CHAPTER XIII.

THE DISCOVERY.

Roger Acton had not slept well; had not slept at all till

nearly break of day, except in the feverish fashion of half dream half

revery. There were thick-coming fancies all night long about what Ben

had said and done: and more than once Roger had thought of the

expediency of getting up, to seek without delay the realization of that

one idea which now possessed him--a crock of gold. When he put together

one thing and another, he considered it almost certain that Ben had

flung away among the lot no mere honey-pot, but perhaps indeed a

money-pot: Burke hadn't half the cunning of a child; more fool he, and

maybe so much the better for me, thought money-bitten, selfish Roger.

Thus, in the night's hot imaginations, he resolved to find the spoil; to

will, was then to do: to do, was then to conquer. However, Nature's

sweet restorer came at last, and, when he woke, the idea had sobered

down--last night's fancies were preposterous. So, it was with a heavy

heart he got up later than his wont--no work before him, nothing to do

till the afternoon, when he might see Sir John, except it be to dig a

bit in his little marshy garden. When Grace ran to the Hall, Roger was

going forth to dig.

Now, I know quite well that the reader is as fully aware as I am, what

is about to happen; but it is impossible to help the matter. If the

heading of this chapter tells the truth, a "discovery" of some sort is

inevitable. Let us preliminarize a thought or two, if thereby we can

hang some shadowy veil of excuse over a too naked mystery. First and

foremost, truth is strange, stranger, _et-cetera_; and this

_et-cetera_, pregnant as one of Lyttleton's, intends to add the

superlative strangest, to the comparative stranger of that seldom-quoted

sentiment. To every one of us, in the course of our lives, something

quite as extraordinary has befallen more than once. What shall we say of

omens, warnings, forebodings? What of the most curious runs of luck; the

most whimsical freaks of fortune; the unaccountable things that happen

round us daily, and no one marvels at them, till he reads of them in

print? Even as Macpherson, ingenious, if not ingenuous, gathered Ossian

from the lips of Highland hussifs, and made the world with modern Attila

to back it, wonder at the stores that are hived on old wives' tongues;

even so might any other literary, black-smith hammer from the ore of

common gossip a regular Vulcan's net of superstitious "facts." Never yet

was uttered ghost story, that did not breed four others; every one at

table is eager to record his, or his aunt's, experience in that line;

and the mass of queer coincidences, inexplicable incidents, indubitable

seeings, hearings, doings, and sufferings; which you and I have heard of

in this popular vein of talk, would amply excuse the wildest fictionist

for the most extravagant adventure--the more improbable, the nearer

truth. Talk of the devil, said our ancestors--let "&c." save us from the

consequence. Think of any thing vehemently, and it is an even chance it

happens: be confident, you conquer; be obstinate in willing, and events

shall bend humbly to their lord: nay, dream a dream, and if you

recollect it in the morning, and it bother you next day, and you cannot

get it out of your head for a week, and the matter positively haunt you,

ten to one but it finds itself or makes itself fulfilled, some odd day

or other. Just so, doubtless, will it prove to be with Roger's dream: I

really cannot help the matter.

Again, it is more than likely that the reader is clever, very clever,

and that any attempts at concealment would be merely futile. From the

first page he has discovered who is the villain, and who the victim: the

title alone tells him of the golden hinge on which the story turns: he

can look through stone walls, if need be, or mesmerically see, without

making use of eyes: no peep-holes for him, as for Pyramus and Thisbe: no

initiation requisite for any hidden mysteries; all arcana are revealed

to him, every sanctum is a highway. No art of mortal pen can defeat this

mischief of acuteness: character is character; oaks grow of acorns, and

the plan of a life may be detected in a microscopic speech. The career

of Mr. Jennings is as much predestined by us to iniquity, from the first

intimation that he never makes excuse, as honest Roger is to trouble

and temptation from the weary effort wherewithal he woke. And, even now,

pretty Grace and young Sir John, the reader thinks that he can guess at

nature's consequence; while, with respect to Roger's going forth to dig

this morning, he sees it straight before him, need not ask for the

result. Well, if the shrewd reader has the eye of Lieuenhöeck, and can

discern, cradled in the small triangular beech-mast, a noble

forest-tree, with silvery trunk, branching arms, and dark-green foliage,

he deserves to be complimented indeed, for his own keen skill; but, at

the same time, Nature will not hurry herself for him, but will quietly

educe results which he foreknew--or thought he did--a century ago. And

is there not the highest Art in this unveiled simplicity: to lead the

reader onwards by a straight road, with the setting sun a-blaze at the

end of it, knowing his path, knowing its object, yet still borne on with

spirits unexhausted and unflagging foot? Trust me, there is better

praise in this, than in dazzling the distracted glance with a perpetual

succession of luminous fire-flies, and dragging your fair novel-reader,

harried and excited, through the mazes of a thousand incidents.

