s. 3. “And be it further enacted, That every Person who shall

make, or cause or procure to be made, or shall aid or assist in

the making, or shall knowingly have in his, her, or their Custody

or Possession, not being authorized by the said Commissioners,

and without lawful Excuse, the Proof whereof shall lie on the

Person accused, any Mould or Frame or other Instrument having

therein the Words “Excise Office,” or any other Words, Figures,

Marks, or Devices peculiar to and appearing in the Substance of

the Paper used by the said Commissioners for Permits, or with

any or Part of such Words, Figures, Marks, or Devices, or any

of them, intended to imitate or pass for the same; and every

Person, except as before excepted, who shall make, or cause or

procure to be made, or aid or assist in the making, any Paper

in the Substance of which the Words “Excise Office,” or any

other Words, Figures, Marks, or Devices peculiar to or appearing

in the Substance of the Paper used by the Commissioners of

Excise for Permits, or any Part of such Words, Figures, Marks

or Devices, or any of them, intended to imitate and pass for

the same, shall be visible; and every Person, except as before

excepted, who shall knowingly have in his, her, or their Custody

or Possession, without lawful Excuse, (the Proof whereof shall

lie on the Person accused,) any Paper whatever in the Substance

of which the Words “Excise Office,” or any other Words, Figures,

Marks, or Devices peculiar to and appearing in the Substance of

Paper used by the Commissioners of Excise for Permits, or any

Part of such Words, Figures, Marks, or Devices, or any of them,

intended to imitate and pass for the same, shall be visible; and

every Person, except as before excepted, who shall, by any Art,

Mystery, or Contrivance, cause or procure, or aid or assist in

causing or procuring, the Words “Excise Office,” or any other

Words, Figures, Marks, or Devices peculiar to and appearing in

the Substance of the Paper used by the Commissioners of Excise

for Permits, or any or Part of such Words, Figures, Marks, or

Devices, or any of them, intended to imitate and pass for the

same, to appear visible in the Substance of any Paper whatever;

and every Person, not authorized or appointed as aforesaid, who

shall engrave, cast, cut, or make, or cause or procure to be

engraved, cast, cut, or made, or aid or assist in engraving,

casting, cutting, or making, any Plate, Type, or other Thing in

Imitation of or to resemble any Plate or Type made or used by

the Direction of the Commissioners of Excise for the Purpose of

marking or printing the Paper to be used for Permits; and every

Person, except as before excepted, who shall knowingly have in

his or her Custody or Possession, without lawful Excuse, Proof

whereof shall lie on the Person accused, any such Plate or Type,

shall for every such Offence be adjudged a Felon, and shall be

transported for the Term of Seven Years, or shall be imprisoned,

at the Discretion of the Court before whom such Person shall be

tried, for any Period not less than Two Years.

s. 4. “And be it further enacted, That every Person who shall

counterfeit or forge, or cause or procure to be counterfeited or

forged, or assist in counterfeiting or forging, any Permit or any

Part of any Permit, or shall counterfeit any Impression, Stamp or

Mark, Figure or Device, provided or appointed or to be provided

or appointed by the Commissioners of Excise to be put on such

Permit, or shall utter, give, or make use of any counterfeited

or forged Permit, knowing the same or any Part thereof to be

counterfeited or forged, or shall utter, give, or make use of any

Permit with any such counterfeited Impression, Stamp or Mark,

Figure or Device, knowing the same to be counterfeited; or if any

Person or Persons shall knowingly or willingly accept or receive

any counterfeited or forged Permit, or any Permit with any

such counterfeited Impression, Stamp or Mark, Figure or Device

thereon, knowing the same to be counterfeited, shall, for every

such Offence, be adjudged guilty of a Misdemeanor, and shall be

transported for the Term of Seven Years, or fined and imprisoned,

at the Discretion of the Court.”

PERSIAN.

The Persians write their characters from the right hand to the left.

