CHAPTER X.

On the following evening Yourii went to the same spot where he had met

Sina Karsavina and her companion. Throughout the day he had thought

with pleasure of his talk with them on the previous evening, and he

hoped to meet them again, discuss the same subjects, and perceive the

same look of sympathy and tenderness in Sina’s gentle eyes.

It was a calm evening. The air was warm, and a slight dust floated

above the streets. Except for one or two passers-by, the boulevard was

absolutely deserted. Yourii walked slowly along, his eyes fixed on the

ground.

“How boring!” he thought. “What am I to do?”

Suddenly Schafroff, the student, walking briskly, and, swinging his

arm, approached him with a friendly smile on his face.

“Why are you dawdling along like this, eh?” he asked, stopping short,

and giving Yourii a big, strong hand.

“Oh! I am bored to death, and there’s nothing to do. Where are you

going?” asked Yourii, in a languid, patronizing tone. He always spoke

thus to Schafroff, because, as a former member of the revolutionary

committee he looked upon the lad as just an amateur revolutionist.

Schafroff smiled as one thoroughly pleased with himself.

“We have got a lecture to-day,” he said, pointing to a packet of thin

pamphlets in coloured wrappers. Yourii mechanically took one, and,

opening it, read the long, dry preface to a popular Socialistic

address, once well known to him, but which he had quite forgotten.

“Where is the lecture to be given?” he asked with the same slightly

contemptuous smile as he handed back the pamphlet.

“At the school,” replied Schafroff, mentioning the one at which Sina

Karsavina and Dubova were teachers. Yourii remembered that Lialia had

once told him about these lectures, but he had paid no attention.

“May I come with you?” he asked.

“Why, of course!” replied Schafroff, eager to assent to this proposal.

He looked upon Yourii as a real agitator, and, over-estimating his

political abilities, felt a reverence for him that bordered on

affection.

“I am greatly interested in such matters.” Yourii felt it necessary to

say this, being all the while glad that he had now got an engagement

for the evening, and that he would see Sina again.

“Why, yes, of course,” said Schafroff.

“Then, let us go.”

They walked quickly along the boulevard and crossed the bridge, from

each side of which came humid airs, and they soon reached the school

where people had already assembled.

In the large, dark room with its rows of benches and desks the white

cloth used for the magic lantern was dimly visible, and there were

sounds of suppressed laughter. At the window, through which could be

seen the dark green boughs of trees in twilight, stood Lialia and

Dubova. They gleefully greeted Yourii.

“I am so glad that you have come!” said Lialia.

Dubova shook him vigorously by the hand.

“Why don’t you begin?” asked Yourii, as he furtively glanced round,

hoping to see Sina.

“So Sinaida Pavlovna doesn’t attend these lectures?” he observed with

evident disappointment.

At that moment a lucifer-match flashed close to the lecturer’s desk on

the platform, illuminating Sina’s features. The light shone upon her

pretty fresh face; she was smiling gaily.

“Don’t I attend these lectures?” she exclaimed, as, bending down to

Yourii, she held out her hand. He gladly grasped it without speaking,

and leaning lightly on him she sprang from the platform. He felt her

sweet, wholesome breath close to his face.

“It is time to begin,” said Schafroff, who came in from the adjoining

room.

The school attendant with heavy tread walked round the room, lighting

one by one the large lamps which soon shed a bright light. Schafroff

opened the door leading to the passage, and said in a loud voice: “This

way, please!”

Shyly at first, and then in noisy haste, the people entered the

lecture-room. Yourii scrutinized them closely; his keen interest as a

propagandist was roused. There were old folk, young men, and children.

No one sat in the front row; but, later on, it was filled by several

ladies whom Yourii did not know; by the fat school-inspector; and by

masters and mistresses of the elementary school for boys and girls. The

rest of the room was full of men in caftans and long coats, soldiers,

peasants, women, and a great many children in coloured shirts and

frocks.

