EPISODE III

_As the Ode is concluding, shouts are heard from the direction of the

field where the sacrifice is: Chorus summon Electra_.

After a brief conversation, a Messenger arrives breathless, and after

rapidly giving the news that Aegisthus has fallen, is encouraged to

tell the scene at length, which he does in the regular 'Messenger's

Speech.'

_Mess._ Departing from this house, the level road {845}

We enter'd soon, mark'd by the chariot wheel

On either side. Mycenae's noble king

Was there, amidst his gardens with fresh streams

Irriguous walking, and the tender boughs

Of myrtles, for a wreath to bind his head,

He cropt; he saw us, he address'd us thus

Aloud: "Hail, strangers; who are ye, and whence

Come, from what country?" Then Orestes said,

"Thessalians; victims to Olympian Jove

We at the stream of Alpheus go to slay."

The King replied, "Be now my guests, and share

The feast with me; a bullock to the Nymphs

I sacrifice; at morn's first dawn arise,

Then shall you go; but enter now my house."

Thus as he spoke, he took us by the hand

And led us, nothing loth: beneath his roof

Soon as we came, he bade his slaves prepare

Baths for the strangers, that, the altars nigh,

Beside the lustral ewers they might stand.

Orestes then, "With lavers from the pure

And living stream we lately have been cleansed:

But with thy citizens these rites to share,

If strangers are permitted, we, O King,

Are ready to thy hospitable feast,

Nothing averse." The converse here had end.

Their spears, with which they guard the king, aside

Th' attendants laid, and to their office all

Applied their hands; some led the victim, some

The baskets bore, some rais'd the flames and plac'd

The cauldrons on the hearth; the house resounds.

Thy mother's husband on the altars cast

The salted cakes, and thus address'd his vows;

"Ye Nymphs that haunt the rocks, these hallow'd rites

Oft let me pay, and of my royal spouse

Now absent, both by fortune blest as now;

And let our foes as now, in ruin lie;"

Thee and Orestes naming. But my lord,

Far other vows address'd, but gave his words

No utt'rance, to regain his father's house.

Aegisthus then the sacrificing sword

Took from the basket, from the bullock's front

To cut the hair, which on the hallow'd fire

With his right hand he threw; and, as his slaves

The victim held, beneath its shoulder plung'd

The blade; then turning to thy brother spoke:

"Among her noble arts Thessalia boasts

To rein the fiery courser, and with skill

The victim's limbs to sever; stranger, take

The sharp-edg'd steel and show that fame reports

Of the Thessalians truth." The Doric blade

Of temper'd metal in his hand he grasp'd,

And from his shoulders threw his graceful robe;

Then to assist him in the toilsome task

Chose Pylades, and bade the slaves retire:

The victim's foot he held, and its white flesh,

His hand extending, bared, and stript the hide

E'er round the course the chariot twice could roll,

And laid the entrails open. In his hands

The fate-presaging parts Aegisthus took,

Inspecting: in the entrails was no lobe;

The valves and cells the gall containing show

Dreadful events to him, that view'd them, near.

Gloomy his visage darken'd; but my lord

Ask'd whence his sadden'd aspect: He replied--

"Stranger, some treachery from abroad I fear;

Of mortal men Orestes most I hate,

The son of Agamemnon; to my house

He is a foe." "Wilt thou," replied my lord,

"King of this state, an exile's treachery dread?

But that, these omens leaving, we may feast,

Give me a Phthian for this Doric blade,

The breast asunder I will cleave." He took

The steel and cut. Aegisthus, yet intent,

Parted the entrails; and, as low he bow'd

His head, thy brother, rising to the stroke,

Drove through his back the ponderous axe, and riv'd

The spinal joints: his heaving body writh'd

And quiver'd, struggling in the pangs of death.

The slaves beheld, and instant snatched their spears,

Many 'gainst two contesting; but my lord

And Pylades with dauntless courage stood

Oppos'd, and shook their spears. Orestes then

Thus spoke: "I come not to this state a foe,

Nor to my servants; but my father's death

I on his murderer have aveng'd; you see

Th' unfortunate Orestes: kill me not,

My father's old attendants." At these words

They all restrain'd their spears, and he was known

By one grown hoary in the royal house.

Crowns on thy brother's head they instant plac'd

With shouts of joy. He comes, and with him brings

Proof of his daring, not a Gorgon's head,

But whom thou hat'st, Aegisthus: blood for blood,

Bitter requital, on the dead has fall'n. {939}

General exultation (_in Lyric measures_) succeeds, which increases as

_Orestes_ and _Pylades re-enter bearing the corpse of Aegisthus_.

After brief celebration of the deed the face of the corpse is

uncovered, and Electra, gazing at it, gives vent to her scorn and

hatred: how he had slain a hero, made her an orphan, lived in shame

with her mother, enjoying and trusting in her father's wealth: but

Nature is firm, not riches: she remains

For ever, and triumphant lifts her head.

But unjust wealth, which sojourns with the base,

Glitters for some short space, then flies away.

His effeminate manners are more than maiden tongue may speak of; beauty

graced his perfect form:

But be not mine a husband, whose fair face

In softness with a virgin's vies, but one

Of manly manners; for the sons of such

By martial toils are trained to glorious deeds;

The beauteous only the dance give grace.

Let the wicked in future learn they are not secure till the goal of

life is reached. {1092}

Clytaemnestra is then seen approaching: they hurry Orestes in; his

heart fails him at the thought of his mother; with difficulty Electra

rouses him to his appointed vengeance. [_Exeunt all but Electra into

the Cottage. Enter Clytaemnestra in a Chariot and splendid array._]

_The Chorus_ welcome her, and she begs their aid to alight.--_Electra_

thrusts herself forward clad in rags as she is, and begs that she too

may assist.--_Clyt._ feels the impropriety of the scene, and falls into

an apologetic tone; it was Electra's father who, by his injustice to

Iphigenia, was the real cause of Electra's trouble. This leads to the

usual judicial disputation: _Clyt._ pleading that this sacrifice of her

daughter was done not for a good cause, but for the wanton Helen; this

sacrifice she had avenged, and to avenge it must join an enemy, not a

friend, of Agamemnon.--_Electra_, getting permission, replies: Helen

was not the only wanton one of her family; if no motive but vengeance,

why begin to adorn as soon as Agamemnon was out of the way, why rejoice

whenever the Trojans prospered, why go on to persecute Orestes and

herself, nay, why not slay Aegisthus for persecuting these her

children? The sight of Electra's miserable condition makes even

_Clyt._ feel compunction: she has been too harsh, she will be kinder

now, and so shall Aegisthus--Electra replying to all that it is too

late. At last _Clyt._ prepares to go within the house and perform the

rite for Electra; then she will join her husband. _Exeunt Attendants

with Chariot, and Electra ushers Clytaemnestra into the Cottage_.

Let my poor house receive thee: but take heed

Lest thy rich vests the blackening smoke denies.--

There shalt thou sacrifice, as to the gods

Behoves thee sacrifice: the basket there

Is for the rites prepared, and the keen blade

Which struck the bull; beside him shalt thou fall

By a like blow; in Pluto's courts his bride

He shall receive, with whom in heav'n's fair light

Thy couch was shared: to thee this grace I give,

Thou vengeance for my father shalt give me. {1274}

Book of illustrations : Ancient Tragedy · 第 81 / 125 题