There are thirty-two Persian letters. The alphabet and following

observations are in the Tâleek character.

[Illustration: The Persian alphabet]

+--------+--------+-------------------+---------------------+--------+

| | | IV. III. | II. I. | |

|Order |Names | FINALS. |INITIALS AND MEDIALS.|Powers |

|of the |of the | Connected. | Connected. | of the |

|Letters.|Letters.| Unconnected.| Unconnected.|Letters.|

+--------+--------+---------+---------+----------+----------+--------+

| 1. |Alif | ـا‎ | ا‎ | ـا‎ | ا‎ | A. |

| 2. |Ba | ـب‎ | ب‎ | ـبـ‎ | بـ‎ | B. |

| 3. |Pa | ـپ‎ | پ‎ | ـپـ‎ | پـ‎ | P. |

| 4. |Ta | ـت‎ | ت‎ | ـتـ‎ | تـ‎ | T. |

| 5. |Sa | ـث‎ | ث‎ | ـثـ‎ | ثـ‎ | S. |

| 6. |Jeem | ـج‎ | ج‎ | ـجـ‎ | جـ‎ | J. |

| 7. |Ché | ـچ‎ | چ‎ | ـچـ‎ | چـ‎ | Ch. |

| 8. |Hha | ـح‎ | ح‎ | ـحـ‎ | حـ‎ | Hh. |

| 9. |Kha | ـخ‎ | خ‎ | ـخـ‎ | خـ‎ | Kh. |

| 10. |Dal | ـد‎ | د‎ | ـد‎ | د‎ | D. |

| 11. |Zal | ـذ‎ | ذ‎ | ـذ‎ | ذ‎ | Z. |

| 12. |Ra | ـر‎ | ر‎ | ـر‎ | ر‎ | R. |

| 13. |Za | ـز‎ | ز‎ | ـز‎ | ز‎ | Z. |

| 14. |Zha | ـژ‎ | ژ‎ | ـژ‎ | ژ‎ | Zh. |

| 15. |Seen | ـس‎ | س‎ | ـسـ‎ | سـ‎ | S. |

| 16. |Sheen | ـش‎ | ش‎ | ـشـ‎ | شـ‎ | Sh. |

| 17. |Ssaud | ـص‎ | ص‎ | ـصـ‎ | صـ‎ | Ss. |

| 18. |Zzaud | ـض‎ | ض‎ | ـضـ‎ | ضـ‎ | ZZ. |

| 19. |To | ـط‎ | ط‎ | ـطـ‎ | طـ‎ | T. |

| 20. |Zo | ـظ‎ | ظ‎ | ـظـ‎ | ظـ‎ | Zz. |

| 21. |Aine | ـع‎ | ع‎ | ـعـ‎ | عـ‎ | A. |

| 22. |Ghine | ـغ‎ | غ‎ | ـغـ‎ | غـ‎ | Gh. |

| 23. |Fa | ـف‎ | ف‎ | ـفـ‎ | فـ‎ | F. |

| 24. |Kauf | ـق‎ | ق‎ | ـقـ‎ | قـ‎ | K. |

| 25. |Kaf | ـﮏ‎ | ک‎ | ـﮑـ‎ | ﮐـ‎ | K. |

| 26. |Gaf | ـﮓ‎ | گ‎ | ـﮕـ‎ | ﮔـ‎ | G. |

| 27. |Laum | ـل‎ | ل‎ | ـلـ‎ | ـل‎ | L. |

| 28. |Meem | ـم‎ | م‎ | ـمـ‎ | مـ‎ | M. |

| 29. |Noon | ـن‎ | ن‎ | ـنـ‎ | نـ‎ | N. |

| 30. |Vau | ـو‎ | و‎ | ـو‎ | و‎ | V. |

| 31. |Ha | ـه‎ | ه‎ | ـهـ‎ | هـ‎ | H. |

| 32. |Ya | ـي‎ | ي‎ | ـيـ‎ | يـ‎ | Y,ee,i.|

| |Lam-alif| ـلا‎ | لا‎ | ـلا‎ | لا‎ | |

+--------+--------+---------+---------+----------+----------+--------+

The second and fourth columns of these letters from the right hand

are used only when they are connected with a preceding letter. Every

letter should be connected with that which follows it, except these

seven; ا‎ _alif_, د‎ _dal_, ذ‎ _zal_, ر‎ _ra_, ز‎ _za_, ژ‎

_zha_, and و‎ _vau_, which are never joined to the following letter.

