The meal at an end, they went, as a matter of course, to a cinema. One

did, in war-time. Skene, who at home would hardly have walked to the end

of the street with such an object--Madeleine, who had hardly heard of

such a thing before she went to Amiens--went to the nearest cinema

because it was war-time and no one wanted to think. Walking in the brisk

air of a Parisian winter evening, good meat and drink within them, they

enjoyed themselves prodigiously, Skene because he had existed in dubious

snatches of comfort for a long time, and was likely to so exist for an

indefinite period--Madeleine because of the reality of a man at her

side. He was making jokes about the Place Clichy being the Place Cliché!

She did not understand in the least, but laughed because he was happy

beside her. And so to the gaping portico of one of those establishments

which advertise what is known in France as “spectacle de famille.” This

last was being loudly cried by a person, paid to do so, at the door--who

added in stentorian tones that soldiers went in free, and nursemaids

half-price. It was typical of Skene that he paid for two of the most

expensive seats, and placed Madeleine in the one that gave him the best

view of her profile. The film, unfortunately, was a French one, not an

American. That is to say, instead of being confronted with the

improbable adventures of a man looking somewhat like Skene, Madeleine

realized with a start that she was watching a love story in which the

principal character was a tolerable travesty of Georges d’Archeville,

and behaved with just his perverse petulance. She turned her head,

smiled at Skene, played with her program, smoothed her gloves, and

arranged herself with minute care for her costume and the possible

effect of the seat on it. It was no good. Cinema screens are insistent.

It is difficult to avoid that great glare of white, with its intriguing

figures in motion. It revealed to her what she would never have invented

for herself--the idea that, like the hero of the film, Georges neglected

her because he was engrossed by some other woman. She could not dismiss

the idea; did not try, perhaps. She felt suddenly more wounded than she

had ever felt since August, 1914. That Georges might be hurt at her

sharing an English officer’s week of Leave never occurred to her. To her

practical soul, with its incapacity for flights of imagination, things

seemed all too readily what they appeared to the eye. Suddenly she rose.

“This representation is rasant,” she said to Skene, and marveled a

moment, as they threaded their way out, at his docile good temper. Not a

grumble, not a protest. He just followed her and snapped up a taxi. In

it he was more solicitous than ever, gentle, kind, with a Mid-Victorian

kindness she had never known--the manners of one whose boyhood has been

unspoiled by bitter thoughts about money.

They reached the little hotel at which they had dropped their baggage,

and he handed her in. By this time his way with her was having the

queerest effect. Had he been thoughtless, brutal, she would easily have

braced herself to meet it. As it was, she felt something slowly

dissolving in her. She held herself in yet a little, approving the place

he had chosen, clean and reasonable in price. But when the door of

their little room was bolted, and she stood in front of the mirror by

the rose-colored curtains, unpinning her hat, he came gently behind her

and slipped his hands under her arms. It was just Georges’ way. She

burst into tears. The moment the first sob had shaken itself free--for

she did nothing by halves, and when, rarely, she cried, she cried

bitterly--she knew she would feel better. Skene let her droop on to the

bed and sat beside her, one arm round her, making very small comforting

remarks in French and English alternately, but no inquiries. She kept

her handkerchief tight pressed upon her eyes with both hands, but her

sobs were lessening, and with every moment the agonizing vision of

Georges with some one else grew smaller and fainter. She leaned ever so

gently against Skene, who tended her as a woman might a child, did every

little service for her, amazing her, who had never been so treated since

she was four years old. Gradually she slipped down into the comfort of

those hard hands, whose fingers kept something of the skill and

discrimination of such as have been used for wise, gentle occupations.

But only when she was at ease, with dry bright eyes and braided hair,

did he seem to think of himself, and then only to ask so humbly for

what he wanted. She gave him all herself, fiercely, as if for ever to

prevent any of her from escaping again into those other hands that had

neglected her so. More, when they two swam slowly back to the surface of

normal existence again, in the quiet of the night only broken by the

discreet bubbling of the calorifère in the corner, she told him the

stark truth of herself and Georges, with a bareness of exposure of her

very soul she had never before permitted, of which, perhaps, she had

never before been capable. And when at last they slept, in each other’s

arms, it was the deep sleep of emotional reaction, for no less than she,

Skene had looked for years past on utter shipwreck--obliteration of his

individuality in the dark mud of Flemish trenches--and knew from a

different point of view all she suffered, and what comfort she clutched

at.