Yourii sat beside Sina at a desk and listened while Schafroff read,

calmly, but badly, a paper on universal suffrage. He had a hard,

monotonous voice and everything he read sounded like a column of

statistics. Yet everybody listened attentively with the exception of

the intellectual people in the front row, who soon grew restless and

began whispering to each other. This annoyed Yourii, and he felt sorry

that Schafroff should read so badly. The latter was obviously tired, so

Yourii said to Sina:

“Suppose I finish reading it for him? What do you say?”

Sina shot a kindly glance at him from beneath her drooping eye-lashes.

“Oh! yes, do read! I wish you would.”

“Do you think it will matter?” he whispered, smiling at her as if she

were his accomplice.

“Matter? Not in the least. Everybody will be delighted.”

During a pause, she suggested this to Schafroff, who being tired and

aware how badly he had read, accepted with pleasure.

“Of course! By all means!” he exclaimed, as usual, giving up his place

to Yourii.

Yourii was fond of reading, and read excellently. Without looking at

anyone, he walked to the desk on the platform and began in a loud, well

modulated voice. Twice he looked down at Sina, and each time he

encountered her bright, expressive glance. He smiled at her in pleasure

and confusion, and then, turning to his book, began to read louder and

with greater emphasis. To him it seemed as if he were doing a most

excellent and interesting thing. When he had finished, there was some

applause in the front seats. Yourii bowed gravely, and as he left the

platform he smiled at Sina as much as to say, “I did that for your

sake.” There was some murmuring, and a noise of chairs being pushed

back as the listeners rose to go. Yourii was introduced to two ladies

who complimented him on his performance. Then the lamps were put out

and the room became dark.

“Thank you very much,” said Schafroff as he warmly shook Yourii’s hand.

“I wish that we always had some one to read to us like that.”

Lecturing was his business, and so he felt obliged to Yourii as if the

latter had done him a personal service, although he thanked him in the

name of the people. Schafroff laid stress on the word “people.” “So

little is done here for the people,” he said, as if he were telling

Yourii a great secret, “and if anything _is_ done, it is in a half-

hearted, careless way. It is most extraordinary. To amuse a parcel of

bored gentlefolk dozens of first-rate actors, singers and lecturers are

engaged, but for the people a lecturer like myself is quite good

enough.” Schafroff smiled at his own bland irony. “Everybody’s quite

satisfied. What more do they want?”

“That is quite true,” said Dubova. “Whole columns in the newspapers are

devoted to actors and their wonderful performances; it is positively

revolting; whereas here …”

“Yet what a good work we’re doing!” said Schafroff, with conviction, as

he gathered his pamphlets together.

“Sancta Simplicitas!” ejaculated Yourii inwardly.

Sina’s presence, however, and his own success inclined him to be

tolerant. Indeed Schafroff’s utter ingenuousness almost touched him.

“Where shall we go now?” asked Dubova, as they came out into the

street.

Outside it was not nearly so dark as in the lecture-room, and in the

sky a few stars shone.

“Schafroff and I are going to the Ratoffs,” said Dubova. “Will you take

Sina home?”

“With pleasure,” said Yourii.

Sina lodged with Dubova in a small house that stood in a large, barren-

looking garden. All the way thither she and Yourii talked of the

lecture and its impression upon them, so that Yourii felt more and more

convinced that he had done a good and great thing. As they reached the

house, Sina said:

“Won’t you come in for a moment?” Yourii gladly accepted. She opened

the gate, and they crossed a little grass-grown courtyard beyond which

lay the garden.

“Go into the garden, will you?” said Sina, laughing. “I would ask you

to come indoors, but I am afraid things are rather untidy, as I have

been out ever since the morning.”

She went in, and Yourii sauntered towards the green, fragrant garden.

