It draws me on to the deep green pool inclosed about by rocks--a pool to

stand near and think into. The purple rock, dotted with black moss; the

white rock; the thin scarlet line; the green water; the overhanging tree;

the verdant moss upon the bank; the lady fern--are there still. But I see

also now a little pink somewhere in the water, much brown too, and shades

I know no name for. The water is not green, but holds in solution three

separate sets of colours. The confervae on the stones, the growths

beneath at the bottom waving a little as the water swirls like minute

seaweeds--these are brown and green and somewhat reddish too. Under water

the red rock is toned and paler, but has deep black cavities. Next, the

surface, continually changing as it rotates, throws back a different

light, and thirdly, the oaks' yellow-green high up, the pale ash, the

tender ferns drooping over low down confer their tints on the stream. So

from the floor of the pool, from the surface, and from the adjacent bank,

three sets of colours mingle. Washed together by the slow swirl, they

produce a shade--the brown of the Barle--lost in darkness where the bank

overhangs.

Following the current downwards at last the river for awhile flows in

quietness, broad and smooth. A trout leaps for a fly with his tail curved

in the air, full a foot out of water. Trout watch behind sunken stones,

and shoot to and fro as insects droop in their flight and appear about to

fall. So clear is the water and so brightly illuminated that the fish are

not easily seen--for vision depends on contrast--but in a minute I find a

way to discover them by their shadows. The black shadow of a trout is

distinct upon the bottom of the river, and guides the eye to the spot;

then looking higher in the transparent water there is the fish. It was

curious to see these black shadows darting to and fro as if themselves

animated and without bodies, for if the trout darted before being

observed the light concealed him in motion. Some of the trout came up

from under Torre-steps, a singular structure which here connects the

shores of the stream. Every one has seen a row of stepping-stones across

a shallow brook; now pile other stones on each of these, forming

buttresses, and lay flat stones like unhewn planks from buttress to

buttress, and you have the plan of this primitive bridge. It has a

megalithic appearance, as if associated with the age of rude stone

monuments. They say its origin is doubtful; there can be no doubt of the

loveliness of the spot. The Barle comes with his natural rush and

fierceness under the unhewn stone planking, then deepens, and there

overhanging a black pool--for the shadow was so deep as to be black--grew

a large bunch of marsh-marigolds in fullest flower, the broad golden cups

almost resting on the black water. The bridge is not intended for wheels,

and though it is as firm as the rock, foot passengers have to look at

their steps, as the great planks, flecked with lichen at the edges, are

not all level. The horned sheep and lambs go over it--where do they not

go? Like goats they wander everywhere.

In a cottage some way up the hill we ate clotted cream and whortleberry

jam. Through the open door came the ceaseless rush! rush! like a wind in

the wood. The floor was of concrete, lime and sand; on the open

hearth--pronounced 'airth'--sods of turf cut from the moor and oak

branches were smouldering under the chimney crook. Turf smoke from the

piled-up fires of winter had darkened the beams of the ceiling, but from

that rude room there was a view of the river, and the hill, and the oaks

in full June colour, which the rich would envy. Sometimes in early

morning the wild red deer are seen feeding on the slope opposite. As we

drove away in reckless Somerset style, along precipices above the river,

with nothing but a fringe of fern for parapet, the oak woods on the hills

under us were shading down into evening coolness of tint, the yellow less

warm, the green more to the surface. Upon the branches of the trees moss

grows, forming a level green top to the round bough like a narrow cushion

along it, with frayed edges drooping over each side. Though moss is

common on branches, it does not often make a raised cushion, thick, as if

green velvet pile were laid for the birds to run on. There were rooks'

nests in some tall ash trees; the scanty foliage left the nests exposed,

they were still occupied by late broods. Rooks' nests are not often seen

in ashes as in elms.

