CHAPTER XXXII.

THE OLD FORCES AND THE NEW IN THE ETERNAL CITY.

[Sidenote: An Audience with the Pope.]

Well, we have seen the Pope. Hearing that a body of Italian pilgrims

were to be received by the pontiff at the Vatican, and having assured

ourselves that the function was one which would involve no official

recognition of the Pope on our part, and that we should be merely

Protestant spectators, we gladly accepted the offer of tickets for the

audience, and, supposing in our simplicity that, as the reception was

set for noon, we should be sufficiently early if we went at eleven

o'clock, we drove up to the main entrance of the Vatican at that hour.

There was a great throng of people about the door, but our tickets

obtained for us immediate entrance along with a stream of other ladies

and gentlemen. The regulation attire for these functions is full

evening dress for gentlemen, while ladies wear black, with no hat, but

with a lace mantilla on the head. We first passed through a double line

of the famous Swiss Guards, in their extraordinary uniform of crimson,

yellow and black, designed by no less a person than Michael Angelo.

Then we were shown up the great stairway, and passing through a couple

of large rooms, one of which was adorned with Raphael's frescoes, we

found ourselves at the entrance of a long and spacious hall, already

densely crowded, as it seemed to us, but with a space kept open down

the centre between the rows of seats on either side. Looking down

this open space, we could see at the other end, on a slightly raised

platform, the pontifical throne, upholstered in red velvet, with

golden back and arms, effectively set in the midst of crimson hangings,

which swept in rich masses from the lofty ceiling to the floor.

Preceded by guards, we travelled the whole length of the hall, and

found, to our great gratification, that our seats were quite close to

the throne, so that we had an excellent position for seeing and hearing

all that was going on. We soon noticed that many of the hundreds of

people present, like some of us, had not observed the regulations as

to dress. Many others had. Mingled with the soberer attire of the

spectators, pilgrims and priests, we saw now and then a violet cassock,

as one bishop after another drifted in. Apart from these vestments,

there was no semblance of a religious gathering. It was more like a

social function, and the people were chatting gaily, the jolliest and

noisiest crowd being a group of young seminarians, prospective priests,

who occupied the same bench with us and the two or three nearest to

it. After we had been there an hour the great clock of St. Peter's

struck twelve. Instantly all the noisy young seminarians rose to their

feet and began to recite, in a lower, humming tone, their _Ave-Marias_

and _Pater-Nosters_. As soon as the reciting and counting of beads

was over, as it was in a minute, they struck in again with their gay

conversation. We had plenty of time to take it all in. The Pope is

always late, and it was an hour after the time fixed for the audience

when he appeared; but at last he did, and instantly everybody, men and

women, sprang up on the benches and chairs, frantically waving their

handkerchiefs and shouting at the top of their voices, "_Evviva il

Papa-Re! Evviva il Papa-Re!_"--"Long live the Pope-King! Long live the

Pope-King!"--the ablest performer in this part of the ceremony being a

leather-lunged young priest at my elbow, with a voice as powerful and

persistent as that of a hungry calf, and who made known his desire

for the restoration of the temporal power to the Pope with such energy

that the perspiration rolled down his fat face in shining rivulets.

I never heard anything like it except in a political convention or a

stock exchange. Accompanied by the Noble Guard, a body of picked men

renowned for their superb physique and clad in resplendent uniform, the

Holy Father was borne in on an arm-chair, carried by twelve men, also

in uniform. Occasionally he would rise to his feet with evident effort,

leaning on, or rather grasping, one arm of his chair, and bless the

people he was passing, with two fingers outstretched in the familiar

attitude that we have seen in the pictures. At such times the furious

acclamations, and waving of handkerchiefs, and clapping of hands,

would be redoubled. He passed within arm's length of us, a little knot

of Protestants, silent amid the uproar. It was a pitiful spectacle.

A pallid, feeble, tottering old man, with slender, shrunken neck,

and excessively sharp and prominent features, nose and chin almost

meeting--we now understood Zola's description: "The simious ugliness of

his face, the largeness of his nose, the long slit of his mouth, the

hugeness of his ears, the conflicting jumble of his withered features."

But out of this waxen face peered a pair of brilliant dark eyes, the

only sign of real vitality about him. When he had been carefully

lowered by the chair-bearers, and had taken his throne on the platform,

with his attendants ranged round him, the spokesman of the pilgrims

came forward and read an address, to which the Pope's amanuensis,

standing by his side, read a brief reply. Then the Pope pronounced the

benediction in a surprisingly clear voice, after which the pilgrims

were introduced individually, not all of them, but a certain number of

representative persons among them. These all knelt and kissed his hand.

When this ceremony was over the audience closed, and the Pontiff was

borne out as he came in, amid wild applause.

[Sidenote: The Pope's Last Jubilee in St. Peter's.]