He did not go far, but stopped to look round with intense curiosity at

the dark windows of the house, as if something were happening there,

something strangely beautiful and mysterious. Sina appeared in the

doorway. Yourii hardly recognized her. She had changed her black dress,

and now wore the costume of Little Russia, a thin bodice cut low, with

short sleeves and a blue skirt.

“Here I am!” she said, smiling.

“So I see!” replied Yourii with a certain mysterious emphasis that she

alone could appreciate.

She smiled once more, and looked sideways, as they walked along the

garden-path between long grasses and branches of lilac. The trees were

small ones, most of them being cherry-trees, whose young leaves had an

odour of resinous gum. Behind the garden there was a meadow where wild

flowers bloomed amid the long grass.

“Let us sit down here,” said Sina.

They sat down by the, fence that was falling to pieces, and looked

across the meadow at the dying sunset. Yourii caught hold of a slender

lilac-branch, from which fell a shower of dew.

“Shall I sing something to you?” asked Sina.

“Oh! yes, do!” replied Yourii.

As on the evening of the picnic, Sina breathed deeply, and her comely

bust was clearly denned beneath the thin bodice, as she began to sing,

“Oh, beauteous Star of Love.” Pure and passionate, her notes floated

out on the evening air. Yourii remained motionless, gazing at her, with

bated breath. She felt that his eyes were upon her, and, closing her

own, she sang on with greater sweetness and fervour. There was silence

everywhere as if all things were listening; Yourii thought of the

mysterious hush of woodlands in spring when a nightingale sings.

As Sina ceased on a clear, high note, the silence seemed yet more

intense. The sunset light had faded; the sky grew dark and more vast.

The leaves and the grass quivered imperceptibly; across the meadow and

through the garden there passed a soft, perfumed breeze; faint as a

sigh. Sina’s eyes, shining in the gloom, turned to Yourii.

“Why so silent?” she asked.

“It is almost too delightful here!” he murmured, and again he grasped a

dewy branch of lilac.

“Yes, it is very beautiful,” replied Sina dreamily.

“In fact it is beautiful to be alive,” she added.

A thought, vague and disquieting, crossed Yourii’s mind, but it

vanished without taking any clear shape. Some one loudly whistled twice

on the other side of the meadow, and then came silence, as before.

“Do you like Schafroff?” asked Sina suddenly, being inwardly amused at

so apparently inept a question.

Yourii felt a momentary pang of jealousy, but with a slight effort he

replied gravely. “He’s a good fellow.”

“How devoted he is to his work!”

Yourii was silent.

A faint grey mist rose from the meadow and the grass grew paler in the

dew.

“It is getting damp,” said Sina, shivering slightly.

Yourii unconsciously looked at her round, soft shoulders, feeling

instantly confused, and she, aware of his glance became confused also,

although it was pleasant to her.

“Let us go.”

Regretfully they returned along the narrow garden-path, each brushing

lightly against the other at times as they walked. All around seemed

dark and deserted, and Yourii fancied that now the garden’s own life

was about to begin, a life mysterious and to all unknown. Yonder, amid

the trees and across the dew-laden grass strange shadows soon would

steal, as the dusk deepened, and voices whispered in green, silent

places. This he said to Sina, and her dark eyes wistfully peered into

the gloom. If, so Yourii thought, she were suddenly to fling all her

clothing aside, and rush all white and nude and joyous over the dewy

grass towards the dim thicket, this would not be in the least strange,

but beautiful and natural; nor would it disturb the life of the green,

dark garden, but would make this more complete. This, too, he had a

wish to tell her, but he dared not do so, and spoke instead of the

people and of lectures. But their conversation flagged, and then

ceased, as if they were only wasting words. Thus they reached the

gateway in silence, smiling to themselves, brushing the dew from the

branches with their shoulders. Everything seemed as calm and happy and

pensive as they were themselves. As before, the courtyard was dark and

solitary, but the outer gate was open, and a sound of hasty footsteps

in the house could be heard, and of the opening and shutting of

drawers.

