THE BEST INTERESTS OF MONTGOMERY
Phil dropped into the "Evening Star" office to write an item about the
approaching Christmas fair at Center Church, for which she was the
publicity agent. Incidentally she asked Billy Barker, the editor, to
instruct her in the delicate art of proof-reading. As he was an old
friend she did not mind letting him into the secret of "The Dogs of Main
Street." Barker's editorial sense was immediately roused by Phil's
disclosure. He said he would write to "Journey's End" for advance sheets
and make it a first-page feature the day it appeared.
Montgomery was a literary center; in the early eighties it had been
referred to by the Boston "Transcript" as the Hoosier Athens; and the
Athenians withheld not the laurel from the brows of their bards,
romancers, and essayists. Not since Barker had foreshadowed the
publication of "The Deathless Legion," General Whitcomb's famous tale of
the Caesars, had anything occurred that promised so great a sensation as
the news that Phil had ventured into the field of authorship. Barker
even fashioned phrases in which he meant to publish the glad
tidings,--"a brilliant addition to the Hoosier group"; "a new Jane
Austen knocks at the door of Fame," etc. He jotted down a list of the
commonest typographical symbols, and warned Phil against an
over-indulgence in changes, as it might prejudice the "Journey's End"
office against her.
"I was about to offer you a job, Phil, but now that you're a high-priced
magazine writer I'm ashamed to do it. Our local has skipped and I'm
almost up against going out to chase a few items myself. You might pull
out that church fair a few joints, or I'll be reduced to shoving in
boiler plate on the first page; which is reprehensible. Kindly humble
yourself and give me some 'Personal and Society,'--some of your highly
interesting family must be doing something or somebody,--dish it up and
don't spare the gravy."
"You haven't heard rumors that the Hastings is to be turned into a
fil-lum show-house, have you?" asked Phil, fishing a lead pencil stub
from her pocket.
"Lord, no! Has our own Hamlet come to that? Write a hot roast of it;
turn the screw on this commercializing of our only theater--this base
betrayal of public confidence by one to whom we all looked for nobler
things. I'm sore at Lawrence anyhow for kicking at our write-up of those
outlaws who strolled through here playing 'She Never Told Her Love.' The
fact is that girl told it in the voice of one who should be bawling
quick orders in a hole-in-the-wall restaurant. Here's where we taunt Mr.
Hastings with his own lofty idealism. Have all the fun with him you
like; and not a soul shall ever know from me who knocked him."
Phil nibbled her pencil meditatively.
"You've got the wrong number. Lawr_i_nce hasn't found the price yet;
he's only getting estimates; but you'd better coax him to make the
change--bring the drammer closer to the hearts of the people. None of
these cheap fil-lums where a comic dog runs in and upsets the tea-table,
just as the parson is about to say grace, but the world's greatest
artists brought within the reach of all who command the homely nickel.
Do you follow me, O protector of the poor?"
"I see your family pride is stung, Phil. Let it go at that. There's a
cut of Hastings as Romeo that I'm utilizing as a paper-weight, and I'll
run that just to show there's no hard feeling. By the by, Phil, how's
your pa getting on with the traction company?"
"Nothing doing! I'm not as foolish as I am young. And besides I don't
know."
The editor took a turn across the room and rumpled his hair. He pointed
to a clipping on his desk from the Indianapolis "Advertiser" of that
morning. The headlines proclaimed:--
SCANDAL IN SYCAMORE TRACTION
RUMORS THAT RECEIVERSHIP IS IMMINENT
FOREIGN BONDHOLDERS THREATENING
HOLTON ESTATE TO BE INVESTIGATED
Phil's face grew serious. Her father had not been home for several days
and she knew that his business in Indianapolis had absorbed his time and
attention increasingly.
"I'm sure I don't know anything about it," she answered, "and of course
if you thought I did you wouldn't ask me."
"Of course not, Phil. But it's a mess. And I don't know whether to print
something about it or let it go. Bill Holton's out of town and I don't
like to shoot without giving him a chance. But I owe him a few. If the
company goes bust, there's going to be a row round here we won't forget
in a hurry. Every widow and orphan in the county has got some of that
stuff. They worked that racket as hard as they could--home road for the
home people. What's the answer?"
Phil drew up the editor's clip of paper and wrote:--
"Mr. Amzi Montgomery went to Indianapolis yesterday to attend the
Nordica concert."