On the third of March, while I was in Egypt, our party in Rome saw a

much more imposing ceremony than the one I have just described. Every

one has noticed how numerous the papal jubilees have been during the

last quarter of a century, every year or so seeing the celebration of

some jubilee of the Pope's official life. In twenty-one years he has

had no less than fourteen of them. Their frequency should not surprise

us when we remember that each of them turns a vast stream of gifts and

money into the papal treasury from every part of the world. One of my

correspondents writes me that for the celebration of March 3rd both

sides of the nave of St. Peter's were lined with pens or boxes, all

free except those near the high altar, and in the middle of the nave

a passage about fifteen feet wide was railed off for the procession.

"We drove to St. Peter's through a pouring rain about 7:45 A. M. The

building was already packed with people. It is estimated that there

were fifty thousand of us by eleven o'clock. We walked down the left

aisle and took our position at the base of a pillar, where we could

see the Pope as he entered from the right aisle. There we waited from

eight o'clock till after eleven. He was an hour late. Finally, we heard

the silver trumpets sounding from the gallery in the dome. His guards

preceded him, and other attendants bearing swords, maces and a cross.

The caps indicating the offices he filled before he became Pope were

carried on cushions by three cardinals. He was himself carried on the

shoulders of twelve men, dressed in rich red costumes. The Pope sat in

his red and gold chair, richly robed in white satin embroidered with

gold. He wore a crown of the same materials, white silk mits, and a

large ring. When he entered the nave he stood and blessed the people,

holding up two fingers. The music was fine. We heard the singing as it

came nearer and nearer, but as soon as the Pope appeared the people

broke into shouts, waving handkerchiefs, and making so much noise that

we could no longer hear the music. We left after five hours."

[Illustration: EDWARD VII. OF ENGLAND, AND VICTOR EMMANUEL III. OF

ITALY, IN ROME.]

Later in the season those members of our party who remained in Rome

while we were travelling through Egypt and Palestine, had very

satisfactory views of King Edward VII. of England and William II.,

the Emperor of Germany, on their visits to Rome. As they had seen the

Prince of Wales in London, and young Prince Edward, who will also be

King of England some day if he lives, and the other royal children

at Marlborough House, and as they have repeatedly seen King Victor

Emmanuel and Queen Helena, they have had unusual opportunities for

seeing for themselves whether the royalties are made of common clay. I

must say for them that they are stauncher than ever in their devotion

to the republican ideals of our own country. Their opportunities for

seeing these royalties were better than those enjoyed by most visitors

to Rome, because their rooms overlooked the palace and grounds of the

Queen mother, Marguerita, and King Edward and the Kaiser, like other

royal visitors to Rome, made it their first business to call on her.

She is still the most beloved woman in Italy.

[Sidenote: Our Quarters on the Pincian Hill.]

The location of our rooms was advantageous in many other respects.

They were high up in the southwestern corner of a tall building on

the Pincian Hill, so high that we could look clear across the city

to the Sabine Mountains. As soon as the sun rose over the eastern

hills he looked cheerily into our windows, and continued his genial

companionship with us till he sank into the Mediterranean at night. We

had selected the rooms with a view to this particularly, remembering

the Italian proverb that "When the sun goes out of the window, the

doctor comes in at the door." A room on the north side of a building

should never be taken. The Roman winter is short but sharp. We could

see snow on the mountains during nearly the whole of our stay, which

in the case of the majority of us was five months. Then, too, we were

close to the city wall, and to the gate which led out into the lovely

Borghese Gardens, "whose wooded and flowery lawns are more beautiful

than the finest English park scenery," where "the stone pines lift

their dense clumps of branches upon a slender length of stem, so high

that they look like green islands in the air, flinging down a shadow

upon the turf so far off that you scarcely know which tree made it";

where there are "avenues of cypress, resembling dark flames of huge

funeral candles, which spread dusk and twilight round about them,

instead of cheerful radiance"; and where ancient and majestic ilex

trees "lean over the green turf in ponderous grace.... Never was

there a more venerable quietude than that which sleeps among their

sheltering boughs; never a sweeter sunshine than that which gladdens

the gentle gloom which these leafy patriarchs strive to diffuse over

the swelling and subsiding lawns." Moreover, our quarters were within

so short a walk of the park on the Pincio (where the band plays every

afternoon, and where all Rome drives round and round the little circle

at the top), and of the terrace of the Villa Medici, that we were

drawn thither day after day to watch the picturesque groups of models

lounging in the wintry sun on the great flight of steps that lead

from the Church of Trinita de' Monti down to the Piazza di Spagna,

to muse over the Eternal City spread out below us, with the dome of

St. Peter's, in the distance, standing out against a sky of gold,

and, above all, to watch "the light that broods over the fallen sun."

