Thus, as it were before the Corsican saw the light of day in this

world, dispute began about him. It has been continued for a hundred

and twenty-eight years. Whatever else he succeeded in doing--whatever

else he failed to do--he at least did succeed in dividing the

civilized world into two parties; he made himself the subject of a

controversy which has not ceased to the present hour. The reason, no

doubt, is that we do not as yet understand human history and the part

which the individual plays in the progress of events. Nearly all men

begin with a prejudice in judging all other men, and nearly all men

end as they begin. So it has been in the case of Bonaparte. After a

while we shall see things more clearly; after a while we shall be able

to interpret _men_--but not yet.

The writings relative to this man constitute a cycle. The books on him

and his times make a library, the perusal and study of which might

absorb a large section of an active life. The name of such productions

is legion. Most of them will fortunately perish. The controversial

aspect of the life of the Emperor must at last subside. Nine out of

ten of the books about him will go down to the nether oblivion. Then

the judicial aspect will arise--if it has not already arisen--and will

occupy the attention of those who are still curious to study the

career of him who shares with the son of Philip and the matchless

Julius the triune honor of being the greatest warriors known to human

history. If a fourth should be added to the group it would be

Hannibal, and if a fifth, Charlemagne.

Here at the date of a century from those days in which the star of

Napoleon emerged from the mists and clouds and began to climb the sky

the interest in his life revives. In America this revival is

attributable in part to general and in part to special causes. The

general causes are to be found in the fact that society _de la fin de

siècle_ is in such a state of profound disturbance, and the existing

order feels so insecure, that that order--as it always does--begins to

cast about in the shadows to find, if it may, some Big Man with a

Sword; him when found we will make our Imperator, and by sharing some

of our estates with certain of his military subalterns we will make

sure of the rest--and after us the deluge. The special cause--at least

in America--is the tremendous and growing tradition of General Grant.

Albeit, General Grant hated the Bonapartes, from the Great One to the

Little One; yet his own luminous setting has left a glow in which the

nation sees men as trees walking--and among these the greatest

simulacrum is Napoleon Bonaparte.

Of this man, who began as the son of a Corsican peasant-mother working

in a mulberry orchard, and who, after fifty-one years, eight months,

and twenty days, ended in a cyclone on the rock called St. Helena,

having meanwhile for nearly a third of his life bestridden western

Europe like a colossus,--a new biography claiming to be the ultimate

summation of the Emperor's life and character has appeared. Professor

William Milligan Sloane, of Princeton University, has entered the

lists which may be said to have opened with Walter Scott and finished

with the McClure Syndicate, passing meanwhile by way of such

personages as De Staël, Las Cases, Victor Hugo, and Lanfrey, and such

drudges as Bourrienne and Méneval, to lodge at last with the

miscellaneous hacks who get three dollars a column for their

boiler-plate philosophy in American newspapers! Heavens, what a

scrimmage!

It were difficult to say when the _final_ biography of a man has been

produced. Hard, hard is it to decide when anything in this world is

final. The never-ending progress of events shapes and readjusts not

only the present materials of history, but also by reaction the

materials of the past. Much that is supposed to be complete is seen to

be unfinished; the done becomes undone, and the peroration of an epoch

has to be rewritten for an exordium.

This is as true of the individual lives of men as it is of great

events. If the ages have to be reconstructed, so also must the men of

the ages. If only a mummy now turn over in his porphyry sarcophagus, a

papyrus is generally found under him; and the finder, with the papyrus

in his hand, may go forth fully warranted to revise every event from

the first cataclysm of the Devonian age to the last earthquake in

Java, and every man from Moses to Cagliostro.

On the whole I incline to the opinion that Professor Sloane has

brought the Emperor Napoleon to a kind of final interpretation; I will

not say to a full stop, but to something very much resembling a

period. In the first place, I offer on the "Life of Napoleon

Bonaparte," the eulogium that the work has, in a great degree,

_naturalized_ the Corsican as he was never naturalized before--thus

bringing him out of cloudland and mere impossible fog to the plain

level of human action and purpose.

