two brass pins. I drew the slide door over

the dial except when I wished to look at the time of day, or the rate of

speed at which we were running, and every time I opened the door, one

of the figure 7's had fallen off the pin. I would replace it, and again

find it fallen off. So I concluded it was only safe to run seven miles

an hour, and I regulated to that speed. In a short time, I looked again,

and we were running at the rate of fifteen miles an hour. I knew that I

had not altered the gauge of steam. A hissing sound caused me to think

the water was getting low in the boiler. On my left I saw a brass handle

that resembled the handle of a pump. I seized it and commenced work. I

could hear the bubbling of the water. I look down at the dry road, and

said, mentally, 'no water can come from there.' Oh! how I trembled. It

so frightened me that I found myself wide awake.”

“Dreams are but eddies in the current of the mind, which cut off from

reflection's gentle stream, sometimes play strange, fantastic tricks.

I have tumbled headlong down from high and rocky cliffs; cold-blooded

snakes have crawled 'round my limbs; the worms that eat through

dead men's flesh, have crawled upon my skin, and I have dreamed of

transportation beyond the shores of time. My last night's dream hoisted

me beyond my hopes, to let me fall and find myself in this d----old

straw shed.”

“The devil never dreams,” said Sharp, coolly, and then continued:

“Holy men of old dreamed of the Lord, but never of the devil, and to

understand a dream, we must be just to all the world, and to ourselves

before God.”

“I have a proposition to make to you, Conway?

“_What?_” said Conway, eagerly.

“If you will tell me in confidence, your true name and history, I will

give you mine,” said Sharp, emphatically. “Agreed,” said Conway, and

then continued, “as you made he proposition give us yours first.

“My name is Steve Brindle. My father was called Brindle Bill, and once

lived in Shirt-Tail Bend, on the Mississippi. He died in the state

prison. My mother was a sister of Sundown Hill, who lived in the same

neighborhood. My father and mother were never married. So you see, I am a

come by-chance, and I have been going by chance all of my life. Now, I

have told you the God's truth, so far as I know it. Now make a clean

breast of it, Conway, and let us hear your pedigree,” said Brindle,

confidentially.

“I was born in Tennessee. My father's name was Cæsar Simon, and I bear

his name. My mother's name was Nancy Wade. I do not remember either of

them I was partly raised by my sisters, and the balance of the time I

have tried to raise myself, but it seems it will take me a Iong time

to _make a raise_--” at this point, Brindle interfered in breathless

suspense, with the inquiry, “Did you have an uncle named S. S. Simon?”

“I have heard my sister say as much,” continued Simon.

“Then your dream is interpreted,” said Brindle, emphatically. “Your

Uncle, S. S. Simon, has left one of the largest estates in Arkansas,

and now you are on the steam wagon again,” said Brindle, slapping his

companion on the shoulder.

Brindle had been instructed by his mother, and made Cousin Cæsar

acquainted with the outline of all the history detailed in this

narrative, except the history of Roxie Daymon _alias_ Roxie Fairfield,

in Chicago.

The next day the two men were hired as hands to go down the river on a

flat-bottom boat.

Roxie Daymon, whose death has been recorded, left an only daughter, now

grown to womanhood, and bearing her mother's name. Seated in the parlor

of one of the descendants of Aunt Patsy Perkins, in Chicago, we see her

sad, and alone; we hear the hall bell ring. A servant announces the name

of Gov. Morock. “Show the Governor up,” said Roxie, sadly. The ever open

ear of the Angel of observation has only furnished us with the following

conversation:

“Everything is positively lost, madam, not a cent in the world. Every

case has gone against us, and no appeal, madam. You are left hopelessly

destitute, and penniless. Daymon should have employed me ten years

ago--but now, it is too late. Everything is gone, madam,” and the

Governor paused. “My mother was once a poor, penniless girl, and I can

bear it too,” said Roxie, calmly. “But you see,” said the Governor,

softening his voice; “you are a handsome young lady; your fortune is yet

to be made. For fifty dollars, madam, I can fix you up a _shadow_, that

will marry you off. You see the law has some _loop holes_ and--and in

your case, madam, it is no harm to take one; no harm, no harm, madam,”

and the Governor paused again. Roxie looked at the man sternly, and

said: “I have no further use for a lawyer, Sir.”

“Any business hereafter, madam, that you may wish transacted, send your

card to No. 77, Strait street,” and the Governor made a side move toward

the door, touched the rim of his hat and disappeared.