Nowhere in the world, at least so far as my observation of it extends,

is this wonderful glow which suffuses all the western sky with crimson,

orange and violet lights after the sun goes down--nowhere else is this

afterglow at once so rich and so delicate as at Rome.

[Sidenote: The Sweep of History Seen from the Janiculan.]

But it is from the Janiculan Hill, on the other side of the Tiber,

that one gets the most comprehensive view of the city. Among other

things that take the eye from that commanding point there are three

hills which may be said to epitomize the history of Rome: on the east

the Palatine, where, as its name intimates, the palaces of the Cæsar's

stood, representing the culmination of the glory of pagan Rome; on

the west, the Vatican, where, as its name suggests, a prophet ought

to dwell, though I fear he does not, and where St. Peter's, with its

"insolent opulence of marble" and its colossal apotheosis of the

popedom, represents the culmination of the glory of papal Rome; and,

immediately in front, in the centre of the city, the Quirinal, where

Victor Emmanuel's royal house stands, representing the new government

of free and united Italy. From his windows in the Quirinal Palace, the

King can look across the intervening city to the windows of that other

palace where the relentless foe of his government lives, that vast,

luxurious "prison" of the Vatican, with its eleven thousand rooms, the

largest palace in the world, with its museums and libraries filled with

priceless treasures, and with its extensive gardens and grounds.

Zola has pointed out how persistent, through all these three periods

of Rome's history, has been that passion for cyclopean building, the

"blossoming of that ancient sap, peculiar to the soil of Rome, which in

all ages has thrown up preposterous edifices, of exaggerated hugeness

and dazzling and ruinous luxury." First, the pagan emperors set the

pace, and of their work we may take the Colosseum and the Baths of

Caracalla as specimens.

[Sidenote: The Colosseum and the Baths of Caracalla.]

"The Colosseum. Ah! that colossus, only one-half or so of which has

been destroyed by time as with the stroke of a mighty scythe, it rises

in its enormity and majesty like a stone lacework, with hundreds of

empty bays agape against the blue of heaven! There is a world of halls,

stairs, landings and passages, a world where one loses one's self amid

the death-like silence and solitude. The furrowed tiers of seats, eaten

into by the atmosphere, are like shapeless steps leading down into some

old extinct crater, some natural circus excavated by the force of the

elements in indestructible rock. The hot suns of eighteen hundred years

have baked and scorched this ruin, which has reverted to a state of

nature, bare and golden-brown like a mountain side, since it has been

stripped of its vegetation, the flora which once made it like a virgin

forest. And what an evocation when the mind sets flesh and blood and

life again on all that dead osseous framework, fills the circus with

the ninety thousand spectators which it could hold, marshals the games

and the combats of the arena, gathers a whole civilization together,

from the emperor and the dignitaries to the surging plebeian sea, all

aglow with the agitation and brilliancy of an impassioned people,

assembled under the ruddy reflection of the giant purple _velum_. And

then, yet further on the horizon, were other cyclopean ruins, the Baths

of Caracalla, standing there like relics of a race of giants long

since vanished from the world: halls extravagantly and inexplicably

spacious and lofty; vestibules large enough for an entire population;

a _frigidarium_, where five hundred people could swim together; a

_tepidarium_ and a _calidarium_ on the same proportions, born of a

wild craving for the huge; and then the terrific massiveness of the

structures, the thickness of the piles of brick-work, such as no feudal

castle ever knew; and, in addition, the general immensity which makes

passing visitors look like lost ants; one wonders for what men, for

what multitudes, this monstrous edifice was reared. To-day you would

say a mass of rocks in the rough thrown from some height for building

the abode of Titans."

[Sidenote: The Papal Passion for Terrestrial Immortality.]

Then the Popes, when they came to power, followed this pagan example,

moved by the same spirit of conquest, the same human vanity, the same

passionate desire to set their names on imperishable walls, and, after

dominating the world, to leave behind them indestructible traces,

tangible proofs of their passing glory, eternal edifices of bronze

and marble, to attest that glory till the end of time. "Among the

illustrious popes there has not been one that did not seek to build,

did not revert to the traditions of the Cæsars, eternizing their reigns

in stone and raising temples for resting-places, so as to rank among

the gods. Ever the same passion for terrestrial immortality has burst

forth: it has been a battle as to who should leave the highest, most

substantial, most gorgeous monument; and so acute has been the disease

that those who, for lack of means and opportunity, have been unable

to build, and have been forced to content themselves with repairing,

have, nevertheless, desired to bequeath the memory of their modest

achievements to subsequent generations by commemorative marble slabs

engraved with pompous inscriptions. These slabs are to be seen on every

side; not a wall has ever been strengthened but some pope has stamped

it with his arms, not a ruin has been restored, not a palace repaired,

not a fountain cleaned, but the reigning pope has signed the work with

his Roman and pagan title of 'Pontifex Maximus.'[19] It is a haunting

passion, a form of involuntary debauchery, the fated florescence of

that compost of ruins, that dust of edifices whence new edifices are

ever arising. And given the perversion with which the old Roman soil

almost immediately tarnished the doctrines of Jesus, that resolute

passion for domination, and that desire for terrestrial glory which

wrought the triumph of Catholicism in scorn of the humble and pure, the

fraternal and simple ones of the primitive church, one may well ask

whether Rome has ever been Christian at all."

