Enough of him. Another is a keen emulator of Thucydides, and by way of

close approximation to his model starts with his own name--most graceful

of beginnings, redolent of Attic thyme! Look at it: 'Crepereius

Calpurnianus of Pompeiopolis wrote the history of the war between Parthia

and Rome, how they warred one upon the other, beginning with the

commencement of the war.' After that exordium, what need to describe the

rest--what harangues he delivers in Armenia, resuscitating our old friend

the Corcyrean envoy--what a plague he inflicts on Nisibis (which would

not espouse the Roman cause), lifting the whole thing bodily from

Thucydides--except the Pelasgicum and the Long Walls, where the victims

of the earlier plague found shelter; there the difference ends; like the

other, 'it began in Ethiopia, whence it descended to Egypt,' and to most

of the Parthian empire, where it very discreetly remained. I left him

engaged in burying the poor Athenians in Nisibis, and knew quite well how

he would continue after my exit. Indeed it is a pretty common belief at

present that you are writing like Thucydides, if you just use his actual

words, _mutatis mutandis_. [Footnote: Omitting, with Dindorf, the words

which appear in the Teubner text, after emendation, as: mikra rakia, opos

kai autos au phaiaes, on di autaen.] Ah, and I almost forgot to mention

one thing: this same writer gives many names of weapons and military

engines in Latin--_phossa_ for trench, _pons_ for bridge, and so forth.

Just think of the dignity of history, and the Thucydidean style--the Attic

embroidered with these Latin words, like a toga relieved and picked out

with the purple stripe--so harmonious!

Another puts down a bald list of events, as prosy and commonplace as a

private's or a carpenter's or a sutler's diary. However, there is more

sense in this poor man's performance; he flies his true colours from the

first; he has cleared the ground for some educated person who knows how

to deal with history. The only fault I have to find with him is that he

inscribes his volumes with a solemnity rather disproportioned to the rank

of their contents--'Parthian History, by Callimorphus, Surgeon of the 6th

Pikemen, volume so-and-so.' Ah, yes, and there is a lamentable preface,

which closes with the remark that, since Asclepius is the son of Apollo,

and Apollo director of the Muses and patron of all culture, it is very

proper for a doctor to write history. Also, he starts in Ionic, but very

soon, for no apparent reason, abandons it for every-day Greek, still

keeping the Ionic _es_ and _ks_ and _ous_, but otherwise writing like

ordinary people--rather too ordinary, indeed.

Perhaps I should balance him with a philosophic historian; this

gentleman's name I will conceal, and merely indicate his attitude, as

revealed in a recent publication at Corinth. Much had been expected of

him, but not enough; starting straight off with the first sentence of the

preface, he subjects his readers to a dialectic catechism, his thesis

being the highly philosophic one, that no one but a philosopher should

write history. Very shortly there follows a second logical process,

itself followed by a third; in fact the whole preface is one mass of

dialectic figures. There is flattery, indeed, _ad nauseam_, eulogy

vulgar to the point of farce; but never without the logical trimmings;

always that dialectical catechism. I confess it strikes me as a vulgarity

also, hardly worthy of a philosopher with so long and white a beard, when

he gives it in his preface as our ruler's special good fortune that

philosophers should consent to record his actions; he had better have

left us to reach that conclusion for ourselves--if at all.

Again, it would be a sinful neglect to omit the man who begins like

this:--'I devise to tell of Romans and Persians'; then a little later,

'For 'twas Heaven's decree that the Persians should suffer evils'; and

again, 'One Osroes there was, whom Hellenes name Oxyroes'--and much more

in that style. He corresponds, you see, to one of my previous examples;

only he is a second Herodotus, and the other a second Thucydides.

There is another distinguished artist in words--again rather more

Thucydidean than Thucydides--, who gives, according to his own idea, the

clearest, most convincing descriptions of every town, mountain, plain, or

river. I wish my bitterest foe no worse fate than the reading of them.

Frigid? Caspian snows, Celtic ice, are warm in comparison. A whole book

hardly suffices him for the Emperor's shield--the Gorgon on its boss,

with eyes of blue and white and black, rainbow girdle, and snakes twined

and knotted. Why, Vologesus's breeches or his bridle, God bless me, they

take up several thousand lines apiece; the same for the look of Osroes's

hair as he swims the Tigris--or what the cave was like that sheltered

him, ivy and myrtle and bay clustered all together to shut out every ray

of light. You observe how indispensable it all is to the history; without

the scene, how could we have comprehended the action?

