The window rattled, the gate swung; a leaf rose, and the kitten chased

it, 'whoo-oo'--the faintest sound in the keyhole. I looked up, and saw

the feathers on a sparrow's breast ruffled for an instant. It was quiet

for some time; after a while it came again with heavier purpose. The

folded shutters shook; the latch of the kitchen door rattled as if some

one were lifting it and dropped it; indefinite noises came from upstairs:

there was a hand in the house moving everything. Another pause. The

kitten was curled up on the window-ledge outside in the sunshine, just as

the sleek cats curled up in the warmth at Thebes of old Egypt five or six

thousand years ago; the sparrow was happy at the rose tree; a bee was

happy on a broad dandelion disc. 'Soo-hoo!'--a low whistle came through

the chink; a handful of rain was flung at the window; a great shadow

rushed up the valley and strode the house in an instant as you would get

over a stile. I put down my book and buttoned my coat. Soo-hoo! the wind

was here and the cloud--soo-hoo! drawing out longer and more plaintive in

the thin mouthpiece of the chink. The cloud had no more rain in it, but

it shut out the sun; and all that afternoon and all that night the low

plaint of the wind continued in sorrowful hopelessness, and little sounds

ran about the floors and round the rooms.

Still soo-hoo all the next day and sunlessness, turning the mind, through

work and conversation, to pensive notes. At even the edge of the cloud

lifted over the forest hill westwards, and a yellow glow, the great

beacon fire of the sun, burned out, a conflagration at the verge of the

world. In the night, awaking gently as one who is whispered to--listen!

Ah! all the orchestra is at work--the keyhole, the chink, and the

chimney; whoo-hooing in the keyhole, whistling shrill whew-w-w! in the

chink, moaning long and deep in the chimney. Over in the field the row of

pines was sighing; the wind lingered and clung to the close foliage, and

each needle of the million million leaflets drew its tongue across the

organ blast. A countless multitude of sighs made one continued distant

undertone to the wild roar of the gable close at hand. Something seemed

to be running with innumerable centipede feet over the mouth of the

chimney, for the long deep moan, as I listened, resolved itself into a

quick succession of touches, just as you might play with your

finger-tips, fifty times a second tattooing on the hollow table. In the

midst of the clangour the hearing settled down to the sighing of the

pines, which drew the mind towards it, and soothed the senses to sleep.

Towards dawn, awake again--another change: the battering-ram at work now

against the walls. Swinging back, the solid thickness of the wind came

forward--crush! as the iron-shod ram's head hanging from its chains

rushed to the tower. Crush! It sucked back again as if there had been a

vacuum--a moment's silence, and crush! Blow after blow--the floor heaved;

the walls were ready to come together--alternate sucking back and heavy

billowy advance. Crush! crush! Blow after blow, heave and batter and

hoist, as if it would tear the house up by the roots. Forty miles that

battering-ram wind had travelled without so much as a bough to check it

till it struck the house on the hill. Thud! thud! as if it were iron and

not air. I looked from the window, and the bright morning star was

shining--the sky was full of the wind and the star. As light came, the

thud, thud sunk away, and nothing remained but the whoo-hoo-hoo of the

keyhole and the moan of the chimney. These did not leave us; for four

days and nights the whoo-hoo-hoo-whoo never ceased a moment. Whoo-hoo!

whoo! and this is the wind on the hill indoors.

Out of doors, sometimes in the morning, deep in the valley, over the

tree-tops of the forest, there stays a vapour, lit up within by sunlight.