The short vowels are expressed by small marks, two of which are

placed above the letter, and one below it, as بَ‎ _ba_ or _be_, بِ‎

_be_ or _bi_, بُ‎ _bo_ or _bu_.

The mark ﹾ‎ placed above a consonant shows that the syllable ends

with it. The short vowels are very seldom written in the Persian

books; and the other orthographical marks are likewise usually

suppressed, except _Mudda_ ۤ ‎, _Humza_ٴ ,‎ and _Tushdeed_ ﹼ‎; the

two first of which are most common.

The most usual combination of letters are formed with خ‎ ج‎ چ‎

‎ح‎, which have the singular property of causing all the preceding

letters to rise above the line, as بخارا‎ _bokhára_, نحچير‎

_nakhcheer_, تصحيح‎ _tas-héeh_. The letters that precede م‎ _m_ are

also sometimes raised. Lam-alif لا‎ is compounded of ل‎ _l_ and ا‎

_a_.

The Arabic characters, like those of the Europeans, are written in

a variety of different hands; but the most common of them are the

Nuskhee, the Tâleek , or _hanging_, and the Shekesteh, or _broken_.

Our books have hitherto been printed in the Nuskhee hand, and all

Arabic manuscripts, as well as most Persian and Turkish histories,

are written in it; but the Persians write their poetical works in the

Tâleek, which answers to the most elegant of our Italic hands. As to

the Shekesteh, it is very irregular and inelegant, and is chiefly

used by the idle Indians, who will not take time to form their

letters perfectly, or even to insert the diacritical points; but this

hand, however difficult and barbarous, must be learned by all men of

business in India, as the letters from the princes of the country are

seldom written in any other manner.

_Numbers._--The following are the most common of the Persian

numbers:--

[Illustration: Persian numbers]