It was in the golden month of October, and calm, smoky days of

Indian summer, that a party of young people living in Chicago, made

arrangements for a pleasure trip to New Orleans. There were four or five

young ladies in the party, and Roxie Daymon was one. She was handsome

and interesting--if her fortune _was gone_. The party consisted of the

moneyed aristocracy of the city, with whom Roxie had been raised and

educated. Every one of the party was willing to contribute and pay

Roxie's expenses, for the sake of her company. A magnificent steamer, of

the day, plying between St. Louis and New Orleans, was selected for

the carrier, three hundred feet in length, and sixty feet wide. The

passenger cabin was on the upper deck, nearly two hundred feet in

length; a guard eight feet wide, for a footway, and promenade on the

outside of the hall, extended on both sides, the fall length of the

cabin; a plank partition divided the long hall--the aft room was the

ladies', the front the gentlemen's cabin. The iron horse, or some of

his successors, will banish these magnificent floating palaces, and I

describe, for the benefit of coming generations.

Nothing of interest occured to our party, until the boat landed at the

Simon plantations. Young Simon and cousin Cæsar boarded the boat, for

passage to New Orleans, for they were on their way to the West Indies,

to spend the winter. Young Simon was in the last stage of consumption

and his physician had recommended the trip as the last remedy. Young

Simon was walking on the outside guard, opposite the ladies' cabin, when

a female voice with a shrill and piercing tone rang upon his ear--“_Take

Roxie Daymon away_.” The girls were romping.--“Take Roxie Daymon away,”

were the mysterious dying words of young Simon's father. Simon turned,

and mentally bewildered, entered the gentlemen's cabin. A colored boy,

some twelve years of age, in the service of the boat, was passing--Simon

held a silver dollar in his hand as he said, “I will give you this, if

you will ascertain and point out to me the lady in the cabin, that they

call _Roxie Daymon_.” The imp of Africa seized the coin, and passing on

said in a voice too low for Simon's ear, “good bargain, boss.” The Roman

Eagle was running down stream through the dark and muddy waters of the

Mississippi, at the rate of twenty miles an hour.

In the dusk of the evening, Young Simon and Roxie Daymon were sitting

side by side--alone, on the aft-guard of the boat. The ever open ear

of the Angel of observation has furnished us with the following

conversation..

“Your mother's maiden name, is what I am anxious to learn,” said Simon

gravely.

“Roxie Fairfield, an orphan girl, raised in Kentucky,” said Roxie sadly.

“Was she an only child, or did she have sisters?” said Simon

inquiringly.

“My mother died long years ago--when I was too young to remember,

my father had no relations--that I ever heard of--Old aunt Patsey

Perkins--a great friend of mother's in her life-time, told me after

mother was dead, and I had grown large enough to think about kinsfolk,

that mother had two sisters somewhere, named Rose and Suza, _poor

trash_, as she called them; and that is all I know of my relations: and

to be frank with you, I am nothing but poor trash too, I have no family

history to boast of,” said Roxie honestly.

“You will please excuse me Miss, for wishing to know something of your

family history--there is a mystery connected with it, that may prove

to your advantage”--Simon was _convinced_.--He pronounced the

word twenty--when the Angel of caution placed his finger on his

lip--_hush!_--and young Simon turned the conversation, and as soon as

he could politely do so, left the presence of the young lady, and sought

cousin Cæsar, who by the way, was well acquainted with the most of the

circumstances we have recorded, but had wisely kept them to himself.

Cousin Cæsar now told young Simon the whole story.

Twenty-thousand dollars, with twenty years interest, was against his

estate. Roxie Daymon, the young lady on the boat, was an heir, others

lived in Kentucky--all of which cousin Cæsar learned from a descendant

of Brindle Bill. The pleasure party with Simon and cousin Cæsar, stopped

at the same hotel in the Crescent City. At the end of three weeks the

pleasure party returned to Chicago. Young Simon and cousin Cæsar left

for the West Indies.--Young Simon and Roxie Daymon were engaged to be

married the following spring at Chicago. Simon saw many beautiful women

in his travels--but the image of Roxie Daymon was ever before him. The

good Angel of observation has failed to inform us, of Roxie Daymon's

feelings and object in the match. A young and beautiful woman; full of

life and vigor consenting to wed a dying man, _hushed_ the voice of the

good Angel, and he has said nothing.

Spring with its softening breezes returned--the ever to be remembered

spring of 1861.

The shrill note of the iron horse announced the arrival of young Simon

and cousin Cæsar in Chicago, on the 7th day of April, 1861.

