CHAPTER XXXI.

Harmony of Colors in Dress.

The selection and proper arrangement of colors, so that they will

produce the most pleasant harmony, is one of the most desirable

requisites in dress. Sir Joshua Reynolds says: "Color is the last

attainment of excellence in every school of painting." The same may also

be said in regard to the art of using colors in dress. Nevertheless, it

is the first thing to which we should give our attention and study.

We put bright colors upon our little children; we dress our young girls

in light and delicate shades; the blooming matron is justified in

adopting the warm, rich hues which we see in the autumn leaf, while

black and neutral tints are declared appropriate to the old.

One color should predominate in the dress; and if another is adopted, it

should be in a limited quantity and only by way of contrast or harmony.

Some colors may never, under any circumstances, be worn together,

because they produce positive discord to the eye. If the dress be blue,

red should never be introduced by way of trimming, or _vice versa_. Red

and blue, red and yellow, blue and yellow, and scarlet and crimson may

never be united in the same costume. If the dress be red, green maybe

introduced in a minute quantity; if blue, orange; if green, crimson.

Scarlet and solferino are deadly enemies, each killing the other

whenever they meet.

Two contrasting colors, such as red and green, may not be used in equal

quantities in the dress, as they are both so positive in tone that they

divide and distract the attention. When two colors are worn in any

quantity, one must approach a neutral tint, such as gray or drab. Black

may be worn with any color, though it looks best with the lighter shades

of the different colors. White may also be worn with any color, though

it looks best with the darker tones. Thus white and crimson, black and

pink, each contrast better and have a richer effect than though the

black were united with the crimson and the white with the pink. Drab,

being a shade of no color between black and white, may be worn with

equal effect with all.

A person of very fair, delicate complexion, should always wear the most

delicate of tints, such as light blue, mauve and pea-green. A brunette

requires bright colors, such as scarlet and orange, to bring out the

brilliant tints in her complexion. A florid face and auburn hair call

for blue.

Black hair has its color and depth enhanced by scarlet, orange or white,

and will bear diamonds, pearls or lustreless gold.

Dark brown hair will bear light blue, or dark blue in a lesser quantity.

If the hair has no richness of coloring, a pale yellowish green will by

reflection produce the lacking warm tint.

Light brown hair requires blue, which sets off to advantage the golden

tint.

Pure golden or yellow hair needs blue, and its beauty is also increased

by the addition of pearls or white flowers.

Auburn hair, if verging on the red, needs scarlet to tone it down. If of

a golden red, blue, green, purple or black will bring out the richness

of its tints.

Flaxen hair requires blue.

MATERIAL FOR DRESS.

The material for dress must be selected with reference to the purpose

which it is to serve. No one buys a yellow satin dress for the

promenade, yet a yellow satin seen by gaslight is beautiful, as an

evening-dress. Neither would one buy a heavy serge of neutral tint for

an opera-dress.

SIZE IN RELATION TO DRESS AND COLORS.

A small person may dress in light colors which would be simply

ridiculous on a person of larger proportions. So a lady of majestic

appearance should never wear white, but will be seen to the best

advantage in black or dark tints. A lady of diminutive stature is

dressed in bad taste when she appears in a garment with large figures,

plaids or stripes. Neither should a lady of large proportions be seen in

similar garments, because, united with her size, they give her a "loud"

appearance. Indeed, pronounced figures and broad stripes and plaids are

never in perfect taste.

Heavy, rich materials suit a tall figure, while light, full draperies

should only be worn by those of slender proportions and not too short.

The very short and stout must be content with meagre drapery and quiet

colors.

Tall and slim persons should avoid stripes; short, chunky ones,

flounces, or any horizontal trimming of the dress which, by breaking the

outline from the waist to the feet, produces an effect of shortening.

HOW COLORS HARMONIZE.

Colors may form a harmony either by contrast or by analogy. When two

remote shades of one color are associated, such as very light blue and a

very dark blue, they harmonize by contrast, though the harmony may be

neither striking nor perfect. When two colors which are similar to each

other are grouped, such as orange and scarlet, crimson and orange, they

harmonize by analogy. A harmony of contrast is characterized by

brilliancy and decision, and a harmony of analogy by a quiet and

pleasing association of colors.

When a color is chosen which is favorable to the complexion, it is well

to associate with it the tints which will harmonize by analogy, as to

use contrasting colors would diminish its favorable effect. When a color

is used in dress, not suitable to the complexion, it should be

associated with contrasting colors, as they have the power to neutralize

its objectionable influence.

[Illustration]

Colors of similar power which contrast with each other, mutually

intensify each other's brilliancy, as blue and orange, scarlet and

green; but dark and light colors associated do not intensify each other

to the same degree, the dark appearing darker and the light appearing

lighter, as dark blue and straw color. Colors which harmonize with each

other by analogy, reduce each other's brilliancy to a greater or less

degree, as white and yellow, blue and purple, black and brown.

The various shades of purple and lilac, dark blues and dark greens, lose

much of their brilliancy by gaslight, while orange, scarlet, crimson,

the light browns and light greens, gain brilliancy by a strong

artificial light.

Below the reader will find a list of colors that harmonize, forming most

agreeable combinations, in which are included all the latest and most

fashionable shades and colors:

Black and pink.

Black and lilac.

Black and scarlet.