By a mossy bank a little girl--a miniature Audrey--stout, rosy, and

ragged, stood with a yellow straw hat aslant on her yellow hair, eating

the leaves from a spray of beech in her hand. Audrey looked at us, eating

the beech leaves steadily, but would not answer, not even 'Where's your

father to?' For in Somerset the 'to' is put last, and must never be

omitted; thus, instead of saying 'I bought this at Taunton,' it is

correct to say 'I bought this to Taunton.' There are models under glass

cases in places of entertainment with a notice to say that if a penny be

inserted the machine will go. Audrey the Little would not speak, but when

a penny was put in her hand she began to move, and made off for home with

the treasure. The road turned and turned, but whichever way the Barle was

always under us, and the red rock rose high at the side. This rock

fractures aslant if worked, vast flakes come out, and the cleavage is so

natural that until closely approached a quarry appears a cliff. Stone got

out in squares, or cut down straight, leaves an artificial wall; these

rocks cannot be made to look artificial, and if painted a quarry would be

certainly quite indistinguishable from a natural precipice. Entering a

little town (Dulverton) the road is jammed tight between cottages: so

narrow is the lane that foot passengers huddle up in doorways to avoid

the touch of the wheels, and the windows of the houses are protected by

iron bars like cages lest the splash-boards should crack the glass.

Nowhere in closest-built London is there such a lane--one would imagine

land to be dear indeed. The farm labourers, filing homewards after their

day's work, each carry poles of oak or fagots on their shoulders for

their hearths, generally oak branches; it is their perquisite. The oak

somehow takes root among the interstices of the stones of this rocky

land. Past the houses the rush! rush! of the brown Barle rises again in

the still evening air.

From the Devon border I drifted like a leaf detached from a tree, across

to a deep coombe in the Quantock Hills. The vast hollow is made for

repose and lotus-eating; its very shape, like a hammock, indicates

idleness. There the days go over noiselessly and without effort, like

white summer clouds. Ridges each side rise high and heroically steep--it

would be proper to set out and climb them, but not to-day, not now: some

time presently. To the left massive Will's Neck stands out in black

shadow defined and distinct, like a fragment of night in the bright light

of the day. The wild red deer lie there, but the mountain is afar; a sigh

is all I can give to it, for the Somerset sun is warm and the lotus sweet

Yonder, if the misty heat moves on, the dim line of Dunkery winds along

the sky, not unlike the curved back of a crouching hare. The weight of

the mountains is too great--what is the use of attempting to move? It is

enough to look at them. The day goes over like a white cloud; as the sun

declines it is pleasant to go into the orchard--the vineyard of Somerset,

and then perhaps westward may be seen a light in the sky by the horizon

as if thrown up from an immense mirror under. The mirror is the Severn

sea, itself invisible at this depth, but casting a white glow up against

the vapour in the air. By it you may recognise the nearness of the sea.

The thumb-nail ridges of the Quantocks begin to grow harder, they carry

the eye along on soft curves like those of the South Downs in Sussex, but

suddenly end in a flourish and point as if cut out with the thumb-nail.

Draw your thumb-nail firmly along soft wood, and it will, by its natural

slip, form such a curve. Blackbird and thrush commence to sing as the

heavy heat decreases; the bloom on the apple trees is loose now, and the

blackbird as he springs from the bough shakes down flakes of blossom.

Towards even a wind moves among the lengthening shadows, and my footsteps

involuntarily seek the glen, where a streamlet trickles down over red

flat stones which resound musically as the water strikes them. Ferns are

growing so thickly in the hedge that soon it will seem composed of their

fronds; the first June rose hangs above their green tips. A water-ousel

with white breast rises and flies on; again disturbed, he makes a circle,

and returns to the stream behind. On the moist earth there is the print

of a hare's pad; here is a foxglove out in flower; and now as the incline

rises heather thickens on the slope. Sometimes we wander beside the

streamlet which goes a mile into the coombe--the shadow is deep and cool

in the vast groove of the hill, the shadow accumulates there, and is

pressed by its own weight--up slowly as far as the 'sog,' or peaty place

where the spring rises, and where the sundew grows. Sometimes climbing

steep and rocky walls--scarce sprinkled with grass--we pause every other

minute to look down on the great valley which reaches across to Dunkery.

The horned sheep, which are practically wild, like wild creatures, have

worn out holes for themselves to lie in beside the hill. If resolution is

strong, we move through the dark heather (soon to be purple), startling

the heath-poults, or black game, till at last the Channel opens, and the

far-distant Flat and Steep Holms lie, as it looks, afloat on the dim sea.

This is labour enough; stern indeed must be the mind that could work at

summer's noon in Somerset, when the apple vineyards slumber; when the

tall foxgloves stand in the heavy heat and the soft air warms the deepest

day-shadow so that nothing is cool to the touch but the ferns. Is there

anything so good as to do nothing?