“Olga has come back,” said Sina.

“Oh! Sina, is that you?” asked Dubova from within, and the tone of her

voice suggested some sinister occurrence. Pale and agitated, she

appeared in the doorway.

“Where were you? I have been looking for you. Semenoff is dying!” she

said breathlessly.

“What!” exclaimed Sina, horror-struck.

“Yes, he is dying. He broke a blood-vessel. Anatole Pavlovitch says

that he’s done for. They have taken him to the hospital. It was

dreadfully sudden. There we were, at the Ratoffs’, having tea, and he

was so merry, arguing with Novikoff about something or other. Then he

suddenly began to cough, stood up, and staggered, and the blood spurted

out, on to the table-cloth, and into a little saucer of jam … all

black, and clotted….”

“Does he know it himself?” asked Yourii with grim interest. He

instantly remembered the moonlit night, the sombre shadow, and the

weak, broken voice, saying, “You will be alive, and you’ll pass my

grave, and stop, whilst I …”

“Yes, he seems to know,” replied Dubova, with a nervous movement of the

hands. “He looked at us all, and asked ‘What is it?’ And then he shook

from head to foot and said, ‘Already!’ … Oh! isn’t it awful?”

“It’s too shocking!”

All were silent.

It was now quite dark, yet, though the sky was clear, to them it seemed

suddenly to have grown gloomy and sad.

“Death is a horrible thing!” said Yourii, turning pale.

Dubova sighed, and gazed into vacancy. Sina’s chin trembled, and she

smiled helplessly. She could not feel so shocked as the others; young

as she was, and full of life, she could not fix her thoughts on death.

To her it was incredible, inconceivable that on a beautiful summer

evening, radiantly pleasant such as this, some one should have to

suffer and to die. It was natural, of course, but, for some reason or

other, to her it seemed wrong. She was ashamed to have such a feeling,

and strove to suppress it, endeavouring to appear sympathetic, an

effort which made her distress seem greater than that of her

companions.

“Oh! poor fellow! … is he really…?”

Sina wanted to ask: “Is he really going to die very soon?” but the

words stuck in her throat, and she plied Dubova with fatuous and

incoherent questions.

“Anatole Pavlovitch says that he will die to-night or to-morrow

morning,” replied Dubova, in a dull voice.

“Shall we go to him?” whispered Sina. “Or do you think that we had

better not? I don’t know.”

This was the question uppermost in the minds of them all. Should they

go and see Semenoff die? Was it a right or wrong thing to do? They all

wanted to go, and yet were fearful of what they should see. Yourii

shrugged his shoulders.

“Let us go,” he said. “Very likely they won’t admit us, and perhaps,

too—”

“Perhaps he might wish to see some one,” added Dubova, as if relieved.

“Come on! We’ll go!” said Sina with decision.

“Schafroff and Novikoff are there,” added Dubova, as if to justify

herself.

Sina ran indoors to fetch her hat and coat, and then they went sadly

through the town to the large, grey, three-storied building, the

hospital where Semenoff lay dying.

The long, vaulted passages were dark, and smelt strongly of iodoform

and carbolic. As they passed the section for the insane, they heard a

strident, angry voice, but no one was visible. They felt scared, and

anxiously hastened towards a dark little window. An old, grey-haired

peasant, with a long white beard and wearing a large apron came

clattering along the passage in his heavy top-boots to meet them.

“Who is it that you wish to see?” he asked, stopping short.

“A student has been brought here—Semenoff—to-day!” stammered Dubova.

“No. 6, please, upstairs,” said the attendant, and passed on. They

could hear him spit noisily on the flooring and then wipe it with his

foot. Upstairs it was brighter and cleaner; and the ceiling was not

vaulted. A door with “Doctors’ Room” inscribed on it stood ajar. A lamp

was burning in this room where a jingling of bottles and glasses could

be heard. Yourii looked inside, and called out. The jingling ceased,

and Riasantzeff appeared, looking fresh and hearty, as usual.