A glory hovers over the oaks--a cloud of light hundreds of feet thick,

the air made visible by surcharge and heaviness of sunbeams, pressed

together till you can see them in themselves and not reflected. The cloud

slants down the sloping wood, till in a moment it is gone, and the beams

are now focussed in the depth of the narrow valley. The mirror has been

tilted, and the glow has shifted; in a moment more it has vanished into

space, and the dream has gone from the wood. In the arms of the wind,

vast bundles of mist are borne against the hill; they widen and slip, and

lengthen, drawing out; the wind works quickly with moist colours ready

and a wide brush laying broadly. Colour comes up in the wind; the thin

mist disappears, drunk up in the grass and trees, and the air is full of

blue behind the vapour. Blue sky at the far horizon--rich deep blue

overhead--a dark-brown blue deep yonder in the gorge among the trees. I

feel a sense of blue colour as I face the strong breeze; the vibration

and blow of its force answer to that hue, the sound of the swinging

branches and the rush--rush in the grass is azure in its note; it is

wind-blue, not the night-blue, or heaven-blue, a colour of air. To see

the colour of air it needs great space like this--a vastness of concavity

and hollow--an equal caldron of valley and plain under, to the dome of

the sky over, for no vessel of earth and sky is too large for the

air-colour to fill. Thirty, forty, and more miles of eye-sweep, and

beyond that the limitless expanse over the sea--the thought of the eye

knows no butt, shooting on with stellar penetration into the unknown. In

a small space there seems a vacuum, and nothing between you and the hedge

opposite, or even across the valley; in a great space the void is filled,

and the wind touches the sight like a thing tangible. The air becomes

itself a cloud, and is coloured--recognised as a thing suspended;

something real exists between you and the horizon. Now full of sun, and

now of shade, the air-cloud rests in the expanse.

It is summer, and the wind-birds top the furze; the bright stonechat,

velvet-black and red and white, sits on the highest spray of the gorse,

as if he were painted there. He is always in the wind on the hill, from

the hail of April to August's dry glow. All the mile-long slope of the

hill under me is purple-clad with heath down to the tree-filled gorge

where the green boughs seem to join the purple. The corn-fields and the

pastures of the plain--count them one by one till the hedges and squares

close together and cannot be separated. The surface of the earth melts

away as if the eyes insensibly shut and grew dreamy in gazing, as the

soft clouds melt and lose their outline at the horizon. But dwelling

there, the glance slowly finds and fills out something that interposes

its existence between us and the further space. Too shadowy for the

substance of a cloud, too delicate for outline against the sky, fainter

than haze, something of which the eye has consciousness, but cannot put

into a word to itself. Something is there. It is the air-cloud adhering

like a summer garment to the great downs by the sea. I cannot see the

substance of the hills nor their exact curve along the sky; all I can see

is the air that has thickened and taken to itself form about them. The

atmosphere has collected as the shadow collects in the distant corner of

a room--it is the shadow of the summer wind. At times it is so soft, so

little more than the air at hand, that I almost fancy I can look through

the solid boundary. There is no cloud so faint; the great hills are but a

thought at the horizon; I _think_ them there rather than see them; if I

were not thinking of them, I should scarce know there was even a haze,

with so dainty a hand does the atmosphere throw its covering over the

massy downs. Riding or passing quickly perhaps you would not observe

them; but stay among the heathbells, and the sketch appears in the south.

Up from the sea over the corn-fields, through the green boughs of the

forest, along the slope, comes a breath of wind, of honey-sweetened air,

made more delicate by the fanning of a thousand wings.

The labour of the wind: the cymbals of the aspen clashing, from the

lowest to the highest bough, each leaf twirling first forwards and then

backwards and swinging to and fro, a double motion. Each lifts a little

and falls back like a pendulum, twisting on itself; and as it rises and

sinks, strikes its fellow-leaf. Striking the side of the dark pines, the

wind changes their colour and turns them paler. The oak leaves slide one

over the other, hand above hand, laying shadow upon shadow upon the white

road. In the vast net of the wide elm-tops the drifting shadow of the

cloud which the wind brings is caught for a moment. Pushing aside the

stiff ranks of the wheat with both arms, the air reaches the sun-parched

earth. It walks among the mowing-grass like a farmer feeling the crop

with his hand one side, and opening it with his walking-stick the other.

It rolls the wavelets carelessly as marbles to the shore; the red cattle

redden the pool and stand in their own colour. The green caterpillar

swings as he spins his thread and lengthens his cable to the tide of air,

descending from the tree; before he can slip it the whitethroat takes

him. With a thrust the wind hurls the swift fifty miles faster on his

way; it ruffles back the black velvet of the mole peeping forth from his

burrow. Apple bloom and crab-apple bloom have been blown long since

athwart the furrows over the orchard wall; May petals and June roses

scattered; the pollen and the seeds of the meadow-grasses thrown on the

threshing-floor of earth in basketfuls. Thistle down and dandelion down,

the brown down of the goat's-beard; by-and-by the keys of the sycamores

twirling aslant--the wind carries them all on its back, gossamer web and

great heron's vanes--the same weight to the wind; the drops of the

waterfall blown aside sprinkle the bright green ferns. The voice of the

cuckoo in his season travels on the zephyr, and the note comes to the

most distant hill, and deep into the deepest wood.

