Critique of Pure Reason, The (Kant’s), vii. 37; xii. 164 _n._

Critique de l’Ecole des Femmes (Molière’s), viii. 29, 77; x. 108.

Crivelli, Signor, viii. 365; xi. 300.

Crockery (in Jameson’s Exit by Mistake), iii. 304; viii. 322, 468.

Croft, Herbert, v. 122, 123, 124.

Croker, Right Hon. John Wilson, i. 379, 384; iii. 48, 103, 110, 162,

206, 230, 231, 278; iv. 241, 308; vi. 89, 212, 284, 360; vii. 100,

101 _n._, 102, 115, 123, 165, 376; viii. 453, 479; ix. 185, 244,

246; xi. 344, 384, 385, 547, 551; xii. 276 _n._, 294, 310.

—— Mr. See Talking Potato.

Croley (Croly, George), vii. 104, 105; xi. 360; xii. 283.

Crompton, Mr, ii. 164.

Cromwell, Oliver, i. 153, 428; ii. 157; iii. 168, 310, 390, 398; iv.

61; v. 83; vi. 38, 85, 93, 106, 110, 111, 177, 178, 303, 410, 411;

viii. 61, 62, 233; x. 243; xi. 221; xii. 33, 310.

—— Sonnet to (Milton’s), i. 428.

—— Richard, iii. 399.

Cropper, John (of Liverpool), vi. 190.

Crosby House, viii. 514.

Crossbite (Wycherley’s Love in a Wood), viii. 78.

Crouch, Mrs Anna Maria, vi. 352.

Crouchback, Edmund, x. 335.

Crowdero (in Butler’s Hudibras), viii. 65, 67.

Crown Prince of Poland, The (in Pocock’s John du Bart), viii. 254.

Crowning with Thorns, The (in the Louvre), ix. 112.

—— of the Virgin (Correggio’s), ix. 204.

—— —— (Raphael’s), ix. 240, 273, 365.

Crucified Jesus (Horneck’s), ii. 43.

Crucifixion, xi. 312.

—— the (Carraci’s), ii. 225.

—— (Rubens’), ix. 299.

Crudities (Coryate’s), v. 162; vii. 255.

Cubit, Mr (singer), ii. 86, 259.

Cuckold’s Point in Essex, vi. 167; vii. 240.

Cuckoo, Lines to a (Wordsworth’s), v. 156.

—— Song (in Shakespeare’s As You Like It), viii. 252, 337.

Cudworth, Ralph, iv. 216.

Culpepper, Nicholas, ii. 251.

Cumberland, i. 53, 92; iv. 4; ix. 216, 393; xi. 200, 311, 512.

—— Duchess of, The, vi. 449.

—— Gate, xii. 134.

—— Richard, i. 320; ii. 197, 207; v. 363; vii. 101 _n._; viii. 164,

166; ix. 349; x. 16; xii. 276 _n._

Cunningham, John, ii. 80, 81; v. 122; vi. 448, 449.

Cupid, v. 41; vi. 201; vii. 202.

—— tormenting the Soul (after Chaudet), ix. 167.

—— in search of Venus’ Doves (Prior’s), v. 106.

—— at Whitehall (Rubens’), ix. 387.

—— and Psyche (Gérard’s), ix. 137.

—— —— (Raphael’s), ix. 239, 365.

—— —— (Titian’s), ix. 74.

Curate, The (in Still’s Gammer Gurton’s Needle), v. 286.

Curfew, The (Tobin’s), v. 345.

Curll, Edmund, vi. 418; xii. 330.

Curran, John Philpot, xii. 353; also referred to in i. 393; iii. 312,

425; iv. 212, 319; vii. 41; viii. 21; ix. 34 _n._; xi. 383 _n._;

xii. 349.

Currie, Mr, xii. 405.

Curtail (Holcroft’s), ii. 204.

Curtis, Sir William, vi. 112; vii. 271; xi. 352, 474.

Curzon Street, xii. 132.

Cut Finger (Wilkie’s), viii. 140; xi. 252.

Cuthbert, John, xii. 14.

Cuthell (publisher), ii. 171.

Cutter of Coleman Street (Cowley’s), viii. 61.

Cuvier, Georges, ix. 120.

Cuyp, Aelbert, ix. 19, 36, 51.

Cymbeline (Shakespeare’s), i. 179;

also referred to in i. 394; v. 258; x. 116.

Cymon (Dryden’s), vi. 371;

(Garrick’s) viii. 261.

Cynthia (in Lyly’s Midas and Endymion), v. 199.

Cynthia’s Revels (Ben Jonson’s), v. 265, 303, 306.

Cyprus, i. 205; v. 55; xi. 294.

Cyropædia (Greek prose romance), x. 16.

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