It is helplessness about the real essentials, or ignorance of what should

be given, that makes them take refuge in word-painting--landscapes,

caves, and the like; and when they do come upon a series of important

matters, they are just like a slave whose master has left him his money

and made him a rich man; he does not know how to put on his clothes or

take his food properly; partridges or sweetbreads or hare are served; but

he rushes in, and fills himself up with pea soup or salt fish, till he is

fit to burst. Well, the man I spoke of gives the most unconvincing wounds

and singular deaths: some one has his big toe injured, and dies on the

spot; the general Priscus calls out, and seven-and-twenty of the enemy

fall dead at the sound. As to the numbers killed, he actually falsifies

dispatches; at Europus he slaughters 70,236 of the enemy, while the

Romans lose two, and have seven wounded! How any man of sense can tolerate

such stuff, I do not know.

Here is another point quite worth mention. This writer has such a passion

for unadulterated Attic, and for refining speech to the last degree of

purity, that he metamorphoses the Latin names and translates them into

Greek; Saturninus figures as Cronius, Fronto must be Phrontis, Titianus

Titanius, with queerer transmogrifications yet. Further, on the subject

of Severian's death, he accuses all other writers of a blunder in putting

him to the sword; he is really to have starved himself to death, as the

most painless method; the fact, however, is that it was all over in three

days, whereas seven days is the regular time for starvation; are we

perhaps to conceive an Osroes waiting about for Severian to complete the

process, and putting off his assault till after the seventh day?

Then, Philo, how shall we class the historians who indulge in poetical

phraseology? 'The catapult rocked responsive,' they say; 'Loud thundered

the breach'; or, somewhere else in this delectable history, 'Thus Edessa

was girdled with clash of arms, and all was din and turmoil,' or, 'The

general pondered in his heart how to attack the wall.' Only he fills up

the interstices with such wretched common lower-class phrases as 'The

military prefect wrote His Majesty,' 'The troops were procuring the

needful,' 'They got a wash [Footnote: It was suggested in the Introduction

that Lucian's criticism is for practical purposes out of date; but

Prescott writes: 'He was surrounded by a party of friends, who had

_dropped in_, it seems, after mass, to inquire after the state of his

health, some of whom had remained to partake of his repast.'] and put in

an appearance,' and so on. It is like an actor with one foot raised on a

high buskin, and the other in a slipper.

You will find others writing brilliant high-sounding prefaces of

outrageous length, raising great expectations of the wonders to follow--

and then comes a poor little appendix of a--history; it is like nothing

in the world but a child--say the Eros you must have seen in a picture

playing in an enormous mask of Heracles or a Titan; _parturiunt montes_,

cries the audience, very naturally. That is not the way to do things; the

whole should be homogeneous and uniform, and the body in proportion to the

head--not a helmet of gold, a ridiculous breastplate patched up out of

rags or rotten leather, shield of wicker, and pig-skin greaves. You will

find plenty of historians prepared to set the Rhodian Colossus's head on

the body of a dwarf; others on the contrary show us headless bodies, and

plunge into the facts without exordium. These plead the example of

Xenophon, who starts with 'Darius and Parysatis had two children'; if they

only knew it, there is such a thing as a _virtual_ exordium, not realized

as such by everybody; but of that hereafter.

However, any mistake in mere expression or arrangement is excusable; but

when you come to fancy geography, differing from the other not by miles

or leagues, but by whole days' journeys, where is the classical model for

that? One writer has taken so little trouble with his facts--never met a

Syrian, I suppose, nor listened to the stray information you may pick up

at the barber's--, that he thus locates Europus:--'Europus lies in

Mesopotamia, two days' journey from the Euphrates, and is a colony from

Edessa.' Not content with that, this enterprising person has in the same

book taken up my native Samosata and shifted it, citadel, walls, and all,

into Mesopotamia, giving it the two rivers for boundaries, and making

them shave past it, all but touching the walls on either side. I suspect

you would laugh at me, Philo, if I were to set about convincing you that

I am neither Parthian nor Mesopotamian, as this whimsical colony-planter

makes me.