* * * * *

The next day passed in that atmosphere known to English honeymooners.

Not a trace remained of the emotions of the evening before--nothing but

two healthy young people out for a holiday, both in the most incurious

state of mind, and easily amused. The things they missed seeing far

out-numbered those they noticed, as is the case with honeymooners.

Madeleine was so used to the English that she hardly smiled when he

turned the little hotel upside down in order to have a hot bath and an

egg for breakfast. The establishment, at length conceding these

recondite advantages, ceased to interest them. They went out into the

busy streets, in the frosty air, Skene’s hands in the pockets of his

“British warm,” Madeleine with one hand tucked into his arm, the other

holding her fur tippet close across her throat, as she saw other girls

doing. To Skene, a free morning in Paris could only, by habit and

association, mean one thing:--pictures. To Madeleine it could only mean

another:--shops. As they descended into the roaring heart of the city,

never busier than in mid-war, they found some of the galleries were

still open, and Skene took her from room to room, pointing out old

favorites, lamenting new gaps left by careful storage of some of the

more valuable masterpieces. She moved beside him, confused, uncertain

whether to blush or look away in front of many a splendid nudity, but

drawn by the spirit that was on both, to squeeze his arm a little. In

the mood of the moment she unconsciously identified herself with all

feminine beauty, and he acquiesced. But he was not less in holiday mind

than she, stood patiently for half an hour at a time in big shops,

watching her wringing out to the uttermost centime the best value from

scowling shop-girls. Skene begged to give her what she wanted--he had

managed to visit three field cashiers and get francs from each--he had a

pocket full of money. She accepted, loyally keeping herself within

limits and wasting nothing. Both of them had their shocks. In one of the

turnings off the rue de Rivoli they met a tall fresh-cheeked young man,

scented and glittering, in a gray-green uniform Skene identified as

Russian. Skene fell into a growling condemnation of all “Base Pups,”

“Head-quarter people,” etc., etc., incomprehensible to her, save its

long-stored ill-humor. But she was after all only saying the same thing

in French, when a frail, fair, over-arranged lady kept her waiting in

the glove department of the Bon Marché, when Skene heard her grind her

white teeth, with: “That sort of animal doesn’t know what time’s worth!”

* * * * *

The next day was still queerer. Skene wanted what he called “a day in

the country.” Madeleine had no idea what he might mean, her notions of

a holiday being confined to Church Festivals. She went with him,

however, down the Seine Valley, as far as the regulations permitted. She

gathered he once had regular haunts here, had gone by steamer with

companions. She taunted him laughingly with having been one to “rigoler”

in his youth. She began to suspect that he was much richer than his worn

khaki and careful trench habits made apparent. He took her to a

well-known beauty spot, all shuttered and sad with war and winter,

roused the proprietor and persuaded him to give them food and drink in

the mournfulness of the dismantled salle à manger. The proprietor, like

so many others, had lost an only son. It took a lot of gentleness and

some of Skene’s Expeditionary Force canteen cigarettes to thaw him. But

gradually he expanded into the graveyard interest of his kind. What were

the trenches like? Were the dead buried properly? Would one find their

graves? Skene told all he could, painted a true picture as far as he

could, exaggerating no horror, slurring over none of the stark facts.

The old man was appeased. He liked to know. So his son was lying like

that, was he, amid the Meuse hillocks!

Madeleine took no part in the conversation, but sat looking at Skene,

totally uninterested in what he was saying, enjoying the masculinity of

his movements and gestures. She was beginning to be curious about the

one thing that ever aroused her speculation. What was this man’s

position in life? The men talked on into the winter dusk, the “patron”

offering liqueurs and cigars. She and Skene missed their train back and

had to walk to a neighboring depôt, and get seats on an army lorry.