Fame travels slowly up these breathless hills, and pauses overcome in the

heated hollow lanes. A famous wit of European reputation, when living,

resided in Somerset. A traveller one day chancing to pass through the

very next parish inquired of a local man if somebody called Sydney Smith

did not once live in that neighbourhood. 'Yes,' was the reply, 'I've

heard all about Sydney Smith; I can tell you. He was a highwayman, and

was hung on that hill there.' He would have shown the very stump of the

gallows-tree as proof positive, like Jack Cade's bricks, alive in the

chimney to this day.

There really was a highwayman, however, whose adventures are said to have

suggested one of the characters in the romance of 'Lorna Doone.' This

desperate fellow had of course his houses of call, where he could get

refreshment safely, on the moors. One bitter winter's day the robber sat

down to a hearty dinner in an inn at Exford. Placing his pistols before

him, he made himself comfortable, and ate and drank his fill. By-and-by

an old woman entered, and humbly took a seat in a corner far from the

fire. In time the highwayman observed the wretched, shivering creature,

and of his princely generosity told her to come and sit by the hearth.

The old woman gladly obeyed, and crouched beside him. Presently, as he

sat absorbed in his meal, his arms were suddenly pinioned from behind.

The old woman had him tight, so that he could not use his weapons, while

at a call constables, who had been posted about, rushed in and secured

him. The old woman was in fact a man in disguise. A relation of the

thief-taker still lives and tells the tale. The highwayman's mare,

mentioned in the novel, had been trained to come at his call, and was so

ungovernable that they shot her.

Such tracts of open country, moors, and unenclosed hills were the haunts

of highwaymen till a late period, and memories of the gallows, and of

escapes from them, are common. A well-to-do farmer who used to attend

Bristol market, and dispose there of large quantities of stock and

produce, dared not bring home the money himself lest he should be robbed.

He entrusted the cash to his drover; the farmer rode along the roads, the

drover made short cuts on foot, and arrived safely with the money. This

went on for years, in which time the honest fellow--a mere

labourer--carried some thousands of pounds for his master, faithfully

delivering every shilling. He had, however, a little failing--a dangerous

one in those days, when the gallows was the punishment for

sheep-stealing. He was known to be a sheep-stealer, and actually after

bringing home a hundred pounds would go and put his neck in danger the

very same night by taking a sheep. This went on for some time, people

shut their eyes, but at last patience was exhausted, and efforts were

made to catch him in the act, without success.

One night he came home in the usual manner from market, delivered the

cash, and went to his cottage. Next day a little girl was sent on an

innocent errand to the cottage, with orders while she was there to look

sharply round and observe if there were any ashes on the floor. She came

back with the news that there was a heap of wood ashes. Immediately a

posse set out, and the drover was arrested. The use of the ashes by

sheep-stealers was to suck up and remove stains of blood, which were

certain to be left in cutting up the animal. Sufficient proof was found

in the cottage to condemn the honest thief to be hung; great exertions

were, however, made in his behalf; and principally, it is supposed, on

account of his character for carrying large sums of money untouched, he

was saved. There is a story of the smugglers--once notorious folk on

these hills--teaching their horses to understand the usual words of

command backwards. If they were driving pack-horses along at night with a

load of brandy landed from a lugger, and were met by the revenue men, who

ordered them to stop that the packs might be searched, the smugglers,

like good and loyal subjects, called 'Whoa! whoa!' Instantly the horses

set off at a tearing gallop, for they understood 'Whoa!' as' Gee-up!'

By a farmer's door I found a tall branch of oak lying against the porch.

The bark was dry, and the leaves were shrivelled, but the bough had been

originally taken green from the tree. These boughs are discovered against

the door on the morning of the 29th of May, and are in memory of the

escape of King Charles from his enemies by hiding in an oak. The village

ringers leave them, and then go to the church and ring a peal, for which

they expect cider or small coin from each loyal person honoured with an

oak branch. Another custom, infinitely more ancient, is that of singing

to the apple trees in early spring, so that the orchards may be induced

to bear a good crop. The singers come round and visit each orchard; they

have a rhyme specially for the purpose, part of the refrain of which is

that a cup of good cider cannot do any one harm--a hint which brings out

a canful. In strange contrast to these genial customs, which accord so

well with flowery fields, I heard an instance of the coldest

indifference. An old couple lived for many years in a cottage; at last

the wife died, and the husband, while the body was in the house, had his

meals on the coffin as a table.