Barker stared at this item blankly.
"What's that got to do with it?"
"Nothing," said Phil indifferently; "it's only an item."
"Amzi's always going to concerts," remarked the editor inconsequently.
"I thought maybe he wasn't going to this one, for the excellent reason
that he declined to take me along."
Barker ran his hand through his hair, looked at Phil with dawning
intelligence, and his brow cleared.
"I haven't said anything," remarked Phil discreetly, "because I don't
know anything."
Barker put on his coat and hat.
"Guess I'll go out and sniff the local feeling on this proposition. It's
about time I blew the lid off and said a few things about Bill Holton.
If Bernstein brings in copy for his Christmas 'ad,' whistle for the boy
and tell 'em to hustle it. Hang your stuff on the hook and I'll write
the heads later. Don't let your playful humor get away with you, and if
any farmers come in with the biggest pumpkin ever raised on Sugar Creek,
note the name and weight carefully, call the boy and send the precious
fruit right home to our wife. Our annual biggest pumpkin is long overdue
and undelivered. You might just head that item 'When the Frost is on the
Punkin.' We have captious subscribers who check up on favorite
quotations and our aim is to please one and all."
A desk stood by the window from which the editorial eye in its frenzied
rollings enjoyed a fine sweep of Main Street. To Phil Main Street ran
round the world. Its variety was infinite. No one knew the ways, the
interests, the joys and sorrows of Montgomery better than she. Every one
was, in a sense, a character. More or less unconsciously she fitted them
all into little dramas, or sketched them with swift, telling strokes.
The fact that this Main Street summarized American life; that there were
hundreds of Main Streets presenting much the same types, the same mild
encounters and incidents, appealed to her sense of humor. Her longest
journey in the world had been a summer excursion to New England with her
father, and she had been struck by the similarity of the phenomena
observable in Williamstown, Pittsfield, Northampton--and Montgomery! In
every town, no matter what its name, there was always the same sleepy
team in front of the Farmers' Bank, the same boy chasing his hat, the
same hack-driver in front of the hotel, the same pretty girl bowing to
the same delighted young man near the same town pump or the soldiers'
monument in the square.
Phil wrote busily. It was easy for her to write, and when, looking up
casually, items were suggested to her by the passers-by, she returned to
her work with a smile on her face. Judge Walters passed carrying a
satchel; this meant that he had returned from holding court in Boone
County; Captain Wilson stumped by with a strange young man who Phil
reasoned immediately must be the nephew he had expected to visit him
during the holidays. The new auto-truck of the express company, which
had long been forecast in Main Street rumor, rumbled by, and she
heralded its arrival in a crisp paragraph. "Spress," the venerable dog
that for ages had followed the company's old horse and wagon, was at
last out of commission, Phil's "brevity" recited. The foreman came in
from the composing-room, told her gravely that the paper was overset,
and departed with her copy.
She took up the article relating to Sycamore Traction and read it
through to the end. Many of the terms meant nothing to her; but the
guarded intimations of improper conduct on the part of the promoters and
directors were sufficiently clear. What interested her most of all was
the accusation, cautiously attributed "to one in a position to know,"
that the estate of Samuel Holton had been so manipulated as to conceal
part of the assets, and that a movement was on foot to reopen the estate
with a view to challenging the inventory. The names of Charles Holton
and his Uncle William, president of the First National Bank of
Montgomery, appeared frequently in the article, which closed with a
statement signed by both men that the stories afloat were baseless
fabrications; that the company was earning its charges and that the
rumors abroad through the state were the result of a conspiracy by a
number of stockholders to seize control of the company.
Looking up, Phil saw her father pass the window, and before she could
knock on the glass to attract his attention he came in hurriedly.
"'Lo, daddy!"
"What are you up to, Phil? Where's Barker?"
"Out taking the air. His local's quit and I'm doing a few literary gems
for him." She rose and leaned across the counter. Anxiety was plainly
written on her father's face, and she surmised that something of
importance had brought him back from the city at this hour. He had not
expected to return until Saturday, and this was only Thursday.
"I must see Barker. Where do you suppose he went?"
"He's trying to make up his mind what to do about that," said Phil,
indicating the clipping.
Kirkwood took from his pocket several sheets of typewritten legal cap,
and ran them over.