Skene tipped the driver and Madeleine saw the man’s face. That night, as

they lay side by side in the sober companionship that both of them felt

so right and justifiable, she asked him of his home. She was somewhat

astonished at the result. He talked for twenty minutes, and was all the

time incomprehensible to her. The old house in the Cathedral Close, the

hereditary sinecure descending in the one family--the semi-public

school, wholly leisured-class prejudices and scruples--the circle of

maiden aunts living on railway dividends--the pet animals--the social

functions--made her pucker her smooth, regular forehead with complete

mystification. She could make nothing of it except that every one in

England was rolling in money.

* * * * *

Another day followed, and another. The end of the week was at hand. As

it approached, they both regarded the impending separation calmly. The

emotions that had brought them together were of the sort that will not

keep. Neither of them were bohemians of the true water. The life of the

little hotel where they slept and the restaurants where they fed was

soon drained of its attractiveness. If Skene really wanted anything, it

was to be back at his job in England. If Madeleine ever asked herself

what she found lacking in those brief days, the answer would have been a

farm of her own, a settled place in some village community, and,

perhaps, children. But she did not ask herself such questions, nor did

Skene admit for a moment that there was anything to desire other than

what they shared. But there fell long silences between them. The

tittle-tattle about topical events interested neither of them. The

little news they could tell each other was told. They could not talk of

Georges. Their only common memories were of the farm and the Easter

Horse Show of the division. Both subjects were stale. The small attempt

Madeleine made to understand Skene had led her into perplexity. Skene

had let her more intimate self alone, having neat provincial notions of

chivalry. The excursions of peace-time Paris no longer existed. The

cinema and most theaters bored Skene. Madeleine could not sit out

concerts. The day before the last, they went at Skene’s suggestion to

the Sorbonne. He wanted to feast his eyes, that must so soon look at

decauville railways and trench-mortar ammunition, on the Fresco, by

Puvis de Chavannes, which decorates the lecture hall of that

institution.

He had first seen it as a young man, and the impression it had made was

undimmed. He loved that blue-green twilight in which statuesque people

stood in attitudes among Greek pillars and poplar trees. He loved it

with an English love of things as they are not. Madeleine gazed at the

great lecture hall. At last she said, “It is not then a church!” No

fool, she had grasped the speculative, investigating atmosphere.

“No,” Skene replied, “it is a higher grade school!”

“As school decoration, it is not ver’ useful!”

Skene had nothing to say.

Later, as Skene wished to dawdle over some architectural drawings in the

Cluny Museum, she said frankly she would look at the shops. Their time

was drawing to a close. The next day was the last. Skene did not know

how to say that he hoped to meet her again. Did he?

* * * * *

For Madeleine it was easier. She simply went on behaving beautifully.

The week had not been spoiled by one cross word. To the end, she found

no fault with Skene, herself, or Fate. Such tenderness as life had not

already rubbed out of her, showed itself in her solicitude as to his

sandwiches and half-bottle of wine. It would be cold, she warned him, as

they paced the platform of the Gare du Nord. If he passed by the farm he

would say a word to her father and Marie. He promised, stoical as she,

and habituated to War-time farewells. He did not allude to the future.

She kept herself wrapped in uncritical passivity. The train was made up.

She saw his out-of-shape cap, khaki back, and tightly clothed legs

disappear successively in the doorway of the carriage. He came out

again, having secured his corner, and they paced the asphalt of the

station for yet a few minutes, in silence. Then at shoutings and

whistlings and blowings of tin trumpets, without which no French train

can start, he disappeared again, but, the door closed, hung out of the

window. The train was full of French leave-men, many drunk. One in

particular, who was wearing a bowler hat on his uniform, noticed Skene

and Madeleine just as the train began to move, and shouted, “I know what

you’ve been doing, English officer and little lady!” Skene waved and was

gone. Madeleine turned and went. “Know what you’ve been doing” rang in

her ears. A smile curled the corners of her mouth. Men looked after her

again now that she was alone. She walked, taking pleasure in exercise

and the keen air, to the little hotel in the stony street, paid the

bill, with the money Skene had given her, reclaimed her hold-all,

strained to bursting with the things he had bought for her. Then she

demanded a taxi, which she dismissed in front of the Pantheon, and

walked on foot to Monsieur and Madame Petit’s. She ascended the stone

stairs, cold and bare as penury, and knocked.

