VIII.

Yes, Cecchino certainly recognised her now. Strolling about in that

damp May twilight among the old, tortuous streets, he had mechanically

watched the big black horses draw up at the posts which closed that

labyrinth of black, narrow alleys; the servant in his white waterproof

opened the door, and the tall, slender woman got out and walked quickly

along. And mechanically, in his wool-gathering way, he had followed the

lady, enjoying the charming note of delicate pink and grey which her

little frock made against those black houses, and under that wet, grey

sky, streaked pink with the sunset. She walked quickly along, quite

alone, having left the footman with the carriage at the entrance of that

condemned old heart of Florence; and she took no notice of the stares

and words of the boys playing in the gutters, the pedlars housing their

barrows under the black archways, and the women leaning out of window.

Yes; there was no doubt. It had struck him suddenly as he watched her

pass under a double arch and into a kind of large court, not unlike that

of a castle, between the frowning tall houses of the old Jews' quarter;

houses escutcheoned and stanchioned, once the abode of Ghibelline

nobles, now given over to rag-pickers, scavengers and unspeakable

trades.

As soon as he recognised her he stopped, and was about to turn: what

business has a man following a lady, prying into her doings when she

goes out at twilight, with carriage and footman left several streets

back, quite alone through unlikely streets? And Cecchino, who by this

time was on the point of returning to the Maremma, and had come to the

conclusion that civilisation was a boring and loathsome thing, reflected

upon the errands which French novels described ladies as performing,

when they left their carriage and footman round the corner.... But the

thought was disgraceful to Cecchino, and unjust to this lady--no, no!

And at this moment he stopped, for the lady had stopped a few paces

before him, and was staring fixedly into the grey evening sky. There

was something strange in that stare; it was not that of a woman who is

hiding disgraceful proceedings. And in staring round she must have

seen him; yet she stood still, like one wrapped in wild thoughts. Then

suddenly she passed under the next archway, and disappeared in the dark

passage of a house. Somehow Cecco Bandini could not make up his mind, as

he ought to have done long ago, to turn back. He slowly passed through

the oozy, ill-smelling archway, and stood before that house. It was

very tall, narrow, and black as ink, with a jagged roof against the

wet, pinkish sky. From the iron hook, made to hold brocades and Persian

carpets on gala days of old, fluttered some rags, obscene and ill-omened

in the wind. Many of the window panes were broken. It was evidently one

of the houses which the municipality had condemned to destruction for

sanitary reasons, and whence the inmates were gradually being evicted.

"That's a house they're going to pull down, isn't it?" he inquired in a

casual tone of the man at the corner, who kept a sort of cookshop, where

chestnut pudding and boiled beans steamed on a brazier in a den. Then

his eye caught a half-effaced name close to the lamp-post, "Little

Street of the Grave-digger." "Ah," he added quickly, "this is the street

where old Sora Lena committed suicide--and--is--is that the house?"

Then, trying to extricate some reasonable idea out of the extraordinary

tangle of absurdities which had all of a sudden filled his mind, he

fumbled in his pocket for a silver coin, and said hurriedly to the man

with the cooking brazier,

"See here, that house, I'm sure, isn't well inhabited. That lady has

gone there for a charity--but--but one doesn't know that she mayn't

be annoyed in there. Here's fifty centimes for your trouble. If that

lady doesn't come out again in three-quarters of an hour--there! it's

striking seven--just you go round to the stone posts--you'll find her

carriage there--black horses and grey liveries--and tell the footman to

run upstairs to his mistress--understand?" And Cecchino Bandini fled,

overwhelmed at the thought of the indiscretion he was committing, but

seeing, as he turned round, those rags waving an ominous salute from the

black, gaunt house with its irregular roof against the wet, twilight

sky.

Vanitas: Polite Stories · 第 36 / 55 题