"I want him to print this; it must get in to-day. The people here
mustn't be stampeded by those stories. A repetition of them in the
'Star' might do great harm--incalculable harm to the community and to
all its interests."
"It doesn't sound pretty--that piece in the 'Advertiser.'"
"It's all surmise and speculation. That's what I've been in the city
about lately; and if they give us a chance we'll pull it out without
scandal."
"Suppose I write an interview with you along that line and stick your
statement on the end of it?"
"I'll have to see Barker first: he's supposed to be unfriendly to the
Holtons--old political feeling."
It occurred to Phil that it was odd for her father to be interposing
himself between the Holtons and scandalous insinuations of the press as
to their integrity. Tom Kirkwood reflected a moment, then opened the
gate in the office railing and sat down beside her.
"I've got to get the twelve o'clock train back," he said, "and this must
go in to-day. We must reassure the people as quickly as possible."
She wrote an opening paragraph without further parley and read it. He
made a few changes, and then dictated a statement as attorney for the
Desbrosses Trust & Guaranty Company, trustee for the Sycamore
bondholders.
The stories set afloat at Indianapolis were gross exaggerations, he
declared, and there was no occasion for alarm in any quarter. It was
true that the company had suffered serious losses owing to unfortunate
accidents, but these were not of a character to jeopardize the interests
of bondholders. A thorough investigation was in progress, and judgment
should be reserved until the exact truth should be known. The trustee
meant to safeguard every interest of the investors.
Kirkwood was lost in thought for several minutes, and then took a sheet
of paper and experimented with a number of sentences until these
survived his careful editing:--
"I personally believe that the affairs of the Sycamore Traction
Company will be speedily adjusted in a way that will satisfy
those concerned, and meanwhile all efforts to shake public
confidence in any of the interests or institutions of
Montgomery can only react disastrously upon those guilty of
such attempts."
He read this over frowningly.
"I think that will be all, Phil," he said, handing her a clean copy.
While she was numbering the pages, Barker came in and Kirkwood drew him
into a corner, where they conversed earnestly. The editor had met that
morning many citizens who spoke bitterly of the Sycamore Traction
Company. The Indianapolis "Advertiser's" circulation in Montgomery was
almost equal to that of the "Evening Star"; and on the wintry corners of
Main Street, in the lobby of the Morton House, and in the court-house,
men were speculating as to the effect of the reports from Indianapolis
upon the Holton bank. The Holtons were Democrats and the "Evening Star"
was the Republican county organ. Barker disliked William Holton on
personal grounds and here was his chance for reprisal.
"They're all crooks," said the editor hotly; and cut Kirkwood short with
"No one knows that better than you."
Kirkwood ignored this thrust.
"It isn't your feeling or mine, Barker, about these people. It's the
town and its best interests we've got to consider. I give you my word
that I believe these kinks in Sycamore will be straightened out. Nobody
knows more about the situation than I do. If you repeat this
'Advertiser' article, you'll start a run on the First National Bank, and
if it should go down, it wouldn't do any of us any good, would it? It
wouldn't help the town any, would it? I want you to trust me about this.
There's no question of newspaper enterprise involved; but there is a
chance for you to serve the community. The very fact that you have never
been friendly to the Holtons will give additional weight to what you
print to-day. I'm not asking you to smother this talk as a favor to me,
but for the good of the town--all of us. And I believe you're big enough
and broad enough to see it."
Barker was reluctant to yield. His paper was one of the most influential
country papers in the state. He was proud of its reputation and anxious
to do nothing that would injure its hard-won prestige.
"That's all right, Kirkwood, but how about that swindling construction
company the Holtons worked as a side line? The bad service the company
has given from the start pretty nearly proves that there was crooked
work there. How do you get around that?"
"You'll have to believe what I say, that we will handle it all to the
satisfaction of the public. But smashing a bank won't help any. We're
trying to manage in such way that no innocent party will suffer."
"Well, there's nothing innocent about these Holtons. Sam died and got
out of it, but Will and this young Charlie are off the same block. And
now Jack's come back to make trouble for them. I don't see myself
jumping in to protect these fellows; if they've got themselves in a
hole, let them wiggle out."