Monsieur opened to her with a short piece of candle, carefully screened

in his hand. He closed the door and led her into the fireless

dining-room, from which her room opened. He peered at her.

“Well, this war, how goes it?”

“But gently!” she replied, not guessing what he was driving at.

“Come, your brother told you nothing?”

In a moment it came back to her, that she had been spending a week’s

“leave” with her “brother.” She faced the peering old eyes.

“You know that the men in the trenches never say anything!”

He was rebuffed, but tried again.

“The Boulogne train must have been very late!”

But she was on her guard now, and replied readily enough:

“Very late. The Bosche were bombing Amiens!”

The old man grunted and left her. In her own room she smiled at her

reflection in the glass. She was looking magnificent, feeling

magnificent. To come from at least some degree of luxury, if not from

home and love, at least from entertainment and admiration, to the bleak

realities of her daily life, did not daunt her Flemish heart. She

unpacked and undressed methodically, passed her hands over that flesh

that had been so generously caressed, and seemed rounded and fortified

by it, and wrapped herself in the hard-worn bed-clothes, warming them

with her vitality. Could Skene, buttoned up in his “British warm,” miles

away on the northern railway, have seen her, he might have been

attracted, he would not have been harrowed or flattered. She had rubbed

off the contact with him by the passage of her hands over herself. She

rubbed him off her soul no less easily. She was at her place in the

Ministry on the morrow, and save that her appearance of well-being

excited desire or envy, created no sensation.

Then as the days passed, very slowly, and all the more surely, reaction

began to set in. She did not analyze it or express it, but it was there.

The old feeling of having been done, cheated! There was the old

void--and Skene, against whom she bore no malice, was partial,

rather--had tried to fill it and failed. It was not in him. Too, well

behaved, too incomprehensible, too English, he had, in fact, not asked

enough of her. She would have felt more at home with him had he been

subject to those moods of feverish desire and cold disgust that she

associated with all that was most admirable in men. For that male

perversity which, when it existed in her father and the Baron, in

“Papa,” and Monsieur Blanquart, in fact in all men, was the very thing

by which war had been brought about, and caused her separation from

Georges--when it appeared in that Georges himself, became simply one of

his attributes. Her “good child” bored her. Her spoiled, imperious one

was what she needed.

* * * * *

The evenings lengthened. February came, and the Bosche retreat. Marie

wrote that she was trying to get back to Laventie, where things were in

a pitiable state, but good land must not be allowed to lie waste. They

despaired of Marcel. Madeleine did not reply to this letter. The farm

and all it had contained seemed very remote. Yet the letter was a

comfort; it brought no bad news, and no news was good news. Already, she

thought again of nothing but Georges. As for any practical plan to find

him, she had long come to the end of the expedients that her not very

strong imagination could devise. She just wanted, and waited.

The chief of her department in the Ministry was one of those politicians

who found the War dull. Its concentration upon the one great effort to

beat the Bosche, and preserve the French nation alive, robbed such a

politician of his living. There was little scope for anything but

messing with contracts, trying and necessarily unspectacular. This one

among the party-bosses of the French Chamber hit upon a plan which would

advertise him, and at the same time give a sort of rallying-cry and

style for the next political stunt. He saw shrewdly enough that Peace

would one day burst upon an astonished world, and that those who were

unprepared for it would be badly left. And what would be the best

starting-place in the new Peace atmosphere? Why, obviously, to be hailed

in a million farms, a million small shops, as “That brave Monsieur

Dantrigues--he was good to our poor boys in the hospitals during the

War!” It could be used as common ground for Action Française on the one

hand, and the extreme socialists on the other. And no one dared raise

hand or word against it. The quickest, cheapest and best way to set it

afoot was, of course, to make use of the organizing power of his immense

department, the ocean of needy vanity in which the hundreds of temporary

typists and girl war-clerks swam; the comic papers could be got to

blaze it about--they were invariably hard up.