Simon had lived upon excitement, and reaching the destination of his

hopes--the great source of his life failed--cousin Cæsar carried

him into the hotel--he never stood alone again--the marriage was put

off--until Simon should be better. On the second day, cousin Cæsar was

preparing to leave the room, on business in a distant part of the city.

Roxie had been several times alone with Simon, and was then present.

Roxie handed a sealed note to cousin Cæsar, politely asking him to

deliver it. The note was inscribed, Gov. Morock, No. 77 Strait street.

Cousin Cæsar had been absent but a short time, when that limb of the law

appeared and wrote a will dictated by young Simon; bequeathing all

of his possessions, without reserve to Roxie Daymon. “How much,” said

Roxie, as the Governor was about to leave. “Only ten dollars, madam,”

said the Governor, as he stuffed the bill carelessly in his vest pocket

and departed.

Through the long vigils of the night cousin Cæsar sat by the side of the

dying man; before the sun had silvered the eastern horizon, the soul

of young Simon was with his fathers. The day was consumed in making

preparations for the last, honor due the dead. Cousin Cæsar arranged

with a party to take the remains to Arkansas, and place the son by the

side of the father, on the home plantation. The next morning as cousin

Cæsar was scanning the morning papers, the following brief notice

attracted his attention: “Young Simon, the wealthy young cotton planter,

who died in the city yesterday, left by his last will and testament his

whole estate, worth more than a million of dollars, to Roxie Daymon, a

young lady of this city.”

Cousin Cæsar was bewildered and astonished. He was a stranger in the

city; he rubbed his hand across his forehead to collect his thoughts,

and remembered No. 77 Strait street. “Yes I observed it--it is a

law office,” he said mentally, “there is something in that number

seventy-seven, I have never understood it before, since my dream on the

steam carriage _seventy-seven_,” and cousin Cæsar directed his steps

toward Strait street.

“Important business, I suppose sir,” said Governor Mo-rock, as he read

cousin Cæsar's anxious countenance.

“Yes, somewhat so,” said cousin Cæsar, pointing to the notice in the

paper, he continued: “I am a relative of Simon and have served him

faithfully for two years, and they say he has willed his estate to a

stranger.”

“Is it p-o-s-s-i-b-l-e-,” said the Governor, affecting astonishment.

“What would you advise me to do?” said cousin Cæsar imploringly.

“Break the will--break the will, sir,” said the Governor emphatically.

“Ah! that will take money,” said cousin Cæsar sadly.

“Yes, yes, but it will bring money,” said the Governor, rubbing his

hands together.

“I s-u-p p-o-s-e we would be required to prove incapacity on the part of

Simon,” said cousin Cæsar slowly.

“Money will prove anything,” said the Governor decidedly.

The Governor struck the right key, for cousin Cæsar was well schooled in

treacherous humanity, and noted for seeing the bottom of things; but he

did not see the bottom of the Governor's dark designs.

“How much for this case?” said cousin Cæsar.

“Oh! I am liberal--I am liberal,” said the Governor rubbing his hands

and continuing, “can't tell exactly, owing to the trouble and cost of

the things, as we go along. A million is the stake--well, let me see,

this is no child's play. A man that has studied for long years--you

can't expect him to be cheap--but as I am in the habit of working for

nothing--if you will pay me one thousand dollars in advance, I will

undertake the case, and then a few more thousands will round it

up--can't say exactly, any more sir, than I am always liberal.”

Cousin Cæsar had some pocket-money, furnished by young Simon, to pay

expenses etc., amounting to a little more than one thousand dollars. His

mind was bewildered with the number seventy-seven, and he paid over to

the Governor one thousand dollars. After Governor Morock had the money

safe in his pocket, he commenced a detail of the cost of the suit--among

other items, was a large amount for witnesses.

The Governor had the case--it was a big case--and the Governor has

determined to make it pay him.

Cousin Caeser reflected, and saw that he must have help, and as he left

the office of Governor Morock, said mentally: “One of them d--n figure

sevens I saw in my dream, would fall off the pin, and I fear, I have

struck the wrong lead.”

In the soft twilight of the evening, when the conductor cried, “all

aboard,” cousin Cæsar was seated in the train, on his way to Kentucky,

to solicit aid from Cliff Carlo, the oldest son and representative man,

of the family descended from Don Carlo, the hero of Shirt-Tail Bend, and

Suza Fairfield, the belle of Port William.

Pen Pictures, of Eventful Scenes and Struggles of Life · 第 10 / 13 题