CHAPTER II

THE INNER PHASE: CHARACTER

Do you know what "character" is? The word itself, in its derivation and

original usage, means: "a stamp, mark or sign, engraved or stamped." As

time passed the term was applied to the personal peculiarities of

individuals, and was defined as: "the personal qualities or attributes

of a person; the distinguishing traits of a person." Later the term was

extended to mean: "the part enacted by anyone in a play." In the common

usage of the term we seek to convey an idea in which each and all of the

above stated meanings are combined. A man's character is the result of

_impressions_ made upon his own mind, or those of the race. It is also

the sum of his personal qualities and attributes. It is also, in a

sense, the part he plays in the great drama of life.

Each man's character has its inner phase consisting of the accumulated

impressions of the past which seek to manifest in the present. And,

likewise, the character of each man manifests in an outer phase of

form, mark, and stamp of _personality_. There are no two characters

precisely alike. There is an infinite possibility of combination of the

elements that go to make up character. This is accordance with what

appears to be a universal law of nature, for there are no two blades of

grass exactly alike, nor two grains of sand bearing an exact resemblance

to each other. Nature seems to seek after and to manifest variety of

form and quality. But, still, just as we may classify all things,

animate and inanimate, into general classes and then into subordinate

ones--each genus and each species having its particular characteristics,

qualities and attributes, so we may, and do, classify human character

into general classes and then into particular subdivisions into which

each individual is found to fit. This fact makes it possible for us to

study Human Nature as a science.

The character of each individual is held to be the result of the

impressions made upon the plastic material of the mind, either in the

form of past impressions upon his ancestors or of past impressions

received by the individual. The past impressions reach him through the

channel of heredity, while the personal impressions come to him through

environment. But by heredity we do not mean the transmission of the

personal characteristics of one's parents or even grand-parents, but

something far deeper and broader. We believe that one inherits far less

of the qualities of one's parents than is generally believed. But, we

believe that much that goes to make up our character is derived from the

associated qualities and impressions of many generations of ancestors.

Inasmuch as each individual contains within him the transmitted

qualities of nearly every individual who lived several thousand years

ago, it may be said that each individual is an heir to the accumulated

impressions of the race, which however form in an infinite variety of

combinations, the result being that although the root of the race is the

same yet each individual differs in combination from each other

individual. As Luther Burbank has said: "Heredity means much, but what

is heredity? Not some hideous ancestral specter, forever crossing the

path of a human being. Heredity is simply the sum of all the effects of

all the environments of all past generations on the responsive

ever-moving life-forces."

The records of the past environment of the race are stored away in the

great region of the subconscious mentality, from whence they arise in

response to the call of some attractive object of thought or perception,

always, however, modified and restrained by the opposite

characteristics. As Prof. Elmer Gates has said: "At least ninety per

cent of our mental life is sub-conscious. If you will analyze your

mental operations you will find that conscious thinking is never a

continuous line of consciousness, but a series of conscious data with

great intervals of subconsciousness. We sit and try to solve a problem

and fail. We walk around, try again and fail. Suddenly an idea dawns

that leads to a solution of the problem. The sub-conscious processes

were at work. We do not volitionally create our own thinking. It takes

place in us. We are more or less passive recipients. We cannot change

the nature of a thought, or of a truth, but we can, as it were, guide

the ship by a moving of the helm."

But character is dependent upon race inheritance only for its raw

materials, which are then worked into shape by the influence of

environment and by the will of the individual. A man's environment is,

to some extent at least, dependent upon the will. A man may change his

environment, and by the use of his will he may overcome many inherited

tendencies. As Halleck well says: "Heredity is a powerful factor, for it

supplies raw material for the will to shape. Even the will cannot make

anything without material. Will acts through choice, and some kinds of

environment afford far more opportunities for choice than others.

Shakespeare found in London the germ of true theatrical taste, already

vivified by a long line of miracle plays, moralities and interludes. In

youth he connected himself with the theatre, and his will responded

powerfully to his environment. Some surroundings are rich in suggestion,

affording opportunity for choice, while others are poor. The will is

absolutely confined to a choice between alternatives. _Character then,

is a resultant of will power, heredity and environment._ The modern

tendency is to overestimate the effects of heredity and environment in

forming character; but, on the other hand, we must not underestimate

them. The child of a Hottentot put in Shakespeare's home, and afterward

sent away to London with him, would never have made a Shakespeare; for

heredity would not have given the will sufficient raw material to

fashion over into such a noble product. We may also suppose a case to

show the great power of environment. Had a band of gypsies stolen

Shakespeare at birth, carried him to Tartary, and left him among the

nomads, his environment would never have allowed him to produce such

plays as he placed upon the English stage."

Many persons are reluctant to admit the effect of heredity upon

character. They seem to regard heredity as the idea of a monster ruling

the individual with an iron hand, and with an emphasis upon undesirable

traits of character. Such people lose sight of the fact that at the best

heredity merely supplies us with the raw material of character rather

than the finished product, and that _there is much good in this raw

material_. We receive our inheritance of good as well as bad. Deprive a

man of the advantage of his heredity, and we place him back to the plane

of the savage, or perhaps still lower in the scale. Heredity is simply

the shoulders of the race affording us a place for our feet, in order

that we may rise higher than those who lived before. For _heredity_,

substitute _evolution_, and we may get a clearer idea of this element of

character.

As for environment, it is folly to deny its influence. Take two young

persons of equal ability, similar tastes, and the same heredity, and

place them one in a small village, and the other in a great metropolis,

and keep them there until middle-age, and we will see the influence of

environment. The two may be equally happy and contented, and may possess

the same degree of book-education, but, nevertheless, their experiences

will have been so different that the character of the two individuals

must be different. In the same way, place the two young persons, one in

the Whitechapel district, and the other amidst the best surroundings

and example, and see the result. Remember, that in _environment_ is

included the influence of other persons. The effect of environment

arises from Suggestion, that great moulding and creative principle of

the mind. It is true that, "As a man thinketh, so is he," but a man's

thoughts depend materially upon the _associations_ of environment,

experience, and suggestion. As Ziehen says: "We cannot think as we will,

but we must think as just those associations which happen to be present

prescribe."

But, without going further into the question of the elements which go

toward forming character, let us take our position firmly upon the fact

that each individual is stamped with the impression of a special

character--a _character_ all his own. Each has his own character or part

to play in the great drama of life. The character of some seems fixed

and unchangeable, while that of others is seen to be in the process of

change. But in either case each and every man has his own character or

manifestation of Human Nature, in its inner and outer aspects. And each

individual, while in a sense forming a special class by himself,

nevertheless belongs to a larger class, which in turn is a part of a

still larger, and so on.

Instead of studying the philosophy or metaphysics of character, or even

its general psychology, let us in this particular volume devote our

attention to the elements which go to form the character of each and

every person, so that we may understand them when we meet them in

manifested form. And let us learn the Outer Form which accompany these

Inner States.

Upon the stage of Life move backward and forward many characters, each

having his or her own form, manner and appearance, which like those of

the characters upon the mimic stage, may be recognized if we will but

bestow a little care upon the subject. The Othellos, Hamlets, Shylocks,

Iagos, Richards, Lears, and the rest are to be found in everyday life.

The Micawbers, Chuzzlewits, Twists, and the rest are in as full evidence

on the streets and in the offices, as in the books. The person who is

able to read and interpret Human Nature is possessed of a knowledge far

more useful to him than that contained within the covers of musty books

upon impractical subjects.

How to Read Human Nature: Its Inner States and Outer Forms · 第 2 / 18 章