+--------+-------------+------------------+

| ۱‎ | yek | one. |

| ۲‎ | du | two. |

| ۳‎ | seh | three. |

| ۴‎ | chehar | four. |

| ۵‎ | penge | five. |

| ۶‎ | shesh | six. |

| ۷‎ | heft | seven. |

| ۸‎ | hesht | eight. |

| ۹‎ | nuh | nine. |

| ۱۰‎ | deh | ten. |

| ۱۱‎ | yázdeh | eleven. |

| ۱۲‎ | duázdeh | twelve. |

| ۱۳‎ | sizdeh | thirteen. |

| ۱۴‎ | chehardeh | fourteen. |

| ۱۵‎ | panzedeh | fifteen. |

| ۱۶‎ | shanzedeh | sixteen. |

| ۱۷‎ | hefdeh | seventeen. |

| ۱۸‎ | heshdeh | eighteen. |

| ۱۹‎ | nuzdeh | nineteen. |

| ۲۰‎ | beest | twenty. |

| ۲۱‎ | beest u yek | twenty-one. |

| ۳۰‎ | see | thirty. |

| ۴۰‎ | chehel | forty. |

| ۵۰‎ | penjàh | fifty. |

| ۶۰‎ | shesht | sixty. |

| ۷۰‎ | heftâd | seventy. |

| ۸۰‎ | heshtâd | eighty. |

| ۹۰‎ | naved | ninety. |

| ۱۰۰‎ | sad | a hundred. |

| ۲۰۰‎ | dûsad | two hundred. |

| ۳۰۰‎ | seesad | three hundred. |

| ۴۰۰‎ | cheharsad | four hundred. |

| ۵۰۰‎ | pansad | five hundred. |

| ۶۰۰‎ | sheshsad | six hundred. |

| ۷۰۰‎ | heftsad | seven hundred. |

| ۸۰۰‎ | heshtsad | eight hundred. |

| ۹۰۰‎ | nuhsad | nine hundred. |

| ۱۰۰۰‎ | hezar | a thousand. |

| ۱۰۰۰۰‎ | deh hezar | ten thousand. |

| | | { a hundred |

| ۱۰۰۰۰۰‎ | sad hezar | { thousand, or |

| | | { lac. |

+--------+-------------+------------------+

_Niskhi._--This is the form of writing used by the Arabians, who

invented the characters: as every Persian student should acquire a

knowledge of the Arabic, it ought therefore to be learned. This hand

is frequently employed by the Persians, and the history of Nader Shah

was written in it. The Niskhi is the parent of the Tâleek, and of all

the other hands in which the Arabic and Persian languages are now

written.

_Tâleek._--The Tâleek is the most beautiful hand writing used by the

Persians. In the manuscripts written in the Tâleek hand, the strokes

of the reed are extremely fine, and the initial letters ﺑ‎ ﺗ‎ ز‎

are scarcely perceptible. As the Persians always write their lines

of an equal length, they are obliged to place their words in a very

irregular manner; if the line be too short, they lengthen it by a

fine stroke of the reed; if too long, they write the words one above

another. In the Persian poems the transcribers place both members of

a couplet on the same line, and not the first above the second, as we

do: a Persian would write the following verses in this order:

_With ravish’d ears_, _The monarch hears_,

_Assumes the god_, _Affects to nod_.

It must be confessed, that this irregularity in writing, joined to

the confusion of the diacritical points, which are often placed at

random, and sometimes omitted, makes it very difficult to read

the Persian MSS., till the language becomes familiar to us; but

this difficulty, like all others in the world, will be insensibly

surmounted by the habit of industry and perseverance, without which

no great design was ever accomplished.

_Nustaleek._--The character called Nustaleek is compounded of

the Niskhi and Tâleek. It differs, however, considerably from

the graceful turns and beautiful flourishes of several of the

manuscripts. The Nustaleek character may be as easily read by

Europeans as the Niskhi.

_Shekesteh._--In this inelegant hand all order and analogy are

neglected; the points which distinguish ف‎ from ق‎, خ‎ from

‎ج‎, and ب‎ from ت‎, ث‎ and پ‎, &c., are for the most part

omitted, and these seven letters ا‎د‎ذ‎ر‎ز‎ژ‎و‎ are connected

with those that follow them in a most irregular manner. This is,

certainly, a considerable difficulty, which must be surmounted before

the learner can translate an Indian letter.

The preceding remarks on the Persian characters are extracted from

Sir William Jones’s Grammar of the Persian Language, 4to. 5th

edition. London, 1801.

_Persian in the British Founderies._

_Paragon._ V. and J. Figgins; cut under the direction of Sir

William Ousley.

_English._ Caslon and Livermore.

PHRASES.

Latin and French Words and Phrases, with their explanation in

English.

_Ab initio_.--From the beginning.

_Ab urbe condita_.--From the building of the city; abridged A. U.

C.

_Ad arbitrium_.--At pleasure.

_Ad captandum_.--To attract.

_Ad captandum vulgus_.--To ensnare the vulgar.

_Ad eundem_.--To the same.

_Ad infinitum_.--To infinity.

_Ad interim_.--In the meantime.

_Ad libitum_.--At pleasure.

_Ad litem_.--For the action (at law).

_Ad referendum_.--For consideration.

_Ad valorem_.--According to value.

_Affaire de cœur_.--A love affair; an amour.

_A fin_.--To the end.

_À fortiori_.--With stronger reason.

_Aide-de-camp_.--Assistant to a general.

_A la bonne heure_.--At an early hour; in the nick of time.

