CHAPTER X

THE HOUSE UNDER THE HILL

Though he did not write of it, Mr Torrance would gladly talk of the

house under the hill where he was born, of the surrounding country

and its people. “I can only hope,” he would say, “I can only hope

that when I am old, ‘in this our pinching cave,’ I shall remember

chiefly the valley of the river Uther where I was born, and the small

old house half encircled and half-shadowed by an enormous crescent of

beech-covered hills. That is my world in spite of everything. Those

fifteen or twenty square miles make the one real thing that I know and

cannot forget, in spite of a hundred English scenes wantonly visited

and forgotten, in spite of London unforgotten and unintelligible.

“A brook ran out of the hills where they were nearest to us, about half

a mile away. Dark trees darkened the two springs of crystal, and the

lightest wind made a sad sound in the leaves above them. Before it had

travelled a quarter of a mile the brook had gathered about itself a

brotherhood of huge trees that always seemed to belong to it, and gave

it pomp and mystery together, if the combination is possible. These

were sunny trees, a line of towering tall black poplars that led out

from the hills to the open agricultural land, a group of the mightiest

wych-elms I have ever seen, and one ash-tree standing alone at the

water’s edge, the only one of its kind in the neighbourhood. Three

miles from its source the brook ran into the main stream of the river

Uther, and beyond that I knew nothing except by rumour and guessing.

A line drawn between the two ends of the crescent of hills would pass

through the junction of brook and river and enclose the country which

was mine entirely. The long line of hills far off on the other side of

the valley--bare, rounded, and cloud-like hills, whose curving ridges

seemed to have growth and change like clouds--was the boundary of the

real world, beyond which lay the phantasmal--London, the ocean, China,

the Hesperides, Wineland, and all the islands and all the lands that

were in books and dreams.

“The farm-houses of my country, and also the manor-house, stood on

either side of the brook, low down. There was a mill and a chain of

ponds, hardly a mile from the source. Both the ponds and the running

water were bordered thickly with sedge, which was the home of birds far

more often heard than seen.

“The brook wound among little hills which were also intersected by

rough roads, green lanes, footpaths, and deserted trackways, watery,

and hollow and dark. As the roads never went on level ground all were

more or less deeply worn, and the overhanging beeches above and the

descending naked roots made them like groves in a forest. When a road

ran into another or crossed it there was a farm. The house itself was

of grey-white stone, roofed with tiles; the barn and sheds, apparently

tumbling but never tumbledown, were of dark boards and thatch, and

surrounded by a disorderly region of nettles, remains of old buildings

and walls, small ponds either black in the shadow of quince bushes,

or emerald with duck-weed, and a few big oaks or walnuts where the

cart-horses and their foals and a young bull or two used to stand. A

moorhen was sure to be swimming across the dark pond with a track of

ripples like a peacock’s tail shining behind it. Fowls scuttered about

or lay dusting themselves in the middle of the road, while a big

black-tailed cock perched crowing on a plough handle or a ruined shed.

A cock without a head or a running fox stood up or drooped on the roof

for a weather-vane, but recorded only the wind of some long past year

which had finally disabled it. The walls of outhouses facing the road

were garrulous with notices of sales and fairs to be held shortly or

held years ago.

“At a point where one lane ran into another, as it were on an island,

the inn with red blinds on its four windows looked down the road. The

inn-keeper was a farmer by profession, but every day drank as much as

he sold, except on a market or fair day. On an ordinary day I think

he was always either looking down the road for someone to come and

drink with him, or else consoling himself inside for lack of company.

He seemed to me a nice man, but enormous; I always wondered how his

clothes contained him; yet he could sit on the mower or tosser all day

long in the June sun when he felt inclined. On a market or fair day

there would be a flock of sheep or a lot of bullocks waiting outside

while the drover smoked half a pipe and drank by the open door. And

then the landlord was nowhere to be seen: I suppose he was at the

market or up in the orchard. For it was the duty of his wife, a little

mousy woman with mousy eyes, to draw the beer when a customer came to

sit or stand among the empty barrels that filled the place. It was

Called ‘The Crown.’ They said it had once been ‘The Crown and Cushion,’

but the cushion was so hard to paint, and no one knew why a crown

should be cushioned or a cushion crowned, and it was such a big name

for the shanty, that it was diminished to ‘The Crown.’ But it had those

four windows with crimson blinds, and the landlady was said to be a

Gypsy and was followed wherever she went by a white-footed black cat

that looked as if it was really a lady from a far country enchanted

into a cat. The Gypsy was a most Christian body. She used to treat with

unmistakeable kindness, whenever he called at the inn, a gentleman who

was notoriously an atheist and teetotaler. When asked upbraidingly why,

she said: ‘He seems a nice gentleman, and as he is going to a place

where there won’t be many comforts, I think we ought to do our best to

make this world as happy as possible for him.’