"You're not talking like a reasonable human being, Barker. Try to
overcome personal prejudices. Just remember that several hundred
people--our friends and neighbors--are going to be hurt if the bank
fails. I've just headed off Waterman. He was about to bring suit for a
receiver on behalf of one of the local bondholders on the ground of
mismanagement. That would be a mistake. It's in our plans to bring up
the road's efficiency at once. The trustee is in a position to do that.
I want you to help me quiet these disturbing rumors. If I didn't believe
it would all come out right, I'd tell you so very frankly."
Barker shrugged his shoulders and walked to his desk. He read Phil's
introduction and the accompanying statement with Kirkwood's name
attached.
"All right, Tom. But remember that this is personal to you; I wouldn't
do it for any other man on earth."
"You're doing it for the town, Barker. We're all friends and neighbors
here; and I give you my word that you won't regret it. I've got to run,
Phil. Sorry; but I'll be back in a day or two. How are Nan and Rose?"
"Fine."
"Nan staying with you?"
"No; I've moved over there for a few days."
"That's all right. Give them my compliments."
The door closed on him as Barker came back from the composing-room,
where he had carried the Sycamore article and ordered it double-leaded.
Phil, gathering up her belongings, lingered for a word. Barker ripped
the wrapper from an exchange absently.
"Phil, you've never suspected your father of being a little touched in
his upper story, have you?"
"That short-circuited; say it some other way," observed Phil, buttoning
her glove.
"That dad of yours, Phil, if he ain't plumb crazy, is the whitest white
man that ever trod the footstool. I always suspected him of being
tolerably highminded, but I guess if ever a man climbed on top of his
soul and knew that he was the boss of it with the help of Almighty God,
that man is Tom Kirkwood. It's got me fuddled, Phil. It's addled me like
the report of a tariff commission or an argument for government
ownership of laying hens; but I respect it, and I admire it. Be good to
your daddy. So far as I know he hasn't any competition in his class."
Phil pondered this as she walked toward Buckeye Lane. It was not
necessary for her to understand the intricacies of the traction
company's troubles to realize that her father had interceded for the
Holtons. Barker's praise of him warmed her heart. She knew that her
father was by no means tame and bloodless. In many long talks, tramping
and camping, they had discussed nearly every subject under the sun; and
she knew that his wrath blazed sometimes at the evils and wrongs of the
world. Once she had gone unbidden to the court-house to hear him speak
in a criminal case, where he had volunteered to defend an Italian
railroad laborer who had been attacked by a gang of local toughs and in
the ensuing fight had stabbed one of his assailants. Kirkwood was not an
orator by the accepted local standard,--a standard established by "Dan"
Voorhees and General "Tom" Nelson of an earlier generation,--but that
afternoon, after pitilessly analyzing the state's case, he had yielded
himself to a passionate appeal for the ignorant alien that had thrilled
through her as great music did. She had never forgotten that; it had
given her a new idea of her father. There had been something awful and
terrifying in his arraignment of the witnesses who sought to swear away
the cowed prisoner's liberty. Her father's gentleness, his habitual
restraint, had seemed finer and nobler after that.
In the nature of her upbringing Phil had developed the habit of thinking
her way out of perplexities. Her intimate knowledge of the history and
traditions of Montgomery furnished the basis for a healthy philosophy,
and the wide range of her well-directed reading had opened doors that
let in upon her intelligence much of the light and shadow of human
experience. Happiness was not, she knew, an inalienable right, but
something to be sought and worked for. Her thoughts played about her
father and his life--that broken column of a life, with its pathetic
edges! What would become of him and Nan, now that she knew Nan loved
him, and imaginably, he loved her? For the first time in her life she
found her face pressed against a dark pane, unable to see light.
She was conscious that some one was walking rapidly behind her, and she
whirled round as her name was spoken. It was Fred Holton, who had
evidently been following her.
"Why so formal! Why didn't you whistle?" she asked, shaking hands with
him. "Those birds you sent me were meat for gods.
'Then mighty Jove,
Grabbing the last brown quail from off the plate,
Shouted, "For gods alone such food"; and bade
Dian to skip, with bow well bent, and bring
A billion birds to grace another feast.'"
"If Dian filled that order," said Fred, "it would get her into trouble
with the game warden."
"That was one good thing about the gods," remarked Phil as he caught
step with her; "they didn't have to be afraid of policemen. How did you
come to tear yourself loose from Stop 7 to-day?"
"Trouble, if you want the real truth."