By the way, he has also a very attractive tale of Severian, learnt, he

assures us on oath, from one of the actual fugitives. According to this,

he would not die by the sword, the rope, or poison, but contrived a death

which should be tragic and impressive. He was the owner of some large

goblets of the most precious glass; having made up his mind to die, he

broke the largest of these, and used a splinter of it for the purpose,

cutting his throat with the glass. A dagger or a lancet, good enough

instruments for a manly and heroic death, he could not come at, forsooth!

Then, as Thucydides composed a funeral oration over the first victims of

that old war, our author feels it incumbent on him to do the same for

Severian; they all challenge Thucydides, you see, little as he can be

held responsible for the Armenian troubles. So he buries Severian, and

then solemnly ushers up to the grave, as Pericles's rival, one Afranius

Silo, a centurion; the flood of rhetoric which follows is so copious and

remarkable that it drew tears from me--ye Graces!--tears of laughter;

most of all where the eloquent Afranius, drawing to a close, makes

mention, with weeping and distressful moans, of all those costly dinners

and toasts. But he is a very Ajax in his conclusion. He draws his sword,

gallantly as an Afranius should, and in sight of all cuts his throat over

the grave--and God knows it was high time for an execution, if oratory

can be felony. The historian states that all the spectators admired and

lauded Afranius; as for me, I was inclined to condemn him on general

grounds--he had all but given a catalogue of sauces and dishes, and shed

tears over the memory of departed cakes--, but his capital offence was

that he had not cut the historian-tragedian's throat before he left this

life himself.

I assure you, my friend, I could largely increase my list of such

offenders; but one or two more will suffice, before proceeding to the

second part of my undertaking, the suggestions for improvement. There are

some, then, who leave alone, or deal very cursorily with, all that is

great and memorable; amateurs and not artists, they have no selective

faculty, and loiter over copious laboured descriptions of the veriest

trifles; it is as if a visitor to Olympia, instead of examining,

commending or describing to his stay-at-home friends the general

greatness and beauty of the Zeus, were to be struck with the exact

symmetry and polish of its footstool, or the proportions of its shoe, and

give all his attention to these minor points.

For instance, I have known a man get through the battle of Europus in

less than seven whole lines, and then spend twenty mortal hours on a dull

and perfectly irrelevant tale about a Moorish trooper. The trooper's name

was Mausacas; he wandered up the hills in search of water, and came upon

some Syrian yokels getting their lunch; at first they were afraid of him,

but when they found he was on the right side, they invited him to share

the meal; for one of them had travelled in the Moorish country, having a

brother serving in the army. Then come long stories and descriptions of

how he hunted there, and saw a great herd of elephants at pasture, and

was nearly eaten up by a lion, and what huge fish he had bought at

Caesarea. So this quaint historian leaves the terrible carnage to go on

at Europus, and lets the pursuit, the forced armistice, the settling of

outposts, shift for themselves, while he lingers far into the evening

watching Malchion the Syrian cheapen big mackarel at Caesarea; if night

had not come all too soon, I dare say he would have dined with him when

the fish was cooked. If all this had not been accurately set down in the

history, what sad ignorance we should have been left in! The loss to the

Romans would have been irreparable, if Mausacas the Moor had got nothing

to quench his thirst, and come back fasting to camp. Yet I am wilfully

omitting innumerable details of yet greater importance--the arrival of a

flute-girl from the next village, the exchange of gifts (Mausacas's was a

spear, Malchion's a brooch), and other incidents most essential to the

battle of Europus. It is no exaggeration to say that such writers never

give the rose a glance, but devote all their curiosity to the thorns on

its stem.

Another entertaining person, who has never set foot outside Corinth, nor

travelled as far as its harbour--not to mention seeing Syria or Armenia

--, starts with words which impressed themselves on my memory:--'Seeing

is believing: I therefore write what I have seen, not what I have been

told.' His personal observation has been so close that he describes the

Parthian 'Dragons' (they use this ensign as a numerical formula--a

thousand men to the Dragon, I believe): they are huge live dragons, he

says, breeding in Persian territory beyond Iberia; these are first

fastened to great poles and hoisted up aloft, striking terror at a

distance while the advance is going on; then, when the battle begins,

they are released and set on the enemy; numbers of our men, it seems,

were actually swallowed by them, and others strangled or crushed in their

coils; of all this he was an eye-witness, taking his observations,

however, from a safe perch up a tree. Thank goodness he did not come to

close quarters with the brutes! we should have lost a very remarkable

historian, and one who did doughty deeds in this war with his own right

hand; for he had many adventures, and was wounded at Sura (in the course

of a stroll from the Craneum to Lerna, apparently). All this he used to

read to a Corinthian audience, which was perfectly aware that he had

never so much as seen a battle-picture. Why, he did not know one weapon

or engine from another; the names of manoeuvres and formations had no

meaning for him; flank or front, line or column, it was all one.