“Opposite to the inn was a carpenter’s shop, full of windows, and I

remember seeing the carpenter once at midnight there, working at a

coffin all alone in the glare in the middle of the blackness. He was

a mysterious man. He never touched ale. He had a soft face with silky

grizzled hair and beard, large eyes, kind and yet unfriendly, and

strange gentle lips as rosy as a pretty girl’s. I had an extraordinary

reverence for him due to his likeness to a picture at home of the

greatest of the sons of carpenters. He was tall and thin, and walked

like an over-grown boy. Words were rare with him. I do not think

he ever spoke to me, and this silence and his ceaseless work--and

especially that one midnight task--fascinated me. So I would stare for

an hour at a time at him and his work, my face against the window,

without his ever seeming to notice me at all. He had two dogs, a

majestic retriever named Ruskin who was eighteen years old, and a

little black and white mongrel named Jimmy; and the two accompanied

him and ignored one another. One day as I was idling along towards the

shop, smelling one of those clusters of wild carrot seeds, like tiny

birds’ nests, which are scented like a ripe pear sweeter and juicier

than ever grew on pear-tree, the carpenter came out with a gun under

one arm and a spade under the other and went a short distance down the

road and then into a field which belonged to him. I followed. No sooner

had I begun to look over the gate than the carpenter lifted his gun and

pointed it at the retriever who had his back turned and was burying a

bone in a corner of the field. The carpenter fired, the old dog fell

in a heap with blood running out of his mouth, and Jimmy burst out of

the hedge, snatched the bone, and disappeared. If it had been anyone

but the carpenter I should have thought this murder a presumptuous and

cruel act; his face and its likeness taught me that it was a just act;

and that, more than anything else, made justice inseparable in my mind

from pain and intolerable mystery. I was overawed, and watched him from

the moment when he began to dig until all that was mortal of the old

dog was covered up. It seems he had been ill and a burden to himself

for a long time. I thought it unjust that he should have been shot when

his back was turned, and this question even drowned my indignation at

the mongrel’s insolence.

“I knew most of the farmers and labourers, and they were and are as

distinct in my mind as the kings of England. They were local men with

names so common in the churchyard that for some time I supposed it was

a storehouse, rather than a resting-place, of farmers and labourers.

They took small notice of me, and I was never tired of following them

about the fields, ploughing, mowing, reaping, and in the milking sheds,

in the orchards and the copses. Nothing is more attractive to children

than a man going about his work with a kindly but complete indifference

to themselves. It is a mistake to be always troubling to show interest

in them, whether you feel it or not. I remember best a short, thick,

dark man, with a face like a bulldog’s, broader than it was long, the

under-lip sticking out and up and suggesting great power and fortitude.

Yet it was also a kind face, and when he was talking I could not take

my eyes off it, smiling as it was kneaded up into an enormous smile,

and watching the stages of the process by which it was smoothed again.

When he was on his deathbed his son, who was a tailor, used to walk

over every evening from the town for a gossip. The son had a wonderful

skill in mimicry, and a store of tales to employ it, but at last the

old man, shedding tears of laughter, had to beg him not to tell his

best stories because laughing hurt so much. He died of cancer. No man

could leave that neighbourhood and not be missed in a hundred ways;

I missed chiefly this man’s smile, which I could not help trying to

reproduce on my own face long afterwards. But nobody could forget him,

even had there been no better reasons, because after he died his house

was never again occupied. A labourer cultivated the garden, but the

house was left, and the vine leaves crawled in at the broken windows

and spread wanly into the dark rooms. A storm tumbled the chimney

through the roof. No ghost was talked of. The house was part of his

mortal remains decaying more slowly than the rest. The labourer in

the garden never pruned the vine or the apple-trees, or touched the

flower borders. He was a wandering, three-quarter-witted fellow who

came from nowhere and had no name but Tom. His devotion to the old man

had been like a dog’s. Friends or relatives or home of his own he had

none, or could remember none. In fact, he had scarce any memory; when

anything out of his past life came by chance into his head, he rushed

to tell his master and would repeat it for days with pride and for

fear of losing it, as he invariably did. One of these memories was a

nonsensical rigmarole of a song which he tried to sing, but it was no

more singing than talking, and resembled rather the whimper of a dog in

its sleep; it had to do with a squire and a Welshman, whose accent and

mistaken English might alone have made the performance black mystery.