“Ah!” he exclaimed in a cheery voice, being evidently accustomed to

events such as that which saddened his visitors. “I am on duty to-day.

How do you do, ladies?” Yet, frowning suddenly, he added with grave

significance, “He seems to be still unconscious. Let us go to him.

Novikoff and the others are there.”

As they walked in single file along the clean, bare passage, past big

white doors with black numbers on them, Riasantzeff said:

“A priest has been sent for. It’s astonishing how quickly the end came.

I was amazed. But latterly he caught cold, you know, and that was what

did it. Here we are.”

Riasantzeff opened a white door and went in, the others following in

awkward fashion as they pushed against each other on the threshold.

The room was clean and spacious. Four of the six beds in it were empty,

each one having its coarse grey coverlet folded neatly, and strangely

suggestive of a coffin. On the fifth bed sat a little wizened old man

in a dressing-gown, who glanced timidly at the newcomers; and on the

sixth bed, beneath a similar coarse coverlet, lay Semenoff. At his

side, in a bent posture, sat Novikoff, while Ivanoff and Schafroff

stood by the window. To all of them it seemed odd and painful to shake

hands in the presence of the dying man, yet not to do so seemed equally

embarrassing, as though by such omission they hinted that death was

near. Some greeted each other, and some refrained, while all stood

still gazing with grim curiosity at Semenoff.

He breathed slowly and with difficulty. How different he looked from

the Semenoff they knew! Indeed, he hardly seemed to be alive. Though

his features and his limbs were the same, they now appeared strangely

rigid and dreadful to behold. That which naturally gave life and

movement to the bodies of other human beings no longer seemed to exist

in his. Something horrible was being swiftly, secretly accomplished

within his motionless frame, an important work that could not be

postponed. All that remained to him of life was, as it were,

concentrated upon this work, observing it with keen, inexplicable

interest.

The lamp hanging from the ceiling shone clearly upon the dying man’s

lifeless visage. All standing there gazed upon it, holding their breath

as if fearing to disturb something infinitely solemn; and in such

silence the laboured, sibilant breathing of the patient sounded

terribly distinct.

The door opened, and with short, senile steps a fat little priest

entered, accompanied by his psalm-singer, a dark, gaunt man. With these

came Sanine. The priest, coughing slightly, bowed to the doctors and to

all present, who acknowledged his greeting with excessive politeness,

and then remained perfectly silent as before. Without noticing anybody,

Sanine took up his position by the window, eyeing Semenoff and the

others with great curiosity as he sought to discern what the patient

and those about him actually felt and thought. Semenoff remained

motionless, breathing just as before.

“He is unconscious, is he?” asked the priest gently, without addressing

anyone in particular.

“Yes,” replied Novikoff, hastily.

Sanine murmured something unintelligible. The priest looked

questioningly at him, but, as Sanine remained silent, he turned away,

smoothed his hair back, donned his stole and in high-pitched, unctuous

tones began to chant the prayers for the dying.

The psalm-singer had a bass voice, hoarse and disagreeable, so that the

vocal contrast was a painfully discordant one as the sound of this

chanting rose to the lofty ceiling. No sooner had it commenced than the

eyes of all were fixed in terror upon the dying man. Novikoff, standing

nearest to him, thought that Semenoff’s eye-lids moved slightly, as if

the sightless eyeballs had been turned in the direction of the

chanting. To the others, however, Semenoff appeared as strangely

motionless as before.

At the first notes Sina began to cry, gently but persistently, letting

the tears course down her youthful, pretty face. All the others looked

at her, and Dubova in her turn began to weep. To the men’s eyes tears

also rose, which by clenching their teeth they strove to keep back.

Every time the chanting grew louder, the girls wept more freely. Sanine

frowned, and shrugged his shoulders irritably, thinking how intolerable

to Semenoff, if he heard it, such wailing must be when to healthy

normal men it was so utterly depressing.