This is much. In accomplishing thus much Professor Sloane has

vindicated his claim to be regarded as a great biographer. It has been

the bane of nearly all biographical writing that the subjects of it

have been completely mythologized. Thus far in the history of mankind

biography might be defined as the art of myth-making. I scarcely know

what exceptions to cite to this universal vice except only and always

Boswell's "Life of Samuel Johnson." As for American biographies thus

far produced, there is scarcely a single example of a work which is

not to be classified as a recorded myth. The trouble in all this

business has been that the myth-makers, living in a certain

atmosphere, have imagined that they are obliged to make their

characters conform to the established antecedents of greatness. These

established antecedents of greatness have for the most part been

created out of superstitions, credulities, blank idealism, and mere

dogmatic bosh. No living, active men have ever conformed, or could

conform, to the standards which the logicians, the philosophers, and

the priests have fixed up for them; and if any of them should conform

to such a standard, their place under classification would be with

automata, not with living men.

Nevertheless, our biographers have been so weak and servile as to make

their characters according to this pattern. One character is labelled

Washington, another is labelled Franklin, another is labelled Adams,

and still another, Lincoln.

All this, I think, Professor Sloane has studiously avoided. As a

literary doctor he has done much to destroy the mythical disease. He

has written an elaborate work in which the man Napoleon moves and

acts, neither as an angel nor as a devil, but as a man, moved upon and

moving by the common human passions, though inflamed, in his case, to

a white heat in the furnace of his ambition.

All this was to have been expected in view of the plan of Professor

Sloane as expressed in his preface:

"Until within a very recent period," says he, "it seemed that no

man could discuss him [Napoleon] or his time without manifesting

such strong personal feeling as to vitiate his judgment and

conclusions. This was partly due to the lack of perspective, but

in the main to ignorance of the facts essential to a sober

treatment of the theme. In this respect the last quarter of a

century has seen a gradual but radical change, for a band of

dispassionate scientific scholars have during that time been

occupied in the preparation of material for his life without

reference to the advocacy of one theory or another concerning his

character. European archives, long carefully guarded, have been

thrown open; the diplomatic correspondence of the most important

periods has been published; family papers have been examined, and

numbers of valuable memoirs have been printed. It has therefore

been possible to check one account by another, to cancel

misrepresentations, to eliminate passion--in short, to establish

something like correct outline and accurate detail, at least in

regard to what the man actually did. Those hidden secrets of any

human mind which we call motives must ever remain to other minds

largely a matter of opinion, but a very fair indication of them

can be found when once the actual conduct of the actor has been

determined."

From this point of view Professor Sloane has proceeded with his

tremendous work. His studies at home and abroad have been ample. We

may remark, in passing, upon the physical vigor of the author as shown

in his portrait. From such a face and figure we can but expect energy,

persistency, accomplishment. I do not pretend to disclose the reasons

of Professor Sloane for indulging in this prodigious Napoleonic dream

and for delineating it in what is likely to be regarded as the best

product of his intellectual career. We can only take what he has

produced and give it such cursory notice as our space will permit.

The first volume of the work extends from a survey of the conditions

under which Napoleon was born and reared to the conclusion of his

twenty-eighth year. The first events depicted are those historical

movements in which the Bonapartes, within the narrow limits of their

island, were involved in the seventh decade of the eighteenth century;

and the last event recorded in this volume is the fall of Venice, at

the end of May, 1797. I incline to regard this as the most

interesting, though not the most important, of the four great volumes

of Professor Sloane's work. In the nature of the case the ascendant of

a man is the more inspiring part. In it he appears as an orb whose

full majesty, not yet revealed, solicits the imagination and kindles

by sympathy the ambitions that in some measure are common to us all.

Here in volume I is portrayed the youth of the man Napoleon Bonaparte.