_A-la-mode_.--In the fashion.

_Alias_.--Otherwise.

_Alibi_.--Elsewhere; or, proof of having been elsewhere.

_Alma mater_ (kind mother).--University.

_A mensa et thoro_.--From bed and board.

_Amor patriæ_.--The love of our country.

_Anglicè_.--In English.

_Anno Domini_.--In the year of our Lord; abr. A. D.

_Anno mundi_.--In the year of the world; abr. A. M.

_À posteriori_.--From a later reason, or from behind.

_À priori_.--From a prior reason.

_À propos_.--To the purpose; seasonably; or by-the-by.

_Arcana_.--Secrets.

_Arcana imperii_.--State secrets.

_Arcanum_.--Secret.

_Argumentum ad fidem_.--An appeal to our faith.

_Argumentum ad hominem_.--Personal argument.

_Argumentum ad judicium_.--An appeal to the common sense of

mankind.

_Argumentum ad passiones_.--An appeal to the passions.

_Argumentum ad populum_.--An appeal to the people.

_Argumentum baculinum_.--Argument of blows.

_Audi alteram partem_.--Hear both sides.

_Au fond_.--To the bottom; or, main point.

_Auri sacra fames_.--The accursed thirst of gold.

_Aut Cæsar aut nullus_.--He will be Cæsar or nobody.

_Auto-da-fé_ (Act of faith).--Burning of hereticks.

_Bagatelle_.--Trifle.

_Beau monde_ (Gay world).--People of fashion.

_Beaux esprits_.--Men of wit.

_Belles lettres_.--Polite literature.

_Billet doux_.--Love letter.

_Bon gré_.--With a good grace.

_Bon jour_.--Good day.

_Bon mot_ (A good word).--A witty saying.

_Bon ton_.--Fashion; high fashion.

_Bonâ fide_.--In good faith.

_Boudoir_.--A small private apartment.

_Cacoethes carpendi_.--A rage for collecting.

_Cacoethes loquendi_.--A rage for speaking.

_Cacoethes scribendi_.--Passion for writing.

_Cæteris paribus_.--Other circumstances being equal.

_Caput mortuum_ (The dead head).--The worthless remains.

_Carte blanche_ (A blank paper).--Unconditional terms; q. d.

“There is a sheet of paper: write your own terms.”

_Cessio bonorum_.--Yielding up of goods.

_Château_.--Country seat.

_Chef-d’œuvre_.--Master piece.

_Ci-devant_.--Formerly.

_Comme il faut_.--As it should be.

_Commune bonum_.--A common good.

_Communibus annis_.--One year with another.

_Compos mentis_.--Of a sound and composed mind.

_Con amore_.--Gladly; with love.

_Congé d’élire_.--Permission to choose, or elect.

_Contra_.--Against.

_Contra bonos mores_.--Against good manners or morals.

_Coup de grace_.--Finishing stroke (Literally the blow of favour;

because the bones having been broken separately on the rack, the

last blow, which killed the man, was an act of grace to him).

_Coup de main_.--Sudden enterprize.

_Coup d’œil_.--View or glance.

_Credat Judæus_.--A Jew may believe it (but I will not).

_Cui bono_?--To what good will it tend?

_Cui malo_?--To what evil will it tend?

_Cum multis aliis_.--With many others.

_Cum privilegio_.--With privilege.

_Curia advisari vult_.--Court wishes to be advised; abr. _cur.

adv. vult_.

_Currente calamo_.--With a running quill.

_Custos rotulorum_.--Keeper of the rolls.

_Datum_.--Point granted.

_Debut_.--Beginning.

_De die in diem_.--From day to day.

_Dedimus potestatem_.--We have given power.

_De facto_.--In fact.

_Dei gratia_.--By the grace, or favour, of God.

_De jure_.--By right.

_De mortuis nil nisi bonum_.--Of the dead let nothing be said but

what is favourable.

_De novo_.--Anew.