“Not so loud!” he said to the priest irritably.

The latter amiably bent forward to hear this remark, and, when he

understood it, he frowned and only sang louder. His companion glared at

Sanine and the others all looked at him as well, in fear and

astonishment, as if he had said something offensive. Sanine showed his

annoyance by a gesture, but said nothing.

When the chanting ceased, and the priest had wrapped up the crucifix in

his stole, the suspense was more painful than ever. Semenoff lay there

as rigid, as motionless as before. Suddenly the same thought, dreadful

but irresistible, came into the minds of all. If only it could all end

quickly! If only Semenoff would die! In fear and shame they sought to

suppress this wish, exchanging timid glances.

“If only this were all over!” said Sanine in an undertone. “Ghastly,

isn’t it?”

“Yes!” replied Ivanoff.

They spoke almost in whispers, and it was plain that Semenoff could not

hear them, but yet all the others looked shocked.

Schafroff was about to say something, but at that moment a new sound,

indescribably plaintive, echoed through the room, sending a shiver

through all.

“Ee—ee—ee!” moaned Semenoff.

And, as if he had got that mode of expression which he wanted, he

continued to give out this long-drawn note, only interrupted by his

laboured, hoarse breathing.

At first the others could not conceive what had happened to him, but

soon Sina and Dubova and Novikoff began to weep. Slowly and solemnly

the priest resumed his chanting. His fat good-tempered face showed

evident sympathy and emotion. A few minutes passed. Suddenly Semenoff

ceased moaning.

“It is all over,” murmured the priest.

Then slowly, and with much effort, Semenoff moved his tightly-glued

lips, and his face became contracted as if by a smile, The onlookers

heard his hollow, weird voice that, issuing from the depth of his

chest, sounded as if it came through a coffin-lid.

“Silly old fool!” he said, looking hard at the priest. His whole body

trembled, his eyes rolled madly in their sockets, and he stretched

himself at full length.

They had all heard these words, but no one moved; and for a moment the

sorrowful expression vanished from the priest’s fat, moist face. He

looked about him anxiously, but encountered no one’s glance. Only

Sanine smiled.

Semenoff again moved his lips, yet no sound escaped from them, while

one side drooped of his thin, fair moustache. Once more he stretched

his limbs, and became longer and more terrible. There was no sound, nor

the slightest movement whatever. Nobody wept now. The approach of death

had been more grievous, more appalling than its actual advent; and it

seemed strange that so harrowing a scene should have ended so simply

and swiftly. For a few moments they stood beside the bed and looked at

the dead, peaked features, as if they expected something else to

happen. Wishful to rouse within themselves a sense of horror and pity,

they watched Novikoff intently as he closed the dead man’s eyes and

crossed his hands on his breast. Then they went out quietly and

cautiously. In the passages lamps were now lighted, and all seemed so

familiar and simple that every one breathed more freely. The priest

went first, tripping along with short steps. Desiring to say a few

words of consolation to the young people, he sighed, and then began

softly:

“Dear, dear! It is very sad. Such a young man, too. Alas! it is plain

that he died unrepentant. But God is merciful, you know—”

“Yes, yes, of course,” replied Schafroff, who walked next to him and

wished to be polite.

“Does his family know?” asked the priest.

“I really can’t tell you,” said Schafroff.

They all looked at each other in astonishment, as it seemed odd and not

altogether decent to be unable to say who Semenoff’s people were.

“His sister is at the high school, I believe,” observed Sine.

“Ah! I see! Well, good-bye!” said the priest, slightly raising his hat

with his plump fingers.

“Good-bye!” they replied in unison.

On reaching the street, they sighed, as if relieved.

“Where shall we go now?” asked Schafroff.

After brief hesitation, they all took leave of each other, and went

their different ways.

Sanine · 第 10 / 44 章