CHAPTER XII

NAN BARTLETT'S DECISION

"Dad's gone to Indianapolis to be gone several days and didn't expect to

be back to-night; so come over and stay with me, won't you--please? If

you won't I'll have to go to Aunt Josephine's, which is a heartbreaking

thought."

This was the second day after the party, and Nan agreed to go. Phil's

maid-of-all-work did not sleep at the house and the aunts had asserted

that Phil's new status as a member of society made necessary some sort

of chaperonage. Nan arrived at the house late in the afternoon and found

Phil opening a box of roses that had just come from Indianapolis by

express.

"American beauties! and grand ones!"

She handed Nan the card and watched her face as she read it.

"I should have guessed Charlie Holton," said Nan colorlessly. "Well,

they're fine specimens."

"It's very nice of him, I think," said Phil. "Particularly when I was so

snippy to him."

"Why did you snip him?" asked Nan, watching Phil thrust the last of the

long stems into a tall vase.

"Oh, he started in to rush me. And I guess he's some rusher. I suppose

he's had a lot of practice."

"I suppose he has," said Nan indifferently.

"And nobody ever gave me just the line of talk he puts up, except of

course Lawr_i_nce."

She feigned to be observing the adjustment of the roses with a

particular interest, and looking round caught Nan frowning.

"Is he trying to flirt with you? I supposed even he had his decent

moments. When did that happen?"

"Oh, at the party; everything happened at the party."

"Two men making love to you on the same evening is a good record for

Montgomery. I suppose Lawrence played the ardent Romeo game; I

understand that he's better 'off' than 'on.' And you snipped him, of

course."

"Oh, I mean to snip them all! Isn't that right?"

"It's pathetic that Lawrence Hastings never quite forgets that he played

the banana circuit in repertoire. That man's an awful bore."

"I find him amusing," said Phil provokingly. "And he always gives me a

box at matinees. Which is just that much more than I ever get out of my

other imitation uncles. If I led him on a trifle, don't you suppose he

might come to the point of proposing to fly with me? That would be a

consummation devoutly to be worked for."

"Phil, I'll send you to bed if you talk like that."

"There's always the window and the old apple tree; I dare you to put me

to bed! I suppose," she said, nodding in the direction of the roses,

"that those are a sort of peace offering, to make up for his uncle

coming to the party as he did. If that's the idea it was decent of him."

The maid brought in a box that had just been left at the kitchen door.

Phil ran to the window and caught a glimpse of a man closing the gate.

It was Fred Holton, in a long ulster with the collar turned up about his

ears. He untied his horse, attached to a ramshackle buggy, and drove

off. Phil recognized him instantly, but made no sign to Nan.

Across the top of the small pasteboard box, "Perishable" was scrawled.

Inside, neatly dressed, lay six quails. On a card was written:--

"_Compliments of Listening Hill Farm._"

"What's Listening Hill Farm?" asked Nan.

"That's Fred Holton's. He lives out there now. It's just like that boy

to slip round to the back door with an offering like that. Roses from

Charlie; birds from Fred. And there's just about that difference between

them."

Nan's eyes clouded.

"Phil," she said with emphasis, "those three aunts of yours haven't the

sense of rabbits! The comparison flatters them. They had no business

asking the Holtons to your party. It was unnecessary--it was absurd. It

was cruel!"

Nan was not often like this. There was unmistakable indignation in her

tone as she continued:--

"Your Uncle Amzi should have set his face against it. And I suppose they

were satisfied with the outcome; I devoutly hope so."

"Well, don't jump on Amy; he only let them have their way to avoid a

fuss. When the three of them descend on him they do try Amy's soul; he

never admits it, but I always know afterwards. It unsettles him for a

week."

