NOTE ON PALAMON AND ARCITE.

It has probably often been remarked as somewhat curious, that Chaucer, in

describing the arrival of Palamon and Arcite at Athens, mentions the day of

the week on which it takes place:

"And in this wise, these lordes all and some,

Ben on the Sonday to the citee come," &c.

Nothing seems to depend on their coming on one day of the week rather than

on another. In reality, however, this apparently insignificant circumstance

is astrologically connected with the issue of the contest. Palamon, who on

the morning of the following day makes his prayer to Venus, succeeds at

last in winning Emelie, though Arcite, who commends himself to Mars,

conquers him in the tournament. The prayers of both are granted, because

both address themselves to their tutelary deities at hours over which these

deities respectively preside. In order to understand this, we must call to

mind the astrological explanation {132} of the names of the days of the

week. According to Dio Cassius, the Egyptians divided the day into

twenty-four hours, and supposed each of them to be in an especial manner

influenced by some one of the planets. The first hour of the day had the

prerogative of giving its name, or rather that of the planet to which it

was subject, to the whole day. Thus, for instance, Saturn presides over the

first hour of the day, which is called by his name; Jupiter over the

second, and so on; the Moon, as the lowest of the planets, presiding over

the seventh. Again, the eighth is subject to Saturn, and the same cycle

recommences at the fifteenth and at the twenty-second hours. The

twenty-third hour is therefore subject to Jupiter, and the twenty-fourth to

Mars. Consequently, the first hour of the following day is subject to the

sun, and the day itself is accordingly dies Solis, or Sunday. Precisely in

the same way it follows that the next day will be dies Lunae; and so on

throughout the week. To this explanation it has been objected that the

names of the days are more ancient than the division of the day into

twenty-four parts; and Joseph Scaliger has attempted to derive the names of

the days from those of the planets, without reference to this method of

division. His explanation, however, which is altogether geometrical,

inasmuch as it depends on the properties of the heptagon, seems quite

unsatisfactory, though Selden appears to have been inclined to adopt it. At

any rate, the account of the matter given by Dio Cassius has generally been

accepted.

To return to Chaucer: Theseus, as we know, had erected in the place where

the tournament was to be held three oratories, dedicated to Mars, to Venus,

and to Diana. On the day after their arrival, namely, on Monday, Palamon

and Arcite offered their prayers to Venus and Mars respectively, and

Emelie, in like manner, to Diana. Of Palamon we are told that--

"He rose, to wenden on his pilgrimage

Unto the blisful Citherea benigne"

two hours before it was day, and that he repaired to her temple "in hire

hour."

In the third hour afterwards,

"Up rose the sonne, and up rose Emelie

And to the temple of Diane gan hie."

Her prayer also was favourably heard by the deity to whom it was addressed;

the first hour of Monday (the natural day beginning at sunrise) being

subject to Luna or Diana. The orisons of Palamon were offered two hours

earlier, namely, in the twenty-third hour of Sunday, which is similarly

subject to Venus, the twenty-fourth or last hour belonging to Mercury, the

planet intermediate between Venus and the Moon. It is on this account that

Palamon is said to have prayed to Venus in her hour.

Arcite's vows were made later in the day than those of Palamon and Emelie.

We are told that

"The nexte hour of Mars following this,"

(namely after Emelie's return from the temple of Diana)

"Arcite unto the temple walked is

Of fierce Mars."

The first hour of Mars is on Monday, the fourth hour of the day; so that as

the tournament took place in April or May, Arcite went to the temple of

Mars about eight or nine o'clock.

Notes and Queries, Number 69, February 22, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 26 / 168 题