The light and fire of summer are made beautiful by the air, without whose

breath the glorious summer were all spoiled. Thick are the hawthorn

leaves, many deep on the spray; and beneath them there is a twisted and

intertangled winding in and out of boughs, such as no curious ironwork of

ancient artist could equal; through the leaves and metal-work of boughs

the soft west wind wanders at its ease. Wild wasp and tutored bee sing

sideways on their course as the breeze fills their vanes; with broad

coloured sails boomed out, the butterfly drifts alee. Beside a brown

coated stone in the shadowed stream a brown trout watches for the puffs

that slay the May-flies. Their ephemeral wings were made for a more

exquisite life; they endure but one sun; they bear not the touch of the

water; they die like a dream dropping into the river. To the amethyst in

the deep ditch the wind comes; no petal so hidden under green it cannot

find; to the blue hill-flower up by the sky; it lifts the guilty head of

the passionate poppy that has sinned in the sun for love. Sweet is the

rain the wind brings to the wallflower browned in the heat, a-dry on the

crumbling stone. Pleasant the sunbeams to the marigold when the wind has

carried the rain away and his sun-disc glows on the bank. Acres of

perfume come on the wind from the black and white of the bean-field; the

firs fill the air by the copse with perfume. I know nothing to which the

wind has not some happy use. Is there a grain of dust so small the wind

shall not find it out? Ground in the mill-wheel of the centuries, the

iron of the distant mountain floats like gossamer, and is drunk up as dew

by leaf and living lung. A thousand miles of cloud go by from morn till

night, passing overhead without a sound; the immense packs, a mile

square, succeed to each other, side by side, laid parallel, book-shape,

coming up from the horizon and widening as they approach. From morn till

night the silent footfalls of the ponderous vapours travel overhead, no

sound, no creaking of the wheels and rattling of the chains; it is calm

at the earth, but the wind labours without an effort above, with such

case, with such power. Grey smoke hangs on the hill-side where the

couch-heaps are piled, a cumulus of smoke; the wind comes, and it draws

its length along like the genii from the earthen pot; there leaps up a

great red flame shaking its head; it shines in the bright sunlight; you

can see it across the valley.

A perfect summer day with a strong south wind; a cloudless blue sky blown

pale, a summer sun blown cool, deep draughts of refreshing air to man and

horse, clear definition of red-tile roof and conical oast, perfect colour

of soft ash-green trees. In the evening, fourteen black swifts rushing

together through the upper atmosphere with shrill cries, sometimes aside

and on the tip of one wing, with a whirl descending, a black trail, to

the tiled ridge they dwell in. Fine weather after this.

A swooning August day, with a hot east wind, from which there is no

escape, which gives no air to the chest--you breathe and are not

satisfied with the inspiration; it does not fill; there is no life in the

killed atmosphere. It is a vacuum of heat, and yet the strong hot wind

bends the trees, and the tall firs wrestle with it as they did with

Sinis, the Pine-bender, bowed down and rebounding as if they would whirl

their cones away like a catapult. Masses of air are moving by, and yet

there is none to breathe. No escape in the shadow of hedge or wood, or in

the darkened room; darkness excludes the heat that comes with light, but

the heat of the oven-wind cannot be shut out. Some monstrous dragon of

the Chinese sky pants his fiery breath upon us, and the brown grass

stalks threaten to catch flame in the field. The grain of wheat that was

full of juice dries hard in the ears, and water is no more good for

thirst. There is not a cloud in the sky; but at night there is heavy

rain, and the flowers are beaten down. There is a thunder-wind that blows

at intervals when great clouds are visibly gathering over the hayfield.

It is almost a calm; but from time to time a breath comes, and a low

mournful cry sounds in the hollow farmhouse--the windows and doors are

open, and the men and women have gone out to make hasty help in the hay

ere the storm--a mournful cry in the hollow house, as unhappy a note as

if it were soaked February.

