Neusiedler. Novosel.

Bockshorn. Ročić.

Bach. Potočić or Potočniak.

Rauch. Dimić or Dimović.

Zimmermann. Tesar, or Tesarević.

Koch. Kuhač, Kuhačević, or Kuharević.

Fuss. Nogić, or Nogavac.

Hummel. Bumbarević or Ćmeliak.[37]

Fuchs. Lissa, Lisica, or Lisinski.

Müller. Mlinar or Mlinarić.

Fischer. Ribar or Ribarić.

(_b_) _Corrupted_ (adaptation of sound: reasonably certain).

Bulgarelli. Bugarin.

Bona. Bunić.

Brusa. Brusić.

Draghi. Dragi.

Dragonetti. Draganić.

Ferrich. Ferić.

Gerlo. Grlo.

Giornovichi. Jarnović.

Jelich or Jael. Jelić.

Kresnik. Gresnik.

Henkel. Kengelović.

Calinde. Kalin.

Kannabich. Kanabić.

Cola. Kola.

Muzin. Mužina.

Mazoleni. Mazolić.

Mazzuranna. Mašuranić.

Nachich or Nanchini. Nakić.

Pollini. Polić.

Desplanes. Polinar.

Pisaroni. Pisar.

Zappa. Sapa.

Scalichius. Skalić.

Smetenich. Smetenić.

Tamparizza. Tamparica.

Thern. Trn.

Tartini. Trtić.

Tuscan. Tuskan.

Visochi. Visoki.

Zingarelli. Ciganin.

Zagitz. Zaic.

Zuchetto. Zuketić.

Schuppanzigh. Zupančić.

[37] According to the two meanings of the word Hummel.

APPENDIX G.

_Variants of the Name “Haydn” within the Limits of the Composer’s

Family._

(_a_) _Haiden_:

Register of Caspar Haiden’s marriage, Hainburg, 1657.

Register of Joseph Haiden’s death, Hainburg, April 19, 1715.

Register of the composer’s baptism, Rohrau, April 1, 1732

(the father’s name is given as Mathias Haiden).

Register of his mother’s death, Rohrau, February 25, 1754.

(_b_) _Hayden_:

Register of Thomas Hayden’s death, Hainburg, September 4,

1701, and of his widow’s re-marriage, Hainburg, January 8,

1702.

Register of the composer’s marriage, (St. Stephen’s, Vienna,

November 26, 1760).

The composer’s signature (quittance for salary) Eisenstadt,

January, 1762.

Register of Mathias Hayden’s death, Rohrau, September 14,

1763, and the monument to him now in Rohrau Churchyard.

Frequent concert notices, both of the composer and his brother

Michael, the latter at Salzburg.

Habitual signature for many years of Michael Hayden.

The composer’s monument in Count Harrach’s Park at Rohrau.

(_c_) _Haidin_:

The name of the composer’s mother is so given on the monument

in Rohrau Churchyard.

(_d_) _Heyden_:

The composer’s name is so written throughout the “Convention

und Verhaltungs-Norma” under which he held his appointment at

Eisenstadt.

(_e_) _Heiden_:

Register of Thomas Heiden’s baptism, Hainburg, 1655.

(_f_) _Hayd’n_: } Occasionally, though rarely,

(_g_) _Haydtn_: } in concert programmes.

(_h_) _Haydn_:

Register of Mathias Haydn’s baptism, Hainburg, January 31,

1699.

The composer’s habitual signature after February, 1762.

Register of his wife’s death, Baden, March 20, 1800.

Diploma of the Freedom of Vienna, April 1, 1804.

Many notices and concert programmes.

Monument to the composer in the Einsiedeln Church at

Eisenstadt.

(_i_) _Haidn_:

Register of Barbara Haidn’s baptism, Hainburg, January 2,

1658.

Frequent notices and concert programmes.

Letter of Beethoven, 1822.

(_k_) _Hayrn_:

Register of Thomas Hayrn’s marriage, Hainburg, November 23,

1687—his father’s name is also given as Caspar Hayrn; see

letters (_a_), (_b_), and (_c_).

(_l_) _Hein_:

Register of Mathias Hein’s marriage, Rohrau, November 24,

1728.

(_m_) _Haden_: }

(_n_) _Hädn_: } Occasional variants in registers and

(_o_) _Hayn_: } documents at Hainburg, Rohrau, &c.,

(_p_) _Hain_: } noted by Dr. Pohl.

(_q_) _Heim_: }

_Large crown 8vo., with Portraits on Copper. Price 7s. 6d._

STUDIES IN MODERN MUSIC.

HECTOR BERLIOZ, ROBERT SCHUMANN, RICHARD WAGNER.

THIRD EDITION.

By W. H. HADOW, M.A., _Fellow of Worcester College, Oxon._

“We have seldom read a book on musical subjects which

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“He writes with striking thoughtfulness and breadth of

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“The essay on musical criticism is well worth anybody’s

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by the pedantic misapplication of once valid rules. In his

whole discourse on the subject Mr. Hadow gives evidence of

immense common sense, backed up by innate and cultivated

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_BY THE SAME AUTHOR. With Portraits. Price 7s. 6d._

STUDIES IN MODERN MUSIC.

_SECOND SERIES._

FREDERICK CHOPIN, ANTONIN DVORÁK, JOHANNES BRAHMS.

_PRECEDED BY AN ESSAY ON MUSICAL FORM._

SECOND EDITION.

“The three biographies are charming; and in each case the

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Observer._

“The development of form is described with many brilliant

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LONDON: SEELEY AND CO., LIMITED, 38, GREAT RUSSELL STREET, W.C.

_Published in Two Editions, price Sixpence and One Shilling; sewed;

also in cloth, at Eightpence and Eighteenpence._

THE CHORAL SERVICE BOOK

FOR PARISH CHURCHES,

CONTAINING

_THE FERIAL AND FESTAL RESPONSES, THE LITANY, CHANTS ARRANGED FOR THE

CANTICLES AND PSALTER, AND MUSIC FOR THE COMMUNION SERVICE._

Compiled and Edited by J. W. ELLIOTT,

_Organist and Choirmaster of S. Mark’s, Hamilton Terrace, London._

The Book contains the following music for the Services of the Church:—

THE FERIAL RESPONSES AND THE LITANY. With the Ancient Melody by JOHN

MARBECK. Harmonised by J. W. ELLIOTT.

THE FESTIVAL RESPONSES. With the Harmonies by T. TALLIS.

THIRTY CHANTS FOR THE VENITE.

TWELVE SETS OF CHANTS FOR EACH OF THE OTHER CANTICLES.

TWELVE SETTINGS OF THE KYRIE ELEISON.

A SETTING OF THE COMMUNION SERVICE. By DR. J. NAYLOR.

TWO COMPLETE SETS OF CHANTS FOR THE PSALTER

SPECIAL SETTINGS OF THE PROPER PSALMS, AND OF PSALMS FOR A FLOWER

SERVICE AND HARVEST FESTIVAL.

OPINIONS OF THE PRESS.

“It was a happy thought to combine in one book all the

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“A very useful book. The intention of the editor is to

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“A great variety of chants, old and new, will also

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LONDON: SEELEY AND CO., LIMITED, 38, GREAT RUSSELL STREET, W.C.

A Croatian composer · 第 3 / 3 段