Thirdly, and lastly, in this prefatorial say, there is to be considered

that inevitable defeator of all printed secrets--impatience. Nothing is

easier, nothing commoner (most wise people do it, whose fate is, that

they must keep up with the race of current publication, and therefore

must keep down the still-increasing crowd of authorial creations),

nothing is more venial, more laudable, than to read the last chapter

first; and so, finding out all mysteries at once, to save one's self a

vast deal of unnecessary trouble. And, for mere tale-telling, this may

be sufficient. What need to burden memory with imaginary statements, or

to weary out one's sympathies on trite fictitious woes?--come to the

catastrophe at once: the uncle hanged; the heir righted; the heroine, an

orange-flowered bride; and the white-headed grandmother, after all her

wrongs, winding up the story with a prudent moral. Now, this may all be

very well with histories that merely carry a sting in the tail, whose

moral is the warning of the rattlesnake, and whose hot-exciting interest

is posted with the scorpion's venom. They are the Dragon of Wantley,

with one caudal point--a barbed termination: we, like Moore of Moore

Hall, all point, covered with spikes: every where we boast ourselves an

ethical hedge-hog, all-over-armed with keen morals--a Rumour painted

full of tongues, echoing all around with revealing of secrets. The

feelings of our humble hero, altered Roger Acton, are worthy to be

studied by the great, to be sifted by the rich; and Grace's simple

tongue may teach the sage, for its wisdom cometh from above; and

Jonathan, for all his shoulder-knot and smart cockade, is worthy to give

lessons to his master: that master, also, is far better than you think

him; and poor Burke too, for true humanity's sake: so we get a mint of

morals, set aside the story. It is not raw material, but the

workmanship, that gives its value to the flowered damask; our

grand-dames' sumptuous taffeties and stand-alone brocades are but spun

silk-worms' interiors; the fairest statue is intrinsically but a mass of

clumsy stone, until, indeed, the sculptor has rough-hewn it, and shaped

it, and chiselled it, and finished all the touches with sand-paper. This

story of '_The Crock of Gold_' purports to be a Dutch picture, as

becometh boors, their huts, their short and simple annals; so that,

after its moralities, the mass of minute detail is the only thing that

gives it any value.

Now, whilst all of you have been yawning through these egotistic

phrases, Roger has been digging in his garden; there he is, pecking away

at what once was the celery-bed, but now are fallow trenches; celery, as

we all know, is a water-loving plant, doing best in marshy-land, so no

wonder the trenches open on the sedge, and the muddy shallow opposite

Pike Island puddles up to them. There needs be no suspense, no mystery

at all; Roger's dream had clearly sent him thither, for he should not

have levelled those trenches yet awhile, it was a little too soon--bad

husbandry; and, barring the appearance of a devil, Roger's dream came

true. Yes, under the roots of a clump of bullrush, he lifted out with

his spade--a pot of Narbonne honey!

When first he spied the pot, his heart was in his mouth--it must be

gold, and with tottering knees he raised the precious burden. But, woful

disappointment! the word "Honey," with plenty of French and Fortnum on

another pasted label, stared him in the face; it was sweet and slimy too

about the neck; there was no sort of jingle when he shook the crock;

what though it be heavy?--honey's heavy; and it was tied over quite in a

common way with pig's bladder, and his clumsy trembling fingers could

not undo that knot; and thus, with a miserable sense of cheated poverty,

he threw it down beside the path, and would, perhaps, have flung it

right away in sheer disgust, but for the reflection that the little ones

might like it. Once, indeed, the glorious doubt of maybe gold came back

upon his mind, and he lifted up the spade to smash the baffling pot, and

so make sure of what it might contain;--make sure, eh? why, you would

only lose the honey, whispered domestic economy. So he left the jar to

be opened by his wife when he should go in.

The Complete Prose Works of Martin Farquhar Tupper · 第 13 / 61 章