At last he said quietly, "Alita, I cannot read it while you talk to me."

She did not answer. She moved her neck back like an offended swan, and

glanced at Lita as much as to say, "You see the sort of man he is?"

She did, however, remain silent until he had finished, and looking had

said, "But this isn't even good grammar--'Like they was pigmies.'

Don't they teach her grammar at this school?"

Alita Hazlitt was one of those people who, when blame is going about,

assume it is intended for them and consider the accusation most unjust.

"Well, really," she said now, "it wasn't my wish that she should go to

boarding school. It has turned out exactly as I prophesied it would.

Common girls have taught her to run after actors, and inefficient

teachers have failed--"

"I don't remember your prophesying that, Alita."

"You mean to say I did not?"

"I mean to say I have no recollection of it. I do remember that you

said it would make it easier for me to kidnap her. I shall never forget

that."

"You cannot deny that I was opposed to school. I only yielded to your

wishes--such a mistake."

"You have not many of that kind to reproach yourself with."

Lita, who had felt a profound filial emotion at seeing her parents

together, was now distressingly conscious that they had never seemed

less her parents than at this moment. They seemed in fact rather

dreadful people--childish, unjust, lacking in essential self-control.

The last remnant of her childhood seemed to perish with this scene, and

she became hard, matured and to a certain degree orphaned.

"What I am trying to say," Mr. Hazlitt went on, "is that we can hardly

attribute this unfortunate episode entirely to the influence of the

school. I mean that if there had not been some inherent silliness in

the child herself--"

This was too good a point for Mrs. Hazlitt to let slip.

"It was not from me," she said, "that Lita inherited a tendency to run

after people of the stage."

"We need not discuss inherited tendencies, I think."

Mrs. Hazlitt laughed.

"Ah, that is so like you! We may criticize the child or the school

or my bringing up, but the instant we begin to talk about your

shortcomings it is discovered that we are going too far."

"Alita," he said, "I came here in the most coöperative spirit--"

"And do you make it a favor that you should be willing to try to save

your child?"

That was unjust of her mother, Lita thought. Her father was trying to

be nice. It was her mother who kept making the interview bitter, and

yet in essentials her mother had behaved so much better. Why did she

suffer so much in the atmosphere of their anger? Why did she wish so

passionately that they should treat each other at least fairly? She

couldn't understand.

"You have not met me in a coöperative spirit," her father was saying,

"and I see no point in my staying. Good night."

"And you're going--just like that--without doing anything at all?"

"Of course, I shall write to Miss Barton--and if you are not able to

take Lita back to school tomorrow I'll go myself."

Lita noticed that though an instant before her mother had reproached

him with indifference, she treated his last suggestion as if it were

impertinent.

"I think I shall be able to take my daughter safely to school," she

said. "But you must see this man; that I cannot do."

"I shall do nothing so ridiculous," said Mr. Hazlitt. "Valentine! Why,

a man like that gets a basketful a day of letters from idiotic women of

all ages! He's bored to death by them."

"I have yet to find a man who is bored by the adoration of idiotic

women," said Mrs. Hazlitt, and there was no mistake in anybody's mind

as to what she meant by that.

A discussion on the relative idiocy of the sexes broke out with

extraordinary violence. Lita's conduct was utterly forgotten. She might

have slipped out of the room without being noticed, except that her

father was standing between her and the door. She tried to remember

Dacer's saying that quarreling meant love, and found to her surprise

that that idea was almost as shocking. Could it be that she did not

want her parents to have any emotions at all?

When her father had gone, her mother burst into tears.

"I am so sorry," she said, "that you should have seen him like that--at

his very worst."

Lita had just been thinking how much the better of the two he

had appeared. She felt as hard as a stone. She had no wish to be

continually appraising her parents; they left her no choice. Her

childish acceptance of them had been destroyed, and at the moment her

friendly emotion towards them as companions and human beings had not

yet flowered. Instead of wanting to tell her mother about Dacer, she

wanted to tell Dacer about her mother.