_Dénouement_ (Unravelling).--Finishing, or winding up.

_Deo volente_.--God willing.

_Dépôt_.--Store, or magazine.

_Dernier ressort_.--Last resort or resource.

_Desideratum_.--A thing desired.

_Desunt cætera_.--The other things are wanting.

_Dieu et mon droit_.--God and my right.

_Domine dirige nos_.--O Lord direct us.

_Double entendre_.--Double meaning.

_Douceur_.--Present, or bribe.

_Dramatis personæ_.--Characters of the drama.

_Durante bene placito_.--During pleasure.

_Durante vita_.--During life.

_Ecce homo_.--Behold the man.

_Eclaircissement_.--Explanation; clearing up.

_Eclat_.--Splendour.

_Elève_.--Pupil.

_Embonpoint_.--Jolly; in good case.

_En flute_.--Carrying guns on the upper deck only.

_En masse_.--In a mass; in a body.

_En passant_.--By the way; in passing.

_Ennui_.--Tiresomeness.

_Entrée_.--Entrance.

_Ergo_.--Therefore.

_Errata_.--Errors.

_Esto perpetua_.--May it last for ever.

_Et cætera_.--And the rest.

_Ex_.--Late; as the ex-minister means the late minister.

_Ex cathedra_ (From the chair). Instructions given from a chair

of authority.

_Ex nihilo nihil fit_.--“Nothing can come of nothing.”--_King

Lear._

_Ex officio_.--Officially, or by virtue of an office.

_Ex parte_.--On the part of, or one side.

_Excerpta_.--Extracts.

_Exempli gratia_.--As for example; abr. ex. gr., e. g.

_Experto crede_.--Believe one who has experience to justify his

opinion.

_Extempore_.--Out of hand; without premeditation.

_Fac simile_.--Exact copy or resemblance.

_Fata obstant_.--The fates oppose it.

_Faux pas_.--Fault, or misconduct.

_Felo de se_ (The felon of himself).--Self murderer.

_Festina lente_.--Hasten slowly. “Wisely and slow: they stumble

that run fast.”--_Friar in Romeo and Juliet._

_Fête_.--A feast or entertainment.

_Fiat_.--Let it be done, or made.

_Finis_.--End.

_Finis coronat opus_.--The end crowns the work.

_Flagrante bello_.--Whilst the war is raging.

_Furor loquendi_.--An eagerness for speaking.

_Furor scribendi_.--An eagerness for writing.

_Genus irritabile_.--The irritable tribe of poets.

_Gratis_.--For nothing.

_Hauteur_.--Haughtiness.

_Hic et ubique_.--Here and there and every where.

_Honi soit qui mal y pense_.--May evil happen to him who evil

thinks of it.

_Hora fugit_.--The hour, or time, flies.

_Humanum est errare_.--It is the lot of humanity to err.

_Ibidem_.--In the same place; abr. ibid., ib.

_Ich dien_.--I serve.

_Id est_.--That is; abr. i. e.

_Idem_.--The same.

_Imperium in imperio_.--A government existing in another

government.

_Imprimatur_.--Let it be printed.

_Imprimis_.--In the first place.

_Impromptu_.--In readiness.

_In cœlo quies_.--There is rest in heaven.

_In commendam_.--For a time; in trust.

_In duplo_.--Twice as much.

_In forma pauperis_.--As a pauper, or poor person.

_In loco_.--In the place.

_In petto_ (in the bosom).--Hid, or in reserve.

_In propria persona_.--In his own person.

_In statu quo_.--In the same state or condition in which it was.

_In terrorem_ (In terror).--As a warning.

_In terrorem populi_.--In terror to the people.

_In toto_.--Altogether.

_In transitu_.--On the passage.

_In vino veritas_.--There is truth in wine.

_Incognito_.--Disguised, or unknown.

_Inter nos_.--Between ourselves.

_Innuendo_.--By signifying.