Black and maize.

Black and slate color.

Black and orange, a rich harmony.

Black and white, a perfect harmony.

Black and brown, a dull harmony.

Black and drab or buff.

Black, white or yellow and crimson.

Black, orange, blue and scarlet.

Black and chocolate brown.

Black and shaded cardinal.

Black and cardinal.

Black, yellow, bronze and light blue.

Black, cardinal, blue and old gold.

Blue and brown.

Blue and black.

Blue and gold, a rich harmony.

Blue and orange, a perfect harmony.

Blue and chestnut (or chocolate).

Blue and maize.

Blue and straw color.

Blue and white.

Blue and fawn color, weak harmony.

Blue and stone color.

Blue and drab.

Blue and lilac, weak harmony.

Blue and crimson, imperfectly.

Blue and pink, poor harmony.

Blue and salmon color.

Blue, scarlet and purple (or lilac).

Blue, orange and black.

Blue, orange and green.

Blue, brown, crimson and gold (or yellow).

Blue, orange, black and white.

Blue, pink and bronze green.

Blue, cardinal and old gold.

Blue, yellow, chocolate-brown and gold.

Blue, mulberry and yellow.

Bronze and old gold.

Bronze, pink and light blue.

Bronze, black, blue, pink and gold.

Bronze, cardinal and peacock blue.

Brown, blue, green, cardinal and yellow.

Brown, yellow, cardinal and peacock blue.

Crimson and gold, rich harmony.

Crimson and orange, rich harmony.

Crimson and brown, dull harmony.

Crimson and black, dull harmony.

Crimson and drab.

Crimson and maize.

Crimson and purple.

Cardinal and old gold.

Cardinal, brown and black.

Cardinal and navy blue.

Chocolate, blue, pink and gold.

Claret and old gold.

Dark green, white and cardinal.

Ecrue, bronze and peacock.

Ecrue and light blue.

Garnet, bronze and pink.

Gensd'arme and cardinal.

Gensd'arme and bronze.

Gensd'arme and myrtle.

Gensd'arme and old gold.

Gensd'arme, yellow and cardinal.

Gensd'arme, pink, cardinal and lavender.

Green and gold, or gold color.

Green and scarlet.

Green and orange.

Green and yellow.

Green, crimson, blue and gold, or yellow.

Green, blue and scarlet.

Green, gold and mulberry.

Green and cardinal.

Lilac and white, poor.

Lilac and gray, poor.

Lilac and maize.

Lilac and cherry.

Lilac and gold, or gold color.

Lilac and scarlet.

Lilac and crimson.

Lilac, scarlet and white or black.

Lilac, gold color and crimson.

Lilac, yellow or gold, scarlet and white.

Light pink and garnet.

Light drab, pine, yellow and white.

Myrtle and old gold.

Myrtle and bronze.

Myrtle, red, blue and yellow.

Myrtle, mulberry, cardinal, gold and light green.

Mulberry and old gold.

Mulberry and gold.

Mulberry and bronze.

Mulberry, bronze and gold.

Mulberry and pearl.

Mode, pearl and mulberry.

Maroon, yellow, silvery gray and light green.

Navy blue, light blue and gold.

Navy blue, gensd'arme and pearl.

Navy blue, maize, cardinal and yellow.

Orange and bronze, agreeable.

Orange and chestnut.

Orange, lilac and crimson.

Orange, red and green.

Orange, purple and scarlet.

Orange, blue, scarlet and purple.

Orange, blue, scarlet and claret.

Orange, blue, scarlet, white and green.

Orange, blue and crimson.

Pearl, light blue and peacock blue.

Peacock blue and light gold.

Peacock blue and old gold.

Peacock blue and cardinal.

Peacock blue, pearl, gold and cardinal.

Purple and maize.

Purple and blue.

Purple and gold, or gold color, rich.

Purple and orange, rich.

Purple and black, heavy.

Purple and white, cold.

Purple, scarlet and gold color.

Purple, scarlet and white.

Purple, scarlet, blue and orange.

Purple, scarlet, blue, yellow and black.

Red and white, or gray.

Red and gold, or gold color.

Red, orange and green.

Red, yellow or gold color and black.

Red, gold color, black and white.

Seal brown, gold and cardinal.

Sapphire and bronze.

Sapphire and old gold.

Sapphire and cardinal.

Sapphire and light blue.

Sapphire and light pink.

Sapphire and corn.

Sapphire and garnet.

Sapphire and mulberry.

Shaded blue and black.

Scarlet and blue.

Scarlet and slate color.

Scarlet and orange.

Scarlet, blue and white.

Scarlet, blue and yellow.

Scarlet, black and white.

Scarlet, blue, black and yellow.

Shaded blue, shaded garnet and shaded gold.

Shaded blue and black.

White and cherry.

White and crimson.

White and brown.

White and pink.

White and scarlet.

White and gold color, poor.

Yellow and black.

Yellow and brown.

Yellow and red.

Yellow and chestnut or chocolate.

Yellow and white, poor.

Yellow and purple, agreeable.

Yellow and violet.

Yellow and lilac, weak.

Yellow and blue, cold.

Yellow and crimson.

Yellow, purple and crimson.

Yellow, purple, scarlet and blue.

Yellow, cardinal and peacock blue.

Yellow, pink, maroon and light blue.

[Illustration]

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