Then there is a splendid fellow, who has boiled down into the compass of

five hundred lines (or less, to be accurate) the whole business from

beginning to end--campaigns in Armenia, in Syria, in Mesopotamia, on the

Tigris, and in Media; and having done it, he calls it a history. His

title very narrowly misses being longer than his book: 'An account of the

late campaigns of the Romans in Armenia, Mesopotamia, and Media, by

Antiochianus, victor at the festival of Apollo'; he had probably won some

junior flat race.

I have known one writer compile a history of the future, including the

capture of Vologesus, the execution of Osroes (he is to be thrown to the

lions), and, crowning all, our long-deferred triumph. In this prophetic

vein, he sweeps hastily on to the end of his work; yet he finds time for

the foundation in Mesopotamia of a city, greatest of the great, and

fairest of the fair; he is still debating, however, whether the most

appropriate name will be Victoria, Concord, or Peacetown; that is yet

unsettled; we must leave the fair city unnamed for the present; but it is

already thickly populated--with empty dreams and literary drivellings. He

has also pledged himself to an account of coming events in India, and a

circumnavigation of the Atlantic; nay, the pledge is half redeemed; the

preface to the _India_ is complete; the third legion, the Celtic

contingent, and a small Moorish division, have crossed the Indus in full

force under Cassius; our most original historian will soon be posting us

up in their doings--their method of 'receiving elephants,' for instance--

in letters dated Muziris or Oxydracae.

These people's uneducated antics are infinite; they have no eyes for the

noteworthy, nor, if they had eyes, any adequate faculty of expression;

invention and fiction provide their matter, and belief in the first word

that comes their style; they pride themselves on the number of books they

run to, and yet more on their titles; for these again are quite absurd:

_--So-and-so's so many books of Parthian victories; The Parthis_, book I;

_The Parthis_, book II--quite a rival to the _Atthis_, eh? Another does it

(I have read the book) still more neatly--'_The Parthonicy of Demetrius of

Sagalassus_.' I do not wish to ridicule or make a jest of these pretty

histories; I write for a practical purpose: any one who avoids these and

similar errors is already well on the road to historical success; nay, he

is almost there, if the logical axiom is correct, that, with

incompatibles, denial of the one amounts to affirmation of the other.

_Well_, I may be told, _you have now a clear field; the thorns and

brambles have all been extirpated, the debris of others' buildings has

been carted of, the rough places have been made smooth; come, do a little

construction yourself, and show that you are not only good at destroying,

but capable of yourself planning a model, in which criticism itself shall

find nothing to criticize._

Well then, my perfect historian must start with two indispensable

qualifications; the one is political insight, the other the faculty of

expression; the first is a gift of nature, which can never be learnt; the

second should have been acquired by long practice, unremitting toil, and

loving study of the classics. There is nothing technical here, and no

room for any advice of mine; this essay does not profess to bestow

insight and acumen on those who are not endowed with them by nature;

valuable, or invaluable rather, would it have been, if it could recast

and modify like that, transmute lead into gold, tin into silver, magnify

a Conon or Leotrophides into Titormus or Milo.

But what is the function of professional advice? not the creation of

qualities which should be already there, but the indication of their

proper use. No trainer, of course,--let him be Iccus, Herodicus, Theon,

or who he may--will suggest that he can take a Perdiccas [Footnote:

Omitting, with Dindorf, a note on Perdiccas which runs thus: 'if

Perdiccas it was, and not rather Seleucus's son Antiochus, who was wasted

to a shadow by his passion for his step-mother.'] and make an Olympic

victor of him, fit to face Theagenes of Thasos or Polydamas of Scotussa;

what he _will_ tell you is that, given a constitution that will

stand training, his system will considerably improve it. So with us--we

are not to have every failure cast in our teeth, if we claim to have

invented a system for so great and difficult a subject. We do not offer

to take the first comer and make a historian of him--only to point out to

any one who has natural insight and acquired literary skill certain

straight roads (they may or may not be so in reality) which will bring

him with less waste of time and effort to his goal.