They tried to get his ‘real’ name out of him, but he knew only Tom.

Asked who gave it to him, he said it was Mr Road, a former employer,

a very cruel man whom he did not like telling about. They asked him

if he was ever confirmed. ‘No,’ he said, ‘they tried, but I could not

confirm.’ He would do anything for his master, rise at any hour of

the night though he loved his bed, and go anywhere. Summer or Winter,

he would not sleep in a house, but in a barn. Except his master’s in

the last illness, he would not enter any house. He was fond of beer

in large quantities, but if he got drunk with it he was ashamed of

himself, and might go off and not return for months: then one day he

would emerge from the barn, shaking himself and smiling an awkward

twisted smile and as bashful as a baby. What a place this modern world

is for a man like that, now. I do not like to think he is still alive

in it. All the people who could understand him are in the workhouse

or the churchyard. The churchyard is the only place where he would be

likely to stay long. No prison, asylum, or workhouse, could have kept

him alive for many days.

“The church was like a barn except that it was nearly always empty,

and only mice ever played in it. Though I went to it every Sunday I

never really got over my dislike of the parson, which began in terror.

He was the only man in the country who invariably wore black from top

to toe. One hot, shining day I was playing in a barn, and the doors

were open, so that I saw a field of poppies making the earth look as

if it had caught fire in the sun; the swallows were coming in and out,

and I was alone, when suddenly a black man stood in the sunny doorway.

The swallows dashed and screamed at him angrily, and I thought that

they would destroy themselves, for they returned again and again to

within an inch of him. I could not move. He stood still, then with a

smile and a cough he went away without having said a word. The next

time I saw him was in the churchyard, when I was about five, and had

not yet begun to attend the Church; in fact I had never entered it to

my knowledge. The nurse-girl wheeled me up to the churchyard wall and

stopped at the moment when the black man appeared out of the church.

Behind him several men were carrying a long box between them on their

shoulders, and they also were in complete black, and after them walked

men, women, and children, in black; one of the older women was clinging

convulsively to a stiff young man. When they had all stopped, the

parson coughed and muttered something, which was followed by a rustling

and a silence; the woman clinging to the young man sobbed aloud, and

her hair fell all over her cheeks like rain. The nurse-girl had been

chatting with a few passers-by who were watching outside the wall, but

as I saw the woman’s hair fall I began to cry and I was hurried away.

Through the lych-gate I saw a hole in the ground and everyone looking

down into it as if they had lost something. At this I stopped crying

and asked the girl what they were looking for; but she only boxed my

ears and I cried again. When at last she told me that there was a man

‘dead’ in the box, and that they had put him into the ground, I felt

sure that the black man was in some way the cause of the trouble. I

remembered the look he had given me at the barn door, and the cough. I

was filled with wonder that no one had attempted to rescue the ‘dead,’

and then with fear and awe at the power of the black man. Whenever I

saw him in the lane I ran away, he was so very black. Nor was the white

surplice ever more than a subterfuge to make him like the boys in the

choir, while his unnatural voice, praying or preaching, sounded as if

it came up out of the hole in the ground where the ‘dead’ had been put

away.

“How glad I was always, to be back home from the church; though dinner

was ready I walked round the garden, touching the fruit-trees one by

one, stopping a minute in a corner where I could be unseen and yet look

at the house and the thick smoke pouring out of the kitchen chimney.