They had reached the college and were walking along the Buckeye Lane
side of the campus. Fred was wrapped in his ulster and wore an old fur
cap with its ear-flaps gathered up and tied on top. Now that the first
pleasure of the meeting had passed, an anxious look had come into his
face. He stared straight ahead, walking doggedly.
"I came into town to see your father, but I just missed him. I wanted to
talk to him."
"He hasn't been in town much lately and he was only here for an hour
this morning. But he'll be back in a few days."
"I'm sorry," said Fred, "not to see him to-day."
Just what business he had with her father she could not imagine; but she
was sorry for his trouble, whatever it might be. In her recent
reflections touching the Holtons she had not thought of Fred at all;
nor did it occur to her now that he was in any way concerned with the
Sycamore difficulties.
"Miss Kirkwood--"
"Well, Mr. Holton, if you will be real nice, I'll let you call me Phil.
I met you before I grew up--that night I danced in the cornfield. The
moon introduced and chaperoned us, after a fashion, so we'll consider
that you belong to the earlier period of what might be called my life.
That was my last fling. When I came home that night I was a grown-up.
How do you like that, Fred?"
"More than I care to say!" And his face lighted.
He realized perfectly that knowing his diffidence she was trying to make
things easier for him, just as she had at her party. Phil was wondering
whether she dared ask him to go to the Bartletts' with her for luncheon.
"It's lonesome, Phil, not having anybody to talk to about your troubles.
There are times when we've got to lean up against advice."
"They say I never do much leaning," Phil replied. "My aunts say it.
There ought to be a place like a post-office where you could poke in a
question and get the answer right back; but there isn't."
"Our folks are in a lot of trouble, according to the papers," said Fred.
"That's what I wanted to see your father about."
"Oh!"
"I felt that I ought to see him as soon as possible."
"I wouldn't trouble about what's in the papers. That's what my father
came back for to-day--to head off the home papers about the traction
company."
"Just how do you mean?" he asked, clearly puzzled. "I thought he was on
the other side of the case."
"Well, the 'Star' this evening will say that everything will be all
right, and for people not to get excited. I don't see why you should
bother. You're a farmer and not mixed up in the traction business."
He seemed not to notice when they reached and passed the Bartletts',
though she had told him she was going there for luncheon.
"They say Charlie didn't play straight in settling father's estate; that
it's going to be opened up and that we've got to give back what we got
from it. The 'Advertiser' had all that this morning. Perry brought me
his paper and we talked it over before I came in. He said it wasn't any
of my business; but I think it is. We owe it to father--all of us--if
there's anything wrong, to show our willingness to open up the estate. I
thought I'd like to tell your father that."
"We've got to turn back here. I understand how you feel, but I can't
advise you about that. That article said you weren't responsible--it
said in very unpleasant words that you had been robbed, and that giving
you the farm and making you think that was your fair share was a part of
the fraud. If they should go into that, you might get a lot more. Isn't
that so?"
"I don't believe Charlie did it; I don't believe it any more than I
believe that my father made money unfairly out of the building of the
trolley line. But it's up to us to reply to this attack in a way to stop
all criticism. We can't have people thinking such things about us," he
went on more earnestly. "It's ghastly! And I'm going to surrender the
farm; I won't keep it if these things are true or half true. I won't
hold an acre of it until these questions are settled!"
"That sounds square enough. But I don't know anything about it. Just on
general principles, as long as you're not mixed up in the fuss, I'd hang
on to my farm, particularly if you were entitled to more than you got.
But you need a lawyer, not a girl to talk to."
"I suppose that's so; and I oughtn't to have talked to you about it at
all. But somehow--"
They had reached the Bartletts' again and Phil paused with her hand on
the gate. She had decided not to ask him in to luncheon; his mood was
not one that promised well for a luncheon party; and Nan, at least, had
clearly manifested her unfriendliness toward all the Holtons.
"Somehow, I felt that I'd like to tell you how I felt about it. I
shouldn't want you to think we were as bad as that story in the
'Advertiser' makes us out."
"That's all right, Fred. This will all come out right"; and Phil swung
open the gate and stepped into the little yard.
"I want," said Fred, detainingly, speaking across the gate; "I want you
to think well of me! I care a good deal about what you think of me!"
"Oh, everybody thinks well of you!" answered Phil, and caught up the
drumstick and announced herself.