OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned Clerks._)

Those who appreciate the short story of quality will be pleasantly stirred

by the announcement of _Island Tales_ (MILLS AND BOON), a posthumous volume

containing what is probably the last writing of the late JACK LONDON. I can

say at once that these seven stories show his art in one aspect of its

best. Not here the LONDON, whom some of us might prefer, of the strenuous

adventure-tale, with whom there was no respite till, at the end of anything

up to a hundred sinew-cracking pages, we won through to the appointed end.

That South Sea atmosphere, so insidiously appealing to the literary

temperament (from STEVENSON to STACPOOLE you can see it at work) has

steeped these tales in the lotus-leisure of perpetual afternoon, so that

the action of them tends to become overlaid by slow reflective talk, old

memories and the sense of ancient things. Most notable is this in the

first, where the actual romance, quick, human and haunting, does not so

much as show its face till after forty pages of old-time local colour.

Perhaps of all the seven I myself would prefer the last--"The Kanaka Surf,"

a slight intrigue, but a perfect epic of such bathing as, I suppose, can be

understood nowhere but on these enchanted coasts. To read it is to realise

what a loss we suffer in one who could put such jewelled loveliness on to

the printed page--and what another loss in not seeing the original for

ourselves. I suppose no tribute to the power of genius could be more

eloquent.

* * * * *

After the German Revolution of 1918, KARL KAUTSKY, a prominent Socialist,

was appointed by the new Government to examine and edit the documents in

the Berlin Foreign Office relating to the outbreak of the War. His work was

completed in time for the Peace Conference and would, he believes, if

published at that time, have convinced the Allies that the new German

Government ought not to be made responsible for the sins of the old one.

But it would also have shown that the old Government was the main

instigator of the War, and that the German people, having danced to the

tune, even if they did not call for it, deserved to pay the piper. For that

reason, perhaps, the German Government withheld Herr KAUTSKY'S revelations.

Now he has published them on his own account, under the title, _The Guilt

of William Hohenzollern_ (SKEFFINGTON). A more damning indictment has never

been drawn. From the moment of the ARCHDUKE'S assassination the KAISER and

his advisers determined to make it the pretext for destroying Serbia, and

crushing Russia and France if they dared to interfere. BISMARCK once said

that "never are so many lies told as before a war, during an election and

after a shoot." His own manipulation of the Ems telegram was venial

compared to the manner in which the German diplomatists, egged on by their

ruler--whose _marginalia_ on the despatches furnish the most amusing

reading in the volume--used all the arts of chicanery to deceive Europe as

to their real intentions and to defeat the efforts of England--on whose

neutrality they confidently counted--to secure a peaceful settlement.

Though primarily addressed to the German proletariat, Herr KAUTSKY'S book

has its value for all of us--"lest we forget."

* * * * *

On page 103 of _The White Hen_ (MILLS AND BOON) we read that the _Duke_

laughed softly. "'It is just like a romance,' he sighed happily;" which was

precisely where, without intending it, the _Duke_ placed his ducal finger

upon the weak spot in the whole business. Because if ever a story was "like

a romance," and like nothing else on earth, and filled with characters each

and all pledged to preserve its unreality at all costs, here is that tale.

The plot, of which there is a generous allowance, turns chiefly upon the

problem, when is a white hen less a hen than a jewel casket? Answer, when

she has swallowed, and is erroneously thought to have retained, a famous

diamond, upon which an impoverished but noble (see above) French family had

depended for the _dot_ that should enable their daughter to wed a

plutocratic but otherwise detestable suitor. I take it you will hardly need

telling that this is the moment chosen by Romance, under the expert

guidance of Miss PHYLLIS CAMPBELL, to bring along an even more wealthy

young American, mistaken (of course) for his own chauffeur and working such

havoc upon the heart of the heroine that, when the latter accidentally

recovered the diamond from its feathered _cache_, she very sensibly decided

to say nothing about it. Whereupon, because the other characters,

especially an unpleasant Duchess, were unaware that, as the shop

announcements say, "Poultry was Down Again," much profitable confusion

resulted, though nothing to impugn the justice of the ducal verdict quoted

above. So that, if your taste jumps with that of his Grace, you also can

"sigh happily;" otherwise you will perhaps omit the adverb--and select a

story less exclusively romantic.