Then I rushed in and kissed my mother. The rest of the day was very

still, no horses or carts going by, no sound of hoes, only the cows

passing to the milkers. My father and my mother were both very silent

on that day, and I felt alone and never wanted to stray far; if it was

fine I kept to the garden and orchard; if wet, to the barn. The day

seems in my memory to have always been either sunny or else raining

with roars of wind in the woods on the hills; and I can hear the sound,

as if it had been inaudible on other days, of wind and rain in the

garden trees. If I climbed up into the old cherry-tree that forked

close to the ground I could be entirely hidden, and I used to fancy

myself alone in the world, and kept very still and silent lest I should

be found out. But I gave up climbing the tree after the day when I

found Mrs Partridge there before me. I never made out why she was up

there, so quiet.

“Mrs Partridge was a labourer’s wife who came in two or three days a

week to do the rough work. I did not like her because she was always

bustling about with a great noise and stir, and she did not like me

because I was a spoilt, quiet child. She was deferential to all of

us, and called me ‘Sir’; but if I dared to touch the peel when she

was baking, or the bees-wax that she rubbed her irons on when she was

ironing, she talked as if she were queen or I were naught. While she

worked she sang in a coarse, high-pitched voice or tried to carry on

a conversation with my mother, though she might be up in the orchard.

She was a little woman with a brown face and alarming glittering eyes.

She was thickly covered with clothes, and when her skirts were hoisted

up to her knees, as they usually were, she resembled a partridge. She

was as quick and plump as a partridge. She ran instead of walking,

her head forward, her hands full of clothes and clothes-pegs, and her

voice resounding. No boy scrambled over gates or fences more nimbly.

She feared nothing and nobody. She was harsh to her children, but when

her one-eyed cat ate the Sunday dinner she could not bear to strike it,

telling my mother, ‘I’ve had the poor creature more than seven years.’

She was full of idioms and proverbs, and talked better than any man has

written since Cobbett. One of her proverbs has stayed fantastically in

my mind, though I have forgotten the connection--‘As one door shuts

another opens.’ It impressed me with great mystery, and as she said

it the house seemed very dark, and, though it was broad daylight and

summer, I heard the wind howling in the roof just as it often did at

night and on winter afternoons.

“Mrs Partridge had a husband of her own size, but with hollowed cheeks

the colour of leather. Though a slight man he had broad shoulders and

arms that hung down well away from his body, and this, with his bowed

stiff legs, gave him a look of immense strength and stability: to this

day it is hard to imagine that such a man could die. When I heard his

horses going by on a summer morning I knew that it was six o’clock;

when I saw them returning I knew that it was four. He was the carter,

and he did nothing but work, except that once a week he went into

the town with his wife, drank a pint of ale with her, and helped her

to carry back the week’s provisions. He needed nothing but work, out

of doors, and in the stables, and physical rest indoors; and he was

equally happy in both. He never said anything to disturb his clay pipe,

though that was usually out. What he thought about I do not know, and I

doubt if he did; but he could always break off to address his horses by

name, every minute or two, in mild rebuke or cheerful congratulation,

as much for his own benefit as for theirs, to remind himself that he

had their company. He had full responsibility for four cart-horses,

a plough, a waggon, and a dung-cart. He cared for the animals as if

they had been his own: if they were restless at night he also lost his

sleep. Although so busy he was never in haste, and he had time for

everything save discontent. His wife did all the talking, and he had

his way without taking the pipe out of his mouth. She also had her

own way, in all matters but one. She was fond of dancing; he was not,

and did not like to see her dance. When she did so on one tempting

occasion, and confessed it, he slept the night in the barn and she did

not dance again. There was a wonderful sympathy between them, and I

remember hearing that when she knew that she was going to have a baby,

it was he and not she that was indisposed.

“Our house was a square one of stone and tiles, having a porch and a

room over it, and all covered up in ivy, convolvulus, honeysuckle,

and roses, that mounted in a cloud far over the roof and projected in

masses, threatening some day to pull down all with their weight, but

never trimmed. The cherry-tree stretched out a long horizontal branch

to the eaves at one side. In front stood two pear-trees, on a piece of

lawn which was as neat as the porch was wild, and around their roots

clustered a thicket of lilac and syringa, hiding the vegetable-garden

beyond. These trees darkened and cooled the house, but that did not

matter. In no other house did winter fires ever burn so brightly or

voices sound so sweet; and outside, the sun was more brilliant than

anywhere else, and the vegetable-garden was always bordered by crimson

or yellow flowers. The road went close by, but it was a hollow lane,

and the heads of the passers-by did not reach up to the bottom of our

hedge, whose roots hung down before caves that were continually being

deepened by frost. This hedge, thickened by traveller’s joy, bramble,

and ivy, entirely surrounded us; and as it was high as well as thick

you could not look out of it except at the sky and the hills--the

road, the neighbouring fields, and all houses being invisible. The

gate, which was reached by a flight of steps up from the road, was

half-barricaded and all but hidden by brambles and traveller’s joy, and

the unkempt yew-tree saluted and drenched the stranger--in one branch a

golden-crested wren had a nest year after year.