She saw that her whole scheme about Valentine had been ridiculous--a

complete failure. She ought to clear that up at once, but she did not

feel up to explaining it; an explanation with her mother involved

so much. Mrs. Hazlitt would give those she loved anything in the

world--except her attention. It was necessary to hold her attention

with one hand and feed her your confidence with the other. Lita was too

exhausted to attempt it that evening. She would do it the next day, of

course.

The next morning--Sunday--Mrs. Hazlitt awoke with a severe headache.

Though she insisted on Lita's remaining in sight--for fear that she

would rush to the arms of Valentine--it was made clear that no friendly

intercourse between parent and child was possible. Lita felt herself to

be the direct cause of the agony of mind which had led to the headache.

After luncheon, looking like carved marble, Mrs. Hazlitt got up and

announced her intention of escorting Lita back to school. The girl saw

that her mother was not well enough to make the double journey, and

suggested that it would be better for her father to go with her. Mrs.

Hazlitt treated this proposal with the coldest scorn.

"I think we will not trouble your father further," she said.

At times like this she used a flat, remote voice; as dead, Lita

thought, as a corpse talking on a disconnected telephone. In old times

it had nearly broken her heart when her mother spoke to her in that

tone. Today it had lost its power.

They drove to the station in silence, every jar of the car sending a

tremor through Mrs. Hazlitt's eyelids. In the train, she put Lita's

knitting bag behind her head and shut her eyes. Lita, sitting in

silence beside, felt so wooden--inside and out--that, she said to

herself, not even the appearance of Doctor Dacer would make any

difference to her. But when, before they were out of the tunnel, he did

pass through the car--not stopping, just raising his hat--she found it

did affect her.

Her mother opened her eyes.

"Who's that man?" she said in an almost human tone.

"I think he's one of the surgeons who is taking care of Aurelia," Lita

answered, and instantly regretted the "I think." It was positively

deceitful, where she had intended to be merely noncommittal. But all

the relations of her life seemed to have gone wrong.

She had not done any of her work for the next day; not the original

in geometry or the sonnet she should have learned by heart; in fact

she had not opened a book. She couldn't concentrate her mind now on

mathematics or poetry, but she might do some of the collateral reading

for Greek History. She slipped the book out of its strap and opened it.

"Of Lycurgus the lawgiver, we have nothing to relate that is certain

and uncontroverted--" Lita thought: that's at least a candid way to

begin a biography. The door opened, letting in the roar of the train

and the smell of coal smoke, and Lita's nerves remembered it, as if

only once before in her life had she ever known a car door open, and

looked up--to see the conductor. She dropped her eyes and went on: "For

there are different accounts of his birth, his death--" The door again;

this time a passenger in search of a seat. She made a vow to herself to

read three pages without looking up--and did. "Endeavoring to part some

persons who were concerned in a fray, he received a wound by a kitchen

knife, of which he died, and left the kingdom--"

She was aware that something in blue serge was stationary beside her.

She looked slowly up. Yes, there he was.

She introduced him to her mother. The seat in front of them was now

free, and Dacer, turning it over, sat down. Mrs. Hazlitt was not sorry

to show that her coldness concerned her daughter only. She was very

willing to talk agreeably to a stranger. The conversation was carried

on between them as if Lita were too young to be expected to take

part. She was not sorry, and went on glancing at a sentence here and

there: "He set sail, therefore, and landed in Crete--" "--in which the

priestess called him beloved of the gods, and rather a god than a man."

At this she really could not help looking at Dacer, and finding his

eyes on her, she said, "I saw you at the theater yesterday."

He was interested.

"I didn't see you."

"Oh, yes, we were there," said Mrs. Hazlitt languidly. "Such a poor

play! And as for Valentine--these popular actors in America--"

"He was thought very handsome and dashing, in our box," said Dacer.

And then Lita was surprised to hear her own voice saying, "Was that

lady your wife?"

He stared at her for a second as if he had not heard, or could not

understand what he seemed to have heard, and then answered quietly,

"No, I don't care for them by the cubic foot."

Never had such a perfect reply been made, Lita thought. It

reconstructed their relation and the whole world, and yet it took place

so gently that her mother had hardly noticed that they had spoken to

each other. Life was simply immense, she said to herself; she had been

quite wrong about it before.