* * * * *

There is a spirit of Yorkshire and a spirit, I suppose, characteristic of

Suburbia, and on the outskirts of certain large manufacturing towns there

must exist a formidable blending of these two. To express the double

flavour of this essence requires, I should say, a subtler and more

elaborate method than Mr. W. RILEY has attempted to use in _A Yorkshire

Suburb_ (JENKINS). He has imagined for the purpose of these sketches an

architect, _Murgatroyd_, who in planning most of the houses in the locality

has attempted to express in brick and stone the characters of their several

occupants. This is a device which becomes rather monotonous as the book

proceeds, besides imposing a series of strains which neither architecture

nor credulity can easily bear. Since these are rather superior

suburbanites, dialect is for the most part absent, and it is hard to feel

that they are very different people from those who live about the borders

of Manchester or London; a character like _Mrs. Flitch_, for instance, who

is angelic to behold but a spiteful gossip at heart, is, alas! to be found

anywhere. And where the dialect does crop out it does not seem to be

dependent on suburban soil for its raciness. I don't doubt the accuracy of

Mr. RILEY'S Yorkshiremanship, but I do think he has under-estimated the

difficulty of localising the peculiar genius of villadom.

* * * * *

Though billed by her publisher as a merciless analyst, Mrs. MORDAUNT is

really (if you want to fling this kind of title about) an eclectic

synthetist or synthetic symbolist. Her wicked people are prodigiously

wicked, wickedness personified, in fact; her good folk are noble-hearted

without stint or measure. I don't personally think that anybody could be

quite so completely and gratuitously evil as good-looking _Charles Hoyland_

in _The Little Soul_ (HUTCHINSON); or, being so, could possibly be

recommended, still less engaged, as tutor to a sensitive youth; or, being

so engaged, tolerated for two days. He certainly could not hold down his

job long enough to corrupt his pupil, _Anthony Clayton_, by exchanging

souls with him under the nose of mad but perceptive _Mrs. Clayton_ and sane

sister _Diana_. This conspicuously chaste _Diana_ is an attractive person,

and so is the recklessly charitable _Dr. McCabe_, her appropriate mate, who

first had to fly the country through helping a chorus-girl out of a

difficulty and then (more or less) won the War by revolutionising

bacteriology or something like that. However, Mrs. MORDAUNT interests

because she is so palpably interested herself.

* * * * *

The scenes of _Lure of Contraband_ (JARROLDS) are laid in the Devonshire of

some hundred years ago. It is, as its title suggests, a tale of smuggling,

and it contains an account of a hand-to-hand fight between the hero and the

villain which I advise all members of the National Sporting Club to read.

They may be shocked by the tactics of the villain, but at the same time

they will see what a bout of fisticuffs meant in those days. Mr. J. WEARE

GIFFARD is a master of atmosphere, and I, at any rate, lived happily in his

Appledore, and imagined myself drinking prime (and cheap) French brandy in

the Beaver Inn; while _Lieutenant Perkins_, who commanded the "preventive

men," sat in his tall-backed chair by the fireplace and kept his eyes and

ears open to detect anything that was suspicious. But he was not foolish

enough to ask many questions about the French brandy. An excellent yarn,

simply and straight-forwardly told.

* * * * *

[Illustration: _Customer._ "AND WHAT DO YOU THINK OF LLOYD GEORGE?"

_Barber._ "THINK OF 'IM, SIR? WITH A MOP OF 'AIR LIKE 'E'S GOT--A NICE

EXAMPLE TO THE NATION!"]

* * * * *

"A photograph of the Olympic games at Antwerp was transmitted yesterday

to Paris, a distance of 200 miles, over a telephone wire. It is in the

nature of an experiment, and if it succeeds Messrs. Cook hold out

promises of further day trips to the Continent."--_Daily Paper._

Intending trippers must, of course, be proficient in the tight-rope wire.

Punch, or the London Charivari, Volume 159, August 25th, 1920 · 第 56 / 56 题