[Sidenote: The Building Boom under the New Government.]

And, finally, the new government of Victor Emmanuel, for a time at

least, was caught in the same current, infected with the same mania for

building that seems to exhale from the very soil of the Eternal City.

As the popes had not become masters of Rome without feeling impelled

to rebuild it in their passion to rule over the world, so young Italy,

"yielding to the hereditary madness of universal domination, had in

its turn sought to make the city larger than any other, erecting whole

districts for people who never came." But, fortunately for Italy,

the old idea was not unmixed with newer and better ones. Their first

delirious outburst of huge building operations has been explained as "a

legitimate explosion of the delight and the hopes of a young nation

anxious to show its power. The question was to make Rome a modern

capital worthy of a great kingdom, and before aught else there were

sanitary requirements to be dealt with; the city needed to be cleansed

of all the filth which disgraced it. One cannot nowadays imagine in

what abominable putrescence the City of the Popes, the _Roma sporca_

which artists regret, was then steeped: the vast majority of the houses

lacked even the most primitive arrangements, the public thoroughfares

were used for all purposes, noble ruins served as store-places for

sewage, the princely palaces were surrounded by filth, and the streets

were perfect manure beds, which fostered frequent epidemics. Thus, vast

municipal works were absolutely necessary; the question was one of

health and life itself. And in much the same way it was only right to

think of building houses for the new comers who would assuredly flock

into the city. There had been a precedent at Berlin, whose population,

after the establishment of the German Empire, had suddenly increased

by some hundreds of thousands. In the same way the population of Rome

would certainly be doubled, tripled, quadrupled, for, as the new centre

of national life, the city would necessarily attract all the _vis viva_

of the provinces. And at this thought pride stepped in; the fallen

government of the Vatican must be shown what Italy was capable of

achieving, what splendor she would bestow on the new and third Rome,

which, by the magnificence of its thoroughfares and the multitude of

its people, would far excel either the imperial or the papal city." We

need not follow the melancholy story of this delusion. The boom had a

disastrous collapse, and the city was left full of vast, pretentious,

flimsy, deserted palaces. The best thing about them is that they are

perishable. The lesson, happily, was not lost on the men of the new

order in Italy, and they seem at last to have extricated themselves

from the toils of that miasmatic megalo-mania. The government is sane,

sound, conservative, proceeding with care and deliberation in its

upbuilding of the country, understanding the meaning of the proverb

that "Rome was not built in a day," and it has already given the

country more security and prosperity than it has enjoyed for many, many

centuries. If it can continue to maintain itself against the priests,

there is undoubtedly a bright future before Italy.

But can it maintain itself against the priests? I think so. Yet a

man would be blind indeed who could not see their number, power and

activity. Rome swarms with them. Speaking of the incredible number of

cassocks that one encounters in the streets, Zola says: "Ah! that ebb

and flow; that ceaseless tide of black gowns and frocks of every hue!

With their processions of students ever walking abroad, the seminaries

of the different nations would alone suffice to drape and decorate

the streets, for there are the French and the English all in black,

the South Americans in black with blue sashes, the North Americans

in black with red sashes, the Poles in black with green sashes, the

Greeks in blue, the Germans in red, the Scots in violet, the Romans in

black or violet or purple, the Bohemians with chocolate sashes, the

Irish with red lappets, the Spaniards with blue cords, to say nothing

of all the others with broidery and bindings and buttons in a hundred

different styles. And, in addition, there are the confraternities, the

penitents, white, black, blue and gray, with sleeveless frocks and

capes of different hue, gray, blue, black or white. And thus, even

nowadays, papal Rome at times seems to resuscitate, and one can realize

how tenaciously and vigorously she struggles on in order that she may

not disappear in the cosmopolitan Rome of the new era." Yes, Italy will

escape from the clutches of the papacy, but she will have to work.

There must be no relaxation of vigilance or energy on her part--or on

ours. For this multitude of young priests from every part of the world

spells menace for other lands besides Italy.

FOOTNOTE:

[19] On the Appian Way, beyond the tomb of Cecilia Metella, a marble

tablet has been placed, informing all men that here Pius IX. once ate

his lunch.

A Year in Europe · 第 32 / 35 章