_Ipse dixit_ (Himself said it).--Mere assertion.

_Ipso facto_.--By the mere fact.

_Ipso jure_.--By the law itself.

_Item_.--Also, or article.

_Je ne sais quoi_.--I know not what.

_Jeu de mots_.--Play upon words.

_Jeu d’esprit_.--Play of wit; a witticism.

_Jure divino_.--By divine right.

_Jure humano_.--By human law.

_Jus gentium_.--The law of nations.

_Labor omnia vincit_.--Labour overcomes every thing.

_L’argent_.--Money, or silver.

_Lex magna est, et prævalebit_.--The law is great, and will

prevail.

_Lex talionis_.--The law of retaliation.

_Licentia vatum_.--A poetical license.

_Linguæ lapsus_.--A slip of the tongue.

_Locum tenens_.--One who supplies the place of another; a

substitute; a deputy.

_Magna charta_.--The great charter of England.

_Magna est veritas et prævalebit_.--The truth is most powerful;

and will ultimately prevail.

_Mal à propos_.--Unseasonable, or unseasonably.

_Malâ fide_.--In bad faith.

_Malgré_.--With an ill grace.

_Manu forti_.--With a strong hand.

_Mauvaise honte_.--Unbecoming bashfulness.

_Meditatione fugæ_.--In contemplation of flight.

_Memento mori_.--Remember that thou must die.

_Memorabilia_.--Things to be remembered; matters deserving of

record.

_Meum et tuum_.--Mine and thine.

_Minutiæ_.--Trifles.

_Mirabile dictu_.--Wonderful to tell.

_Multum in parvo_.--Much in a small space.

_Mutatis mutandis_.--After making the necessary changes.

_Ne plus ultra_.--No farther, or greatest extent.

_Ne quid nimis_.--Too much of one thing is good for nothing.

_Necessitas non habet legem_.--Necessity has no law.

_Nemine contradicente_.--Unanimously, no one disagreeing; abr.

nem. con.

_Nemine dissentiente_.--Unanimously, or without a dissenting

voice; abr. nem. dis.

_Nemo me impune lacesset_.--Nobody shall provoke me with impunity.

_Nisi Dominus frustra_.--Unless the Lord be with us, all efforts

are in vain.

_Nolens volens_.--Willing or unwilling.

_Nom de guerre_.--Assumed name.

_Non compos_, or _Non compos mentis_.-- Out of one’s senses.

_Non est inventus_.--Not found.

_Nonchalance_.--Indifference.

_Nota bene_.--Mark well.

_Nunc pro tunc_.--Now for then.

_O tempora, O mores_.--O the times, O the manners.

_Omnes_.--All.

_Onus_.--Burden.

_Onus probandi_.--Burden of proof.

_Ore tenus_.--From the mouth; by word of mouth.

_Outré_.--Preposterous.

_Pari passu_.--With an equal pace.

_Passim_.--Everywhere.

_Pax in bello_.--Peace in war.

_Peccavi_.--I have sinned.

_Pendente lite_.--While the action (at law) is pending, or while

it is going on.

_Per curiam_.--By the court.

_Per se_.--Alone, or by itself.

_Perdue_.--Concealed.

_Petit maître_ (Little master).--Fop.

_Posse comitatus_.--The power of the county.

_Pour autre vie_.--For the life of another.

_Prima facie_.--On the first face; at first view; at first sight.

_Primum mobile_.--The prime mover.

_Principiis obsta_.--Resist the first innovations.

_Pro aris et focîs_.--For our altars and our hearths.

_Pro bono publico_.--For the public good.

_Pro et con_.--For and against.

_Pro forma_.--For form’s sake.

_Pro hac vice_.--For this time.

_Pro loco et tempore_.--For the place and time.

_Pro rege, lege, et grege_.--For the king, the constitution, and

the people.

_Pro re natâ_.--For the occasion.

_Pro tanto_.--For so much.

_Pro tempore_.--For the time, or for a time.