In April, six miles away in the valley, a vast cloud came down with

swan-shot of hail, black as blackest smoke, overwhelming house and wood,

all gone and mixed with the sky; and behind the mass there followed a

white cloud, sunlit, dragging along the ground like a cumulus fallen to

the earth. At sunset the sky cleared, and under the glowing rim of the

sun a golden wind drove the host of vapour before it, scattering it to

the right and left. Large pieces caught and tore themselves in the trees

of the forest, and one curved fragment hurled from the ridge fell in the

narrow coombe, lit up as it came down with golden sunset rays, standing

out bright against the shadowed wood. Down it came slowly as it were with

outstretched arms, both to fall, carrying the coloured light of the sky

to the very surface of the earth.

THE COUNTRY SUNDAY.

Roses bloomed on every bush, and some of the great hawthorns up which the

briars had climbed seemed all flowers. The white and pink-white petals of

the June roses adhered all over them, almost as if they had been

artificially gummed or papered on so as to hide the leaves. Such a

profusion of wild-rose bloom is rarely seen. On the Sunday morning, as on

a week-day morning, they were entirely unnoticed, and might be said in

their turn to take no heed of the sanctified character of the day. With a

rush like a sudden thought the white-barred eave-swallows came down the

arid road and rose again into the air as easily as a man dives into the

water. Dark specks beneath the white summer clouds, the swifts, the black

albatross of our skies, moved on their unwearied wings. Like the

albatross that floats over the ocean and sleeps on the wing, the swift's

scimitar-like pinions are careless of repose. Once now and then they came

down to earth, not, as might be supposed, to the mansion or the church

tower, but to the low tiled roof of an ancient cottage which they fancied

for their home. Kings sometimes affect to mix with their subjects; these

birds that aspire to the extreme height of the air frequently nest in the

roof of a despised tenement, inhabited by an old woman who never sees

them. The corn was green and tall, the hops looked well, the foxglove was

stirring, the delicious atmosphere of summer, sun-laden and scented,

filled the deep valleys; a morning of the richest beauty and deepest

repose. All things reposed but man, and man is so busy with his vulgar

aims that it quite dawns upon many people as a wonderful surprise how

still nature is on a Sunday morning. Nature is absolutely still every day

of the week, and proceeds with the most absolute indifference to days and

dates.

The sharp metallic clangour of a bell went bang, bang, bang, from one

roof; not far distant a harsher and deeper note--some Tartar-like bell of

universal uproar--hammered away. At intervals came the distant chimes of

three distinct village churches--ding dong, dong ding, pango, frango,

jango--very much jango--bang, clatter, clash--a humming vibration and

dreadful stir. The country world was up in arms, I was about to say--I

mean in chimney-pot hat and pomade, _en route_ to its various creeds,

some to one bell, some to another, some to ding dong, and some to dong

ding; but the most of them directed their steps towards a silent chapel.

This great building, plain beyond plainness, stood beside a fir copse,

from which in the summer morning there floated an exquisite fragrance of

pine. If all the angles of the architects could have been put together,

nothing could have been designed more utterly opposite to the graceful

curve of the fir tree than this red-bricked crass building. Bethel Chapel

combined everything that could be imagined contrary to the spirit of

nature, which undulates. The largest erection of the kind, it was

evidently meant for a large congregation.

Of all the people in this country there are none so devout as the

cottagers in the lanes and hamlets. They are as uncompromising as the

sectaries who smashed the images and trampled on the pride of kings in

the days of Charles I. The translation of the Bible cut off Charles I.'s

head by letting loose such a flood of iron-fisted controversy, and to any

one who has read the pamphlets of those days the resemblance is

constantly suggested. John Bunyan wrote about the Pilgrim. To this chapel

there came every Sunday morning a man and his wife, ten miles on foot

from their cottage home in a distant village. The hottest summer day or

the coldest winter Sunday made no difference; they tramped through dust,

and they tramped through slush and mire; they were pilgrims every week. A

grimly real religion, as concrete and as much a fact as a stone wall; a

sort of horse's faith going along the furrow unquestioning. In their own

village there were many chapels, and at least one church, but these did

not suffice. The doctrine at Bethel was the one saving doctrine, and

there they went. There were dozens who came from lesser distances quite

as regularly, the men in their black coats and high hats, big fellows

that did not look ungainly till they dressed themselves up; women as red

as turkey-cocks, panting and puffing; crowds of children making the road

odorous with the smell of pomade; the boys with their hair too long

behind; the girls with vile white stockings, all out of drawing, and

without a touch that could be construed into a national costume--the

cheap shoddy shop in the country lane. All with an expression of Sunday

goodness: 'To-day we are good, we are going to chapel, and we mean to

stay till the very last word. We have got our wives and families with us,

and woe be to any of them if they dare to look for a bird's nest! This is

business.' Besides the foot people there come plenty in traps and

pony-carriages, and some on horseback, for a certain class of farmers

belong to the same persuasion, and there are well-to-do people in the

crowd. It is the cast of mind that makes the worshipper, not the worldly

position.

