Bristow stared at him. "Useful, that's a queer word."

"Well, I hope you are convinced now, Satterthwaite," said the Colonel.

"Oh, quite," said Mr. Satterthwaite. "On the face of it, it seems

odd--so purposeless for a newly married man, young, rich, happy,

celebrating his home-coming--curious--but I agree there is no getting

away from the facts." He repeated softly "the facts" and frowned.

"I suppose the interesting thing is a thing we none of us will ever

know," said Monckton, "the story behind it all. Of course there were

rumors--all sorts of rumors. You know the kind of things people say."

"But no one _knew_ anything," said Mr. Satterthwaite thoughtfully.

"It's not a best-seller mystery, is it?" remarked Bristow. "No one

gained by the man's death."

"No one except an unborn child," said Mr. Satterthwaite.

Monckton gave a sharp chuckle. "Rather a blow to poor Hugo Charnley,"

he observed. "As soon as it was known that there was going to be a

child he had the graceful task of sitting tight and waiting to see if

it would be a girl or boy. Rather an anxious wait for his creditors

too. In the end a boy it was and a disappointment for the lot of them."

"Was the widow very disconsolate?" asked Bristow.

"Poor child," said Monckton, "I shall never forget her. She didn't cry

or break down or anything. She was like something--frozen. As I say,

she shut up the house shortly afterward and as far as I know it has

never been reopened since."

"So we are left in the dark as to motive," said Bristow with a slight

laugh. "Another man or another woman, it must have been one or the

other, eh?"

"It seems like it," said Mr. Satterthwaite.

"And the betting is strongly on another woman," continued Bristow,

"since the fair widow has not married again. I hate women," he added

dispassionately.

Mr. Satterthwaite smiled a little and Frank Bristow saw the smile

and pounced upon it. "You may smile," he said, "but I do. They upset

everything. They interfere. They get between you and your work. They--I

only once met a woman who was--well, interesting."

"I thought there would be one," said Mr. Satterthwaite.

"Not in the way you mean. I--I just met her casually. As a matter of

fact--it was in a train. After all," he added defiantly, "why shouldn't

one meet people in trains?"

"Certainly, certainly," added Mr. Satterthwaite soothingly, "a train is

as good a place as anywhere else."

"It was coming down from the North. We had the carriage to ourselves.

I don't know why, but we began to talk. I don't know her name and I

don't suppose I shall ever meet her again. I don't know that I want to.

It might be--a pity." He paused, struggling to express himself. "She

wasn't quite real, you know. Shadowy. Like one of the people who come

out of the hills in Gaelic fairy tales."

Mr. Satterthwaite nodded gently. His imagination pictured the scene

easily enough. The very positive and realistic Bristow and a figure

that was silvery and ghostly--shadowy, as Bristow had said.

"I suppose if something very terrible had happened, so terrible as to

be almost unbearable, one might get like that. One might run away from

reality into a half-world of one's own and then, of course, after a

time, one wouldn't be able to get back."

"Was that what had happened to her?" asked Mr. Satterthwaite curiously.

"I don't know," said Bristow. "She didn't tell me anything, I am only

guessing. One has to guess if one is going to get anywhere."

"Yes," said Mr. Satterthwaite slowly. "One has to guess."

He looked up as the door opened. He looked up quickly and expectantly

but the butler's words disappointed him.

"A lady, sir, has called to see you on very urgent business. Miss

Aspasia Glen."

Mr. Satterthwaite rose in some astonishment. He knew the name of

Aspasia Glen. Who in London did not? First advertised as the Woman with

the Scarf, she had given a series of matinées single-handed that had

taken London by storm. With the aid of her scarf she had impersonated

rapidly various characters. In turn the scarf had been the coif of a

nun, the shawl of a mill worker, the headdress of a peasant, and a

hundred other things, and in each impersonation Aspasia Glen had been

totally and utterly different. As an artist Mr. Satterthwaite paid full

reverence to her. As it happened, he had never made her acquaintance.

A call upon him at this unusual hour intrigued him greatly. With a few

words of apology to the others, he left the room and crossed the hall

to the drawing room.