A hundred years since, before steam, the corn was threshed out by the

flail--a slow, and consequently expensive process. Many efforts were made

to thresh quicker. Among others, wooden machines were put up in some of

the villages, something resembling a water-wheel placed horizontally.

This was moved by horses walking round and round, and drove machinery in

the barn by belt or shafting. The labourers, greatly incensed--for they

regarded threshing by the flail as their right--tried to burn them, but

the structures were guarded and still exist. Under the modern conditions

of farming they are still found useful to cut chaff, crack corn, and so

on. The ancient sickle is yet in use for reaping in Somerset; the reapers

sharpen it by drawing the edge through an apple, when the acid bites and

cleans the steel. While we were sauntering through a village one morning,

out rushed the boys from school, and instantly their tongues began to wag

of those things on which their hearts were set. 'I know a jay's nest,

said one; 'I know an owl's nest,' cried a second; a third hastened to

claim knowledge of a pigeon's nest. It will be long before education

drives the natural love of the woods out of the children's hearts. Of old

time a village school used to be held in an ancient building, the lower

part of which was occupied as almshouses. Underneath the ancient folk

lived as best they might, while the young folk learned and gave their

class responses, or romped on the floor overhead. The upper part of the

building belonged to one owner, the lower part to another landlord. It

came about that the roof decayed and the upper owner suggested to the

lower owner that they should agree in bearing the cost of repairs. Upon

which the owner of the basement remarked that he contemplated _pulling

his part down._

In these hamlets along the foot of the hills ancient stone crosses are

often found. One of them has retained its top perfect, and really is a

cross, not a shaft only. This is, I think, rare. Sometimes in the village

street, the slender column grey against the green trees, sometimes in the

churchyard, these crosses come on the mind like a sudden enigma. It

requires an effort to grasp their meaning, so long have the ideas passed

away which led to their erection. They almost startle modern thought. How

many years since the peasant women knelt at their steps! On the base of

one which has a sculptured shaft the wall-rue fern was growing. A young

starling was perched on the yew by it; he could but just fly, and

fluttered across to the sill of the church window. Young birds called

pettishly for food from the bushes. Upon the banks hart's-tongue was

coming up fresh and green, and the early orchis was in flower. Fern and

flower and fledglings had come again as they have come every year since

the oldest of these ancient shafts was erected, for life is older, life

is greyer, than the weather-beaten mouldings. But life, too, is fresh and

young; the stern thought in the stone becomes more cold and grim as the

centuries pass away. In the crevices at the foot of another cross

wallflowers blossomed, and plants of evening primrose, not yet in flower,

were growing. Under a great yew lay the last decaying beam of the stocks.

A little yew tree grew on the top of the church tower, its highest branch

just above the parapet. A thrush perhaps planted it--thrushes are fond of

the viscous yew berries. Through green fields, in which the grass as

rising high and sweet, a footpath took me by a solitary mill with an

undershot wheel. The sheds about here are often supported on round

columns of stone. Beyond the mill is a pleasant meadow, quiet, still, and

sunlit; buttercup, sorrel, and daisy flowered among the grasses down to

the streamlet, where comfrey, with white and pink-lined bells, stood at

the water's edge. A renowned painter, Walker, who died early, used to

work in this meadow: the original scene from which he took his picture of

_The Plough_ is not far distant. The painter is gone; the grasses and the

flowers are renewed with the summer. As I stood by the brook a water-rat

came swimming, drawing a large dock-leaf in his mouth; seeing me, he

dived, and took the leaf with him under water.