I do not suppose you will object that the man with insight has no need of

system and instruction upon the things he is ignorant of; in that case he

might have played the harp or flute untaught, and in fact have been

omniscient. But, as things are at present, he cannot perform in these

ways untaught, though with some assistance he will learn very easily, and

soon be able to get along by himself.

You now know what sort of a pupil I (like the trainer) insist upon. He

must not be weak either at understanding or at making himself understood,

but a man of penetration, a capable administrator--potentially, that is,

--with a soldierly spirit (which does not however exclude the civil

spirit), and some military experience; at the least he must have been in

camp, seen troops drilled or manoeuvred, know a little about weapons and

military engines, the differences between line and column, cavalry and

infantry tactics (with the reasons for them), frontal and flank attacks;

in a word, none of your armchair strategists relying wholly on hearsay.

But first and foremost, let him be a man of independent spirit, with

nothing to fear or hope from anybody; else he will be a corrupt judge

open to undue influences. If Philip's eye is knocked out at Olynthus by

Aster the Amphipolite archer, it is not his business to exclaim, but just

to show him as he is; he is not to think whether Alexander will be

annoyed by a circumstantial account of the cruel murder of Clitus at

table. If a Cleon has the ear of the assembly, and a monopoly of the

tribune, he will not shrink on that account from describing him as a

pestilent madman; all Athens will not stop him from dwelling on the

Sicilian disaster, the capture of Demosthenes, the death of Nicias, the

thirst, the foul water, and the shooting down of the drinkers. He will

consider very rightly that no man of sense will blame him for recounting

the effects of misfortune or folly in their entirety; he is not the

author, but only the reporter of them. If a fleet is destroyed, it is not

he who sinks it; if there is a rout, he is not in pursuit--unless perhaps

he ought to have prayed for better things, and omitted to do so. Of

course, if silence or contradiction would have put matters right,

Thucydides might with a stroke of the pen have knocked down the

counterwall on Epipolae, sent Hermocrates's trireme to the bottom, let

daylight through the accursed Gylippus before he had done blocking the

roads with wall and trench, and, finally, have cast the Syracusans into

their own quarries and sent the Athenians cruising round Sicily and Italy

with Alcibiades's first high hopes still on board. Alas, not Fate itself

may undo the work of Fate.

The historian's one task is to tell the thing as it happened. This he

cannot do, if he is Artaxerxes's physician [Footnote: See Ctesias in

Notes] trembling before him, or hoping to get a purple cloak, a golden

chain, a horse of the Nisaean breed, in payment for his laudations. A

fair historian, a Xenophon, a Thucydides, will not accept that position.

He may nurse some private dislikes, but he will attach far more

importance to the public good, and set the truth high above his hate; he

may have his favourites, but he will not spare their errors. For history,

I say again, has this and this only for its own; if a man will start upon

it, he must sacrifice to no God but Truth; he must neglect all else; his

sole rule and unerring guide is this--to think not of those who are

listening to him now, but of the yet unborn who shall seek his converse.

Any one who is intent only upon the immediate effect may reasonably be

classed among the flatterers; and History has long ago realized that

flattery is as little congenial to her as the arts of personal adornment

to an athlete's training. An anecdote of Alexander is to the point. 'Ah,

Onesicritus,' said he, 'how I should like to come to life again for a

little while, and see how your stuff strikes people by that time; at

present they have good enough reason to praise and welcome it; that is

their way of angling for a share of my favour.' On the same principle

some people actually accept Homer's history of Achilles, full of

exaggerations as it is; the one great guarantee which they recognize of

his truth is the fact that his subject was not living; that leaves him no

motive for lying.

There stands my model, then: fearless, incorruptible, independent, a

believer in frankness and veracity; one that will call a spade a spade,

make no concession to likes and dislikes, nor spare any man for pity or

respect or propriety; an impartial judge, kind to all, but too kind to

none; a literary cosmopolite with neither suzerain nor king, never

heeding what this or that man may think, but setting down the thing that

befell.

The Works of Lucian of Samosata — Volume 02 · 第 9 / 21 段