_Protégé_.--A person patronised and protected.

_Quamdiu se bene gesserit_.--As long as he shall have behaved

well.

_Quantum_.--The due proportion.

_Quantum meruit_.--As much as he deserves.

_Quare impedit_ (Why he hinders).--A law term, and means the writ

which a person disturbed.

_Quasi dicas_.--As though thou shouldst say; abr. _q. d._

_Quid pro quo_.--A mutual consideration.

_Quid nunc_?--What now?

_Quis separabit_.--Who shall separate us?

_Quo animo_.--The intention with which.

_Quoad_.--As to; as far as.

_Quo jure_?--By what right?

_Quondam_.--Formerly.

_Re infectâ_.--The business not being done.

_Regina_.--Queen.

_Requiescat in pace_.--May he (or she) rest in peace.

_Res publica_.--The common weal.

_Resurgam_.--I shall rise again.

_Rex_.--King.

_Rouge_.--Red, or red paint.

_Rus in urbe_.--The country in town.

_Sang froid_ (Cold blood).--Coolness.

_Sans_.--Without.

_Savant_.--A learned man.

_Scandalum Magnatum_.--Scandal, or scandalous expressions,

against the nobility; abr. scand. mag.

_Semper eadem_.--Always the same.

_Senatus consultum_.--A decree of the senate.

_Seriatim_.--In regular order.

_Simplex munditiis_.--Simply elegant; free from gaudy ornament.

_Sine die_.--Without mentioning any particular day.

_Sine qua non_ (Without which, not).--Indispensable requisite, or

condition.

_Soi-disant_ (Self-styling).--Pretended.

_Spectas et tu spectabere_.--You see and you will be seen.

_Status quo_.--The state in which it was.

_Sub pœna_.--Under a penalty.

_Sui generis_.--Singular; unparalleled; of its own kind.

_Summum bonum_.--Greatest good.

_Supra_.--Above.

_Suum cuique_.--Let each man have his own.

_Tapis_.--Carpet.

_Tête-à-tête_.--Face to face, or private conversation of two

persons.

_Toties quoties_.--As often as.

_Trait_.--Feature.

_Tria juncta in uno_.--Three joined in one.

_Ultimus_.--The last.

_Un bel esprit_.--A wit; a virtuoso.

_Una voce_.--Unanimously.

_Unique_.--Singular.

_Uti possedetis_.--As ye possess, or present possession.

_Utile dulci_.--Utility with pleasure.

_Vade mecum_ (Go with me).--Constant companion.

_Vale_.--Farewell.

_Valet-de-chambre_.--A servant who assists his master in dressing.

_Veluti in speculum_.--As in a looking-glass.

_Verbatim_.--Word for word.

_Versus_.--Against.

_Veto_.--I forbid.

_Vi et armis_.--By force and arms.

_Via_.--By the way of.

_Vice_.--In the room of.

_Vice versa_.--The terms being exchanged; the reverse.

_Vide_.--See.

_Vide ut supra_.--See as above.

_Vis poetica_.--Poetic genius.

_Viva voce_.--By the living voice.

_Vivant rex et regina_.--Long live the king and queen.

_Vive la bagatelle_.--Success to trifles.

_Vive le roi_.--Long live the king.

_Vox et præterea nihil_.--A voice and nothing more.

_Vox populi_.--The voice of the people.

_Vulgo_.--Commonly.

PICA.

The name of a type, one size larger than Small Pica, and one smaller

than English. In Moxon’s time seventy-five Pica bodies measured a

foot. All the sizes of types larger than Canon, are named from the

number of Pica bodies contained in their depth, as Four Line Pica,

Five Line Pica, and so on indefinitely. Leads or space lines are also

cast to proportionate parts of Pica, as four to Pica, six to Pica, &c.

PICK BRUSH.

A hard brush with rather fine hairs; it is used to brush picks

or dirt out of a form, when working, and each press is generally

supplied with one.

PICKER.

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