"Those women," said Nan, "have been all over town apologizing for Jack

Holton--as though it was up to them to defend him for turning up at your

party vilely drunk. I tell you, Phil, I'm glad you have the sense you

have in that head of yours and that you've grown up to a point where we

can talk of things. The Holtons are no good! There's a crooked streak in

the whole lot. And all that's the matter with your blessed trio of aunts

is their ambition to stand well with Mrs. William, and your precious

uncles lean on the First National counter when they want to borrow

money. But you'd think they'd have some respect for your father, for

your uncle, for you!"

"Oh, well, it's all over now," replied Phil.

"It's a good thing you're the wise child you are! You understand

perfectly that the Holtons are not for you in this world. And if your

father weren't the gentleman he is he would have made a big row about

those people being asked to your party: it was an insult, too deep for

my powers of description. Those women treat your father as though he

were a halfway idiot--a fool to be thrust around when it pleases them,

and to be the object of simpering tears when they want to play the

pathetic in speaking of your mother to people. They are detestable,

contemptible. And Jack Holton's turning up at Amzi's was the very last

straw."

Phil gazed at Nan with increasing surprise. This was not the familiar

Nan Bartlett of the unfailing gentleness, the whimsical humor. This was

almost a scene, and scenes were not to the liking of either of the

Bartlett sisters.

"Daddy hardly referred to that, Nan. I don't think it really troubled

him."

"That's the worst of it, dear child! Of course he wouldn't show feeling

about it! That's the heartbreaking thing about that father of yours,

that he has borne that old trouble so bravely. It was ghastly that that

man of all men should have stumbled into Amzi's house in that way.

Nothing was ever nobler than the way your father bore it."

She knelt suddenly and clasped Phil in her arms as though to shield her

from all the wrongs of the world. There were tears in Nan's eyes,

unmistakably, when Phil stroked her cheek, and then for the first time

with a sudden impulse Nan kissed her. Phil's intercourse with the

Bartletts had been in the key of happy companionship, marked with a

restraint that the girl respected and admired. There had been an

imperceptible line beyond which she had never carried her pranks with

them. Tears she had never associated with either of the sisters. She

would have assumed, if it had ever been a question in her mind, that

Rose would have been the likelier to yield to emotion.

Nan walked to the window and looked out upon the slowly falling snow.

Phil was busy for a moment readjusting herself to the new intimacy

established by the sight of her friend's agitation. These first tears

that Phil had ever seen in Nan's eyes had a clarifying effect upon her

consciousness and understanding. There flashed upon her keen mind a

thought--startling, almost incredible. It was as though in some strange

fashion, in the unlikeliest spot, she had come upon a rare flower, too

marvelous to breathe upon. Her quick wits held it off guardedly for

bewildered inspection. Could it be possible that it was for her father

that Nan had yielded to tears? Beneath liking and sympathy might there

lie a deeper feeling than friendship in this woman's heart? There had

always seemed to be an even balance of regard for the sisters in all her

father's intercourse with Buckeye Lane. They had been a refuge and

resource, but she had imagined that he went there as she did because it

was the very pleasantest place in town to visit. Whether he admired one

more than the other had never been a problem in her mind, though now she

recalled the intimations of her aunts--intimations which she had cast

into the limbo to which she committed their views and insinuations on

most topics. Phil stood by the black slate mantel of the shelf-lined

sitting-room, her heart beating fast. But Nan turned to her laughingly.

"It's old age, Phil! Rose always tells me that I must stop peppering my

victuals or I'll become one of the sobbing sisterhood one of these days.

What have you been reading lately, Phil?"

"Just finished 'The Gray Knight of Picardy.' Daddy didn't want me to

read it--said it was only half good and that I oughtn't to waste time on

books that weren't a hundred per cent good. I think it's bully. I'm

crazy about it. It's so beautifully, deliciously funny. And Nan--why,

Nan, it sounds just like you!"

"Elucidate," remarked Nan carelessly.

"Oh, it's like you, some of it--the general absurdness of it all; and

then some of it is so amazingly like dad--when he has a high-falutin'

fit and talks through his hat in the old Morte Darthur lingo. It's

Malory brought up to date, with a dash of Quixote. I nearly died at that

place where the knight breaks his lance on the first automobile he ever

saw and then rides at the head of the circus parade. It's certainly a

ticklesome yarn."