“Two trees reigned at the bottom of the garden--at one side an apple;

at the other, just above the road, a cypress twice as high as the

house, ending in a loose plume like a black cock’s tail. The apple-tree

was old, and wore as much green in winter as in summer, because it

was wrapped in ivy, every branch was furry with lichen and moss, and

the main boughs bushy with mistletoe. Each autumn a dozen little red

apples hung on one of its branches like a line of poetry in a foreign

language, quoted in a book. The thrush used to sing there first in

winter, and usually sang his last evening song there, if it was a

fine evening. Yet the cypress was my favourite. I thought there was

something about it sinister to all but myself. I liked the smell of

it, and when at last I went to the sea its bitterness reminded me

of the cypress. Birds were continually going in and out of it, but

never built in it. Only one bird sang in it, and that was a small,

sad bird which I do not know the name of. It sang there every month

of the year, it might be early or it might be late, on the topmost

point of the plume. It never sang for long, but frequently, and always

suddenly. It was black against the sky, and I saw it nowhere else. The

song was monotonous and dispirited, so that I fancied it wanted us

to go, because it did not like the cheerful garden, and my father’s

loud laugh, and my mother’s tripping step: I fancied it was up there

watching the clouds and very distant things in hope of a change; but

nothing came, and it sang again, and waited, ever in vain. I laughed

at it, and was not at all sorry to see it there, for it had stood on

that perch in all the happy days before, and so long as it remained

the days would be happy. My father did not like the bird, but he was

often looking at it, and noted its absence as I did. The day after my

sister died he threw a stone at it--the one time I saw him angry--and

killed it. But a week later came another, and when he heard it he

burst into tears, and after that he never spoke of it but just looked

up to see if it was there when he went in or out of the porch. We

had taller trees in the neighbourhood, such as the wych-elms and the

poplars by the brook, but this was a solitary stranger and could be

seen several miles away like a black pillar, as the old cherry could in

blossom-time, like a white dome. You were seldom out of sight of it.

It was a station for any bird flying to or from the hills. A starling

stopped a minute, piped and flew off. The kestrel was not afraid to

alight and look around. The nightjar used it. At twilight it was

encircled by midges, and the bats attended them for half an hour. Even

by day it had the sinister look which was not sinister to me: some of

the night played truant and hid in it throughout the sunshine. Often

I could see nothing, when I looked out of my window, but the tree and

the stars that set round it, or the mist from the hills. What with

this tree, and the fruit-trees, and the maples in the hedge, and the

embowering of the house, I think the birds sometimes forgot the house.

In the mornings, in bed, I saw every colour on the woodpigeon, and the

ring on his neck, as he flew close by without swerving. At breakfast my

father would say, ‘There’s a kestrel.’ We looked up and saw nothing,

but on going to the window, there was the bird hovering almost above

us. I suppose its shadow or its blackening of the sky made him aware of

it before he actually saw it.

“Next to us--on still days we heard the soft bell rung in the yard

there at noon--was the manor-house, large, but unnoticeable among its

trees. I knew nothing about the inside of it, but I went all over the

grounds, filled my pockets with chestnuts, got a peach now and then

from the gardener, picked up a peacock’s feather. Wonderfully beautiful

ladies went in and out of that old house with the squire. A century

back he would have been a pillar of the commonwealth: he was pure

rustic English, and his white hair and beard had an honourable look as

if it had been granted to him for some rare service; no such beards are

to be found now in country-houses. I do not know what he did: I doubt

if there is anything for such a man to do to-day except sit for his

portrait to an astonished modern painter. I think he knew men as well

as horses; at least he knew everyone in that country, had known them

all when he and they were boys. He was a man as English, as true to the

soil, as a Ribston pippin.