Miss Glen was sitting in the very center of a large settee upholstered

in gold brocade. So poised, she dominated the room. Mr. Satterthwaite

perceived at once that she meant to dominate the situation. Curiously

enough, his first feeling was one of repulsion. He had been a sincere

admirer of Aspasia Glen's art. Her personality, as conveyed to him

over the footlights, had been appealing and sympathetic. Her effects

there had been wistful and suggestive rather than commanding. But now,

face to face with the woman herself, he received a totally different

impression. There was something hard--bold--forceful about her. She

was tall and dark, possibly about thirty-five years of age. She was

undoubtedly very good-looking and she clearly relied upon the fact.

"You must forgive me this unconventional call, Mr. Satterthwaite," she

said. Her voice was full and rich and seductive.

"I won't say that I have wanted to know you for a long time, but I _am_

glad of the excuse. As for coming tonight"--she laughed--"well, when I

want a thing, I simply can't wait. When I want a thing, I simply _must_

have it."

"Any excuse that has brought me such a charming lady guest must be

welcomed by me," said Mr. Satterthwaite in an old-fashioned gallant

manner.

"How nice you are to me," said Aspasia Glen.

"My dear lady," said Mr. Satterthwaite, "may I thank you here and now

for the pleasure you have so often given me--in my seat in the stalls."

She smiled delightfully at him.

"I am coming straight to the point. I was at the Harchester Galleries

today. I saw a picture there I simply couldn't live without. I wanted

to buy it and I couldn't because you had already bought it. So--"

She paused. "I do want it so," she went on. "Dear Mr. Satterthwaite,

I simply _must_ have it. I brought my checkbook." She looked at him

hopefully. "Everyone tells me you are so frightfully kind. People _are_

kind to me, you know. It is very bad for me--but there it is."

So these were Aspasia Glen's methods. Mr. Satterthwaite was inwardly

coldly critical of this ultrafemininity and of this spoiled-child pose.

It ought to appeal to him, he supposed, but it didn't. Aspasia Glen had

made a mistake. She had judged him as an elderly dilettante, easily

flattered by a pretty woman. But Mr. Satterthwaite behind his gallant

manner had a shrewd and critical mind. He saw people pretty well as

they were, not as they wished to appear to him. He saw before him not a

charming woman, pleading for a whim, but a ruthless egoist determined

to get her own way for some reason which was obscure to him. And he

knew quite certainly that Aspasia Glen was not going to get her own

way. He was not going to give up the picture of "The Dead Harlequin" to

her. He sought rapidly in his mind for the best way of circumventing

her without overt rudeness.

"I am sure," he said, "that everyone gives you your own way as often as

they can and is only too delighted to do so."

"Then you are really going to let me have the picture?"

Mr. Satterthwaite shook his head slowly and regretfully. "I am afraid

that is impossible. You see--" He paused. "I bought that picture for a

lady. It is a present."

"Oh! but surely--"

The telephone on the table rang sharply. With a murmured word of

excuse, Mr. Satterthwaite took up the receiver. A voice spoke to him,

a small, cold voice that sounded very far away.

"Can I speak to Mr. Satterthwaite, please?"

"It is Mr. Satterthwaite speaking."

"I am Lady Charnley, Alix Charnley. I daresay you don't remember me,

Mr. Satterthwaite; it is a great many years since we met."

"My dear Alix. Of course I remember you."

"There is something I wanted to ask you. I was at the Harchester

Galleries at an exhibition of pictures today. There was one called 'The

Dead Harlequin'--perhaps you recognized it--it was the Terrace Room

at Charnley. I--I want to have that picture. It was sold to you." She

paused. "Mr. Satterthwaite, for reasons of my own I want that picture.

Will you resell it to me?"

Mr. Satterthwaite thought, _Why, this is a miracle_. As he spoke into

the receiver he was thankful that Aspasia Glen could only hear one

side of the conversation. "If you will accept my gift, dear lady, it

will make me very happy." He heard a sharp exclamation behind him and

hurried on. "I bought it for you. I did indeed. But listen, my dear

Alix, I want to ask you to do me a great favor if you will."

"Of course. Mr. Satterthwaite, I am so _very_ grateful."

The mysterious Mr. Quin · 第 32 / 55 题