XXX.

The portrait of Gilbert I have drawn is not incorrect. He was as noble as

I have represented him, and it is certain that, in speaking to me as he

did that day, he was very far from the thought of laying a snare for me,

or even for himself. Whether he was absolutely sincere or not I cannot

say, but probably as much so as I, at least during the few first days

after this conversation. Thanks to the method of reasoning I have given

above, and which I thought original, it seemed to me that this frequent

intercourse with a man unusually superior to any one I had ever known, and

who, very far from addressing me any silly flattery, almost invariably

appealed to all that was highest in my nature, and, without alluding to

the cause of my troubles, knew how to divert my mind completely from

them—it seemed to me, I say, that this intimacy, this sort of imaginary

relationship which I had accepted, was not only lawful, but beneficial,

and I regarded it even as a just compensation for so many cruel

deceptions. In a word, I had lost, through the frivolity of my recent

life, that clearness of spiritual vision which is maintained by vigilance

alone, and I was a long time without suspecting that this idle frivolity,

with all the exuberant gayety that accompanied it, was a thousand times

less dangerous than the long conversations, to which the perfect harmony

of a kindred mind, and the contact with a soul so noble that it seemed to

ennoble mine, lent such a charm, and gave to my life a new interest which

I had never experienced before.

There was no apparent, or even real, difference in our interviews from

what they were before, and any one might have heard every word he

addressed me. And yet I felt that he by no means talked to me as he did to

others, and I, on my side, conversed with him as I did with no one else.

We were seldom alone together, it is true, but every evening, either in

the drawing‐room or on the terrace, he found an opportunity of conversing

with me a few moments without witnesses. He did not conceal from me that

he regarded these as the most precious moments of the evening; and as to

this I scarcely differed from him. Occasionally, something inexpressible

in his voice, his looks, and even in his silence, made me tremble, as if I

felt the warning of some approaching danger. But as he never deviated a

single word from the _rôle_ he had taken, my torpid conscience was not

aroused! Lorenzo was still absent, though the time fixed for his return

had long gone by; and when I was expecting him the second time, I received

a letter announcing a further delay, caused, as he said, by “a

circumstance that was unforeseen and independent of his will.”

A flush of anger rose to my face while reading this letter, though I felt

and acknowledged that the prolongation of his absence did not cause me the

same chagrin it once would. I did not ask why. I took pleasure in

recalling with a kind of complacency the aggravating wrongs I had

repeatedly endured, and it seemed to me he had less right than ever to

deny a heart he had so cruelly wounded any consolation whatever that

remained.

The day this second letter arrived we were on the point of starting for

Mt. Vesuvius, where, for a week, crowds of people had been going out of

curiosity, as is the case at every new eruption. It was nearly night

before we set out. My aunt and her two daughters were of the party,

besides Gilbert, Mario, and Lando, as well as two foreigners who, from the

time of the Carnival, had assiduously haunted the steps of my two cousins.

One was a young Baron von Brunnenberg, an excellent dancer and a great

lover of music; the other an Englishman, no less young, of fine figure and

herculean proportions, whose name was Harry Leslie.

There was a certain embarrassment at our departure among the members of

the party, caused by the simultaneous desire of several of them to avoid

the _calèche_ in which Donna Clelia had at once installed herself. I

observed this hesitation, which was far from flattering to my poor aunt,

and hastened to take a seat beside her. The young baron, who escorted her,

then concluded to follow my example, and I made a sign to Lando to take

the vacant place. He obeyed me less eagerly than usual. Stella, my two

cousins, and the young Englishman took possession of the other carriage,

which assumed the lead, followed with an envious eye by the baron as well

as Lando, who, I remarked, seemed in a less serene frame of mind than

usual. Gilbert and Mario came after in a _carozzella_, which formed our

rear‐guard.

At first everything went on pleasantly. My aunt was very fond of pleasure

excursions, and she regarded this as one, particularly as we were all to

take supper together at my house on our return. The conversation did not

slacken an instant as far as Resina, where we arrived at nightfall. There

we left the main road to take that which led directly to Mt. Vesuvius.

A new crater had this time been formed below the well‐known cone from

which the fire and smoke generally issued. It was like a large, gaping

wound on the side of the mountain, which sent forth torrents of fire,

ashes, and red‐hot stones.

Consequently, instead of being obliged to climb to the summit in order to

witness the eruption, we were able to drive so near the stream of lava

that we only had to walk a short distance to see the terrible opening,

which was approached more or less closely, according to the degree of

boldness or curiosity with which each one was endowed.

But the spectacle presented an imposing appearance long before we saw it

close at hand, and I was in the height of admiration when I heard a murmur

beside me: “O Gesù, Gesù!... O Madonna santa!...” Turning around, I beheld

my aunt, pale with fright, kissing the cross of the rosary she held in her

hand.

Donna Clelia, as we are perfectly aware, knew how to brave danger when she

found an occasion worthy of the trouble. We had a proof of this on the

memorable day of the combat on the Toledo. But, as it has perhaps also

been perceived, she was rather indifferent to the picturesque.

Consequently, there was nothing at this moment to stimulate her courage,

and I was alarmed at the condition in which I saw her.

“O Ginevrina mia!...” said she at last in a trembling voice, “_non mi

fido!_ No, I have not the courage to go any further.... Madonna!...”

This last appeal was caused by a stream of fire brighter than any of the

preceding ones, and accompanied by a loud detonation.