She advanced upon Nan dramatically, with arm outstretched, pointing

accusingly. "Look me in the eye, Nan! Did you and daddy frame that up

between you? Be careful now! Dad wrote prodigiously all last winter--let

me think it was a brief; and you and he used to get your heads together

a good deal, private like, and I feigned not to notice because I thought

you were talking about me!"

She clasped Nan by the wrists and laughed into her eyes.

"Go and sit in your little chair, Phil. Your intuitions are playing

tricks with your judgment."

"Fudge! I know it's true now. The author's name in the book is a _nom de

plume_. I saw that in a literary note somewhere."

Nan had seriously hoped Phil would not learn of the joint authorship;

but already it was an accepted fact in the girl's mind. She was smitten

with contrition for her blindness in having failed to see earlier what

was now plain enough! Nan was in love with her father! Their

collaboration upon a book only added plausibility to her surmise.

Nothing could be plainer, nothing, indeed, more fitting! Her heart

warmed at the thought. Her father stood forth in a new light; she was

torn with self-accusations for her stupidity in not having seen it all

before. Admitting nothing, Nan parried her thrusts about the "Gray

Knight." When Phil caught up the book and began to read a passage that

she had found particularly diverting, and which she declared to be

altogether "Nanesque," as she put it, Nan snatched the book away and

declined to discuss the subject further.

Nan had recovered her spirits, and the two gave free rein to the

badinage in which they commonly indulged.

They were sitting down at the table when Kirkwood arrived. He had found

it possible to come home for the night and run back to the city in the

morning. Now that Phil's suspicions had been aroused as to Nan, she was

alert for any manifestation of reciprocal feeling in her father. He was

clearly pleased to find Nan in his house; but there was nothing new in

this. He would have been as glad to see Rose, Phil was sure. Phil

launched daringly upon "The Gray Knight of Picardy," parrying evasion

and shattering the wall of dissimulation behind which they sought to

entrench themselves. It was just like Nan and her father; no one else

would ever have thought up anything so preposterous, so killingly

funny. She went for the book and cited chapters and attributed them, one

after the other, to the collaborators.

"Oh, you can't tell me! That talk between the knight and the cigar-store

Indian is yours, Nan; and the place where he finds the militia drilling

and chases the colonel into the creek is yours, daddy! And I'm ashamed

of both of you that you never told me! What have I done to be left out

of a joke like this! You might have let me squeeze in a little chapter

somewhere. I always thought I could write a book if some one would give

me a good start."

"We're cornered," said Nan finally. "But we'll have to bribe her."

"I came by the office and found some more letters from magazines that

want short stories, serials, anything from the gifted author of 'The

Gray Knight of Picardy,'" said Kirkwood. "Why not enlarge the syndicate,

Nan, and let Phil in? But I've got to retire; I mustn't even be

suspected. This is serious. It would kill my prospects as a lawyer if it

got out on me that I dallied at literature. It's no joke that the law is

a jealous mistress. And now I have the biggest case I ever had; and

likely to be the most profitable. How do we come by these birds, Phil?"

"Fred Holton brought them in, daddy. You remember him; he was at the

party."

"Yes; I remember, Phil. He's Samuel's boy, who's gone to live on their

old farm."

Nan turned the talk away from the Holtons and they went into the

living-room where Kirkwood read some of the notices he had found in his

mail. He improvised a number of criticisms ridiculing the book

mercilessly and he abused the imaginary authors until, going too far,

Phil snatched away the clippings and convicted him of fraud. She

declared that he deserved a mussing and drove him to a corner to make

the threat good, and only relented when she had exacted a promise from

him never to leave her out again in any of his literary connivings with

Nan.

The wind whistled round the house, and drove the snow against the panes.