Everywhere wild strawberries were flowering on the banks--wild

strawberries have been found ripe in January here; everywhere ferns were

thickening and extending, foxgloves opening their bells. Another deep

coombe led me into the mountainous Quantocks, far below the heather, deep

beside another trickling stream. In this land the sound of running water

is perpetual, the red flat stones are resonant, and the speed of the

stream draws forth music like quick fingers on the keys; the sound of

running water and the pleading voice of the willow-wren are always heard

in summer. Among the oaks growing on the steep hill-side the willow-wrens

repeated their sweet prayer; the water as it ran now rose and now fell;

there was a louder note as a little stone was carried over a fall. The

shadow came slowly out from the oak-grown side of the coombe, it reached

to the margin of the brook. Under the oaks there appears nothing but red

stones, as if the trees were rooted in them; under the boughs probably

the grass does not cover the rock as it does on the opposite side. There

mountain-ashes flowered in loose order on the green slope. Redstarts

perched on them, darting out to seize passing insects. Still deeper in

the coombe the oaks stood on either side of the stream; it was the

beginning of woods which reach for miles, in which occasionally the wild

red deer wander, and drink at the clear waters. By now the shadow of the

western hill-top had crossed the brooklet, and the still coombe became

yet more silent. There was an alder, ivy-grown, beside the stream--a tree

with those lines which take an artist's fancy. Under the roots of alders

the water-ousel often creeps by day, and the tall heron stalks past at

night. Receding up the eastern slope of the coombe the sunlight left the

dark alder's foliage in the deep shadow of the hollow. I went up the

slope till I could see the sun, and waited; in a few minutes the shadow

reached me, and it was sunset; I went still higher, and presently the sun

set again. A cool wind was drawing up the coombe, it was dusky in the

recesses of the oaks, and the water of the stream had become dark when we

emerged from the great hollow, and yet without the summer's evening had

but just commenced, and the banks were still heated by the sun.

In contrast to the hills and moors which are so open and wild, the broad

vales beneath are closely shut in with hedges. The fields are all of

moderate size, unlike the great pastures elsewhere, so that the constant

succession of hedges, one after the other, for ten, twenty, or more

miles, encloses the country as it were fivefold. Most of the fields are

square, or at all events right-angled, unlike the irregular outline and

corners of fields in other counties. The number of meadows make it appear

as if the land was chiefly grass, though there is really a fair

proportion of arable. Over every green hedge there seems a grassy mead;

in every hedge trees are numerous, and their thick June foliage, green

too, gives a sense of green colour everywhere. But this is relieved with

red--the soil is red, and where the plough has been the red furrows stand

out so brightly as to seem lifted a little from the level. These red

squares when on the side of rising ground show for many miles. The stones

are red that lie about, the road dust has a reddish tint, so have the

walls of the cottages and mills. Where the banks of the hedges can be

seen (or where rabbits have thrown out the earth) they are red, and the

water in the ditches and streamlets looks red--it is in fact clear, and

the colour is that of the sand and stones. The footpath winds a red band

through the grass of the meads, and if it passes under a cliff the rock

too rises aslant in red lines. Along the cropped hedges red campions

flower so thickly as to take the place of green leaves, and by every

gateway red foxgloves grow. Red trifolium is a favourite crop; it is not

much redder than the land which bears it. The hues of the red ploughed

squares, seen through the trees, vary as the sun dries or the rain

moistens the colour. Then, again, the ferns as the summer advances bring

forward their green to the aid of the leaves and grass, so that red and

green constantly strive together.

There is a fly-rod in every house, almost every felt hat has gut and

flies wound round it, and every one talks trout. Every one, too,

complained that the rivers were so low it was difficult to angle. This

circumstance, however, rendered the hues of the rocky banks more

distinct. Sitting down to dinner by chance with two farmers, one began to

tell me how he had beguiled three trout the previous evening; and the

other described how, as he was walking in a field of his by the river, he

had seen an otter. These creatures, which are becoming sadly scarce, if

not indeed extinct in many counties, are still fairly numerous in the

waters here. I hope they will long remain so, for although they certainly

do destroy great numbers of fish, yet it must be remembered that in this

country our list of wild animals has been gradually decreasing for

centuries, and especially wild animals that show sport. The otter, I

fear, is going; I hope the sportsmen of Somerset will see that it remains

in their county, at all events, when it has become a tradition elsewhere.

Otter hounds frequently visit the rivers, and first-rate sport is

obtained. In these villages, two hundred miles from London, and often far

from the rail, some of the conditions resemble those in the United

States, where, instead of shops, 'stores' supply every article from one

counter. So here you buy everything in one shop; it is really a 'store in

the American sense. A house which seems amid fields is called 'The

Dragon;' you would suppose it an inn, but it is a shop, and has been so

ever since the olden times when every trader put out a sign. The sign has

gone, but the name remains.

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