Scene Three

[The same without Zoraya and Fatoum. Afterward Doña Joana and her

women, Cleofas]

[While dance music is being played, the great double door of the

chamber is thrown open--the guests crowd to the windows. The women

arrange themselves at the left of the patio, the men at the right.

Doña Joana comes out of the chamber, followed by her female

attendants. As she descends, she is saluted by the women, who make

courtesies before her, and by the cavaliers, who bow. Each, at the

moment she passes, throws a flower at her feet and murmurs a wish for

happiness.]

DOÑA SYRENA. Joy and health, Señora!

DOÑA RUFINA. Be happy, Doña Joana!

DOÑA SERAFINA. Everlasting happiness, Señora!

THE CAVALIERS. Our best wishes, Señora!

[Doña Joana thanks them as she descends into the foreground and goes

up the steps leading to her apartment. The women watch her and bow

reverently as she stops on the threshold to look at them before

entering the room. Fatoum is waiting for her. The music stops when

they enter.]

DOÑA FABIA. (At the left with Doña Rufina and Doña Syrena, after

Joana disappears) She is pale, the dear!

DOÑA RUFINA. (Giggling) With emotion!

DOÑA SYRENA. They create such false ideas about a moment like that!

DOÑA RUFINA. And exaggerate them so!

[They group themselves, seated, near the right column. After the

procession has passed, Cleofas descends at the right, talking with

Ramiro and Cristobol. The guests disperse in the patio, sitting or

standing. There is a murmur of confused voices.]

CLEOFAS. Whew!--it is warm in that chamber!

DOÑA SYRENA. (To Doña Fabia in a low voice) Especially after they

have emptied all the flagons!

DOÑA RUFINA. (To Cleofas) Cleofas would have done well had he given

the bride some comforting elixir.

CLEOFAS. (Gaily) Oh, yes! Those nuns have pictured marriage to her as

something horrible!

DOÑA RUFINA. The poor little child has had no one to give her a

mother's care.

RAMIRO. Oh, yes!--there is Fatoum, the convert, who has brought her

up.

DON AMBROSIO. And, speaking of converts, Master Cleofas, the Very

Holy Inquisition, of which you are the physician, seems to me to be

enjoying a very long moment of leisure.

CLEOFAS. (With satisfaction) Oh, oh! the Tribunal is not out of work.

And, after a short time, I believe that I may promise these ladies a

very jolly bonfire.

[Murmurs of satisfaction.]

DOÑA SYRENA. Of heretics?

CLEOFAS. Of heretics. Moors, Jews, renegades and backsliders--a sample

of each.

DOÑA RUFINA. And of sorcerers?

CLEOFAS. Of sorcerers and sorceresses, also--but fewer in number than

is desirable.

CARDENOS. (To Cleofas in a low voice) Master Cleofas, I should like to

say two words to you in that regard.

CLEOFAS. At Your Grace's disposition!

[He goes to the left of the scene, followed by Cristobol, Rioubos and

Ramiro, who surround him.]

CARDENOS. You have not forgotten an Arabian physician named

Abou-Abassa?

CLEOFAS. A physician!--said to be a charlatan, who resided on the

left bank of the river in a house on the hillside, where his daughter

now lives.

CARDENOS. Zoraya!

CLEOFAS. Oh, yes! I knew him!--I was enraged to see Bishop Talavera

honor and protect a Moor, who had, they say, healed a sprain with

friction--in reality, Cardenos, by means of mystic signs and magic

incantations.

The Sorceress: A Drama in Five Acts · 第 39 / 73 题