Then presently Dacer drew from Mrs. Hazlitt the admission that she

had a wretched headache--hadn't slept--had had a disagreeable day--so

foolish, but she was affected by scenes--

"Everybody is, you know," said Dacer.

She should not have come on such an expedition. The idea of her

driving four miles out to the school in a jiggling car--and right back

again--was absurd. He spoke almost sternly. He had a time-table in

his pocket; a train left for New York five minutes after their train

arrived at Elbridge; Mrs. Hazlitt must take that back, go straight to

bed; he would give her a powder. Of course he would see Miss Hazlitt

safely to the school--yes, even into Miss Barton's presence. He wrote

his prescription. Lita saw that her mother was going to obey.

As they got out at the station they saw the New York train already

waiting. Dacer put Mrs. Hazlitt on it; and Lita, watching them, saw

Mrs. Hazlitt turn at the steps and give him some special injunction.

Well, she probably would not confide to him so soon the scandal of

the letter to Valentine; and if she did, it would be easy to explain.

Dacer's face was untroubled as he returned to her.

"She's all in," he said.

A sharp self-reproach clutched at Lita's heart, the capacity for

emotion having unexpectedly returned to her.

"Did it really do her harm to come out here?"

"It really is better for her to go straight home," he answered, as if

admitting other motives had entered into his advice.

They got into the school flivver, which was waiting for them. Rain had

just stopped and the back curtains were down. It was dark.

As they wheeled away from the station lights Lita heard him saying,

"Didn't you know I wasn't married?" She did not immediately answer. Her

hand was taken. "Didn't you know?" he said again.

A strange thing was happening to Lita. She formed the resolution of

withdrawing her hand; she sent the impulse out from her brain, but it

seemed only to reach her elbow; her hand, limp and willing, continued

to remain in his.

They spoke hardly at all. The near presence of Matthew, the driver, a

well-known school gossip, made speech undesirable. Besides, it wasn't

necessary. Lita was perfectly content with silence as long as that

large, solid hand enveloped hers.

As they turned in at the school gate he said, "You'll come over to see

Aurelia this evening, I suppose."

She knew it wouldn't be possible, and was obliged to say so. And he was

going back to town by a morning train. There was a pause.

As they got out he said, "Do you ever get up very early--as early as

six?"

"I could always make a beginning," said Lita.

And then, true to his promise, he turned the chairman of the

self-government committee over to the keeping of Miss Barton herself.

One excellent way of waking early is not to sleep at all. Lita hardly

slept and was out of bed in time to watch the slow but fortunately

inevitable spreading of the dawn. The new day was evidently going

to be one of those days in late March when, though the earth has no

suggestion of spring, the sky and the air are as vernal as May. Lita

could see a light in the upper story of the infirmary. Dacer's perhaps.

It was not yet six when she stole downstairs and across the green. She

had a good reason for being anxious about Aurelia--the stitches had

been taken out of the wound the night before. That's what she would

say if anyone asked her. But no one was awake, except far away in

the school kitchen. The door of the infirmary was locked, but as she

pressed noiselessly against it a figure faced her on the other side

of the glass--Dacer. He opened the door and came out. It shut behind

him, and as the night latch was still on, they were locked out. So they

sat down on the narrow steps of the cottage, each with a pillar to

lean against, and for the first time looked long and steadily at each

other, as people who have met by deliberate acknowledged plan.

"Do you like the early morning?" he asked.

"I never did before," she answered.

He smiled at her.

"Do you realize," he said, "that in this lifelong friendship of ours

that is the first decent thing you have ever said to me?"

Why, it was true! To Lita it had been so clear that she was more

interested than he was; more eager; but it was true, she had given him

none of those poignant, unforgettable sentences which he had left with

her, to go over in his absence. She smiled, too--very slowly.

"Perhaps it won't be the last," she said.

At half past seven Dacer went in, and a few minutes later Lita arrived

at Room 11 to inquire after her friend. When it was time to go, she

shook hands with Doctor Dacer in the presence of Aurelia, Aurelia's

mother, who had just arrived, and the trained nurse.

It was the last possible meeting before the Easter holidays.

Are Parents People? · 第 23 / 45 题