So it was that Madeleine, in common with all her companions, found

herself invited to take part in a gigantic Charitable Fête. They were

given little cards with the particulars--certain elements of costume

were to be uniform, also an electric lamp in the hair, and a basket of

gifts. They were to meet in the Tuileries, at certain spots indicated by

numbers, from which decorated lorries would take them to the various

hospitals of the metropolitan area, to distribute an Easter gift to

every sick or wounded soldier. Monsieur Dantrigues was smart enough to

see that this was much more effective than the same thing carried out

near the Front. For if a man has incurred a gumboil guarding a railway

in the Seine Valley, he likes just as well to be treated as a “brave

wounded,” and is just as likely to vote subsequently for the man who

organized people to think him so. On the other hand, the real fighting

soldiers, nearer the Front, would mostly be killed and never vote at

all.

The idea caught on. Generals, clerics, ladies old and young, blessed it

and gave funds for costumes and presents.

* * * * *

Never did government department function so ill as that which contained

Madeleine, as the ten thousand charitable maidens prepared themselves

for the fray. Madeleine entered into the affair rather than make herself

conspicuous. She had no sentiment about other people’s soldiers, no

anxiety to please men who did not interest her. But she went, took her

number, arranged herself with sense and taste, and found a little

comfort from looking nice. She managed to get a double supply of gifts

and send one lot to her brother Marcel, hoping that it might bring a

sign from him in his German prison.

The day came. Released at an early hour, the girls dispersed to costume

themselves. The short-sleeved tunic of thin white material, with its

girdle of artificial ivy leaves, suited Madeleine. Even Monsieur and

Madame Petit, never prodigal of praise, admitted that she looked well.

When she arrived at the rendezvous, she created some sensation. The

uniform dress brought out precisely her better proportions and carriage,

all her good looks that depended on health and hard work. As the lorries

that were to take them to their places swung alongside the pavement, one

of the girls said of her, “That great Flanders mare ought to have two

seats allowed her!” but the very spite of the speech was a compliment to

Madeleine. They were set down on the steps of one of those great palaces

of stone, common in Paris, that had been aroused from centuries of

slumber by the War, and now sheltered hundreds of narrow white beds.

Among these, up and down great vistas of ward and corridor, the girls

processed, music in front, bearers of lighted candles behind. The fête,

designed by a lady of cosmopolitan education, just then very intimate

with Dantrigues, had elements of English carol-singing and German

Christmas-tree effect, mixed with French delight in spectacle and

uniform. Then the girls were divided into pairs, and given so many beds

each for the distribution of gifts.

Madeleine was frankly bored with the whole thing. She hardly bothered to

make herself agreeable to the men in her section of beds--passing them

with a word or two of conventional good wishes, holding her clean,

fair-skinned, smiling, slightly obtuse profile high above them, stepping

easily, unencumbered by the basket on her hip. At the end of her bit

were several empty beds, the nursing sister on duty explaining that the

occupants were more or less convalescent, and had leave. She did not

trouble to hurry off elsewhere, nor to obtain a fresh supply of gifts.

The more or less innocent flirtations, which the other girls saw as one

of the chief attractions of the business, did not excite her. The

electric globe in her hair, which annoyed her, went out, and seeing a

glass door leading on to a verandah, all dark and quiet, she slipped

through unseen. She had hardly drawn the door to behind her than she had

a peculiar sensation. She had stepped into a mild, humid spring night,

the stars of which shone above the garden plantation of the place,

beyond the stone pillars of the balcony on which she stood. But in her

own mind she had stepped through the separation of over two years, as

one puts one’s foot through a paper screen. Georges was near her, she

knew. The back of the balcony, against the glazed windows of the ward,

was lined with a kind of fixed garden seat used by the convalescent. One

of these convalescents was seated, lying there rather, his attitude

expressive more of exasperation than of physical weakness. Before she

could analyze or act upon her queer feeling of nearness of Georges, his

voice arose from the recumbent figure, in the quakerish simplicity of

French intimacy: “It is thou!” was all he said.

The Spanish farm · 第 8 / 12 段