In this he is revealed in the full charm of that electrical audacity

which had as yet lost none of its sharpness and burning flash. Nor had

Napoleon, as a _man_, as yet become sufficiently involved with the

general maze of history, sufficiently immersed in the storm-cloud of

that tempestuous epoch, to be lost from view. This volume shows the

man emerging from boyhood into the full career of a military

conqueror. It shows him in his magical transformation from the

character of an adventurer into the character of a leader of armies

and a dictator of events. It also shows Napoleon with the still fluid

heart of boyhood passing through the lava floods of his first loves,

in particular his love for Josephine, into the age of cynicism and

calculation.

This first volume brings sufficiently to memory the progress of the

youthful Napoleon. Here we see him at his mother's knee; then in the

time of his school days; then in Paris and Valence; then as a neophyte

author, quite absurd in his dreams; then on garrison duty, and then

swept away with the tides of the oncoming revolution. In the smoke of

the South his slender figure is seen here and there until he emerges

at Toulon. In his character of Jacobin he becomes a general in the

army at a time of life when most men are happy to be lieutenants. Then

for the first time he touches the revolutionary society of Paris. He

meets Josephine; Barras delivers her to the coming man. They are

wedded, and from that date the stage widens, the wars in Italy break

out, and the young general begins to whirl his sword at Mantua,

Arcole, and Rivoli--from which he was wont to date his military birth,

saying on that occasion, "Make my life begin at Rivoli;" and finally

at Montebello and Venice, where, in the late spring of 1797, he is

joined by Josephine. There from the French capital they seemed to

stand afar as the cynosure of all revolutionary eyes, expecting a

greater light.

In the second volume Professor Sloane begins with the rescue of the

Directory. Hard after we have the great episode of the Treaty of Campo

Formio, and then the expedition to Egypt. The story of that expedition

is known through all the world; so also the return, and the overthrow

of the Directory.

From that day Bonaparte became the embodiment of the revolution. He

became a statesman and a strategist. He found himself in the

geographical and historical storm-centre of Europe. Then came the

epoch of great wars. Marengo marks the close of the old century, and

the treaty of Lunéville the beginning of the new. Napoleon undertakes

the pacification of Europe, and reorganizes France. He steps

cautiously towards the restoration of monarchy. There is a

life-consulate, transforming itself quickly into an empire. The old

royalism is extinguished, and the new military imperialism is

glorified in its stead. The third coalition of Europe succeeds the

second. Trafalgar strews the sea with the wrecks of France, and

Austerlitz strews the land with the wrecks of Russia and Austria. The

sea is virtually abandoned by the man of destiny, but over the land he

rises as War-lord and Emperor.

The second conflict breaks out with Prussia and ends with the ruin of

that power at Jena and Auerstadt. The year 1806 sees the parvenu

emperor, now thirty-seven years of age, the master of all the better

parts of Europe. Here ends the second volume of his life, according to

Professor Sloane's division, and the third begins with the devastation

and humiliation of the Prussian kingdom.

In this volume the author views Napoleon for the first time as the

arbitrary diplomatist of the West. It is evident that from this time

the emperor's vision widens to a more remote horizon than he had ever

scanned before. The Berlin decree was issued. The battle of Eylau was

fought, and then was achieved the victory of Friedland. Nor may we

pass without noticing the acme which Napoleon, according to the

judgment of many, now reached on that memorable field. Here it is that

art has caught and transmitted him. For it is in the trodden

wheat-field of Friedland that Meissonier's pencil has delineated

Napoleon with his marshals around him, in one of the greatest pictures

of the world.

By this epoch ambition in the emperor had swallowed up all other

passions. He goes on from conquering to conquest. The dream of a

French Empire, coextensive with the borders of Europe, seizes the

Napoleonic imagination. The emperor's armies strike left and right.

They are seen first on one horizon, then on another. The Corsican on

his white horse is now upon the Pyrenees, now on the Germanic

frontier, and now in Poland. He faces Alexander of Russia, and laughs

at him! His gray coat and three-cornered hat become the best known

symbols of military genius in modern times.

Kingdoms and principalities are transformed. Already the mythical

Roman empire has passed away. Austria is threatened with extinction.

