Cotton, Charles, i. 57 _n._; v. 122; viii. 94.
—— Sir Robert, iii. 393.
Cottrells, The Miss, vi. 343, 450. 507.
Council Chamber of the Senate, The, Venice, ix. 274.
Count (in Fielding’s Jonathan Wild), iii. 234.
—— Basset (Cibber’s), viii. 37.
—— Camaldole (in Godwin’s Cloudesley), x. 386.
—— Conolly Villars (in Holcroft’s School for Arrogance), ii. 117.
—— Egmont (Goethe’s), v. 363; x. 119.
—— Fathom (Smollett’s), i. 12; iii. 103, 125, 181, 233, 291; v. 277;
viii. 117, 127, 151; x. 35; xi. 374.
—— Hottentot (Burgoyne’s, in Richard Cœur de Lion), viii. 196.
—— Julian, Tragedy of (Landor’s), x. 255.
—— La Ruse (Fielding’s), xi. 136.
—— Lunenberg (Sheil’s Adelaide, or the Emigrants), viii. 309, 310.
—— Maldecini, The (in Thomson’s The Dumb Savoyard and his Monkey), xi.
363.
—— Ugolino (Michael Angelo’s), v. 18; x. 63.
—— —— (Dante’s), v. 18; vi. 466; ix. 401; xi. 368, 406; xii. 30.
—— —— (Reynolds’), v. 18; vi. 348; vii. 275; ix. 400; x. 63.
Countess of Cumberland, Epistle to the (Daniel’s), v. 371.
—— Dowager Delamere (in Ups and Downs), xi. 385, 387.
—— Pillar, The, v. 148.
Countess of Servan (in Payne’s Anglade Family), viii. 280.
Country Cousins (a play), viii. 428, 430, 434.
—— Girl, The (Wycherley’s), vi. 68, 463; viii. 524; xi. 274, 276.
—— People, Character of the, xi. 309.
—— Scene (Cossé’s), xi. 246.
—— Wife, The (Wycherley’s), viii. 29, 76; x. 108.
Cour des Fontaines, The (an inn), ix. 177.
Courier, The (newspaper), i. 388; iii. 47 _n._, 76, 97, 98, 107, 110,
122, 124, 126, 135, 148, 206, 211, 214, 284, 435–6; iv. 214, 218;
vi. 196, 294 _n._; viii. 332, 335, 336, 340; x. 158 _n._, 219; xi.
416, 417, 420, 547; xii. 133.
—— and Times Newspapers, On the, iii. 58.
—— and the Wat Tyler, The, iii. 200.
Court of Honour, The (in The Tatler), i. 9; viii. 98.
—— Influence, On, iii. 254, 259.
—— Journal, The, a Dialogue, xii. 354.
Courteney (? Courtenay, John), iii. 419.
Courtney, Mr, ii. 205, 214, 217.
Courtneys, The, vi. 367.
Coutts, Thomas, xi. 496.
Covenanters, vii. 180.
Covent Garden Theatre, i. 65, 157, 194, 248; ii. 78, 100, 101, 111,
113, 116, 159, 162, 163, 182, 194, 196, 207; vi. 294; vii. 308;
viii. 176, 190, 192, 193, 195, 227, 230, 234, 237, 247, 250, 252,
253, 256, 261, 266, 275, 276, 281, 291, 292, 297, 298, 302, 315,
317, 318, 319, 332, 334, 335, 336, 338, 341, 342, 345, 347, 353,
354, 355, 357, 358, 362, 370, 373, 374, 386, 391, 401, 410, 413,
422, 425, 426, 427, 428, 430, 431, 432, 436, 439, 442, 452, 464,
465, 466, 526, 529, 530, 531, 539; ix. 463; xi. 277, 303, 304, 359,
362, 365, 369, 370, 373, 375, 376, 381, 382, 386, 388, 394, 396,
401, 403, 407, 410, 419, 499; xii. 17, 120, 121, 122 _n._, 124, 140
_n._
Coventry, ii. 10, 11, 14; ix. 302.
—— Cross, ii. 11.
—— C., xi. 244.
—— Emily, xii. 364.
Coviello of the Carnival, the, x. 279.
Covigliaijo, ix. 199, 209.
Cowley, Abraham, i. 133; v. 84, 125, 300, 372; vi. 110, 236; viii. 24,
57–62, 94, 463, 496; ix. 326; x. 64, 98; xi. 574; xii. 34, 124.
—— (Butler Suckling, Etherege, etc.), viii. 49.
—— Mrs, viii. 163.
Cowper, Lord, ii. 225.
—— William, v. 85; also referred to in i. 40; iii. 243, 266, 271; iv.
217, 351; v. 63, 369, 376; vi. 210, 248; viii. 51; x. 162, 327; xi.
249, 305, 306, 486, 492, 495, 503; xii. 240, 251, 273, 346.
Cowslip (O’Keefe’s Agreeable Surprise), vi. 417; viii. 167, 319, 468.
Coy Mistress, To his (Marvell’s), v. 314, 372.
Coypel (painter), ix. 397.
Crab (a dog), iii. 109.
Crabbe, George, iv. 343; xi. 603;
also referred to in iv. 348 _et seq._; v. 95, 96, 97, 98, 377; viii.
24; ix. 200; x. 264, 327; xi. 536; xii. 368.
Crabtree (in Sheridan’s School for Scandal), viii. 251; xi. 393; xii.
24.
Cracovius, iii. 266.
Craig Campbell (in Holcroft’s Love’s Frailties, or Precept against
Practice), ii. 159.
Craig-Crook, ii. 314.
Craigie Burn Wood (in Scott’s Antiquary), viii. 413.
Cranach, Lucas, ix. 354.
Cranmer, Thomas, ix. 23.
Crashaw, Richard, v. 311, 318; viii. 49, 53.
Crawfurd, Mrs, viii. 393.
Crayon, Geoffrey. See Irving, Washington.
Crazy Kate (in Cowper’s Task), v. 92.
Creation (Sir R. Blackmore’s), xi. 489.
—— Haydn’s, viii. 298.
—— The (Milton), v. 183.
Crébillon, Prosper J. de, ii. 179; iv. 217; vi. 49; vii. 311.
Credibility of the Gospel History (Lardner’s), iii. 266.
Crellius, iii. 266.
Cremona Fiddles, ii. 164.
Creskeld, Mr (Member of Parliament), iii. 395.
Crespi, Giuseppe Maria, ix. 20.
Cressida (Chaucer’s), v. 20;
(Shakespeare’s) xi. 295.
Crete, x. 7.
Crewe, Mrs, ii. 84, 86.
—— Park, ii. 167.
Cribb, Tom (pugilist), iv. 223, 334; vi. 50; ix. 242; xii. 7, 9, 12.
Crichton, James (The Admirable Crichton), vi. 46; x. 335; xii. 277.
Criminal Law (? Hazlitt’s), xi. p. viii.
See also xii. 405.
Crisis, The (Holcroft’s), ii. 83, 84, 85, 86.
Cristall, Joshua, ix. 309.
Crites (in Ben Jonson’s Cynthia’s Revels), v. 303.
Critic, The (Sheridan’s), ii. 260; viii. 164.
Critical Essays (Pope’s), v. 69;
(Addison’s) viii. 99.
—— Review, The (a periodical), ii. 269.
Criticism, On, vi. 214.
—— Essay on (Pope’s), i. 41; v. 73, 74, 373.
Critics, Upon (Butler’s), viii. 68.