“The woods on the hills were his, or at least such rights as anybody

had in them were his. As for me, I got on very well in them with no

right at all. Now, home and the garden were so well known, so safe, and

so filled with us, that they seemed parts of us, and I only crept a

little deeper into the core when I went to bed at night, like a worm in

a big sweet apple. But the woods on the hills were utterly different,

and within them you could forget that there was anything in the world

but trees and yourself, an insignificant self, so wide and solitary

were they. The trees were mostly beeches and yews, massed closely

together. Nothing could grow under them. Except for certain natural

sunny terraces not easily found, they covered the whole hills from

top to bottom, even in the steepest parts where you could slide, run,

and jump the whole distance down--about half a mile--in two minutes.

The soil was dead branches and dead leaves of beech and yew. Many

of the trees were dead: the stumps stood upright until they were so

rotten that I could overturn them with a touch. Others hung slanting

among the boughs of their companions, or were upheld by huge cables

of honeysuckle or traveller’s joy which had once climbed up them and

flowered over their crests. Many had mysterious caverns at their roots,

and as it were attic windows high up where the owls nested. The earth

was a honeycomb of rabbits’ burrows and foxes’ earths among the bony

roots of the trees, some of them stuffed with a century of dead leaves.

“Where the slope was least precipitous or had a natural ledge, two or

three tracks for timber-carriages had once been made. But these had not

been kept up, and were not infallible even as footpaths. They were,

however, most useful guides to the terraces, where the sun shone and

I could see the cypress and my mother among the sunflowers, and the

far-away hills.

“On my ninth birthday they gave me an old horn that had been a

huntsman’s, and when I was bold and the sun was bright, I sometimes

blew it in the woods, trembling while the echoes roamed among the gulfs

which were hollowed in the hillsides, and my mother came out into

the little garden far off. During the autumn and winter the huntsman

blew his horn in the woods often for a whole day together. The root

caves and old earths gave the fox more than a chance. The horses were

useless. The hounds had to swim rather than run in perpetual dead

leaves. If I saw the fox I tried hard not to shout and betray him, but

the temptation was very strong to make the echo, for I was proud of my

halloo, and I liked to see the scarlet coats, the lordly riders and the

pretty ladies, and to hear the questing hound and horn, and the whips

calling Ajax, Bravery, Bannister, Fury Nell, and the rest. Then at last

I was glad to see the pack go by at the day’s end, with sleepy heads,

taking no notice of me and waving tails that looked clever as if they

had eyes and ears in them, and to hear the clatter of horses dying

round the end of the crescent into the outer world.

“Nobody took heed of the woods except the hunters. The timber was

felled if at all by the west wind. The last keeper had long ago left

his thatched cottage under the hill, where the sun shone so hot at

midday on the reed-thatched shed and the green mummy of a stoat hanging

on the wall. So I met nobody in the woods. I took an axe there day

after day for a week and chopped a tree half through, unmolested except

by the silence, which, however, wore me out with its protest.

“The woods ended at the top in a tangle of thorns, and it was there

I saw my first fox. I was crawling among some brambles, amusing

myself with biting off the blackberries, when a fox jumped up out of

a tuft and faced me, his eyes on the level with mine. I was pleased

as well as startled, never took my eyes off him, and presently began

to crawl forward again. But at this the fox flashed his teeth at me

with a snap, and was off before I could think of anything to say. High

above these thorns stood four Scotch firs, forming a sort of gateway

by which I usually re-entered the woods. Gazing up their tall stems

that moved slowly and softly like a grasshopper’s horns, as if they

were breathing, I took my last look at the sky before plunging under

beech and yew. There were always squirrels in one of them, chasing one

another clattering up and down the bark, or chattering at me, close at

hand, as if their nerves were shattered with surprise and indignation.

When they had gone out of sight I began to run--faster and faster,

running and sliding down with a force that carried me over the meadow

at the foot, and across the road to the steps and home. I had ten years

in that home and in those woods. Then my father died; I went to school;

I entered an office. Those ten years were reality. Everything since

has been scarcely more real than the world was when it was still cut

off by the hills across the valley, and I looked lazily towards it

from under the cypress where the little bird sang. There is nothing to

rest on, nothing to make a man last like the old men I used to see in

cottage gardens or at gateways in the valley of the Uther.”

“Well,” said Mr Morgan once, “I don’t often agree with Mr Torrance, but

I am very glad he exists.”

The Happy-go-lucky Morgans · 第 10 / 20 章