A snowstorm makes for intimacy, and the three sat by the grate cozily,

laughing and talking; it was chiefly books they discussed. This was the

first time Nan had ever shared a winter-night fireside with the

Kirkwoods, much as she saw of them. And Phil was aware of a fitness in

the ordering of the group before the glowing little grate. The very

books on the high shelves seemed to make a background for Nan. Nothing

could be more natural than that she should abide there forever. Phil

became so engrossed in her speculations that she dropped out of the

talk. Inevitably the vague shadow of the mother she had never known

stole into the picture. She recalled the incident of the broken negative

that had slipped from her father's fingers upon the floor of the

abandoned photograph gallery. Her young imagination was kindled, and her

sympathies went out to the man and woman who sat there before the little

grate, so clearly speaking the same language, so drawn together by

common interests and aspirations.

She was brought to earth by Nan's sudden exclamation that she must go

home. There was no question about it, she said, when they pleaded the

storm as a reason for spending the night; she had come merely to relieve

Phil's loneliness. Nan protested that she could go alone; but Kirkwood

without debating the matter got into his ulster, and Phil, screened by

the door, watched them pass under the electric light at the corner.

* * * * *

The streets were deserted and the storm had its will with the world. Nan

and Kirkwood stopped for breath and to shake off the snow where a

grocer's shed protected the sidewalk.

"I came back to-night," he said, "because I wanted to see you, and I

knew I should find you with Phil. Nan, after what happened at Amzi's the

other night I find I need you more than I ever knew. I was afraid you

might imagine that would make a difference. But not in the way you may

think--not about Lois! It was just the thought of him--that he had once

been my friend, and came back like that. It was only that, Nan. If she

had come back and stood there in the door I shouldn't have had a twinge.

I'm all over that. I've been over it for a long time."

"I think I understand that, but nothing can make any difference as to

us. That is one thing that is not for this world! Come, we must hurry

on!"

As she took a step forward he sprang in front of her.

"Nan, I've got to go back to the city on the morning train. I want you

to tell me now that you will marry me--let us say in the spring. Let me

have that to look forward to. I've waited a long time, and the years are

passing. I want you to say 'yes' to-night."

He touched her shoulders lightly with his hands. They slipped along her

arms till he clasped her fingers, tightly clenched in her muff.

"You love me, Nan; I know you do! And you have known a long time that I

care for you. Nothing was ever as dear as the thought of you. Whatever

has gone before in my life is done and passed. I can't have you say 'no'

to me. Please, dear Nan--dearest!"

It was a strange place for lovers' talk, but the tumult of the storm was

in Kirkwood's heart. The weariness of a laborious day vanished in the

presence of this woman. His habitual restraint, the reticences of his

nature were swept away. His was no midsummer passion; winter's

battle-song throbbed in his pulses. He caught her arm roughly as she

sought to continue their flight.

"No, Tom; no!"

"Then why?" he persisted. "It can't be because of Lois--you can't

suspect that even the thought of her wounds me now. Jack's coming back

proved that to me: I mean what I say; I don't care any more! There's

nothing for me in this world but you--you and Phil! The memory of that

other woman is gone; I give myself to you as though she had never

been."

"Oh, Tom, I don't believe you! I don't believe any man like you ever

forgets! And Phil mustn't know you even think you have forgotten! That

would be wrong; it would be a great sin! She must never think you have

forgotten the woman who is her mother. And it isn't right that you

should forget! There are men that might, but not you--not you, dear

Tom!"

She shook off his hands and flung herself against the storm. He plunged

after her, following perforce. It was impossible to talk, so blinding

was the slant of snow and sleet in their faces. She drove on with the

energy born of a new determination, and he made no effort to speak again

as he tramped beside her.

When they reached the house in Buckeye Lane he sought to detain her with

a plaintive "Please, Nan?" But she rapped on the door and when Rose

opened it slipped in, throwing a breathless good-night over her

shoulder.

Otherwise Phyllis · 第 12 / 27 章