The Corsican is seen first in one and then in another of the ancient

capitals of Europe. Aspern follows Eckmühl, and Essling and Wagram

follow Aspern. The treaty of Schönbrunn promises peace to the nations,

but the hope is broken to the lips. In this crisis Josephine goes down

in the shadows, and the daughter of Austria is led to the imperial

chamber--this from the necessity of establishing a dynasty. The

relations between France and Russia are strained to breaking. The

fatal year 1812 comes, and there is a congress of kings. Alexander

gives his ultimatum, and the invasion of Russia is begun. There is an

indescribable struggle on the Moskwa, and then the flames of Moscow

are seen across the deserts of Russian snow.

The fourth and last volume begins with the return of the allied armies

from Russia. Then follows the universal revolt of the nations.

Insurrection breaks out on every horizon, and treachery, as might have

been expected, is added to the combinations that are rapidly formed

against the imperial Corsican. The borders of France are broken in.

There is a narrowing rim of fire bursting into battle flame here and

there; and then the catastrophe of the capture of Paris. There is an

ambiguous abdication and an equivocal exile of a few months' duration

to Elba. It was much like the establishment of a live lion on

Governor's Island!

The lion got away. Then came an instantaneous upheaval of old

revolutionary France, which had now become imperial France. The

Emperor was welcomed home as a returning god. The country was drained

to the last drop of its resources, and everything was staked on the

final strategy of the Hundred Days and the hazard of the

ever-memorable battle.

"There was a sound of revelry by night,"

and then the imperial eagle was seen stretched upon the plain, pierced

through with the shafts of banded nations. He was caged and

transported to that far rock which in his school-essay at Autun he had

described thus: "St. Helena is a _small_ island!" He found it so. For

nearly six years his captivity continued until his stormy career ended

in a May hurricane that might well have shaken the desolate

foundations of his ocean-girt prison. Then the historical tide rolled

on without him. France was transformed into the old image, but her

soul was still imperial. At last the bones of her great dead were

recovered, to be placed at rest in that red-black sarcophagus over

which the world looks down and wonders.

Such is the fiery but fruitful chaos through which the life-line of

Napoleon is drawn with a master hand by Professor William Milligan

Sloane. My judgment is that, on the whole, he has produced the

greatest biographical work which has yet appeared in American

literature. I think that in the main his accomplishment has been equal

to his ambition. It is not an unworthy thing that an _American_

professor, at the seat of an _American_ university, turning his

energies to this great task, has succeeded in making a well-nigh final

record of the life and work of that unequalled organizer, that sublime

dissembler, that cruel reformer, that heartless philanthropist, who,

for half a lifetime, converted old Europe into a mire of murder and

desolation, for the ultimate good of man.

Only one thing may be said in adverse criticism of Professor Sloane's

book, and that is, that his style is too mathematical and too little

imaginative for the subject which he has in hand. His rather cold

precision, however, we concede to him; for it is, no doubt, the

natural method of his expression. We do our part to acknowledge and

welcome the remarkable work which he has produced, and to commend it

to all readers as the best existing and best probable account of the

personal and historical career of Napoleon Bonaparte.

* * * * *

[Transcriber's Notes: Every effort has been made to replicate this

text as faithfully as possible, including obsolete and variant

spellings and other inconsistencies.

The transcriber made these changes to the text to correct obvious

errors:

1. p. 6 over-capatalized --> over-capitalized

2. p. 18 successfull --> successful

3. p. 23 benovelent --> benevolent

4. p. 60 ecocomists --> economists

5. p. 68 A macron diacritical mark, a straight line above

a letter, is found on the first letter o, in the

word Sosoku. This letter is indicated here by the

coding [=x] for a macron above any letter x.

Thus, for example, the word Sosoku appears as

S[=o]soku in the text.

6. p. 76 staightforward --> straightforward

7. p. 94 abnormalties --> abnormalities

8. p. 124 desparing --> despairing

9. p. 144 stategy --> strategy

End of Transcriber's Notes]

The Arena, Volume 18, No. 92, July, 1897 · 第 13 / 13 段