Sec. 36. _Dress of Women as a Sex Problem for Men_

[Sidenote: Dress and immorality.]

Some of the students of sex problems assert with great emphasis that

dress is the responsible factor in the sexual immorality of many men.

Accepting the probability that there is some truth in the assertion,

what is the solution of the problem? Should women in general adopt a

style of dress which in lines and color is as repellently ugly as the

official garb of women devotees of certain religious organizations? In

short, should women make their dress decidedly unobtrusive and

unattractive in order that the sexual temptations of _some_ men may be

reduced? The answer must be an emphatic negative. We need more beauty

in this life of ours, and we cannot afford to omit any beauty which

women express in dress. The pity is that economic conditions so often

set a limit to such expression. We must believe in making every

possible application of the beauty of nature and art to human life; and

beautiful dress on all women, and especially beautiful dress on

attractive women, is the most important of such relations of beauty and

life.

[Sidenote: Dress and sexual appeal.]

Accepting, then, beauty of dress as worthy of encouragement, what

shall be done about its sexual attractiveness? This is a difficult

question in these days with ever-changing fashions whose novelty makes

extreme modes more dangerously attractive than they would be if

universally adopted for a long term of years. But permanency of extreme

styles or general adaptation of modest ones are absolutely impossible

for the average woman of to-day. Hence, we must look forward to one

extreme style following another. Young men must face the problem and

fight their own battles. Like certain widespread diseases, there is

constant danger of infection, and the only hope for young men is in

special education as a kind of protective inoculation against

temptation. This means that young men should be taught to see beauty in

woman's form, face, and dress without allowing themselves to get into

habits of sensual or physical emotions. Of course, for the normal young

man there is sure to be more or less consciousness of emotions

stimulated by the beautiful associated with women, but the individual

man may train himself to turn such emotions into aesthetic or psychical

lines instead of into those which are sensual, animalistic, or

physical. In this connection, I have long been of the opinion that

training in art appreciation, especially of sculpture, may help many

men to an aesthetic attitude towards the human form.

It is well known that beauty of woman's face or form or dress has

sometimes led men into immorality; but I often wonder whether such men

of weak control would not have fallen sooner or later at the command

of some other form of stimulation. At any rate, such men do not lead us

to general conclusions, for there are many more men who have been led

upward and not downward by the combined beauty of form, face, and dress

of women.

[Sidenote: Duty of women.]

While we refuse to excuse men who allow the sexual suggestiveness of

women's dress to overcome their self-control, we should at the same

time recognize that women have themselves to blame for much of the

existing situation. I believe it is true that the average woman does

not understand how dress that makes unusual exposure of the body may

make a sexual appeal to men; but there is no such innocence on the part

of the demi-mondes by whom many of the most dangerous styles are

introduced. Perhaps women of intelligence and good standing may some

day come to realize their responsibility for wearing clothing that

means unusual temptation for men. However, this seems Utopian in these

years when even women of the best groups are wearing equivocal dress;

and so men must learn to fight their own battles against natural

instincts stirred to greater intensity by dress invented to increase

the trade of the women of the underworld.

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