NOTES ON THE ROYAL ACADEMY OF 2091.

"_Richard, Duke of Gloucester, refusing the Crown_." This picture will

be interesting to the historical student, as it affords a solution

to a knotty point that has puzzled commentators for the last five

centuries. The wily humpback is represented in his dressing-gown and

slippers, having evidently been called from his bath to listen to

the suggestion of the courtiers, who desire him to accept the regal

dignity. The umbrella of the Lord Mayor, we fancy, is of a later date

than the supposed period of the painting, but no doubt the artist has

authority for the introduction of the quaint old lamp-post illumined

with the electric light, which began to be used some little time after

the Battle of the Roses.

"_Charles the Second in the Oak_." This is also interesting to those

who delight in folklore. According to the legend (for no doubt the

story was merely a legend), the deposed monarch was escaping from the

Parliamentary troops, when he had to seek shelter in the spreading

branches of the tree that still is emblematic of England. The artist

has placed the leafy refuge near a stream, where CHARLES seems to

have been bathing. A tragic side (not entirely free from quaintness)

is given to the tale by the discovery of the temporarily discarded

wearing apparel of the STUART by the soldiers, who are hunting him to

the death. CHARLES, with his traditional good humour, is smiling at an

accident which causes him seemingly more amusement than apprehension.

"_The Battle of Trafalgar_." The very clever arrangement of smoke in

this painting prevents the flesh-tints of the sailors from assuming

a prominence that might be objectionable to persons of fastidious

tastes. No doubt the artist felt that, if he had studied the

traditions of the British Navy at the commencement of the nineteenth

or twentieth century (the battle was fought in that period), he would

have shown the gallant tars serving the guns in a costume not more

elaborate than that assumed by the nude inhabitants of the North Pole.

It is amusing to note in this connection that, until the discovery of

the summit of the earth, it was supposed that the centre of the Arctic

Regions was bitterly cold. Our ancestors in the remote ages had no

idea that that fiery region was, in reality, hotter than the tropics!

[Illustration: "Hullo, Sunny! where were you on Whit Monday?"

"Why, off for MY Bank Holiday, to be sure!"]

"_Portrait of an English Gentleman of the Nineteenth Century_."--We

are not quite sure that we like the unconventional treatment of the

accessories in this picture. It is perfectly true that we find from

contemporary records that an invitation to dinner was frequently

accompanied by the expressed wish that the guest "was not to dress;"

but still such hints at the strange manners and customs of a bygone

age may be carried out too literally.

* * * * *

NOTICE.--Rejected Communications or Contributions, whether MS.,

Printed Matter, Drawings, or Pictures of any description, will in no

case be returned, not even when accompanied by a Stamped and Addressed

Envelope, Cover, or Wrapper. To this rule there will be no exception.

Punch, or the London Charivari, Volume 100, May 30, 1891 · 第 42 / 42 题