“But merciful Lord! What folly!” she continued. “What caprice! What

madness! How can you wish to rush into such a lake of fire while you are

still alive!... Oh! no, not yet; no, never! _O mamma mia!

misericordia!_...”

Each new stream of fire produced a more lively exclamation of terror. All

at once she leaned her head on my shoulder, exclaiming:

“Ginevrina!... I feel I am going to have a _papariello_!”(106)

At this we stopped the carriage. It was evidently dangerous to take her

any further. But what should we do?... Must we give up our excursion, and

retrace our steps? We were not inclined to do this. Besides, the other

carriage was some distance in advance, and could not be recalled. In this

dilemma we were rejoined by the _carozzella_. Gilbert and Mario leaped

from their carriage to ascertain what had happened to us.

“What is it, Zia Clelia?” said Mario, approaching the carriage, and

perceiving my aunt in the attitude I have just mentioned. She raised her

head.

“O Mario! _figlio mio!_ It is because I cannot endure this storm of fire.

It is the end of the world—the day of judgment!... How it oppresses me!...

How it stifles me!... O my God! and the _povere ragazze, dove sono?_... O

holy Virgin, lead us all back safe and sound to Naples, and I promise you

that for nine days....”

She finished her vow mentally, for Mario at once decided on the only thing

that could be done, and devoted himself to the task. He would take her

back to Resina in the carriage, and there await our return.

The exchange was soon effected. My aunt did not require any insisting,

after we promised to bring her daughters back without allowing them to

incur any danger. In the twinkling of an eye she was placed beside Mario

in the _carozzella_ with her back to Mt. Vesuvius, while Gilbert took her

place beside me, and we pursued our way as fast as possible, in order to

make up for the time we had lost.

We soon arrived at the place where we were obliged to leave the carriage.

Gilbert aided me in descending, and then gave me his arm, while Lando and

the baron went in search of the other members of the party, who only had

Mr. Leslie to protect them. They were soon out of sight, and Gilbert

remained alone with me.

I will not repeat here what every one has seen or read concerning the

eruptions of Mt. Vesuvius. I will merely say to those who have not had the

experience, that this extraordinary spectacle, assuredly the most

wonderful and at the same time the most terrific in the whole world of

nature, causes a singular fascination which induces the spectator to

approach continually nearer and nearer the fiery crater. It seems

impossible to turn away his eyes. He keeps on, therefore, without looking

to the right or left, without seeing where he is walking, stumbling at

every step over heaps of lava scarcely cold, regardless of the rough path

with its sharp, burning stones, the effect of which is afterwards seen on

his garments and shoes, though he does not think of it while exposed to

the danger, more apparent, perhaps, than real, but which indubitably

exists, however, as is proved by the numerous accidents that occur at

every new eruption.

Leaning on Gilbert’s arm, I was too firmly supported to stumble, and was

able to ascend to the top of a ridge of lava formed by preceding

eruptions; and there, protected by an immense block on the very edge of

the flaming abyss, I contemplated the awful, imposing spectacle! Gilbert

did not utter a word, and I attributed his silence to the impression which

likewise rendered me dumb in the presence of this terrific convulsion of

nature. The burning lava, issuing, as I have said, from a crater on the

side of the mountain, did not spring up to fall back again on the summit,

as usual, but it advanced like a large river of fire over the heaped‐up

masses of cold, black lava, giving them the most singular, fantastic

forms. It was like a city, not on fire, but of fire! It seemed as if one

could see houses, towers, and palaces; and in the midst of these imaginary

edifices moved the fiery stream! For lava does not flow. However steep the

descent, it stops and goes no further as soon as the crater ceases to emit

it. But it had not yet stopped. On the contrary, it pursued its slow,

pitiless course, consuming vineyards, swallowing up houses, and burning

the trees and bushes in its way.

It was a sight difficult to endure for a long time, and yet I could not

turn my eyes away from so mysterious and terrible a spectacle.

“O my God!” I murmured, “this is truly _la città dolente!_ We have before

our eyes an exact representation of the last day of the world!...”

Gilbert made no reply. He was overcome by I know not what emotion more

powerful than mine, and, looking at his face by the red light of the fire,

I was alarmed at the change in his features and their unusual expression.

“Would that that day had arrived for me!” said he at length. “Would that

this were really the last day of my life! Yes, I would like to be

swallowed up in that flame! I would like to die here on the spot where I

am—beside you—worthy of you....”

In spite of the terrific scene before me, in spite of the noise of the

explosions and the sullen sound of the lava, the tone in which he spoke

was distinctly audible, and made my heart beat with mingled emotion and

fear.

“I am afraid you are becoming dizzy, Monsieur de Kergy,” said I in a

trembling voice; “take care. Its effect, they say, is to draw one into the

abyss.”

“Yes, Donna Ginevra,” replied he in the same strange tone, “you are right.

I am dizzy. I am approaching the verge of an abyss, I know. I have rashly

exposed myself to the danger. I have presumed too much on my strength.”

The look he fastened on me, as he uttered these words, gave them a meaning

I could not mistake. It was no longer Gilbert who spoke—it was not he to

whom I had accorded the rights of a safe and faithful friend. The veil

with which I had wilfully blinded my eyes suddenly fell off, and the

emotion I was seized with, the material flames that surrounded me, and the

certain peril into which another step would have plunged me, gave an exact

idea of the danger to which I had foolishly exposed my honor and my soul!

The Catholic World, Vol. 20, October 1874‐March 1875 · 第 82 / 221 题