It is written, but perhaps it is not true, that in old times--not very

old times--the parish clergyman had a legal right, by which every person

in the parish was compelled to appear once on a Sunday in the church.

Those who did not come were fined a shilling.

Now look at the Shillings this Sunday morning flowing of their own

freewill along the crooked lanes, and over the stiles, and through the

hops, and down the hill to the chapel which can offer no bribe and can

impose no fine.

Old women--wonder 'tis how they live on nothing a day--still manage to

keep a decent black dress and come to chapel with a penny in their

pockets in spite of their age and infirmities. The nearest innkeeper,

himself a most godly man, has work enough to do to receive the horses and

traps and pony-carriages and stow them away before service begins, when

he will stride from the stable to the pew. Then begins the hollow and

flute-like modulation of a pitch-pipe within the great building. One of

the members of the congregation who is a musician is setting the ears of

the people to the tune of the hymn that is about to be given forth. The

verse is read, and then rises the full swell of hundreds of voices; and

while they sing let us think what a strange thing the old pitch-pipe--no

organ, no harmonium--what a strange thing the whole scene is, with its

Cromwellian air in the midst of the modern fields.

This is a picture, and not a disputation: as to what they teach or preach

inside Bethel, it is nothing to me; this paper has not the slightest

theological bias.

You may tell when the service is nearly over by the stray boys who steal

out and round the walls to throw stones at the sparrows in the roads;

they need a little relaxation; nature gets even into Bethel. By-and-by

out come some bigger lads and tie two long hop-poles together with which

to poke down the swallows' nests under the chapel eaves. The Book inside,

of which they almost make an idol, seemed to think the life of a

sparrow--and possibly of a swallow--was of value; still it is good fun to

see the callow young come down flop on the hard ground.

When the church doors are thrown open by the noiseless vergers, and

patchouli and macassar, and the overpowering, rich smell of silks and

satins rushes out in a volume of heated air, in a few minutes the whole

place is vacant. Bethel is not deserted in this manner. All those who

have come from a distance have brought with them their dinner in a black

bag or basket, and quietly settle themselves down to take their dinner in

the chapel. This practice is not confined to the pilgrims who have walked

a long way; very many of those who live the other side of the village

shut up their cottages, bring their provisions, and spend the whole day

at their devotions. Now the old woman spends her Sunday penny. At the

back of the chapel there is a large room where a person is employed to

boil the kettle and supply cups of tea at a halfpenny each. Here the old

lady makes herself very comfortable, and waits till service begins again.

Halfpenny a cup would not, of course, pay the cost of the materials, but

these are found by some earnest member of the body, some farmer or

tradesman's wife, who feels it a good deed to solace the weary

worshippers. There is something in this primitive hospitality, in this

eating their dinners in the temple, and general communion of humanity,

which to a philosopher seems very admirable. It seems better than incense

and scarlet robes, unlit candles behind the altar, and vacancy. Not long

since a bishop addressed a circular to the clergy of his diocese,

lamenting in solemn tones the unhappy position of the labourer in the

village churches. The bishop had observed with regret, with very great

regret, that the labourer seemed in the background. He sat in the back

seats behind the columns, and near the door where he could hardly hear,

and where he had none of the comfort of the stove in winter. The bishop

feared his position was cold and comfortless, that he did not feel

himself to be a member of the Church, that he was outside the pale of its

society. He exhorted the country clergy to bring the labourer forward and

make him more comfortable, to put him in a better seat among the rest,

where he would feel himself to be really one of the congregation.

To those who have sat in country churches this circular read as a piece

of most refined sarcasm, so bitter because of its truth. Where had been

the clerical eye all these years that Hodge had sat and coughed in the

draughts by the door? Was it merely a coincidence that the clerical eye

was opened just at the moment when Hodge became a voter?

Field and Hedgerow: Being the Last Essays of Richard Jefferies · 第 3 / 23 段